Exit International – Black Junk Ten Years On

Exit International – Black Junk Ten Years On
It’s September 17th 2011; the sun is shining, the birds are chirping and Exit_International’s debut album ‘Black Junk’ was released into the world, and boy was it ready for it.

The critically acclaimed (Kerrang!, RockSound, Alternative Press, The Quietus) Welsh Music Prize-nominated debut album turns 10 on September 17th of this year, and to celebrate their baby turning double figures, Exit_International will be remastering and re-releasing the album on limited edition 180gm coloured vinyl for the first time, also including three brand spanking new, never heard before bonus tracks.

With Black Junk Exit_International have managed to create an album that, a decade on, has still managed to retain all of it’s, erm, charm?  Still as shocking and hard-hitting now as it was 10 years ago, Black Junk is definitely not an album to take home to your Mother.

Since their formation in 2009, the dual bass-led three-piece have created their own brand of ear-shatteringly aggressive rock, whilst throwing in some singalong pop hooks for good measure.

Recorded with Carl Bevan (60 FT Dolls) at his home in a 72-hour chemical haze, their explosive debut Black Junk demonstrates just that. In a sound spectrum of their own, the band unapologetically shuns the use of guitars yet packs a double onslaught of bass into every bar for maximum carnage. Coming in at just over 30 minutes, this short, sharp shock of an album is an intense whirlwind of pummeling staccato bass riffs, brutal, pounding drums and salacious lyrics that are sure to make you blush. The exhilarating ride is topped off by Scott Lee Andrews whose voice effortlessly shape-shifts from ferocious screaming, sinister, demonic snarls and at times high pitched vocals that sound downright inhuman.

Speaking about the album’s re-release, bassist and vocalist Scott Lee Andrews says: “ ‘Black Junk’ still sounds to me as fresh as when we wrote and recorded it, we were not part of any scene and really doing our own thing. You can hear the absence of overthinking things. We wrote these songs really quickly – from what I recall it was on a rehearsal to rehearsal basis then gigging them to just tighten the performances. We spent 2/3 days in total tracking the songs with most of that time spent fixing broken studio gear with our producer Carl Bevan (Drummer of 60FT Dolls fame). Listening back reminds me how much we laughed and how fun that period was, with perfectly capturing that ridiculous lightning in a sonic bottle.  It really does capture the absurd aspects of our personalities as people. It’s a fantastic debut and I’m still so proud of it, and the doors it opened for us”.”

Pre-order now via Here /

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Richard Bacchus & The Luckiest Girls – ‘Viva La Wattage’ (Sioux Records)

Richard Bacchus & The Luckiest Girls – ‘Viva La Wattage’ (Sioux Records)

No, your right he doesn’t need any introduction and any self-respecting rock and rolla should know the guy’s pedigree.  He was one half of D Generation at a time when music was screaming out for Rock and Roll bands – real Rock and Roll bands and this guy slung his six-string around like his life depended on it and helped save Rock and Roll in the 90s. He left he came back and in between, he released his own album and managed to come to plague island and shake his shit for those of us cool kids who were in the know.  He’s had Sami Yaffa sling his four-string around and his Jet Black & Beautiful is one of my most treasured CDs.

Well, unknown to me or I might just have not been paying too much attention but ‘Viva La Wattage’ kinda just sneaked out into the ether and I had to get one of my stateside besties to pick up a copy for me and ship it over.  I don’t remember being this excited to spin an album in a long time.

 

There are a few tunes redone from previous outings and whilst they are neither better they are certainly no worse than previous offerings like the blistering ‘Pugnacious’.  With The luckiest Girls being Jimbo Britt on the Bass, Bill Eagan on Drums, Danny Ray on saxophone, Larry Burlison on guitar, and Lutie Cain on vocals this band make a pretty impressive noise and ‘Perfect Example’ is just that.

 

I love Bacchus’ vocals there is a dreamy quality to it that’s engaging and trusting Hell I’ve no idea why that is but it always feels good to hear his taking me on a lyrical adventure with a smirk on his lips and a cheeky glint in his eye no doubt.  The songs though,  the bloody songs. There is a Clash-like rugged charm about them especially the epic ‘Oh Brother’  its smokey late night down the LES and the saxophone is a great addition to the mix – man, it’s such a Noo Yawk saxophone even Johnny Thunders would have approved.  But Wait, What?  Flip it over and side two begins with the smoldering beast that is ‘Adios Muchacho’ where the Saxophone rules as it meanders through the cracks of the music being laid down by the band.  What a tune, No I mean it.  Sure as a writer maybe I should try harder to express how the song goes but I can’t.  It’s fair to say I love it so much I had to lift the needle to give this one a standing ovation once it finished. From the strummed acoustic and sax wheeze to Bacchus’ storytelling unfolds into a heaving beast of a late-night deal with it I’m smashed kinda song.

 

Bacchus understands what it takes to write Rock and Roll it must be coursing through his veins you can’t teach it you either have it or you don’t and these cats have it.  ‘The Luckiest Girl’ is a beauty, it’s the morning after the night before, and walking home at 7 am with a leather jacket over the shoulder and a pair of cool shades on its effortless cool that’s what it is. My only gripe is it’s only twelve songs and not more.

If you’re wondering if there is scope for some of that Bacchus ska tip well fear not kids ‘Goochi Boxer’ will service all your needs.  To close this one off there’s a ragged romp through ‘Bankrobber’  and why not?  All in all a bloody top-notch record but I expected nothing less but it is nice to know that some artists never let you down.  Don’t leave it so long to follow this one up please Mr. Bacchus.   Hurry to the link and secure your copy before they’re all gone gone gone because they say there are no more after this limited press.

 

Buy Here

Author: Dom Daley

Duncan Reid & The Big Heads get set to release live album

Duncan Reid & The Big Heads get set to release live album

On April 23rd Duncan Reid & The Big Heads release a live album via Bandcamp. The digital album features twelve of the finest power pop rock and roll you’re gonna hear anywhere.  Check out the trailer for a mouthwatering taste of what’s on offer and pre-order away! Here

 

“No one was meant to be there on 20 May 2018. Sweden were playing Switzerland in the Ice Hockey World final the night they played Akkurat in Stockholm. Yet, they packed in to see the band in the bar with more beers than anywhere else in the world. Listen and hear just how raw, energetic and good-looking we are. It will make you taller, more handsome, more intelligent and younger. All for £5!*”

 

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*(not factually accurate)

The Heat Inc. Release ‘Raptors’ for a debut single

The Heat Inc. Release ‘Raptors’ for a debut single
Armed with a venomous swagger The Heat Inc. release their debut single ‘Raptors’, a caustic slice of vitriolic rock’n’roll through Melted Dino Records.
 
On this scorching debut, The Heat Inc. have delivered a visceral thrill, with Alain Johannes (Queens of the Stone Age) hailing ‘Raptors’ as “a perfect rock song.”.
 
Describing themselves as a “Rock and Roll band”, The Heat Inc. recorded ‘Raptors’ in the RYP Recordings Studio in North West London, with Michael Smith (Elvis Costello) producing.

 

“So when I say I know rock ’n’ roll when I hear it, you best believe I know rock ’n’ roll when I hear it—and The Heat Inc. are good old-fashioned rock ’n’ roll, just like mother used to hate. You might have a good idea of how great The Heat Inc. sound—but don’t bother because The Heat Inc. are so cool they defy definition. There’s all kinds of heat. There’s the summer hot heat that’ll drive you crazy. There’s the in-ring heel heat that’ll get a wrestler over. And there’s the relentless hard heat that’ll track you down until you’re trapped. But ain’t none of them can compare to The Heat Inc you’re about to hear—and that’s not hyperbole, that’s a fact. Who you gonna believe, me or your own ears?”  exclaims Jeffrey Morgan – Creem journalist and biographer of Alice Cooper and Iggy & The Stooges.
 
The Heat Inc. is the suavest new band around and enough to make most God-fearing rockin’ rollers believe in miracles.
 
To purchase Raptors go to Bandcamp or Stream ‘Raptors’  Here
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