It’s been quite the run for the Hip Priests what with their final live shows on the back of their final vinyl record being the ten-inch EP Swan song. Still, it doesn’t end there my friends because frontman Nathan Von Cruz has only gone and put pen to paper and taken notes of the final run as a Hip Priest and documented it all in this easy-to-read and thoroughly enjoyable book made of paper. However, I’d happily buy the audiobook on cassette for the crack where Nathan says it as it is in hushed tones.

I will say right here right now it’s a light book nothing too heavy or out of control and Nathan doesn’t really tell tales nor divulge tour secrets and While it is a tour journal he does stick to the time-honoured premise of what goes on tour stays on tour apart from having beer belly and the perils of only taking one pair of strides for a whole tour (schoolboy error by anyone standards).

It’s an easy reader but in a good way Nathan’s style is personable and uncluttered – you get the picture of touring in a van with a few other hairy dudes but it doesn’t gloss over what can effectively be chaotic and whirlwind time. Now the Hip Priests aren’t immune from tour mishaps like hospital visits and such like but this final shindig across Europe paints a fair picture of the frustrations of being a DIY band and how narrow the margins are and the fact they made it to the end without killing one another is a testament to the people you read about in the book. They were on the right side of history that’s a fact and there might be obvious reasons why they couldn’t break through the glass ceiling of rock n roll and move to bigger better more lucrative companies but that’s for directing another day This is about rejoicing in the good times and the fact that half a dozen music enthusiasts kicked ass on stage and in the studio for almost two decades should be regaled and rejoiced and most importantly because they did it their way which might also be part of the reason it had to be the way it gets described in the book.

It’s not war and peace nor is it ‘Get in the Van’ or ‘Sin After Sin’ from Alvin Gibbs but it is a different beast altogether and the modest Von Cruz should be enthused by the fall out of his written work because I certainly enjoyed it immensely even with my single criticism that there aren’t any accompanying photographs to go with this book so casual readers could put faces to the names. That aside it’s only a minor gripe what is important is the fact he got to document the final tours of such a great band.

‘Haus Blues’ is an insight into the scattergun mind of a rock n roll frontman and his weird and wonderful world as two very different worlds collide that of the rock n roll one and the other of the family man who has chores and everyday things to do like you and I. If you ever wondered what his favourite films were or his top 20 albums then Haus is where you’ll be enlightened. Again it is an easy read nothing too heavy apart from some of the content but it dovetails with some of the flip side book ‘Road Kill Blues’. Nathan is good at this and I feel that the purpose of a journal/diary book is to engage with the reader and he certainly does that.

In conclusion, I’d suggest if you are a fan of his beat combo or music writing in general this is a no-brainer and if you’ve never heard of his band and want a general insight then this is perfect. Top marks Von Cruz your book/books were a thoroughly good read now get to work on a follow up and whatever you do next I wish you every success. Buy It

Author: Dom Daley

A collection of four tracks recorded during lockdown by former and current members of The Hip Priests, TV Crime and Mannequin. Ben, Austin, Sid, Joe and Nathan, recorded these four tracks that Von Cruz had written, with no rehearsal at all and smashed them out in a few hours with the result that those lucky enough to purchase this here Hate Tape. Of course it’s limited to 50 copies. It’s not on vinyl or digital but on the ladies format – The bloody cassette tape. They might be all gone by the time you’re reading this but it’s worth a try christ of course it’s worth a try, it’s fan-fuckin-tastic.

Hipster fuckers knocking it out on tapes I guess that’ll piss off the vinyl illite how dare they use a dead format (or are they ahead of the curve? With every man and his mother out buying a record player maybe the Cassette isn’t just for the ladies but hip as fuck and something you can fit in your back pocket instead of a phone and plug this racket into a snazzy walkman and get fired up on Hate.

‘Some Of My Brothers Only Have One Speaker’ is Red Bull amphetamine Rock and Fucking Roll kids (Hell it’s all full-throttle what else would you expect?) It should carry a warning sticker and should be approached with caution. No, not because it’s shit but because it might blow your speaker. Of course, it’s fantastic why the fuck wouldn’t it be? As it’s lo-fi it’s also a sonic stick of dynamite. ‘Disgraceland’ is like having your skull rattled with a baseball bat, intense and pummeling would be a few apt adjectives.

Von Cruz and Austin Rocket go back before the Hip Priests when they rattled fillings with Gods Chosen Dealers and Ben is now also a Hip Priest so they have a great understanding anyway. Nottingham bands cross-pollinate big time here which I guess helps when jumping in on these tunes, it certainly helps reach these energy levels.

‘Little Johnny Thunders Is A Motormouth’ is a tub-thumping banger! It’s got a filthy amount of riff-a-rama and rocks like a bastard of the highest order. An absolute masterclass it is too and has some awesome guitar wankery to complement the manic rhythm section that’s like a runaway train and I love it, Joe is the prince of pound, make no mistake.

I have a hunk of burning love for this tape and if there’s more to come Mr Von Cruz then get it pressed up the world needs more Von Cruz and his Hate tunes right here right now and the less produced and more fired up the better now fuck off because I need to turn the tape over and get a sonic sorting and a brain full of more of this here Hate. 10 out of 10 no doubt about it!

Hit up Nathan Here to see if there are any left.

Author: Dom Daley

RPM Online Album Of The Year

Well, we’ve reached that time of year again where the writers of RPM were forced into the voting both given a blunt pencil and forced to vote for their album of the year.  Unlike a certain General Election result this time I don’t think people were too disappointed with the final result and by a landslide rock and Roll won.

 

Interestingly this years winner didn’t win any single writers vote but featured very heavily throughout the writers lists more than any other artist or artists so its a fair cop guv and, to be honest, had the live show count been anything to go by it was a landslide and another good year all around. With writers coming from several continents and five different countries there might be a few miles between us but we all have some things in common and one of those is a love for Rock and Roll. I’m sure had it been a Top 20 people would have still had a headache as to what to put in.  Don’t let anyone tell you that it’s been a shit year for new music as there were plenty of records released and many of them reviewed on RPM Online and with over 50 albums getting a mention from the team of writers (that’s just their top 10!).

I’d like to take this opportunity to thank not only all the artists who’ve released new records in 2019 and to all the excellent press departments and Labels especially the independent ones who’ve worked tirelessly to bring us the music and obviously to the songwriters and musicians whose work we’ve had many many hours of enjoyment listening to and raving about you know who you are many of whom it’s been a pleasure to get to know throughout the year.

What we’ll do is give the top ten a rundown in reverse order then each individual writers ten albums in no particular order so here goes.

Number 10

Duff McKagan – ‘Tenderness’ (UMC)

Review 

 

Number 9

Jim Jone & The Righteous Mind – ‘Collectiv’ (MaSonic Records)

Review

 

Number 8

Jesse Malin – ‘Sunset Kids’ (Wicked Cool Records)

Review

 

Number 7

Redd Kross – ‘Beyond The Door’ (Merge Records)

Review 

 

Number 6

Rich Ragany & The Digressions – ‘…Like We’ll Never Make It!…'(Glunk Records)

Review

 

Number 5

Andy McCoy – ’21st Century Rocks’ (Ainoa Productions)

Review

 

 

Number 4

Hunt Sales Memorial – ‘Get Your Shit Together’ ( Big Legal Mess Records)

Review

 

Number 3 

The Hip Priests – ‘Stand For Nothing’ (several independent labels)

Review 

 

Number 2

The Wildhearts – ‘Renaissance Men’ (Graphite Records)

Review 

 

Number 1

Michael Monroe – ‘One Man Gang’ (Silver Lining Music)

Review 

 

 

So congratulations to all the bands who made the RPM Online top ten.  Especially Michael Monroe for taking top spot in the hotly contested category as well as all the ones that didn’t there were dozens and dozens of albums released in 2019 that we reviewed.  We managed to catch up with a few of the bands who made it onto the pages of RPM Online in 2019 to find out what made it onto their turntables this year and to find out any highlights they might have had.  Here is some beginning with Jeff from The Brothers Steve…

 

Jeff Whalen (Guitar /Vocals – The Brothers Steve)

“I don’t think I listened to any records that came out in 2019!  So I picked my top 5 records that were new to me in 2019!”

 Tiny TimGod Bless Tiny Tim
The BeaglesHere Come the Beagles
White ReaperThe World’s Best American Band
The SpeediesYou Need Pop
The MillenniumBegin
Rich Jones Guitarist (Michael Monroe/Black Halos)
Pup – Morbid Stuff
The Wildhearts – Renaissance Men
Jeff Rosenstock – Thanks, Sorry! / Sorry, Thanks!
Berlin Blackouts – Nastygram Sedition
The Menzingers – Hello Exile
BEST RE-ISSUE: The Replacements – Dead Man’s Pop
Duncan Reid – Duncan Reid & The Big Heads
Starcrawler – ‘Devour You’ (especially the track No More Pennies)
2 Albums which spoke to my Country Side:
The long Ryders – ‘Psychedelic Country Soul’ (especially Greenville)
Kim Lenz – S’lowly Speeding’
Not an album but the single ‘Fire Ready Aim’ by Green Day which was superb
And The Baby shakes  ‘Cause a Scene’  (especially the title track)
As for Highlights, there were Many highlights of 2019 especially Rebellion which went superbly for us and I’m really looking forward to the release of our new album early 2020 as well as playing the Kubix Festival.
Steve Coulter – (Drums) The Brothers Steve 
The Gold—T’he Gold’
The Armoires – ‘Zibaldone’
The Cutthroat Brothers – ‘Taste For Evil’
The Coolies – ‘Uh Oh! It’s…The Coolies’
The New Pornographers – ‘In The Morse Code Of Brake Lights’
As for the highlights of 2019 it has to be making the Brothers Steve ‘#1’ & The Go All The Ways as well as writing about music ‘Go All The Way A Literary Appreciation Of Power Pop!

Lee Love (The Hip Priests)

Clowns – ‘Nature/Nurture’

TV Crime – ‘Metal Town’

Bitch Queens – ‘City Of Class’

The Drippers – ‘Action Rock’

Schizophonics – ‘People In The Sky’

 

Melchior Quitt (Bitch Queens)

Clowns – ‘Nature / Nature’

Amyl & The Sniffers – ‘Amyl & The Sniffers’

The Hip Priests – ‘Stand For Nothing’

Saint Agnes – ‘Welcome To Silvertown’

The Schizophonics – ‘People In The Sky’

As for the Highlight of 2019, There are several. Two for Bitch Queens were to put out our brand new album ‘City Of Class’ and to finish our new recording studio to keep on doin’ what we are doin’ far away from the big business.

The Best event this year was Sjock. “What could be better than hanging out with my boys from The Hip Priests and seeing the best Action Rock bands from all around the world! I am looking forward to touring with Bitch Queens in Europe next year and to record a shitload of new singles and split 7“ And of course, there are two of the probably best records 2020 in the pipeline – The Good, the Bad & the Zugly and Kvelertak. 2020 is gonna be good!

Mathius Engelbrekt Carlsson – “Demons”  – 
 All right. My top picks for 2019.
Jeff Dahl – ‘Electric Junk’
Guitar Wolf – ‘Love & Jett’
Amyl & The Sniffers – ‘Amyl & The Sniffers’
The Hip Priests – ‘Stand for Nothing’
Bitch Queens – ‘City of Class’
The Drippers – ‘Action Rock’
Dead Furies – ‘Stay Gold Ponyboy’
“One of few highlights of 2019 was getting ‘Kiss Off’ off the ground. This has been one of those years. For music it has been a great year though and especially for Rock’n’Roll.
Next year it’s the 25th anniversary for “DEMONS” and we hope that we can tour as much as possible starting with Japan in January. A new record will be out as well as some old stuff. Hopefully our first unreleased album and possibly a Demonology II. See you on the other side.”

Ben Hughes

Now here’s a crackin’ combo if ever I saw one. Dwarves guitarist He Who Cannot Be Named and our very own punk rock faves The Hip Priests joining forces for a string of UK shows. A trip to the Brudenell in Leeds was a given for me, The Hip Priests were mighty with Thee Hypnotics earlier this year and He Who Cannot Be Named…well, how can you not be intrigued by a guy who wears just a ski mask and a codpiece on stage? I can’t wait to battle through the punk rock hordes to the front for a magnificent hot and sweaty punk rock show.

 

Hang fire a minute! Have I got the wrong night or even the wrong venue? There’s some shite indie band called 77:78 on in the main room and this show is in the Community Room tonight. Ok, I’ve seen bands in there before, it’s not the same atmosphere, more of a school gym feel, but hey ho…let’s go!

It’s 8.30pm, The Hip Priests are due on and there is nobody here, literally nobody! What the hell Leeds, is there some other show going on I don’t know about?

They give it 15 minutes before cracking on as the Spasm Gang Leeds massive finally filter in, 25 people at a stretch and it doesn’t get any busier for the whole night. If this was York, I could understand it, but Jesus, this is Leeds! We are in the heart of studentville with the Uni just around the corner and the bar next door is jam-packed with alternative looking dudes and dudettes who seem none the wiser about some punk rock show going on next door.

 

Zero fucks are given by The Hip Priests, they play a blinder anyways. From the opening salvo of ‘Livin’ Breathin’ Lightning’ and ‘Instant Delinquent’ to the closing ‘Sonic Reproducer,’ they deliver 40 minutes of high octane rock ‘n’ roll with all the thrills and spills you could desire.

The black denim clad brothers, led by panda eyed singer Nathan Von Cruz, blast their way through a selection of 7 inch singles and choice album cuts from their very strong back catalogue of Stooges/Hellacopters influenced rock ‘n’ roll.

To Von Cruz’s left, bassist Lee Love keeps the low end tight and guitarist Silent Mike keeps the riffs coming, giving Austin Rocket the freedom to pull all the rock guitarist shapes he can muster stage right. With his back arched and his guitar pointed to the stars, he peels off sonically powered licks and wah-wah induced solos on the likes of ‘MF Superior’.

With chanting choruses aplenty, the likes of ‘Jesus Died So We Could Ride’, ‘Sha Na Na Na Nihilist’ and latest single ‘Cheers To Me’ would make even the most staid of observers nod their heads and sing along.

The Hip Priests look and sound fantastic, and with more than a handful of glorious anthems to get high and get wasted to, can you really deny them their claim to be “the best band on shit island”?

 

When you come on stage with nothing but a studded leather codpiece, a Mexican wrestler mask and an arsenal of quirky punk rock anthems such as ‘Getting Pissed’ and ‘Duct Tape Love’, the chances are you will not fail to entertain. And Dwarves guitar slinger He Who Cannot Be Named does just that, with the help of a very tight band.

Running through his solo back catalogue and a few Dwarves songs for good measure, the band veer between catchy Ramones styled goodness and fast as fuck hardcore. They even chuck in a fantastic cover of ‘Commando’ for good measure. Rarely have songs about drinking, fucking things and killing things sounded so uplifting!

While HWCBN handles lead vocals, quirky moves and switching between two battered road worn guitars, its bassist Bobby Wilcox who takes center stage and does most of the talking. With his bass hanging from his knees and sporting a Ramones shirt, he looks and plays the part to perfection. To his side, Keith Mueller plays the leads and Eric Borst seems to be having the time of his life bashing away on them skins behind them, what a drummer!

Talking of behinds, the drummer wasn’t the only one to get an eyeful of bare punk rock arse. The moment HWCBN bends over to change his amp settings will be embedded in my mind for some time. Let’s just say that codpiece was a little on the loose side. Unfortunately, you can’t un-see some things!

‘I Eat Babies’ sounds amazing, pure pop-punk goodness, and there’s plenty of “oi oi” style chanters thrown in for good measure. ‘Good Problem’ from the newly released album ‘The Good, The Bad and the Brutal’ is instant and fits the set perfectly.

To be honest, He Who Cannot Be Named were the most entertaining band whose songs I don’t really know, that I have seen in a long time (if you catch my drift?).

 

The Leeds punk massive may have stayed at home, but the faithful few were treated to two great bands tonight that truly deserved a bigger crowd. I just hope the crowds are bigger for the rest of the dates, as I don’t believe this is just a Northern thing, is it?

I am trying not to be too downhearted about gig attendances, but with disappointing turnouts at the last 4 gigs I have attended, it does make me worry about the future of underground music. I feel for the bands, I really do, it must be soul destroying playing to empty rooms, but the likes of The Hip Priests and He Who Cannot Be Named are consummate professionals and continue to play every show like its packed, and it’s up to all of us to continue supporting live music before the bands we love disappear for good.

 

Buy He Who Cannot Be Named Here

Buy The Hip Priests Here

Photos courtesy of Neil Vary Photography