Following 2019 comeback album ‘Angel In The Flames’ former English Dogs and Prodigy guitar slinger Gizz Butt takes us back in time with a couple of curios from the Janus Stark archives that he has made available on CD, limited to 200 copies each, all hand-numbered. Both albums are actually a collection of demos, the first ‘Rewind To A’ is the full demo version of Janus Stark’s debut album ‘Great Adventure Cigar’ released back in 1997, and the second ‘Chez Wrong’, the lost follow-up album demoed in 2002.

Both albums come with 16-page booklets and extensive liner noted from Gizz explaining the history and background of each song and the circumstances surrounding the writing and recording of each.

 

If you are familiar with ‘Great Adventure Cigar’ then ‘Rewind To A’ is a good place to start and an interesting listen. These demos are the sound of a band finding their feet and finding their sound. Following the name change from English Dogs and guitarist Gizz stepping into the frontman role, the band trade in the punk sound for a more commercial, pop/punk feel.

During the time period these songs were demoed (1996-97), Gizz was playing guitar with The Prodigy on the ‘Fat Of The Land’ tour, and this influenced his songwriting. Utilising multi-effect processors, Gizz experimented with Dance music and it spawned some interesting tunes that veer in a different direction to the sound Janus Stark would eventually pursue. ‘Frayed Edges Of Sanity’ is a dark, trippy ride through the songwriter’s mind and a departure from the po/punk/ that would prevail on the debut. The following ‘Only One Can Know Me’ is more experimental, Prodigy style breakbeats and pulsating bass verse that leads to descending chords and a trademark Gizz melody.

Elsewhere. The thrashy blast that is ‘Wedding Bells’ is actually an old Desecrators tune. While it’s a fun run through, the hardcore style didn’t really fit the direction the band were heading.

‘200 Duty Frees’ though, did make the album. This version is a bit more dancey, yet it still has those full distorted guitars. Sonically, as with the other tracks that finally made the album, the songs benefit from a sweet production. ‘Every Little Thing Counts’ still sounds immense even in demo form, even if the extra verse throws me off for a second or two. It’s a perfect example of how a producer cuts the fat from a demo and makes it the song it should be.

For me ‘Great Adventure Cigar’ is up there with the great albums of the late 90’s Brit Rock movement and this collection is a great insight into the development of a band who should’ve got more attention at the time.

‘Chez Wrong’ is considered the lost Janus Stark album, the sophomore album that never was. These are the final demos from 2002 at a time when the band were shopping for a new record deal. Written during tough times, it’s a heavier, more edgy collection of songs influenced by the changing musical climate and the changes within the band.

The band had been touring heavily across Europe with Die Toten Hosen and Fear Factory while these songs were formed, and the likes of Slipknot and System Of A Down were the darlings of Kerrang! And MTV. These influences are evident from the off on the crunchy ‘Near Extinction’, a riff heavy beast that channels feelings of despair and struggle and maybe pre-empting the demise of the band.

The killer opening riff of the title track brings to mind Metallica before descending into more melodic sections and an uplifting chorus that harks back to the punk/pop of the debut. With its arpeggios and jarring riffage, the Nu Metal tinged ‘Paralysed’ could be a Papa Roach outtake.

Elsewhere the fiery ‘Back To Live’ and the brutal ‘The Child Deserves A Life’ are quality highlights. The band only take the time to breathe on the atmospheric closer ‘Empty Chair’, a song that shows a different side to the band with some cool, effect-ridden guitars and cool beats. It’s an album highlight and a great song to bow out with.

 

 

These 2 releases stand tall on their own as albums and also serve well together as the perfect accompaniment to ‘Great Adventure Cigar’. They help to tell the full picture of Janus Stark at the turn of the century before the band split and descended into the wilderness years.

‘Rewind To A’ shows the development of a band with new ideas and experimentation, including songs that for whatever reason, didn’t make the final cut, but are still worth your hard-earned cash.

‘Chez Wrong’ is the sound of what could’ve been. It shows a band on the edge, changing with the times and fighting a (losing) battle to survive. Strangely, even though it covers line-up changes and personal upheaval, I feel it’s the more cohesive of the two albums.

It’s also worth noting both albums are available to purchase directly through the Time & Matter Store as a package deal for 15 notes with an additional free four track digital EP of unreleased tunes. Now, if that’s not a bargain, I don’t know what is!

 

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Author: Ben Hughes

 

 

 

 

 

 

 

Back in the late nineties, I had a cassette in my car with all the best songs from the cover-mounted CDs that Kerrang! Magazine gave away. The first song on side 1 of that TDK C90 was ‘Every Little Thing Counts’ by Janus Stark, possibly the most pedal to the metal, anthemic opener anyone driving a Vauxhall Nova could desire back in the day!

Formed by former English Dogs/UK Subs guitarist Gizz Butt, Janus Stark released their mighty fine album ‘Great Adventure Cigar’ in 1997 on Earache records, at that time Gizz was also playing guitar for The Prodigy while they were touring on the back of ‘Fat Of The Land’.

Of course, all good things must come to an end and even something as great as an adventure cigar is not made to last, and Janus Stark sadly split in 2002. Fast forward to 2018 and Gizz decided to reform the band, roping in Richard Gombault of 90’s pop-punk band Midget and friends Fozzy Dixon and Simon Martin. A recent tour with The Wildhearts and The Professionals followed and this leads nicely up to the highly anticipated release of their first album in way too many years entitled ‘Angel In The Flames’.

 

The thing that sets Janus Stark apart from their contemporaries is the fact that Gizz is a shredder. While ‘Angel In The Flames’ is littered with turn of the Century pop punk sensibilities, buzzsaw guitars and full band harmonies, there is a more technical and aggressive element in place thanks to Gizz’s guitar histrionics. Yet, while the lyrics are socially and politically aware, and the riffs crunchy, it’s the melodies that always shine through, they are pure sugar for the soul.

The topical opener ‘Crucify All The Leaders’ sets the scene nicely with harmonies and melodies straight out of the Eureka Machines songbook and sweet picking to match the likes of Vai and Satriani. ‘Last Exit To Change Your Mind’ builds nicely with a cool melody to a signature Gizz Butt chorus that embeds straight into the brain. A power punk chorus that reminds me of Brit Rock contenders Compulsion.

These comparisons continue through the album. Punchy, anthemic choruses abound in the likes of ‘Dead Dead’, and while the 80’s metal riffage that opens ‘Karmageddon’ could easily be mistaken for Quiet Riot or Ratt, that is where any Sunset Strip comparisons end. The melodic hardcore and post-punk roots of the songwriters here shine through and save the day.

‘Some Stars Never Fade’ has great songwriting and sentimentality that bring to mind another long lost nineties favourite of mine Mega City 4. There’s great song dynamics as the chilled verse builds beautifully over picked chords to a rousing, yet passionately delivered chorus that sends shivers down the spine. A killer solo is over in a flash and we return to the anthemic chorus hook. It’s beautifully delivered and a lasting album highlight.

 

2020 is shaping up nicely for the band with a return to live-action that will see Janus Stark travel the length and breadth of the UK through February, March and April for a headline tour of their own. They will surely come within spitting distance of your comfortable abode, so my advice to you is buy this album, dig its glorious sonic sounds then buy a gig ticket… you can thank me later.

Author: Ben Hughes

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