from album ‘WE ARE THE PLAGUE’
Negative Prophet Records/Cargo Records
VOTED TOP 20 ALBUMS OF 2020
“A dazzling debut album of guitar rock, fused with the primal spirit of blues and gospel… Blending the spirit of Patti Smith and PJ Harvey with the soul of Nick Cave and Mark Lanegan.
The album, which Stapleton self-produced, was recorded with her band which shares members with The Stranglers and Jim Jones Revue. However, ‘Angel Speak’ is a stripped back affair with Stapleton making a switch to acoustic guitar and her delicate vocal taking centre stage.
Stapleton filmed and edited the video herself, collecting footage through the changing seasons over the past year around her home town of Brighton. “A year,” she says, “when great beauty has shone from small things often taken for granted and passed by in the rush of life.” Full press release below.
Stapleton will be playing her first shows in 20 months supporting Humanist in the UK in October. She is also working on a follow up album with funding from Arts Council UK.
Suzie Stapleton
Tour Dates October 2021
Supporting Humanist
From debut album ‘WE ARE THE PLAGUE’ released July 31st
on Negative Prophet Records / Cargo Records
As Autumn creeps through the door, Suzie Stapleton has unveiled a timely new film clip for the appropriately titled track ‘September’. ‘September’ is the fourth single from the Brighton-based artist’s self-produced debut album ‘We
Are The Plague’ which was released on July 31st via Negative Prophet Records. The album, which weaves it’s way through alternative rock to gothic-blues and dark-folk, has been stacking up praise with Stapleton being compared to Patti Smith, Nick Cave, Emma Ruth Rundle, and Mark Lanegan. ‘We Are The Plague’ was voted into Louder Than War’s Top 22 Albums of 2020 So Far in July and tracks from the album have been played on BBC6, Radio Eins,
Double J and more.
Whilst ‘We Are The Plague’ is the defiant call of a generation sold down the river, ‘September‘ takes a more introspective turn. Stapleton’s band – bassist Gavin Jay (who also filmed and edited the video) of Jim Jones & The Righteous Mind and drummer Jim Macaulay of The Stranglers – rumble beneath Stapleton’s driving guitar lines which are reminiscent of an unhinged Thurston Moore. Lyrically Stapleton doesn’t disappoint with a feverish shamanistic outpouring as the song crescendos and her dry-wit shining through with lines such as ‘Muses don’t
get royalties’.
It seems Stapleton is keeping up the pace on other fronts, recently making a cameo on backing vocals on Crippled Black Phoenix’s single ‘Cry of Love’ from their forthcoming album ‘Ellengæst’ . Stapleton also contributes guitar to a Bauhaus rendition on the album which is set for release on October 9th via Season of Mist. Stapleton met Crippled Black Phoenix via their 2014 collaboration on The Jeffrey Lee Pierce Sessions Project which Stapleton
contributed to whilst still based in Australia.
Stapleton’s next live dates are in February supporting Humanist in London, Manchester, and Brighton.
Suzie Stapleton is touring the UK Feb 2021 supporting Humanist
6th Yes (The Pink Room) MANCHESTER (solo)
8th The Prince Albert, BRIGHTON (full band)
9th The Lexington, LONDON (solo)
BUY TICKETS HERE
I have to admit, I’ve been waiting for this LP to land and after living with it for a couple of weeks, the jury’s in absolutely no doubt this is my LP of the year so far. No mention of past influences, this is Suzie Stapleton finding her own identity, I’ve watched her develop over the last few years, both live and on record and this is so far from the singer I saw in Camden that it’s unreal. I couldn’t on that day believe the sound that was created in an acoustic setting and the fragility and in equal amounts intensity that I witnessed within that performance are resident in Spades here.
The Stark Nihilism presented, really is a thing of Beauty an aural assault on the senses that leaves you breathless, stunned and with an all-together different mindset, this is the impact that really good music should always have on the listener.
As we weave our way through the opener “We are the plague” you really take on board the significance of the vocal message, the dark history attached and the bleak landscape of a potential future. The eastern influence within the guitar- work , first looks to and then draws us into almost Eastern Meandering, full of esoteric imagery but underpinning the journey is a vocal line that just holds you mesmerized.
The feral guitar that sears its way through “Thylacine” (the single that was released to raise funds for the Australian Bush fire support) really hits you full on and before you know it you’re into “Blood on the windscreen” another of the singles, this has a great Rock and Roll feel, not as intense as the openers but way above what’s come out so far this year in any genre. As “September” weaves its way forward you’re drawn into the story unfolding, a storyboard of images moving from verse to verse. Pausing to draw breath, the reality is that this LP is a little bit special, and the distance traveled since Obladi Diablo is huge.
As you listen through next up ‘The river song” the, to me, native American imagery and soundscape, provides a great intro to what is probably my favourite track on the LP “Angel Speak”, fragile, intense, in turns, weaving a portrait full of imagery.
“You were there” with its almost somber tones, part accusatory, part accepting holds you in its grasp, with no easing until it’s done. I think for myself, looking back at this album, what really grips you is the vivid imagery conjured up, each story or vignette having a life and feel all of its own. “In the Darkness” and “Silence in my bones” take you in all sorts of directions, before we’re finished off with ‘Negative Prophet” and if you look back at the video that supported the release with the “Impeach God” that flashes across the screen you realize this is the perfect message for a bleak dystopian future, this is powerful stuff. So what do we have?
Recent Comments