Sydney Northern Beaches’ very own hard-biting rockers C.O.F.F.I.N are announcing their fifth full-length studio album today entitled ‘Australia Stops’, the highly anticipated follow-up to their monumental ‘Children In Finland Fighting In Norway’ album from 2020. Due for release this coming September 15th via Bad Vibrations in Europe, the new album comes off the back of the band’s tour with Amyl and the Sniffers in 2022, and their recent UK tour dates in May.

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‘Australia Stops’ was recorded in January 2023 at The Pet Food Factory studio with producer Jason Whalley (Frenzal Rhomb) behind the desk. A record that showcases a collection of diverse and gripping new works that highlight the band’s evolution into more melodious, 1970’s Australiana and boogie rock and roll.

Frenzied, high-voltage guitars, thumping rhythms, flowing melody and clever, captivating lyrics exhibit an undeniable progression in composition and songwriting, while still unmistakably the C.O.F.F.I.N that fans world-wide have come to worship over their 18-year lifespan.

Following the release of previous single ‘Cut You Off’, C.O.F.F.I.N return today with a second chomp on ‘Australia Stops’ in new single ‘Give Me A Bite’. It’s the album’s opening track and comes out of the traps all guns blazing, tapping into their love of Detroit rock n’ roll and proto-punk.

“Throughout a chunk of the Covid lockdowns I was still working full time on construction sites and in the art department of film sets,” explains vocalist and drummer Ben Portnoy. “For weeks my Friday routine was to come home and blast this bootlegged Stooges LP from France. It was recommended and sold to me by Ray Ahn of the Hard-Ons who works at Utopia Records. It’s made up of piecemeal demos and blown-out jams by the band, all of which are bursting with amplified energy. I was really missing jamming with my friends and showing up to our sweaty storage unit/jam space in Brookvale with new inspiration from the week’s listening. Trying to resolve this, I got on the video chat with Aaron one Friday night and we did our best to nut something out that had a sense of that sound we love so much.

“What’s it saying?” continues Ben. “Well, you can only get for so long without giving …without giving me a bite.”

For those who are no strangers to the Australian highways, ‘Australia Stops’ may be best recognised as words donned on the back of truck mud flaps. To C.O.F.F.I.N, ‘Australia Stops’ are words that became a polysemous idea and observation on Australian society, culture, art, politics and progression. “When the city burns up you get out, when the flint hits shot you get down”, lyrics roared by Ben, a look into ‘idle-Australia’, our government action (or lack thereof) to social issues and the overarching notion of fear of change in this country.

While the theme ‘Australia Stops’ poses political questions and ideals, it also synchronously shines light on the eminence of community, the healthy beating heart of art and music, the beautiful landscapes and divergent nature surroundings held dear within Australia. With this, ‘Australia Stops’ is neither a fully positive or negative elucidation of this country. It is a celebration of the things we are lucky to have, while always trying to encourage and inspire those around us to try and do better.

‘Australia Stops’ will be released on Friday September 15th by Damaged Record Co (Clowns, Private Function, VOIID) in Australia, Goner Records (Eddy Current Suppression Ring, Jay Reatard, Ty Segall) in North America and Bad Vibrations (Los Bitchos, Crows, Baby Cool) in Europe.

Pre-order the album here: coffin.lnk.to/AustraliaStops

Social links: Facebook / Instagram

BANDCAMP https://coffin-aus.bandcamp.com/merch

Love em or loathe em you can’t ignore them.  We happen to love em so here you go you mongrels it’s Amyl & The Sniffers with ‘Some Mutts’

 

Next up we have the brand new video from Henrys Funeral Shoes ‘High Shoulders Everywhere’.  ‘Smart Phone Rabbit Hole’ is the album that it’s taken from which is Released everywhere on 20th September 2019

Finally, this haunting offering from The Prophets Of Addiction closes off this rainy days collection of new video releases

When I saw Aussie punks Amyl & The Sniffers live recently, singer Amy Taylor launched herself into an excited and sweaty pit to sing and mosh with her fans for the first of several times…the band had been on stage less than a minute.

Part Yolandi Visser, part Wendy O Williams, Amy Taylor is a tiny, platinum-haired Aussie whirlwind of fun. Along with her mullet sporting flatmates; Declan (guitars), Bryce (drums) and Gus (bass) whom she formed the band with back in 2016. They have steadily been making waves since writing, recording and releasing their debut EP in the space of 12 hours.

These waves have made it across continents since the vinyl release of their ‘Giddy Up/Big Attractions’ EP, culminating with the band recently touring the States and the UK to rave reviews and packed clubs.

 

They don’t fuck around when it comes to music and live they are a high-octane blast of energy guaranteed to incite riots. That riot-inciting attitude is captured perfectly on their debut, self-titled album.

Just look at that goddamn album artwork and tell me you don’t need a piece of that in your life right now? Imagine a mash of The Rezillos, The Dead Boys and X-Ray Spex covering The Breaking Glass soundtrack and you might get close to their sound.

No one is doing late 70’s punk right now with as much balls, as much energy and certainly with as much authenticity as Amyl & The Sniffers are.

 

‘Starfire 500’ is simply one of the best album openers of the year, what a track! It blasts from the speaker with a statement of intent, riding on some out-of-this-world  Ramones-a-like riff. In Sniffers terms it’s an epic beast; Amy’s distinctive, snotty vocals don’t even start until the 1 minute 30 mark.

It’s clear from the off that the band have taken things up a level and they have come a long way since that lo-fi debut EP. While the production has improved, the songs are still full of raw, undiluted garage rock goodness.

If Kylie had been mentored by GG Allin instead of Pete Waterman she would probably have come out with a song like ‘Gacked On Anger’, a furious diatribe set to a wall of fat distortion.

Previously released singles are present and correct. The brilliant ‘Cup Of Destiny’ has a hook that will embed itself in your brain instantly and album closer ‘Some Mutts (Can’t Be Muzzled)’ is like some anti ‘I Wanna Be Your Dog’. A “fuck you!” song to an ex about his new bird (or dog in this instance). Amy even throws in some choice “woof-woofs” for good measure.

The band bashes out 3 chord bangers like they were born to do it, with every track worthy of 7” release, like old school punk classics. ‘Monsoon Rock’ rides on a stabbing Dr. Feelgood style riff before descending into a power trip of Dead Boys proportions. The vocals spat with venom and the dirty guitars delivered with the power of a DC 10. The Stooges-like ‘Control’ is a chaotic, death trip jam, and ‘Angel’ is as close as the band gets to a love song…at least I think it’s a love song, but it sure ain’t no ballad, folks!

‘Got You’ sounds like an early Adam & The Ants b side. Riding on a rumbling bass line and a great chanting chorus, the lead vocals delivered with a most nonchalant punk rock attitude. The accompanying video features the boys in the band on leashes being walked by their singer. You gotta love it, and I have so much love for this tune right now.

 

Garage rock bands are two a penny, but Amyl and The Sniffers are the dirty penny you want to scrub up and keep for good. They have the tunes, the style and the attitude to match. They also have a growing fan base, a ferocious live reputation and now a killer album to boot. How can they possibly fail? An essential purchase.

Buy Amyl And The Sniffers Here

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Author: Ben Hughes