Los Angeles, CA (23rd April 2019) – “People are going to herald this as one of the best albums of the year.” That’s what SiriusXM radio host Larry Flick said about TENDERNESS, the upcoming solo album from Guns N’ Roses Duff McKagan. “This is Americana-Duff McKagan,” says Flick. “It’s not what you expect.”

 

Produced by (and featuring) recent Grammy winner Shooter Jennings, TENDERNESS (UME) is released on the 31st May 2019. McKagan is giving fans another sneak peek at the much-anticipated record with the release of its closing track, “Don’t Look Behind You” – click HERE to listen.

 

“’Don’t Look Behind You’ was truly inspired by a sense of peace that washed over me after a few months of turning off the TV and social media,” says McKagan. “It was also inspired by the sense of real community I felt while traveling and talking to people around the world on tour during this somewhat tenuous time. This period of sturm und drang will indeed pass. The song seemed to be the final summation that rang loudly from the topics on Tenderness.”

 

“The recording sessions for this album also saw us re-assemble, for the first time since the Use Your Illusion recordings, The Suicide Horn Section, featuring my brother Matt McKagan on trombone, the great Chuck Findlay on trumpet, and the impossible Brian Scanlon on sax,” he adds. “On the very last day of recording, they came down to the studio and laid down the amazing horn lines for ‘Don’t Look Behind You.’ I’ll never forget the culmination of Matt and The Suicide Horns mixed with the Waters singing group sending this song and album out, as Shooter and I just watched it all with goosebumps.”

 

“Don’t Look Behind You” follows previously released songs “Chip Away” and title track “Tenderness” and all three are available as instant downloads by clicking HERE to pre-order TENDERNESS ahead of its 31st May release.

 

TENDERNESS sees McKagan reflecting on his experiences traveling the globe over two and a half years on Guns N’ Roses’  Not In This Lifetime tour.  Encountering heartbreak, anger, fear, confusion and divide on his travels during this tumultuous time in our world history, McKagan channeled a collective hurt into songs of monolithic power.

 

“We’re becoming divided at a time when we need each other most,” says McKagan. “When huge industries get replaced because of modernization, it’s time to retrain and bolster up those who get swept aside. Homelessness and drug addiction are avoidable in this country if we come together and get private and public cogs turning together in a positive direction. We can at least try to tackle mental illness while we’re at it. But alas, we stump and lie, point fingers and divide. We’re way better than this.”

 

With that in mind, McKagan has created a campaign that puts the album’s themes into action and he’s inviting fans to join him in an effort to give support to organizations doing great work. Those include Seattle’s Union Gospel Mission320 Changes Direction, and To Write Love on Her Arms, among others. For more information, please visit propeller.la/duff.

 

McKagan, backed by Shooter Jennings and his band, will be taking these songs on the road for a North American tour that kicks off on 30th May at TLA in Philadelphia. Announced today is a full European tour, below in red, that begins on the 22nd August in Poland. Tour dates are as follows:

DUFF McKAGAN

FEAT. SHOOTER JENNINGS

 

Thursday 30th May 2019​​TLA, Philadelphia, PA USA

Friday 31st May 2019​​​City Winery, Washington, DC USA

Saturday 1st June 2019​​City Winery, Boston, MA USA

Monday 3rd June 2019​​Irving Plaza, New York, NY

Thursday 6th June 2019​​Thalia Hall, Chicago, IL USA

Saturday 8th June 2019​​Cannery Ballroom, Nashville, TN USA

Monday 10th June 2019​​Historic Scoot Inn, Austin, TX USA

Thursday 13th June 2019​​El Rey, Los Angeles, CA USA

Friday 14th June 2019​​​Great American Music Hall, San Francisco, CA USA

Saturday 15th June 2019​​Aladdin Theater, Portland, OR USA

Sunday 16th June 2019​​Showbox Presents, Seattle, WA USA

Thursday 22nd August 2019​​Stodola, Warsaw POLAND

Friday 23rd August 2019​​Astra, Berlin GERMANY

Saturday 24th August 2019​​Blue Moon Festival, Amsterdam HOLLAND

Monday 26th August 2019​​Gloria, Cologne GERMANY

Tuesday 27th August 2019​​Alte Feurwache, Mannheim GERMANY

Thursday 29th August 2019​​Islington Assembly Hall, London UK

Saturday 31st August 2019​​Electric Picnic Festival, Dublin EIRE

Sunday 1st September 2019​​Manchester Academy 3, Manchester UK

Tuesday 3rd September 2019​​Le Trabendo, Paris FRANCE

Wednesday 4th September 2019​Ancienne Belgique, Brussels BELGIUM

Friday 6th September 2019​​Dynamo, Zurich SWITZERLAND

Sunday 8th September 2019​​Santeria Club, Milan ITALY

 

European headline dates go onsale at 9am GMT Friday 26thApril 2019.

For tickets please see www.livenation.co.uk

 

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Well, we don’t want to always be reporting sad passings of Rock n Rollers we love sometimes we should celebrate some of the good guys who’ve had a big influence on what we’ve listened to over the years so today we’re celebrating the Birthday of Jeffrey Dean Isbell born on this day in 1962 in  Lafayette, Indiana to an engraver and phone company worker.  His folks divorced when he was just eight years old.

 

His first instrument was a drum kit after he was influenced by his grandmother and this led him to form a band with a guy named William Bailey (W Axl Rose) which was the beginning of a magical journey that was to see the pair become two fifths of the biggest band in the world at the time. In 1980 he moved to California and formed a punk rock band.  By ’83 Isbell had left the drums behind and moved onto bass and ultimately the electric guitar it was around this time he reacquainted himself with Rose and wrote ‘Reckless Life’, ‘Anything Goes’ and ‘Shadow Of Your Love’ three of Guns n Roses best songs as it goes and ones that have stood the test of time. Hollywood Rose morphed into Guns N Roses and the rest, as they say, is history. Stradlin was always considered the cool Keith Richards like member of Guns and its believed to have been the driving force for their better songs.  ‘Sweet Child O’Mine’, ‘Paradise City’ and ‘Patience’ to name a few. After the phenomenal success of Appetite Stradlin sobered up (allegedly) and by the time the band reconvened to push Use Your Illusions one and two he was losing interest.  Still, he was responsible for the best songs on the albums with the likes of ‘Dust n’ Bones’, ‘Don’t Cry’ and ’14 Years’ Stradlin in true Rock and Roll fashion upped and fucked right out the door never to return. 

It wasn’t the last of him of course as we got the magnificent Ju Ju Hounds album as well as a string of less successful albums throughout the ’90s a few of which were only released in Japan and then some only via the internet or Itunes but if you wanted to investigate he was still writing excellent rock and roll albums no bloated rock operas for Izzy just good honest three minute rock and roll tunes.

 

He has since cropped up contributing to Velvet Revolver but declining the offer to join the band permanently then in 2006 he got up with his former band and played a couple of tunes at a show in New York City.  A year later he released two albums in twelve months the excellent ‘Miami’ only through iTunes then at the tail end of the year he knocked out ‘Fire’ and acoustic album which took his output to an impressive eighth album. There were a further two Internet-only albums by 2010 before he played on the debut solo album from Slash before blowing out the Rock and Roll hall of fame when the band was inducted and the attention-shy songwriter had Duff read out a prepared press statement.  He then refused to join the reformed Guns N Roses due to the money not being shared equally between the band and I’d like to think without Adler in the engine room it wasn’t really a Guns N Roses reunion, was it?  with only three-fifths of the line up reforming so again good on Stradlin’ for sticking to his guns (no pun intended). He also refused to join the band onstage after turning up for soundcheck at a show but it was never confirmed if it was the show that Adler played a couple of classic tunes on.

So, right up to the here and now Izzy remains active in Rock n Roll having cropped up on the last Mellencamp album guesting on ‘Grandview’ so who knows whats next – Me I’d love to see him do a few club dates in the UK with the Ju Ju Hounds and play that debut album in full now that would be something really special.  Izzy if you’re out there get in touch RPM Online loves ya and wishes you a Happy Birthday.

Buy Izzy Stradlin Music Here

Also on this day Donita Sparks,  L7 was born in 1963.  Happy Birthday, Donita.

Bass legend and pioneer of the “This bass is gonna fuck my back up its so heavy club” Pete Overend Watts passed away on this day in 2017.  Pete was the bass player in Mott The Hoople and not afraid to don a pair of stack-heeled, thigh high boots and play a weird bluebird headstocked bass that more than likely weighed a tonne. He also made the Gibson Thunderbird his weapon of choice.

Watts was born in the Midlands in 1947 and joined Mott The Hoople at the start and played on ‘Mott The Hoople’ in 69 and everything until ‘The Hoople’ in 74.  he remained in the band when they went to being called Mott then subsequently British Lions for their two albums. As well as his playing career Pete also turned his hand to production and co-produced ‘Back To Mystery City’ for Hanoi Rocks

He died at the age of 69 from throat cancer.  Rest in peace Pete RPM loves Mott The Hoople and now seems a good time to pay tribute to Pete and his band with a classic video.

So as it’s not all sad news today is the birthday of Steven Adler formerly the guy responsible for Guns N Roses swing and groove when they were a top rock n roll band and not just another hard rock act.  Shame that anyway, Happy Birthday Steven. or should we say, Michael Coletti. Age 53. Keep on rockin fella.

Also born today – Michael Hutchence and Malcolm McLaren both sadly also passed. To celebrate Mr. Adlers birthday here’s a video from when Guns N Roses were half tidy.

Ben Hughes

 

I wear my Junkyard t-shirt with pride. I saw them back in the day and I saw them last year at Hull Hair Metal Heaven, albeit with a 26-year gap. Now I get to see them do an actual headline set at my local venue, just a short walk from my house, 27 years since first seeing them open for The Almighty.

Over here as support to Blackberry Smoke by personal request of singer Charlie Starr shows the respect these Hollywood veterans have in certain circles and rightly so. Lumped in with the late 80’s glam scene, they were always more Steve Earl than Motley Crue. Times may have changed, styles may have changed but Junkyard will always be Junkyard. Bowing to no trends or fads, they play rock ‘n’ roll like they always have, honest songs with dirty riffs and sleazy vocals that get under the fingernails and refuse to budge.

 

First up we have The Jokers. I’ve not seen or heard The Jokers before tonight and to be fair the Northern band were highly impressive. I guess you could put them right in the Classic Rock category, think Bad Company meets Shortino-era Quiet Riot. You can’t knock their energy and enthusiasm for starters and I think they turned it up to 11, maybe a bit too loud for the sparse turnout at Fibbers tonight.

Singer Wane Parry looks like a young Dave King in his Fastway days with Bolans’ corkscrew hair and what a damn fine set of pipes he has. Diminutive guitarist Paul Hurst is a poundshop Warner E Hodges and an excellent player who gives his all, pulling off massive riffs and licks aplenty. Several times he downs his Les Paul and comes out into the audience to beckon people to come to the front. He partly succeeded by pulling forward some birds who were probably wives and girlfriends of the band to be honest.

They played like the room was packed and they deserve bigger audiences. If they play in your town I strongly urge you to go see them.

 

Vintage Trouble’s ‘Run Like The River’ blats from the PA as an introduction for Junkyard’s set tonight. With the cover of last year’s excellent ‘High Water’ album emblazoned on the screens behind them, they launch straight into ‘Life Sentence’. It’s been the opener every time I have seen them, no wonder, it’s a killer introduction. “That’s my life, that’s my way…that’s my life sentence”  shouts Roach as he swings his mic stand around the stage, no truer words have been sung with such conviction.

Dressed in their obligatory matching denim cut-offs, Junkyard are a gang who wear their colours proudly on their backs and their brand of biker blues is for real. The raw, punk rock delivery of David Roach is the perfect match for the bluesy twin guitars of Jimmy James and Tim Mosher. Uber cool Quireboys bassist Gary Ivin, standing in for the absent Todd Muscat, is a fine replacement and keeps a perfect rhythm with original drummer Pat Muzingo.

New songs such as ‘Faded’ and the punky ‘W.F.L.W.F.’ fit perfectly with the old standards and it’s as great to hear these new songs live as it is the classics. The ever cool ‘Back On The Streets’ and the bluesy ‘Long Way Home’ are played early and sound sublime.  

Jimmy James breaks a string midway through ‘Blooze’, so as the pair of guitarists dart off stage together to re-string (they didn’t even bring a spare?), the rhythm section keeps the song going, bassist Gaz keeps the rumbling bassline jamming stage front as David returns with an extended vocal rap. A fine rock ‘n’ roll moment to savor.

‘Hands Off’ remains one of my favourite Junkyard songs and tonight, as Tim picks those classic chords and Jimmy rips out that bluesy lead, it sends shivers up the back of my spine.

Of course, they close with the obligatory ‘Hollywood’ their biggest hit, but not their greatest song by far.

 

No encore’s, no surprises and a no-frills approach that delivered just what you expect from a Junkyard show. There is talk of them returning to these shores in the not so distant future, and while I’m sure the packed out shows with Blackberry Smoke have been rewarding for the band, I do hope the not so packed club shows don’t put them off coming back for more. Until they return, I still wear my Junkyard t-shirt with pride.

Buy Junkyard Here

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COMPULSIONS Front Man Returns From Road, Releases Album Teaser Featuring ROLLING STONES Cover (Feat. GUNS N’ ROSES, RAGING SLAB Players)

From camping out in the recording studio with an army of killer New York musicians to racing around England and Germany on a co-headlining tour with
CRYBABYS front man, Darrell Bath (DOGS D’AMOUR, IAN HUNTER, UK SUBS), 2018 has been a busy year for COMPULSIONS leader, Rob Carlyle.
“I had a blast on the road with Darrell,” says Rob. “It’s rare for me to have that much in common with another musician. But musically speaking, we were two peas in a pod. Anyone who brings Now Look by Ron Wood on tour is all right by me! And after one of the German shows, I’m told someone on Facebook called us ‘The Two Greatest Rockers from Each Side of the Pond.’ So, I guess we did all right (laughs).”


But now that he’s back home, Carlyle’s been back in his second home: the recording studio. The New York-born frontman has been putting the final touches on Ferocious, the follow-up to his wildly acclaimed band’s sophomore effort, Dirty Fun (2015) – a release music scribes spilled much ink over as they favorably compared the underground underdogs to legendary artists such as AEROSMITH, THE NEW YORK DOLLS and THE ROLLING STONES.

“The recording process has taken longer than I expected but then again, we had about thirty tracks in the works,” explains Rob. “And it wasn’t until recently that we narrowed them down to the ten songs that’ll be on (Ferocious). But on the flip side, with the other 20 or so tracks already in progress, we have a great head start on the next couple of albums.”
As he continues to tinker with producer Ken Rich at Grand Street Recording, Rob springs a second Ferocious teaser video on the unsuspecting public.

To quickly backtrack: The first clip was unleashed in late 2017, featuring upcoming ditty, “Dirtbag Blues” – an obscenity-laced spurt of back alley sleaze with none other than Earl Slick (yes, DAVID BOWIE’s guitarist!) delivering a rapid-fire barrage of snarling CHUCK BERRY-style licks and riffs. In addition to Carlyle and Slick, rounding out the “Dirtbag” lineup was ex-NEW YORK DOLLS drummer, Brian Delaney, and ex-RAGING SLAB bassist, Alex Morton

Fast forward to today for the release of a second Ferocious video.

In this latest video, Rob and a seemingly heavily sedated nurse are sprawled out on a dirty basement floor while Rob strums his battered Telecaster. The music features THE COMPULSIONS tearing through THE ROLLING STONES’ country-inspired classic, “Dead Flowers”. The “Flowers” recording lineup consists of two GUNS N’ ROSES alumni, Ron “Bumblefoot” Thal on guitar heroics and Frank Ferrer on drums, along with Carlyle and Morton in their respective roles – not to mention gospel-tinged backing vocals by Nicki Richards (borrowed from MADONNA and MARIAH CAREY) and boozy barroom piano by Andrew Sherman. The new teaser video featuring “Dead
Flowers”

An official release date for Ferocious has yet to be announced, however, Rob offered this: “I thought we’d release (Ferocious) in 2018, but between working on almost 30 tracks and the tour dates that popped up unexpectedly, we’re gonna now shoot for 2019. In the meantime, I hope everyone gets a kick outta this little clip. And please keep spinning THE COMPULSIONS real loud and please keep telling all your friends about the band. Rock ‘n’ roll needs your love… every little bit counts! God bless!” More COMPULSIONS news is coming soon. Check the website for details