Another day another quality record hits the shelves from Pirates Press. It’s been a while since we had some nasty snarling punk rock hit the streets, God knows there’s enough to be pissed off with around the spinning rock we reside on from the UK and our shitty corrupt government filling their greedy boots to the USA and the MAGA cult and their former commander in chief with his 30,000 lies his disciples swallow day in day out to Putin, The middle east it’s not a very nice place out there kids and sometimes we cry out for a record to mirror that instability back to us and offer us some hope and if not hope then a fist or a boot to stomp it out until the pressure is lifted and then The Complicators new album drops on my lap and all seems fair game with the opening salvo of the rapid and brutal punk rock of ‘Pressure’ no nonsense hit it and hit it hard punk rock is ringing out through my speakers loud and fucking clear. ‘Keep Your Hands Up’ is a blast as is ‘Blink Of An Eye’ bordering on the NYHC of old but a little more tempered and measured married to the Rancid early days of punk rock from the opposite coast.
Of course they’re from San Fran it is in their DNA and running through their music like Blackpool runs through a stick of rock. It’s shouty, angry, pissed off, and snarling like a badass dog who’s looking to bite your big fat lazy ass. ‘Trolls’ opens with a very tasty bass line. ‘I See’ is a great Bass and guitar riff with some sweet tones ringing out not too dissimilar from the last few Last Resort records style-wise.
As the record flows the punk rock comes thick and fast not straying from the MO with some big riffs ringing out like the tasty ‘Working Man’ with its extended intro its got some momentum and plenty of punch. ’86ed’ is leaping out of the fast Rancid riff handbook with a bit of Bad Religion going on as well.
They veer slightly into hard rock territory for ‘American Shame’ it’s big and bruising. This dozen-track album closes out in style with ‘Street Diamonds’ harking back to an Exploited style middle finger in the air. They take no prisoners and aren’t going out with a whimper. The Complicators deliver a pretty uncomplicated album full of piss and vinegar and something to play when you’re making those Molotov cocktails when the revolution comes a knocking. Turn it up, its punk as fuck!
Legendary punk band Cock Sparrer announce their eighth studio album Hand On Heart, alongside shows in London and Glasgow
Widely considered to be one of the most influential street punk bands in history, Cock Sparrer have been a constant on the circuit since 1972. They can name an enviable list of punk rock royalty who have covered their songs, from the likes of Rancid, Against Me! and The Interrupters to The Aggrolites, Bouncing Souls, Agnostic Front, Grade 2 and Dropkick Murphys.
Back with their latest (and most likely last) studio album, Hand On Heart is their strongest statement yet. Their first since 2017’s Forever, it’s an album full of their trademark anthemic sound; hooks, singalong melodies and strong mob chorus’ are present in abundance and key tracks like With My Hand On My Heart, Rags To Riches, I Belong To You and Here We Stand stands out as some of their finest material to date. That’s not to say there aren’t a few surprises for old and new fans alike. On My Forgotten Dream, string arranger Simon Dobson (Bring Me The Horizon, Mike Oldfield) has added something truly unique that will excite fans.
The band will be the first to admit that the studio budget in the past has usually been spent down the pub, but with Hand On Heart they acquired the production services of James Bragg (BC Camplight, Martin Barre) who worked alongside guitarist Daryl Smith. Also on board was Grammy award winning 2022 UK Mastering Engineer of the year, Kevin Tuffy to do the final mastering.
Cock Sparrer is still the same four guys who started playing punk music 52 years ago – Colin McFaull (vocals), Mick Beaufoy (guitar), Steve Burgess (bass) and Steve Bruce (drums); alongside their new guitarist Daryl Smith, who has been in the band for a mere 31 years! They celebratedtheir 50th anniversary in 2022 with two sold out shows at Camden’s Roundhouse, and 2024 includes a year of headline festival shows booked to celebrate the launch of the album. The shows include the world’s premier Punk Festival Rebellion, Mighty Sounds in Czech Republic and Hellfest in France where they’ll play alongside Foo Fighters and Queens of the Stone Age. However, it’s their club shows that show the strength of loyalty and love that their fans have, and to celebrate they’replaying two UK launch shows in London and Glasgow:
O2 Shepherds Bush Empire – Saturday 6th April 2024
O2 Academy Glasgow – Saturday 13th April 2024
Hand On Heart is available on 180gsm black vinyl, limited edition colour vinyl with unique artwork, picture disc vinyl, hardback book CD edition and strictly limited-edition cassette.
“99 Miles to Pasadena” is the fifth video to be released from singles off Dumb & in Love, following the title track, “Family Memories,” “California,” and “Any Other Way.”
Although currently settled in Washington, DC, Suzi is a California native through and through, and she wrote “99 Miles to Pasadena” while running laps around the city’s legendary venue The Rose Bowl, which shows up in the video.
As for the video itself, it was animated by Tommy Keeling, and viewers of a certain age will instantly recognize the loving nods to the classic cartoons of Hanna-Barbera…particularly the comic book band with “long tails and ears for hats.”
“Josie & The Pussycats is my ultimate fave!” enthuses Suzi. “Tommy made my Archie dreams come true!!!!”
Viewers will find it impossible not to share Suzi’s boundless enthusiasm while watching this undeniably fun video for this catchy, poppy rock ’n roll song “baked in the California sunshine.”
After the incredible response to her first two EPs on Pirates Press Records, the anticipation for the release of the much-anticipated full-length by Suzi Moon reached a fever pitch, and the finished product did not disappoint! Originally from Southern California, but relocated to Washington DC, Moon and her band put together an incredible debut album that is well worth the wait! Recorded and produced by Davey Warsop (Sharp/Shock, Suedehead) they are an eclectic set of catchy as f*** songs that the band immediately took on the road, where they were received by wild crowds worldwide.
Dumb & In Luv was actually written and mostly recorded before the release of her EPs – but she wanted to spend more time working on it to be able to present a cohesive collection of songs. When asked about the album, Moon says “These songs are a bit warmer and power-pop than my previous releases. They’ve been baked in the California sunshine, like the song ‘99 Miles To Pasadena,’ which I wrote while running laps around the Rose Bowl. I picked songs that fit together nicely but also offer a lot of variation, so you’re getting more of a full ride with this album than you did with the EPs!”
She continues, “The ten tracks on Dumb & In Luv represent growth and the human condition. Themes of love, loss, heartache, hope, and celebration are all ones that I have written about before and will certainly revisit again and again. My first EP, Call The Shots, had a straightforward punk ’n roll sound, my second EP, Animal, was a bit more melodic, and Dumb & In Luv is really a mix of those two styles, seeped in the influence of all those great California bands that influenced me while I was growing up, like Social Distortion, Rancid, Green Day, and Sugarcult.”
With a stellar rock & roll pedigree, reaching back to when Moon started touring at the young age of 15, she has established herself as a ferocious punk truth teller with both a distinctive personal style and a fiercely untamed stage presence.
Suzi Moon’s effortless channeling of classic ’77 punk rock spirit with a modern twist continues to evolve and grow. The response to her first two releases was fantastic, though not surprising – with support from Little Steven’s Underground Garage and the likes of Iggy Pop singing her praises on the BBC!
Her fanbase has grown immensely over the past few years, and the release of her LP has been one of the biggest things propelling her forward.
Suzi’s electrifying live show is not to be missed, and has made her a favorite at festivals like Xtreme Fest, Rebellion, Punk Rock Bowling, and Punk in the Park (just to name a few), gigs with legendary acts like The Damned, and tours with the likes of Agent Orange, The Briefs, Ravagers, and more! We can’t wait to see what the future will bring for the unstoppable force that is Suzi Moon!.
If anyone deserved a break due to their hard work, high standards, and passion it was or should I say is Billy Liar. Signing to Pirates Press is proof that hard work can and will pay off – with a determination and unwavering belief in what he does is his just deserts. Billy has been gaining well-deserved praise from high places such as Tim Armstrong and we’ve always seen the talent and great songs he’s written and on ‘Crisis Actor’ he’s indeed taken it to the next level from the tub-thumping chest beating opener ‘Oblivion’ through the organ swirling rampant beast that is ‘Baltimore’ Billy has the sound that can and should break through big time Stateside. Its no accident Pirates Press recognised that talent and have released this new record.
Billy’s songs detail some outstanding storytelling, where every lyric has you hanging on his every breath its like turning the pages of a great book you simply can’t put down and you’re wondering where it’s heading next. The energy of ‘Negroni’ is superb (With added Frank Turner). The sound is arena-filling and also a breath of fresh air if you were in say the Black Heart in Camden watching him rip through these songs on his acoustic guitar it would still sound huge.
‘Phantom Limb’ is thunderous but then again the energy bursting through the speakers from the likes of ‘Osterich’ it’s no surprise to hear mr Frank Turner join Billy on this LP because I’m sure Turner will be looking over his shoulder at Liar as he steams up on the inside track. ‘Starlight On Main’ is more of the same but the highlight is ‘Cheyne Stoking’ with its chest-beating brilliance with a broken-hearted melody sung with vim and vigor Billy is stepping up here.
But hold on its not all thunder and attack there are also softer songs for tough guys like the jarring ‘Don’t Trust Anyone’ that wakes from its harsh abrasive into into a heaving monster. This is one of the finest half hours I’ve heard all year and the hoe down that is ‘Hogmanay’ if The Pogues had written never mind the bollocks and turned up the guitars instead of whistles. Simply a stunning record and one that should propel Billy Liar to being a household name in punk rock circles. Be it leading a raucous band or standing in the spotlight with just his acoustic guitar Billy Liar has hit paydirt with ‘Crisis Actor’ Man I thought ‘Some Legacy’ was good but this is on another level. Buy It!
Legendary punk band Subhumans announced a United States with support from Cop/Out and Upchuck on select dates!
This tour comes after a reissue of Subhumans’ first 6 LPs which were all remastered from the original tapes. These records were pressed on several different versions with fans from around the globe quickly snatching up copies. Additionally, a limited edition box set featuring all six records plus an exclusive 10”, slipmat, and 52 page book was released and sold out in a matter of hours.
Subhumans have more surprises and plans throughout the rest of 2023 and beyond so fans will be waiting with anticipation for subsequent announces from Dick Lucas and the rest of the band.
What we have here is Kepi Ghoulies love letter to the love songs of the Ramones. Its as simple as that nothing clever justsimple versions of simple songs a homage to Da Bruddahs. Hey ho lets go! 1-2-3-4.
Kepi has been releasing a love song or two every Valentines for well over a decade and when recording ‘I Want You Around’ Kepi hit on the idea of enlisting as many friends as possible to add Keyboards, Horns, whatever was needed to pour in the love on these iconic tracks. I think its fair to say that The Ramones never really got the universal credit for their songwriting that they deserved and I know that people like Kepi feel the same and every now and then when someone with equal talent shines a light into the darkened corner of rock labelled The Ramones people always trip over the songwriting and rightly so. These Love Letters are reimagined and redefined and done so so well.
‘I Wanna Be Your Boyfriend’ kicks things off in the simple acoustic guitar and vocal lament you could imagine and it brings a tear to my eye. Beautiful. The saxophone on ‘Baby I Love You’ reminds me of Johnny Thunders when he last toured with the oddballs – simple and sublime. Same for ‘Here Today Gone Tomorrow’. ‘Needles And Pins’ has some lush electric guitar for texture making it sound like the Byrds but one of my favourite Ramones songs is ‘Questioningly’ and there is a cover out there by Jesse Malin that was a wonderful take on such a beautiful song and Kepi has taken it somewhere else with the lap steel.
‘Baby I Love You’ from the Phil Spector wall of sound album is taken on a trip with just acoustic guitar and saxophone is the sound of heartbreak and the strained vocals are just what this version needs. It might be hard to mix it up but not picking the mega hits and instead digging deep for tracks like ‘She’s A Sensation’, ‘7-11’ being almost acapella and ‘My Kinda Girl’ so its a great mix of deep cuts and course the more appropriate love songs.
If you love Da Bruddahs and Kepi Ghoulie or just want to hear something softer and downright interesting then this has to be something you need to check out besides if you’re having a candlelight meal for you and your love then this will earn brownie points for sure. Stick with it though because ‘She ‘Belongs To Me’ and ‘Bye Bye Baby’ are probably two of the best songs on offer for interpretation and delivery. Keep em coming Kepi I’m loving your work. Buy It!
From a Turbulent Heart and Civet duties, Suzi Moon has finally gotten round to releasing her first solo album after two very impressive 12″ singles even if this collection of ten tracks was done before the EPs.
Straight from the off the vibrancy and sonic intent is obvious and there is no shrinking violet at play here Suzi comes out swinging and I promise this record will lay an earworm or two on you.
Having recently caught two shows there were a few of the tunes that stuck in my head in an instant as the songs lurch from punchy punk rock (Title track and opener) to more radio-friendly (‘California’) songs Moon has honed her craft and has invested every fiber of herself into these tunes and the end result is a magnificent beast of an album.
‘Dumb And In Luv’ sets the tone with a direct one two punk rock puncher is a step up to what we had experienced with her recordings with Civit and Turbulent Hearts both of which were very underrated bands but this time, as a solo artist, Suzi has thrown away the stabilisers and cast aside any doubts as she strides tall and proud with the beats to back up any talk. The choppy ‘Money’ has a great melody and rides on a huge groove. This should be enough to make people sit up and pay attention. The song builds and builds into a throbbing crescendo that takes no prisoners. Fantastic stuff!
After nearly two years supporting her first two EPs “Call The Shots” and “Animal,” – which has seen her music appear on Sirius XM, Iggy Pop’s BBC Radio program, over 30 terrestrial radio stations, in magazines around the world, and much more – managing to headline the Rebellion pre-show she was pumped and ready to deliver and the band and songs sounded like a finely tuned sports car. Side one closes with the sultry and more laidback ‘I Go Blind’.
Side two sounds like it’s gone through the gears and from ‘Honey’ the songwriting has broken through any expectations I might have had. Sure Moon tips her hat in the direction of the likes of Joan Jett for sure but those comparisons can be a bit misleading and lazy but I’m sure Moon would take that. ‘Honey’ has some great playing and arrangement but it’s the melody and delivery that sets this off like a Roman candle. To fan the flames of that firework ‘Any Other Way’ is a rampant, rapid jam that borrows as much from the Ramones, and with the glossy production, it’s gleaming but has a few dents and scratch marks for good measure so as it doesn’t vanish into pop-punk territory but has guts with its glory.
The song that stuck with me throughout the Rebellion Festival was ’99 Miles To Pasadena’ it’s catchy as Covid and rocks like a mother fucker. Easily one of the best songs I’ve heard all year. But amongst this album, it still shines like a diamond but it’s in good company with the other nine bangers on offer here.
To close the album the snare gets beaten with brushes and an Acoustic bass slides in for one last hurrah and something a little left of center to bring your pulse back down to a respectable level. Suzi Moon has delivered one of the finest albums I’ve had the pleasure of hearing all year, no question. I’ve had the pleasure of being able to play this record over and over and my initial thoughts are still ringing true. Check this album out, It’s an explosion of Sleazy Punk Rock n Roll at its very, very best. Dumb and in Luv… You bet I am!
Summer is almost here ladies and gentlemen, and this all new twelve track album from New York ska outfit The Slackers is going to provide the perfect soundtrack.
That’s right folks, because after the high intensity punk and post punk stuff I’ve been reviewing elsewhere on RPM this month, ‘Don’t Let The Sunlight Fool Ya’ actually came as something of a welcome respite. Indeed, cranking this one out of the RPM boombox over the recent bank holiday was like a much-needed foot on the brakes of life, providing me with a chance to reflect on matters whilst also enjoying the first rays of 2022 sunshine on my face.
‘Don’t Let The Sunlight Fool Ya’ has been seven years in the making for Vic Ruggiero and his bandmates, and for once that old adage about the best things come to those who wait has really never been more apt, because this record really is a right bobby dazzler.
The New York Times recently dubbed the Slackers part of ‘the sound of New York’, and just one listen of ‘Windowland’ later I’m suddenly whisked off to an upstate Manhattan bar one Friday night supping on a cold one totally absorbed in the band playing on the small stage in the window, with the rest of the assembled weekend crew going suitably bananas all around the place. Yup, The Slackers are bringing their A -game via their special brand of ska party to your living room, and all you have to do is pick up a copy of this record to gain entry.
At this point I do have to admit that Nev Brookes should really be reviewing this album, because after all he is RPM’s resident expert in everything with a skanking rhythm, but after hearing the album’s superb title track (which got a video release a few months back) I just had to hear the rest of ‘Don’t Let The Sunlight Fool Ya’ and here within the context of the full album said title track still makes me think it’s a song custom bult for Elvis Costello to one day cover.
Elsewhere, the likes of ‘Hanging On’ and the riotous ‘Nobody’s Listening’ shine through via some truly inspired vocals from Ruggiero, whilst it’s the band’s impressive horn section (of Dave Hillyard and Glen Pine) that get to steal the show on the glorious ‘Way Of A Woman’ and on the subtle soul stylings of the sultry ‘Second Best’. Things get political for the powerful ‘Statehouse’, and dare I say that during the lament of ‘They Are Losing’ the long shadow of a certain Tom Waits looms large over proceedings.
‘Don’t Let The Sunlight Fool Ya’ is very much a dance album though and when you follow the aforementioned ‘They Are Losing’ with the almost 2Tone-esque ‘Shameboy’ you’d have to be one tough cookie (or perhaps an idiot) not to find yourself immediately caught up in the dance craze The Slackers generate.
Look, we’ve all had a couple of tough years, right? Well, it’s time to heal, and great music is the perfect medicine to help us do just that. So, treat yourself, go get a copy of ‘Don’t Let The Sunlight Fool Ya’, smile, dance and as The Slackers themselves wisely say whilst ‘Time Won’t Set Us Free’ great music most certainly will.
Black Bombers – ‘Last Bite’ (Easy Action) there is an air of confidence and an overwhelming sense of quality when the guitar chimes in on this new single from Birmingham’s finest. Channeling the spirit of Stivs Lords and the cool of Killing Joke with its howling guitars and haunting rhythm it’s a smoldering smokestack of a tune and as it reaches the guitar solo, it gives you goosebumps as the band reaches the climax before dropping back into the groove on what is a most excellent single. It’s taken a while to reach your turntables due to covid but this one has had a couple of years to ferment into this beast of noise. Flip it over and you get treated to a rather splendid version of ‘Take My Money’ from the Damned criminally overlooked second album ‘Music For Pleasure’. What a killer tune ‘Last Bite’ is and thats why its the pick of the pops for the month no question about it! Cool tunes and cool artwork – if only all 7″ singles were this good. Buy Here
Buzzcocks – ‘Senses Out Of Control’ (Cherry Red Records) The songs to emerge from the post-Shelley Buzzcocks are creeping out after the covid hibernation and ‘Senses Out Of Control’ is a lovely slice of Diggle fire and brimstone. Uptempo and out of control as Diggle fires up the telecaster and smashes the chords out of the speakers for what is your typical Diggle Buzzers tune (effectively) I’m not going to debate the should it be released under the Buzzcocks banner or not but I will say it pretty bloody decent to be fair. Live it will sound punchy and brutal but there is a huge Shelley-shaped hole happening. The B sides to this lovely 10″ record also feature the tracks ‘Carnival Of Illusion’ that tackles cancel culture in a more measured track. But the diamond in the rough here is the excellent ‘Hope Heaven Loves You’ with a great meandering guitar line. Sure to become a collector’s piece these two tracks won’t be on the album when it’s released this summer so fill yer boots. Buy Here
Suzi Moon – ‘Animal’ (Pirates Press Records) Hot on the heels of her debut EP Suzi Moon unleashes ‘Animal’ her latest EP on Pirates PRess and this time it rips out of the blocks with the super turbocharged ‘Sonic Attraction’. Her debut album ‘Dumb & In Luv’ is due this summer and if this trio of tunes is anything to go by then it’s going to be an absolute blast. the title track is a brooding, twisting, rhythm meandering along before the guitars crash in on the chorus when Moon declares she’s a fucking animal you better believe it. To wrap up this EP Moon indulges some power pop tinged punk rock on ‘Gold Record Autograph’ its another string to her bow. With a vibrant melody, the chorus is fuckin’ excellent and like a bubble gummed chorus Moon knows shes is onto something, and surely it’s only a matter of time before she sells out venues globally and she’ll have her very own Gold Record. Get it here
Flickertail – ‘Don’t You Let Me (Let You Down)‘ (Golden Robot Records) Irish Aussie rockers FLICKERTAIL release new single ‘Don’t You Let Me (Let You Down’ on 29th March, out on Golden Robot Records. liftedfrom the upcoming live EP ‘Afterlife‘, which is slated for release mid-year. The track features sizzling guitars, high-paced lyrics about parties and poor decisions and a balls-to-the-wall drum solo that could make John Bonham blush.Pre-order/add/save ‘Don’t You Let Me (Let You Down)’HERE
Chuck Norris Experiment – ‘Where Eagles Dare’ (Self Release) By no means a new tune but a new version from the mighty CNE as they lay into the Misfits classic. CNE gets the tempo and rawness of the song and capture it perfectly. Free Rock n Fucking Roll – yes please. Fill yer boots and if you already haven’t got yourself on board this is the perfect opportunity. Get it Here
WolfWolf & The Tuzemak Orchestra – ‘Monster’ (Lux Noise Records) For fans of the Bop n stroll Blues rock n roll of Urban Voodoo Machine, Wolf Wolf make an impressive mind-bending noise on this new single ‘Monster’ where they team up with The Tuzemak Orchestra: https://www.wolfwolfband.com
J Prozac – ‘Building Blocks’ (Rum Bar Records) Another band rolls off the Rum Bar conveyer belt and onto our stereos. This time its heart-worn sleeve heartland punk & garage rock from J Prozac. while still keeping the big hearted ‘whoa ohs’, snotty vocals and powerful punk rock guitar riffs of his former bands in check. It’s a memoir, diary, and photo book of lost but not forgotten moments, anthemic pop-punk lifted from the new album ‘Building Blocks’ is punk rock with a smile. Get the album Here
The Brokendolls – ‘The Only’ (Lux Noise Records) Lifted from the bands upcoming album ‘Snakecharmer’ Hard Rocking Punk N Roll sees the Brokendolls impress and march to the top of the pile giving the likes of Backyard Babies a run for their money with this new track. If the rest of the album can live up to these expectations then it promises to be a belter!
These Arms Are Snakes – ‘Camera Shy’ (Suicide Squeeze Records) US hardcore gents These Arms Are Snakes have announced a new rarities album called ‘Duct Tape & Shivering Crows’ which will be released April 15th so they have this video for the first single.
Ultrabomb – ‘Star’ (Ultrabomb Records) Greg Norton, once the driving force behind one of the most influential bands to emerge from the American punk scene, Hüsker Dü, alongside Finny McConnell, a name you’ll recognise from thirty years as the frontman of the Canadian Irish folk-punk sensation The Mahones. Completing the trio is the drumming powerhouse Jamie Oliver, having served well over fifteen years in the seminal British punk band UK Subs, as well as shorter stints with the likes of SNFU among others. Written for the singer’s daughter this is quality alternative punk rock. this second single has hints of Early Buffalo Tom and The Replacements which is always a good thing. With an album out soon the future looks written for Ultrabomb. Buy Here
Rough Gutts – ‘Control’ (Boss Tunage) From the ashes of Rotten Foxes Rough Gutts have only gone and made a record and if this video is anything to go by the Brighton rockers are gonna blow away everyone in 2022. Tour dates and a record out of control punk rock n fuckin roll is back in business and Rough Gutts are gonna rule – get on it kids before they’re all gone.
The Lickerish Quartet – ‘ Fortunately’ (Stranger Danger Records) The first song from Threesome Vol. 3, ‘Fortunately’ is Set for release May 20 on Stranger Danger Records and Tapes, distributed by Burnside and the Orchard in the U.S. and by Lojinx in the U.K. and Europe. Sony Japan recently partnered with THE LICKERISH QUARTET to release all three EPs on June 29, as a collection entitled ‘FABLES FROM FEARLESS HEIGHTS’, which will include two previously unheard cover songs, as well as a special “best of” vinyl LP in that region. Pre-orders can be found Here
The SoapGirls – ‘Breathe’ The SoapGirls consist of French-born, South African-raised sisters Noemie Debray (Mie) (guitar, vocals) & Camille Debray (Mille) (bass guitar, vocals) The fearless siblings began their music career as child street performers at ages 8 and 9,roaming the streets of Cape Town singing whilst selling handmade soap for charity, earning the name ‘The SoapGirls’. ‘Breathe’ is the first single from soon to be released 4th album ‘In My Skin’. It’s a load of energy with the uncompromising style and attitude & all the excessive, debauched live shows have paid dividends. The pair have gained quite a reputation through their live shows such as Rebellion & Camden Rocks.
You can catch the pair as Their Don’t Give A Damn tour kicks off in the UK in April at Nambucca on the 15th before heading to Europe, followed by the US in July & Japan in August.
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