MANIC STREET PREACHERS ANNOUNCE NEW ALBUM & UK Tour Dates

MANIC STREET PREACHERS ANNOUNCE NEW ALBUM & UK Tour Dates

Manic Street Preachers return with their 14th studio album ‘The Ultra Vivid Lament’ on 3rd September 2021 released on Columbia/Sony and have announced a tour for this autumn. ‘Orwellian’ – the first track to be released (today – 14th May) – is classic Manic Street Preachers, dissecting the misuse of words against cascading, glacial melody.

Manic Street Preachers on Orwellian: “The track is about the battle to claim meaning, the erasing of context within debate, the overriding sense of factional conflict driven by digital platforms leading to a perpetual state of culture war. As with many songs on the record, it was written on the piano by James Dean Bradfield. Musically, it echoes ABBA, the majesty of Alan Rankine’s playing in the Associates and Talk Talk’s ‘It’s My Life’ with a Lindsey Buckingham guitar solo. It felt like the perfect sonic and lyrical introduction to ‘The Ultra Vivid Lament’.”

‘The Ultra Vivid Lament’ is both reflection and reaction; a record that gazes in isolation across a cluttered room, fogged by often painful memories, to focus on an open window framing a gleaming vista of land melting into sea and endless sky.

‘The Ultra Vivid Lament’s’ eleven tracks perfectly marry introspection, quiet rage and sublime, irresistible tunes. Those elements are there throughout, from the opening ambient hum of ‘Snowing In Sapporo’ to the galloping ‘The Secret He Had Missed’s’ push-and-pull duet imagining dialogue between Welsh brother and sister artists Augustus and Gwen John; via ‘Diapause’s’ sublime contemplation and ‘Happy Bored Alone’s’ stoic wishful thinking.

Musically, ‘The Ultra Vivid Lament’ is inspired by a formative years record box (ABBA, post-Eno Roxy, the Bunnymen, Fables-era REM, Lodger) though the end result could only be the unique union of James Dean Bradfield, Nicky Wire and Sean Moore, collectively one of the UK’s most consistently brilliant rock’n’roll bands for over three decades.

A departure from their last release (2018’s Resistance is Futile), ‘The Ultra Vivid Lament’ is the first Manic Street Preachers album initially conceived on piano rather than guitar. It was recorded over winter 2020/21 in Wales at Rockfield in Monmouth and the bands’ Door to the River studio in Newport with long-time collaborator Dave Eringa (The Who), before being mixed by David Wrench (Blossoms, Frank Ocean, Arlo Parks). The album features two guest vocalists: Julia Cumming (Sunflower Bean) on ‘The Secret He Had Missed’ and Mark Lanegan on ‘Blank Diary Entry’. There are exclusive signed copies, picture disc vinyl and cassette on the official store, an exclusive version of the vinyl with alternate artwork available at HMV and an exclusive yellow version of the vinyl on Amazon.

Following Manic Street Preachers longest enforced break from playing live, the group will take the album on a 14 date cross-country tour. Prior to these dates, they play some previously announced festival shows. Support on all headline shows comes from The Anchoress (except Wembley).

Pre-order ‘The Ultra Vivid Lament’ from the official store (https://manicstreetpreachers.lnk.to/store) to get early access to tickets for the tour, with a pre-sale starting on Weds 19th May at 10am. Tickets go on general sale on Friday 21st May at 10am – further details here.

Manic Street Preachers – The Ultra Vivid Lament // Columbia/Sony – 03/09/21

UK Tour Dates

Newly Announced

26 September, Newcastle, City Hall
28 September, Edinburgh, Usher Hall
29 September, Dundee, Caird Hall
 1 October, Stoke On-Trent, Victoria Hall
  2 October, Manchester, Apollo
  4 October, York, Barbican
 5 October, Glasgow, Barrowlands
 7 October, Leeds, Academy
  8 October, Portsmouth, Guildhall
10 October, Bournemouth, Academy
11 October, Cambridge, Corn Exchange
13 October, Bath, Forum
14 October, Bristol, Dome
  3 December, London, Wembley Arena

Previously Announced

16 July, Cardiff, Arena (NHS workers show)
17 July, Cardiff, Arena (NHS public show)
30 July, Pikehall, Y Not Festival
7 August, Linlithgow, Party At The Palace
29 August, Alcester, Camper Calling Music Festival
10 September, Halifax, Live at Piece Hall
18 September, Jersey, Electric Park Festival

Singles Club – The Light At The End Of The Tunnel

Singles Club – The Light At The End Of The Tunnel

OK, so April is well underway and we pay a visit to the singles club as we’ve ad a few belters that need to be spun.  Its like London busses, when you wait for ages a whole bunch turn up at once  well.  The Singles Club is like that.

 

Chubby & The Gang – ‘Lightning Don’t Strike Twice’ (Partisan Records) London punks Chubby & The Gang are back with a no-holds-barred thunder in a bottle of pub Rockin blues based punk rock. Picture a bit of slide for a prelude before a quick drum roll that’s like a fumble around the back of the disco before the two litres of bow kicks in and its onto the dance floor with your mates because the DJ is playing Sham 69. Chubbys not fucking about with his gang as they knock out an infectious couple of minutes of noise that just burrows down inside your ear and stays put.  Can’t wait for the new album?  This will have to do…for now. Chubby ain’t going to lose on this evidence he’s a winner and I don’t think he should ever have doubted it.    We’ll run the news with the video later in the week along with links for where you can get your grubby mitts on this bad boy!

 

The Lancasters – ‘Scallywag’  (Fuzzy Cracklins Presents (CA))  Italian rock and rollers release a new video for the single ‘Scallywag’.  ‘Scallywag’ talks about the lies that people accept as words of truth, superstitions and other inaccuracies perpetuated by the media, the internet, and other scallywags.  From the video, you can hear the band have an ear for the likes of The Kinks and a bit of Dave Edmunds and even some McCartney going on here.  With a decent tune the band aren’t to be confused with the Oi! band of the same name.  This is a good time slice of rock and roll – enjoy it!  Grab it here

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Dinosaur Jr. ‘Garden’ (Jagjaruwar)  A second taster of the wizardly trio’s new album, ‘Sweep It Into Space’ (co-produced by the band and the inimitable Kurt Vile), ahead of it landing in a few weeks’ time.  This time out it’s ‘Garden’ getting an airing, which ranks among the finest Lou contributions to a Dinosaur Jr. record, a soaring, breezy ballad with soft guitar filigree that builds into a wholesome song that never gets out of hand and remains a heartfelt charming song and another great reason to preorder the album.  Lou sings on two of the songs off the new album with ‘Garden’ being one of his strongest offerings to date. check out the video here. Excited much?

 

 

Ravagers – ‘Down The Road’ (Spaghetty Town Records)  Another new track from the much anticipated long player (due September) from Baltimore’s finest.   Ravagers wisely used their downtime to decamp to record in Atlanta with Tuk Smith and Dan Dixon where they used their collective skills to hone the Ravagers into the lean fighting machine that we hear today on this single.

The song has a polished edge that wasn’t present on previous offerings and maybe that’s what they needed making them more assessable to the masses.  This has a great hook on the chorus and is short but oh so sweet more aggressive than ‘Nasty Night’ but its the second slice of Rock and Roll and a sidestep from the previous release which makes a mouth-watering proposition for the new album. Its littered with rock and roll diamonds glistening with every lick and pounding drum beat.  Get an earful of this and get September in yer diary as Ravagers new album month.

Spaghetty Town Facebook / Big Cartel 

 

 

Atomic Eater / Kool & The Gang Bangers – ‘Split’ (Helvetes Kitchen/No Front Teeth)  It was a no brainer that this slice of Scandi Punk would come out on NFT its the perfect fit, to be fair it’s lo-fi not no-fi with some added drum machine action to accompany the swirling synths.  They have a sound that’s a perfect fit for NFT Records and behind that scratching guitar that’s driving this hypnotic tune from start to finish is a really good song.  As for Kool & The Gang Bangers, it’s again a lo-fi extravaganza of abrasive guitars and crash band wallop then they were gone.  You know where to go for this split if not then head over to Bandcamp.  It’s short but oh so sweet!

 

 

 

 

DeeCRACKS – ‘Lost In The Middle’ (Pirates Press)  A most excellent song from Europes finest.  Its not as rapid as I was expecting and slowing down the attack has ‘Lost In The Middle’ coming across as more Rocket From the Crypt rather than The Ramones and its a really good tune for it. Pick up the album here

Bandcamp

 

Venomous Pinks – ‘Based On A True Story’ (Self Released)   Tracks taken from the bands Bridge City Sessions. Arizona punk rockin trio sound fantastic like the Ramones meets L7 with a whole bunch of attitude that seems like it’s well suited to the live session arena and seeing as they have a liking for TSOL in their press kit it was a no brainer for me.

 

Head over to iTunes Here or Spotify Here and save this cracker.  The lead track is indeed a take on the Joan Jett track but they amp it right up and give the original a damn good run for its money.

 

 

The Automatics – ‘Shine Everlasting’ It’s an uplifting track taken from the album’ A Grand Swandive Into The Void’  The band host an impressive back catalogue of old school punk n roll with catchy powerpop hooks and ‘Shine Everlasting’ is a great example of what they can deliver.  check out the video and their impressive back-catalogue over on www.theautomatics.co.uk.  they’ve been around for several decades and some and were regulars back in the day at venues like The Marquee Club when it was on Wardour street

 

HUMAN FAILURE – ‘Barbed Wire State’ (Riot Records)  Of course they’re punk as fuck – with a name like human Failure and singing about barbed wire states it’s like 82 never happened.  But from the bass rumble and caustic riff its howling feedback and raw vocals is always a winner. 

The bands upcoming ‘Urchin EP’ begins with a flat-out hardcore that’s done in the blink of an eye or 30 seconds, starting the EP with a bang and giving a taste of what’s to come. It then opens up to more melodic and metal flavours and ends with driving hardcore punk.  Check out these Australian noise bringers Here

Pre-order/pre-save ‘Barbed Wire State’ HERE

 

Jesse Malin – ‘The Way We Used To Roll’  (Wicked Cool Records)  Saving the best till last here’s the new one from the inimitable Jesse Malin  Available now on Wicked Cool Records Here

A laid back mid-period Stones like number sees Malin not waiting on a friend but forging ahead on his own.  Some great interplay going on here with a fantastic arrangement bring on a new album we need it!  ‘Time Runner’ is another with that Jesse Malin swagger going on upbeat and thoroughly enjoyable over and over again.

 

 

BOB MOULD ANNOUNCES SECOND DISTORTION VINYL BOXSET

BOB MOULD ANNOUNCES SECOND DISTORTION VINYL BOXSET

9LP DISTORTION: 1996-2007 BOX RELEASED JAN 22nd 2021 ON DEMON

 

TWO FURTHER VINYL BOXES TO ARRIVE IN 2021

8LP DISTORTION: 1989-1995 & 24CD DISTORTION: 1989-2019 BOXSETS BOTH OUT NOW

On January 22nd, 2021, Demon Music Group will release Distortion: 1996-2007, the second of four vinyl boxsets chronicling the solo career of legendary American musician Bob Mould. It follows hot on the heels of the recently released 8LP Distortion: 1989-1995 boxset, which took in Mould’s early solo outings as well as his records with the much-beloved Sugar, and the 24CD Distortion: 1989-2019 box, which covers the entirety of his post- Hüsker Dü output.

Distortion: 1996-2007 takes in six studio albums across nine LPs: Bob Mould (1996), The Last Dog and Pony Show (1998), modulate. (2002 – first time on vinyl), Long Playing Grooves. (2002 – first time on vinyl), Body of Song (2005) and BLOWOFF (2006 – first time on vinyl), as well as a new compilation Distortion Plus: 1996-2007 which features an array of bonus tracks including the demo version of ‘Dog on Fire‘ (the theme from The Daily Show), B-sides and other rarities, pressed on clear vinyl.

As with the previously released Distortion: 1989-1995, each album in the set has been mastered by Jeff Lipton and Maria Rice at Peerless Mastering in Boston and is presented with brand new artwork designed by illustrator Simon Marchner and pressed on 140g clear vinyl with unique splatter effects. The boxset includes a 28-page companion booklet featuring liner notes by journalist Keith Cameron, contributions from Death Cab For Cutie‘s Ben Gibbard and Best Coast‘s Bethany Cosentino, lyrics, memorabilia and much more. An exclusive indie edition limited to 750 copies worldwide also includes a 12″x12″ screen-print of the new modulate. album cover hand signed by illustrator Simon Marchner and Mould himself.

 

“It’s called Distortion because it describes the music and it fits the world we live in,” says Mould of the boxsets. “In this new age, everybody shares their life in real time. But I’m not done yet. If I didn’t have a constantly active career, this anthology might feel like the proverbial dirt landing on top of my coffin — though somehow I seem to be able to crawl my way out of the dirt every time!”

2021 will see two further vinyl Distortion boxsets covering the years 2008 to 2019 rounding out a year-long celebration of one of the most storied, creative and consistent voices in the American underground. As Cameron offers:

“In 1989, Bob Mould was already a renowned figure, thanks to his trailblazing work with Hüsker Dü: the Minneapolis trio which refracted ’60s pop melody through the discord of hardcore punk, creating a new language that Pixies and Nirvana would subsequently teach the world to sing. With his debut solo album Workbook, however, Bob Mould amazed his audience with its pastoral beauty and contemplative tone.

“It would be the first in an ongoing series of artistic transformations, each profoundly shaped by Mould’s sensitivity to his environment. In 1992, he formed Sugar, a band whose debut album Copper Blue earned both critical plaudits and a long overdue popular dividend. Just three years later, with Sugar at its commercial peak, Mould ended the band and made a self-titled solo record mapping the most nakedly personal path down a road already hallmarked by unsparing self-expression. He shocked then confounded fans by announcing his retirement from rock music in 1998 and re-emerging in the new century as an experimental electronica artist and successful DJ, whose club night Blowoff became a phenomenon across the US. By the end of the ’00s, Mould had found a harmonious accommodation between his musical selves, and in 2012 released the catalytic Silver Age, made with his latest power trio configuration, and heralding a resurgent decade. A succession of albums up to 2019’s Sunshine Rock followed, each one a real time/real life distillation of fearless artistic vision and a master craftsman’s skill.”

Discover more about the boxsets including full tracklistings and FAQs Here

The 9LP Distortion: 1996-2007 boxset is released Jan 22nd, 2021, via Demon Music Group. The 24CD Distortion: 1989-2019 and 8LP Distortion: 1989-1995 boxsets are both available now. Keep your eyes peeled for two further vinyl boxsets later in 2021.