THRASHERS THORNS ARE ‘READY TO STRIKE’ THE UK IN JULY

THRASHERS THORNS ARE ‘READY TO STRIKE’ THE UK IN JULY

OHIO THRASHERS THORNS HIT THE UK IN JULY – TOUR DATES CONFIRMED INCLUDING AN APPEARANCE AT 2000 TREES FESTIVAL

NEW EP ‘READY TO STRIKE’ TO BE RELEASED 26TH AUGUST VIA THESE GO TO ELEVEN RECORDS

US thrash upstarts Thorns have erupted out of an Ohio basement and into the global metal conversation, becoming one of the fastest-rising new forces in heavy music. Armed with the same uncompromising DIY spirit that fuelled Black Flag and D.O.A., they skipped the industry queue entirely — building their own studio, self-recording and self-releasing two albums and multiple singles and rallying a worldwide following in under a year.

Tapping into the same high-velocity energy surge that spawned the first wave of 80s thrash metal with the likes of Exodus, Nuclear Assault, Anthrax and early Metallica etc, Thorns are a much needed, turbo charged, heads down, head banging assault to the senses. Their new four song EP ‘Ready To Strike’ is set for release August 26th via These Go To Eleven Records and Thorns have come straight out the traps with new single ‘Bad Business’. Coming in at just under two and a half minutes, ‘Bad Business’ is short and fast and lean and mean!

“It’s the standout track from our original demo, but we re-recorded it to fit the vision we originally had. Faster, tighter, and heavier than before… ‘Bad Business’ is the definition of Thrash,” state the band.

“As a band, we’re looking to bring back elements of Metal that we feel have been forgotten over time. Not just heavy riffs but catchy hooks, meaningful lyrics, impressive solos, and the old school energy of it all. We want to put our music in front of as many people as possible.”

That relentless work ethic has paid off: 3.5+ million streams, a rapidly growing international fanbase, and a reputation for resurrecting the ferocity of peak-’80s thrash with a modern edge. Their new EP ‘Ready to Strike’ drops across four monthly singles from May to August, setting the stage for a breakout summer. July sees the band hit the UK for a full run of shows, culminating in their festival debut at 2000 Trees.

Catch Thorns on tour in the UK at the following dates in July:

3rd       Green Door, Brighton

4th       Ifor Bach, Cardiff

5th       1865, Southampton

7th       Basement, Tunbridge Wells

9th       Chinnerys, Southend

11th     2000 Trees Festival, Cheltenham

15th     Blach Heart, London

16th     The Horn, St. Albans

17th     The Parish, Huddersfield

18th     Satan’s Hollow, Manchester

Find Thorns online HERE

Ultrabomb – ‘The Bridges That We Burn’ (Virgin Music Group) 

Ultrabomb – ‘The Bridges That We Burn’ (Virgin Music Group) 

A couple of years ago I was introduced to Ultrabomb for the first time by being recommended their album Dying to Smile “Chris this is right up your alley, you will love it” and oh how DD was right, turns out that it ended up being one of my albums of the year, roll on a couple of years and Ultrabomb are back with album number three the absolute banger “The Bridges That We Burn” 

Legendary Hüsker Dü bassist Greg Norton has been on fire now for the last few years with three fantastic albums. This time, however, the supergroup has had a few lineup changes, now on lead vocals and guitar is Ryan Smith (Soul Asylum) and the man with the sticks, Derek O’Brien (Social Distortion, Adolescents). For any fan of the alternative punk scene, there is no chance this was going to disappoint and that, my friends, it does not. 

Opening the album, we have a mega riff and thundering bassline into the extremely catchy “Darwin Awards” I’ll be amazed if there’s a better opening song on an album this year. 

Straight away, I know that even though the line-up has changed, the quality hasn’t at all, the production here is very clean and loud, and the band are on fire. “Divert/Deflect” is a pounding beast that will have fists pumping during the chorus. 

Next album is the first single off the album and one of the many album highlights, “Artificial Stars”. This could be taken right out of a Soul Asylum classic, the Melodies are everywhere throughout, it’s nearly impossible to get the guitar licks out of your head on this one. 

My favourite song on the album is just around the corner with the excellent “No Cap” with verses that Dave Pirner would be proud of before exploding into a prime Supersuckers-like chorus at breakneck speed. This will have audiences jumping around like lunatics, no doubt about it. 

With a resume from these three musicians it should be no surprise that this album is so good but yet somehow it does, Greg had been away from the music business for so long to have come back this strongly is no joke, his songwriting here is on top top form, Ryan really shines here as well as his voice is so infectious with guitar harmonies all over the place and Derek keeps everything so tight, fantastic stuff. 

We’re on the flip side of the album now and we get another few album highlights the absolute brilliant “Checked Out” which boasts a anthemic chorus followed with a stunning guitar solo and then we go straight into a pounding bassline from Greg in the equally fantastic “Look Forward In Anger” another one that will get fans off their feet around venues (hopefully in the UK as well please).

We’re coming close to the end now, and we are given the smile-raising “BSS” which stands for Bull Shit Song, which had me grinning from ear to ear, and to close out the album, we have the brutal “Mosquito Crucifixion” which is a monster of a song with a huge riff throughout to end a brilliant album on a massive high note!!!

There we have it, Ultrabomb album #3 ‘The Bridges That We Burn’ in the bag, it’s safe to say it will be high up on my end of year list, give it a listen and make sure to buy it!!! 

Buy Here

Author: Christian Davies  

Cyanide Pills – ‘Singled Out’ (Damaged Goods Records)

Cyanide Pills – ‘Singled Out’ (Damaged Goods Records)

Cyanide Pills could be the greatest punk band in the world; they’re surely the greatest punk band to drag their arses outta Leeds. A self-proclaimed “gang of cunts from a desolate land” consisting of Phil Privilage on vocals, Sy Pinkeye on guitar, Alex Arson on another guitar, Alarick on bass and Chris Wrist beating the drums. These lively lads from Leeds have been exciting audiences across Europe and beyond for the past 17 years, and with 5 albums under their studded belts and a whole bunch of single releases, it’s about time they released a greatest (s)hits record, right?

Well, here you go, you lucky fuckers! Here’s a tasty treat courtesy of Damaged Goods for ya. ‘Singled Out’ is all their 7” releases and the corresponding B sides (plus a couple of new unreleased singles) on double vinyl and shiny CD. That’s 33 tracks to devour. Are you excited yet?

You should be, just check out that track list. The A sides are worth the entry price alone. Spikey, power pop-infused punky goodness with buzzsaw guitars and choruses to die for, that is the signature Cyanide Pills sound, and they’ve got the songs in spades. From The Clash meets The Toy Dolls sound of debut single ‘Break It Up’ to the pogoing power pop of newbies ‘Amalia’ and ‘Second Best’, it’s a wild and melodic ride.

You’ll laugh along at the tongue-in-cheek lyricism, from the tale of forbidden love that is ‘Suicide Bomber’ to the political diatribe of ‘Government’, the band remain confidently relevant and humorous in equal measures. You may even ponder if Johnny Thunders did actually live in Leeds.

Highlights include the killer earworm ‘Conquer The World’, the ridiculously catchy ‘Big Mistake’ and recent single ‘Hope You’re Having Fun’. Songs that prove this band ages like a fine red wine.

Then we get to the really tasty stuff. If you’re a fan, but like me don’t collect 7” records, disc 2 is the place to begin. ‘Mail Order Bride’ and ‘Stick Em Up’ were on the flip side of the debut single, and to be fair, either of them could have been the chosen A side. High energy punk n’ roll with distorted riffs and choruses that most bands would die for. Elsewhere, the standouts are plentiful. For me, the ska-infused ‘Lock Me Up’, the Green Day-esque ‘Hooked On You’, and the 70’s glitter stomp of ‘I’m Celebrating’ are winners. These songs go a long way to show Cyanide Pills B-sides stand tall against the A-sides. And just wait until you hear ‘My Mind’s On Strike’, the flip side of the upcoming new single ‘Amalia’. With a verse that pummels the senses and a killer gang vocal chorus, it’s up there with their best.

It is said that true music fans don’t buy ‘best of’ albums, but this collection is a great starting point if you are new to the band, and is essential if you are a fan but don’t collect 7” records. Sequenced in release order, it’s an album that flows well and shows the progression of a band who get stronger song by song. ‘Singled Out’ is a worthy addition to any music lover’s collection from a homegrown band who are up there, standing tall against their contemporaries.

Buy Here

Website

Author: Ben Hughes

Iselder – ‘The 38th Division’ (Self Release)

Iselder – ‘The 38th Division’ (Self Release)

Centred around the brutal reality of war, The 38th Division explores conflict, destruction, and the human cost left in its wake. Through sheer aggression, the album reflects on the chaos and devastation that war imprints upon the world. Prepare for the march. That’s some heavy introduction, that’s from the Welsh Black Metalists who have nailed their colours to the mast and sing in their native tongue, which is quite refreshing (if you can decipher what it is they’re singing about in the first place because after all, this is bleak black metal at its rawest, most visceral best.

Iselder is the vision of Gofid, who has recruited a band for live shows and got an instrumentalist who goes by the name Neidr. ‘The 38th Division’ is the “bands” third offering, with some jarring tunes in their arsenal. This is potentially a minefield for the gatekeepers of what tasteful and what not in the world of Black or extreme metal, but I’m sure Gofid helps nans across the road and will put the bins out for the frail neighbour at 667 hellish avenue. I might come as no surprise to longstanding readers that I might have left-wing leanings and favour devolution and Independence for Cymru, so of course I have an interest in what Iselder write about and a willingness to help them reach a wider audience with their music, regardless of how fringe and extreme it is. However, this doesn’t give Gofid a free pass this record has to sound good.

The album gets underway with a thunderous chaotic battlecry of ‘The Death Of Wales’ where all the Black Metal tub thumping habits are present and accounted for, as is the demonic blackened riffage and those hellish vocals gargling razorblades over the heaviest of riffage. Bealzibub would approve.

Hold on, kids, the thrashiest bit of Black Metal is up next as ‘Bayonet’ pokes its filthy nose in on proceedings. We’re only three songs in, and I’m exhausted ‘Call To Arms’ is killing it, and I wouldn’t mind if I was standing on a battlefield and this was playing, I’d pile through a brick wall to achieve my goal. ‘Impending War’ sounds like a Gatling gun firing off as body parts fly into the acrid air on the battlefield. This is pulverising and Iselder are nailing it. By the time ‘Glory’ rings out with touches of the mighty Manowar on the extended outro battlecry and sing-a-long, it might have dropped in tempo on the intro, but once the guitar gets rinsed, we’re off into battle again. There isn’t any respite here, and there isn’t a mountain of variety on offer. It’s dark and brutal, but it’s superbly executed, and the twists and turns offer variety, and in a very crowded genre, Iselder have carved a niche for themselves and are killing it on their third album.

If you want a history lesson on Welsh leaders, this isn’t the place, but an Iselder record will certainly point you in the right direction. The last and true Prince of Wales is the subject of ‘Llewellyn The Last’ as it walks a sinister path. The penultimate offering is ‘Trench Warfare’ with its Kerry King-like heaviness on the intro, it staggers through the verse labouring under the heaviness of its riff.

The album signs off with the bombastic ‘Embrace The End’ after the Sabbath doom-laden intro its heads down and thrash like fuck, sounding like a well-produced Hellhammer. This is my favourite track on the album, and it stands head and shoulders over the previous seven. Someone, pour Govid a glass of hot honey and lemon, please, he deserves it.

‘The 38th Division’ is the album Isleder has been threatening, and should see them go into battle for the top of the class in black metal. Darkthrone, Mayhem, et al move over, the Welsh are coming, and they have the artillery and tunes to deliver a knockout blow. If extreme metal is your bag, then this is all killer and certainly no filler. Jesus wept, there isn’t any time for filler for fucks sake these guys have no brakes now turn it up and lay down your soul to the Gods rock and roll!

Buy Here

Author: Dom Daley

Mr Dinkles – ‘R.I.P.T’ (futureless)

Mr Dinkles – ‘R.I.P.T’ (futureless)

LA and Seattle’s Mr Dinkles is a power pop punk duo made up of Mac Rettig on vocals and guitar and Rocco Ramos on drums. And they waste no time getting straight to the point with their no-frills power-punk songs.

The R.I.P.T EP is the upcoming release that collects their last two singles, along with their latest ‘Letter to Elon’ and two more tracks, for a 5-track wallop of a musical statement.

Ripping straight into the sublime ‘Socialism Ditty’, and the duo instantly set out their mission statement with a two and a half minutes lyrical and sonic attack that delivers on all accounts!

Wasting no time, the duo kick straight into ‘Eat Chips and Talk Shit’. Setting the scene from the perspective of a twenty-something in today’s world.

The latest single ‘Letter to Elon’, immediately sees Weezer come to mind, with the laidback slacker riff melody, which is never a bad thing, especially to these ears anyway. The song takes aim at the world’s wealthiest man and pokes at the world and his disconnection with how the world actually works.

The lo-fi garage vibe of the EP is a welcome sound in today’s oversaturated, mechanical sound. While the sound is clearly top-notch, it’s more the slacker vibe that shines through, especially on ‘Grinding My Teeth’.

The final song on the EP is the previous single ‘I Don’t Really Wanna’, which is also abbreviated to IDRW. The track is a catchy melodic slab of garage rock that quietly sneaks into your conscience and will become the earworm that will bug and delight you in equal measures.

Thanks to this EP, I will be checking out the duo’s back catalogue straight away

Buy Here

Author: Dave Prince

MICAH AND THE MIRRORS – ‘Liar’s Chair’ (Spaghetty Town / Beluga)

MICAH AND THE MIRRORS – ‘Liar’s Chair’ (Spaghetty Town / Beluga)

Denver, Colorado — In a sense, this record has been overdue for a long time, ” shares MICAH AND THE MIRRORS frontman Micah Morris, who might be familiar around here because his former day job was fronting Fast Eddy, but alas, his world got turned upside down after ending his marriage, losing his job, and his band breaking up.

The day after Fast Eddy broke up, He played the last show in Tokyo alone on a Friday night. He called Dan Dixon the next day and booked studio time for this record. What is it they say about clouds and silver linings?

Micah recounted that when he got home, though, he hit an all-time low and felt like he could see myself burning alive on a chair that people had propped up for me. He spent many late nights alone, looking out his window towards the radio towers in the foothills of the Rocky Mountains, staring into a void. He played piano and guitar until the bright hours of the morning, and at times did nothing but sit there and think.

Friends and family came through, and with their support, he regained his mojo and found the strength to start over and not give up on my lifetime of work with music.

Less than a year since Fast Eddy broke up,’ I’m now sitting on ‘Liar’s Chair’ is out in the wild, and with the speakers turned up, it’s time to walk the walk. You’re eased in with the sound of the wilds as an acoustic guitar is picked gently, as ‘Opus’ sets the mood. ‘You’ll See’ follows with Micah’s voice and a strummed acoustic guitar before the bass and drums ease in and the slower, measured intro builds. The song weaves a thoughtful melody, less bombast and dare I say it, more mature and reflective Micah.

The title track is again a dusty morning on the porch with acoustic guitar strumming towards the chorus. Not a million miles from Ashcroft post Verve in style and feel. ‘Condolences’ is more uptempo with the electric guitar sitting proudly in the centre of the mix. A midtempo slice of modern rock n roll with a lot going on from the horns to the rolling tempo, it’s a top tune and melody with excellent vocals that lift the track out of the darkness.

The single off the album ‘Yokohama Mama’ is like the Kinks meets Roxy Music in vibe, late 70s early 80s groove racing off on a great tempo to be followed out of the traps by the jarring punchy ‘Lady Blue Eyes’ before the barroom rocker ‘Hungry Hungry Heart’ is fired off like a swinging boxer who fancies his chances windmilling and dancing feet its got a hint of prime time Hives for good measure.

‘They Might Say’ is a sidestep with the piano stabs like a late-night, early-morning walk of shame, wondering where you got that feather boa from, but hey, this mellow slice of 70s glam is very welcome, adding another texture to an already most excellent record. Before the album signs off, we walk on the wild side with the bass-heavy rhythmic ‘Tortilla Chip’ coming on like a late 80s Jagger Richards thumper breaking out on the chorus.

We sign off with some ” Oh La La “, “After I Die’ which was only missing the honkin new orleans marching band for the last verse. Welcome back, Mr Morris. With a record this good, I can only see brighter days ahead. Go check it out, you won’t be disappointed.

Buy Beluga (Europe)

Buy Spaghetty Town (USA)

Author: Dom Daley

Simon Love- ‘Is The One True Prince Of Wales ( In Exile After Abdication)’ (Bandcamp) 

Simon Love- ‘Is The One True Prince Of Wales ( In Exile After Abdication)’ (Bandcamp) 

Yes, we like it loud at RPM, but we’re a broad church, and, what with Daley Towers being based in Wales, we keep a keen ear on those with top tunes and Welsh connections. Step forward, Simon Love, London-based, Welsh-born songwriter. If you don’t know the name, you should, and now is the perfect time to rectify this sad state of affairs.

Having recently released his fourth solo album, the ex-singer of The Loves brings us another batch of smart, addictive pop gems. He may be a cynic, but with a gentle soul. Imagine Nick Lowe’s stroppy nephew, and you won’t be far wrong.

‘(Feels Funny) But I’m Getting Used To It’ is already stuck in my head, due to the tune and the video. After the death of his father, Simon wrote this to describe “the weird game of hide and seek that grief plays with you”. You won’t see another video like it this year.

‘Everything Is S4C’ is equally catchy, but being upright, decent types, we can’t tell you what the title means. Buy the album and find out. You’ll be treated to ‘I’m Not Worth It’; Simon’s altercation with some unimpressed bouncers, and  ‘Green Man Blues’; belating the festival whilst sounding like a righteous blend of Madness and The Blockheads. ‘Coventry’ even evokes early 70s Kinks, so this gives you an idea of the quality throughout. 

‘Happy Birthday To Me (And Rita Lee)’ is perfect for those who have a festive birthday, while ‘Strange Technique’ is the kind of tune that Lawrence used to write so well, but the sax solo also hints at Bowie. It’s rather lovely. ‘Us Against The World’ is epic, but it may give you cause to doubt your children. 

Bookended by ‘Bore Da/Nos Da’ and with a slice of the rousing ‘hen wlad fy nhadau’, I can imagine it brought a tear to the eye of uncle Dom. My late, Welsh mother-in-law would be impressed as well. There are more songs here, but I’m going back for another listen. I suggest you nip over to Bandcamp sharpish and get your order in. 

Buy Here

Author: Martin Chamarette

CJ Wildheart – ‘DEViL’ (self release)

CJ Wildheart – ‘DEViL’ (self release)

You could say ex-Wildhearts six-string shouter CJ is more prolific than main Wildhearts mouthpiece Ginger right now. Since stepping away from the band, CJ has kept himself busy and upped the ante with his own solo career. Recent tours with Michael Monroe and Ricky Warwick now lead to the release of his 8th solo album ‘DEViL’, an album that was apparently a true labour of love and could well be his musical swan song.

CJ is a true DIY artist in every sense of the word. On ‘DEViL’ he has recorded and played all the instruments himself, bar drums, which are more than ably handled by long-time compadre Jason Bowld, and mixing duties are once again by go-to-guy Dave Draper. If it ain’t broke, don’t fix it!

Lead single ‘One Of The Boys’ is a great starting point. Lyrically, it’s introspective and tackles the doubts and questions of an uncertain future. Musically, it aims for the stadiums with a chorus so uplifting that the ensuing goosebumps will contradict the lyrical message. It’s up there with his best work.

‘DEViL’ follows the blueprint of CJ’s solo career to date, in-yer-face powerful punk ‘n roll, dripping with memorable hooks and killer choruses, no slow songs and no acoustic guitars. Opener ‘Nein Nein Nein’ is a punchy assault to the senses, a wall of urgent beats and distorted guitars leads the way for gnarly vocals. The following, ‘The Art Of Being Free’, is a glorious and instant earworm with a euphoric refrain that is just what the doctor ordered. Mark my words, you’ll be singing along from the opening chorus, and it’s a song that demands the replay button.

But don’t hit that button just yet, as there is more great ear candy to devour. You could say some artists mellow with age, and some bellow with rage, CJ is firmly in the latter camp. He has perfected that vocal sneer over the years, and ‘SOB’ sees our man firing on all cylinders with a track that could be a Wildhearts B-side from 20 years ago (and we all know how good those are, right?). Elsewhere, the regimental rifforama of ‘No More’ bridges the gap between punk and metal nicely, leaving those pop melodies by the wayside, it’s the perfect conduit for a punk vocal delivery. Yet it is bookended by ‘Rotten’ and ‘Twenty Two’, a pair of ridiculously catchy tunes that walk a familiar, catchy and more commercial path. Album closer ‘Fade’ then sees our man in an introspective mood again as he soul-searches one last time.

As it becomes increasingly difficult for artists of all levels to tour and release music, you can forgive CJ for feeling it’s time to step away from the music business and move on to other things. And with the recent sad loss of former Wildhearts bassist Scott Sorry and Ginger’s recent health diagnosis, it feels like we are coming to the end of an era for fans of all things Wildhearts.

But don’t feel sad just yet, Wildhearts fans, as CJ has given us a winner with ‘Devil’, and if it is his musical swansong, then so be it, it’s a fine way to bow out in style.

Now, go pre-order the thing and maybe bag some Devilspit hot sauce for your bacon butty while you’re at it.

Buy Here

Author: Ben Hughes

Descendents Reclaim ‘Enjoy!’

Descendents Reclaim ‘Enjoy!’

ORG MUSIC RELEASES THE THIRD INSTALLMENT IN LANDMARK REISSUE CAMPAIGN; 

OUT NOW Here

Available in multiple formats, exclusive color variants, and a special “Punk Note” edition with artwork by John Yates inspired by Blue Note jazz classics.

“This classic album has it all. Punk riffs, catchy hooks, and even scatological humor. One could say it is the perfect album.”- The Hard Times

“When it’s at its best, it’s absolutely f*cking brilliant.”– Punknews

Org Music continues its comprehensive Descendents reissue series with Enjoy!, the third installment in the campaign celebrating the band’s foundational catalog and the latest release since the group reclaimed ownership of their master recordings. Originally released in 1986, Enjoy! captures Descendents pushing fully into their instincts, doubling down on short, fast, melody-driven songs that balance juvenile humor with sharpened songwriting and unmistakable urgency.

While the band had already helped define what would become pop punk, Enjoy! finds them expanding the formula without losing intensity. Tracks like “Hürtin’ Crüe” and “Get the Time” channel irreverence through speed, melody, and tension, while subtle new wave and pop touches—including a punked-up take on The Beach Boys’ “Wendy”—broaden the band’s sound without dulling its edge. Forty years on, Enjoy! remains a defining entry in the Descendents catalog and a crucial document of the band’s restless evolution.

This new edition is out now on LP, CD, and cassette, with multiple color-vinyl variants. Produced in close collaboration with the band, the reissue brings Enjoy! back into print across formats with careful attention to presentation and detail.

Among the vinyl offerings is a limited “Punk Note” edition featuring alternate packaging by John Yates (Stealworks), inspired by the iconic jazz designs of Reid Miles and Francis Wolff, whose work helped define the Blue Note label. This visual reimagining of punk classics continues the aesthetic series that began with Org Music’s Bad Brains reissues. Each “Punk Note” title includes new liner notes by BrooklynVegan senior editor Andrew Sacher and is housed in a deluxe case-wrapped jacket.

The Enjoy! reissue follows Org Music’s widely praised reissues of Milo Goes to College and I Don’t Want to Grow Up, forming the third chapter in an ongoing archival series dedicated to keeping Descendents’ core albums in print across formats for longtime fans and new listeners alike.

FORMATS

Widely Available

  • Black LP
  • “Wild Cherry” LP
  • Punk Note Edition (black vinyl)
  • CD
  • Cassette (Pink)

Limited / Exclusive Variants

  • Punk Note Edition (magenta vinyl) — Org Music exclusive
  • “Green Green” LP — Descendents exclusive
  • “Sour Grapes” LP — Zia Records & Org Music exclusive
  • “Bubblegum” LP — Amoeba Records & BrooklynVegan exclusive
  • Black LP with Exclusive Obi Strip — Celebrated Summer Records
  • Cassette (Red) — Tapehead City exclusive

ORDER HERE:

Descendents

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50 years since Nancy Spungen introduced the new Heartbreakers ‘L.A.M.F.’ line-up

50 years since Nancy Spungen introduced the new Heartbreakers ‘L.A.M.F.’ line-up

It’s 50 years since Nancy Spungen introduced the new Heartbreakers ‘L.A.M.F.’ line-up – writing a full-page feature in New York Rocker. 

Nancy Spungen will forever be remembered for her fatal connection with Sid Vicious.  But prior to landing in the UK, she was a mover in the similarly burgeoning NYC punk scene.  In 1976 Richard Hell left the Heartbreakers after disputes about the number of songs each of the three leads should sing.  The solution was two-fold – a new pro bassist, Billy Rath, who’d honed his skills in various New Jersey bands, and new songs from Johnny Thunders, Walter Lure and Jerry Nolan to replace Hell’s contributions.

The new line-up had a deadline, a gig at Max’s Kansas City on July 23rd.  Nancy’s feature (attached) is based around that event, and the songs she described were the ones later to become the ‘L.A.M.F.’ album.  Shortly after, manager Leee Black Childers received the phone call from Malcolm McLaren inviting them to the UK’s ‘Anarchy Tour’ with a band they knew nothing of – the Sex Pistols.  On the same day they arrive in London, the Pistols did their interview with Bill Grundy … and suddenly the tour was front page news.

Nancy followed the Heartbreakers to London, arriving on March 15th as they were preparing to play the Speakeasy (recorded and released as ‘D.T.K’).  However the band think she’s bad news; when she gets let into the flat they’re staying in they hide from her.  Soon she is ejected, then rejected by Johnny Rotten and ends up with Sid, who quickly contracts hepatitis. (more info: www.sidviciouslives.com)

‘L.A.M.F.’ has had a chequered life.  It was not until 44 years later that a clean master was found in co-producer Daniel Secunda’s attic.  The original release was criticised for sounding muddy; a mastering fault.  After the chaotic Track Records collapsed, manager Leee burgled the offices for the tapes, but he only found multitudes of mixing sessions.  Secunda had left Track, sore at being unpaid and sidelined.  Outtake mixes and remixes made up subsequent reissue versions of the album. 

‘L.A.M.F. – the found masters’ was first issued in 2021 as a pandemic Record Store Day release and the following year elevated to a ‘RSD Essentials’ neon pink pressing.  Now to coincide with the 50th anniversary of the L.A.M.F. lineup coming together in New York City, it’s being reissued in a transparent vinyl version. Notes in the inner bag are by Simon Wright.  It’ll be alongside the two-CD, hard-cover 32-page book version with an extra disc of L.A.M.F. demos, and a yellow vinyl version of ‘D.T.K. – live at the Speakeasy 1977’.

Listen to the ‘found mixes’: https://promo.theorchard.com/zOF7g721cf5hsFONgHih

Here’s a Johnny Thunders timeline:  www.johnnythunders.info

Sid & Nancy timeline: www.sidviciouslives.com