With what seems like a couple of hour’s kip we’re up and at ‘em in the RPM Camp. Breakfast looked like it was on the critical list and had been out in the rain all night but we eat it all the same.  We have the dilemma over breakfast of who we won’t be able to catch due to the number of quality bands on today’s bill.

We wanted to catch so many bands today it looked nuts however we looked at it. It came down to the flip of a coin on what will forever be known as Fandabi-Friday (Don’t ask but our sides almost split).  If you need an explanation I’m sorry but it’s locked in a chest and buried at the bottom of the ocean off the North Pier.

TFG and Riskee & The Ridicule were on early so we had to take a pass on as it was our annual Ratboy Magic show but we got sidetracked on the way so missed the lot before we paid an early doors visit to the Empress to catch a bit of brass courtesy of The Popes Of Chillitown  (that our esteemed fellow writer Nev recommended) they kicked up a fair old racket with their ska /punk hybrid and nailed it.

Everywhere we looked there was someone we wanted to watch – Miss Fragile in the Almost Acoustic – The Snivelling Shits in the Opera House but it was Knock Off  who got the nod as they knock out their street punk which they claim is fuelled by the state of the country and play like it with added anger and disillusionment and on this evidence its hard not to disagree even with their technical difficulties the band deal with it and get on with business and turn in a solid performance. We hang around to catch Dragster in Club Casbah who have a great new(ish) ‘Anti Everything’ album under their belts.  Fi and the boys were cutting a fine jib upon their return to the festival and they sounded ferocious. They attacked songs like ‘Anti Everything’ and ‘Vultures Circle’ and the epic ‘Death By 1000 Cuts’. It’s always good to hear ‘Dead Punks’ the band play like their lives depended on it and it would seem that the punters were out early enjoying the audio assault. With Fi spending a lot of the set on the barrier getting amongst it and the band dog deep by dragging up ‘Eat The Dirt’ from their debut back in 2006. A tonne of energy and a raft of tunes that are getting better and better.

We quickly realised we haven’t yet been to the Opera house and it’s already Friday evening.  but it has to wait a little as were back in the Casbah to catch some of Disciplines set (whilst over in Empress TV Smith was playing ‘The Lord’s Prayer’ so we’re reliably informed).  Discipline did a split some years ago with Argy Bargy so to have a one-two jab from the Dutch boot boy rockers followed by Argy Bargy’s return in Casbah at Teatime for the RPM bootboys was a real treat. Discipline were good To be fair and their love of all things PSV came across loud and clear.

  It was a most welcome sight as Watford John rustled up a tea time treat with some choice cuts from the most excellent album ‘Hopes Dreams Lies & Schemes’ as ‘Looking For Glory’  sounded fresh as the first time they played it. We were also treated with songs off ‘Drink Drugs & Football Thugs’ call it Oi! Or Thug Rock but I’ll just call it quality Rock and Roll and a most welcome return it’s been today in the Casbah.

To have a break we wander through the labyrinth of backstage corridors to navigate our way quickly around the venue and find ourselves in the surreal surroundings of the Arena.  Nothing different with the venue it’s just Brazils action figured self-proclaimed Billy Idol Of the Amazon Supla S&V along with his trusty accomplice for the evening is Victoria Wells as the due knock out what can only be described as house meets dance meets punk sampled mash up whilst wearing a nice blazer and skin-tight shorts.  I kid you not – Supla is out there on his own when it comes to entertainment and vision but the good people of The Winter Gardens didn’t get the memo and the dynamic duo of dance were left playing to a few clued up disciples.  As for what the songs were? Fuck knows. Your guess is as good as mine. Anyway, we too had to cut and run as Spunk Volcano and The Eruptions were about to take the stage back in our haven that was Casbah.  The temperature must be about 120 degrees plus (it certainly seems like it) and the most sensible person in the room seems to be the guy in the pants…oh hang on he’s wearing a woolen balaclava with just one eye!

There’s no fucking about here and the bodies start being flung around in an impressive pit as the band doesn’t have time to fuck about and it’s straight into ‘Death Or Glory’ from the impressive ‘Double Bastard’. sure the classic SV tracks are present and accounted for like ‘Hanging Round The Shops’, ‘Shit Generation’, ‘Ram Raid’, ‘Xr3’ and ‘Sellotape’ and ‘CrossFire’ as the Rebellion audience sing along in all the right places  and by the end of the set the Casbah is full to bursting and for the next few hours at least I can’t get ‘Knobhead’ out of my noggin’ I even think he dedicated to us as well, how rude but bloody entertaining.

Right it’s just gone 8 pm and we’ve not stopped for any food yet so whilst my colleague is on the blower to his union to see if it’s lawful to have this much fun and no breaks I’m off to the chippy before Duncan Reid goes Acoustic.  Right, That was a quick hour and without delay, we’re back in Almost Acoustic to catch the full set from Duncan Reid & The Big Heads and after a few of those dreaded technical difficulties were off and running and Mr. Power Pop is showing exactly how to write great pop tunes that can be played both electric and acoustic as the pub like venue joins in the sing-a-long and we all have a jolly good time. ‘Kellys Gone Insane’ from the debut solo record sounds fantastic as does ‘The One’ also from the re-released debut record. ‘Cèst La Vie’ is aired from that difficult second album along with ‘Long Long Gone’. Duncan shares some very nice words for his former bandmates in The Boys before cracking open a take on ‘Brickfield Nights’ where Nick Hughes did a very commendable job on Matts vocals.  It only leaves ‘First Time’ and a standing ovation seems about right – Always smiling – always looking like they’re having the best of times -its infectious. 

We head out the door for a wander knowing we can catch the end of the UK Subs set over in the Empress after a cheeky dark fruit we head upstairs to see the subs do what the do best and thats kicks out the jams in what felt like watching a band inside an oven on 180.  The band show no sign of relenting as they justify their prime spot on the bill once again.

We head outside to wring off the t-shirt again before catching some of the Stranglers set luckily for us we caught a portion of the set where they played a few classic Stranglers ‘Peaches’, ‘Nice N Sleazy’ and ‘Duchess’ we go for a walk around the balcony and by the time ‘Something Better Change’ erupts I’m done.  the heat has got the better of me and I bow out.  After what has once again been a full-on Fandabidozy Friday in The Winter Gardens wandering from room to room catching band after band all offering something different but mostly offering exceptional quality. Now if I could be in two places at once then now would have been a good time to give that ago.  Luckily for us, Mr. Darrel Sutton was on hand at the same festival but watching totally different bands to us so without further waffle over to Mr. Sutton…

 

Friday sees an extended pub lunchtime forcibly ended by a raging (ouch) set from Ohio’s Raging Nathans.  I’ve wanted to catch these lot for ages, having actually booked them for a date on an aborted tour a few years ago, and they do not disappoint. Between song banter is kept to a minimum and Josh Goldman and crew literally rip the arena a new one with a fast and frantic set that Zeke would have struggled to match.

A few hours in the RPM inner circle sees me catch Discipline, Argy Bargy and Spunk Volcano in an exhausting triple-header before an enforced break sees me return to catch Leftover Crack in the same venue.  A band that have never grabbed my attention for any prolonged period on record, their live show is positively intense.  The subtleties of their ska-infused records are pretty much abandoned in a total rager of a set.  A quick venture into the Stranglers set in the Empress is curtailed by the unbearable heat of the utterly packed room and a very wise decision to grab a pew for what is billed as Alex Wonk’s acoustic set.  However, it soon becomes apparent this isn’t going to be a solo set as the full Wonk Unit line-up (Ok so Kenny only gets up for one song as Alex is back on six-strings) are crammed onto the stage.  And that’s also where the normal acoustic rules also go out of the window with chairs being discarded, a pit being formed for most songs and even two human pyramids and numerous crowd surfers popping up along the way.  The likes of ‘My Nagging Wife’, ‘Awful Jeans’ and ‘Lewisham’ lose none of their charm through being unplugged and alternate versions of songs like ‘Go Easy’ in an acoustic form further add to the charm.  A total master stroke to round the day off.

Popes of Chillitown, Argy Bargy, Discipline, UK Subs pictures courtesy of Dod Morrison Photography.

All other pics courtesy of Johhny And Dom.

Author: Dom Daley & Darrel Sutton

Friday is always a day where you are either confident that your pre Rebellion training is paying off or the first day that the hair of the dog feels like a great idea and you start to feel the burn.

After a hearty breakfast in some greasy spoon or a vegan falafel and a power walk. Or if your of a certain age like us a banana and a bowl of bran. then a quick blast along the seafront to get some of that sea air in your lungs and then its good to go for round two.

After some Bingo with Max (fingers crossed we win the trouser press from his hotel room (cough cough) eyes down for a line (its bingo speak) then it’s some magic with Rat Boy before the Rock and Roll starts proper.

After a decent perusal of the running order, I would recommend partaking in some limbering up and stretches to T-F-G or as you would know them – The Fucking Glorious (what? we don’t know or ask) but they make a decent noise so pop into the sauna that is the Arena nice n early before the walls start perspiring. Then I suggest you stay put for some of that Grime street punk that is the Riskee And The Ridicule. A band we’ve been following since we were introduced to their recent debut (reviewed Here) With barely time to grab an ice cream and wipe off the sweat it’ll be a hop skip and jump into The Pavillion for Turbulent Hearts but here goes the first clash of the day as Raging Nathans are on at the same time back in the Arena – a band who were seriously good in the Introducing stage last year.  Proving that the organisers do take notice and bands do progress.  so, always worth getting your tapes in or whatever constitutes a demo these days. Hard work certainly pays but don’t forget you have to have some tunes too.

The one thing you try not to get bent out of shape over are the clashes.  Sure its often unavoidable and when it happens its a bummer. Make your choice and stick to it sometimes its good to watch the first half of one then go to the other for the last half especially if it’s later in the day and the bands are playing for an hour you can comfortably see half a set.  Sadly for me, Friday is going to be all about choices I’m going to either plan ahead (military style) or just flip a coin and stick to it.

As for the Empress early evening, you can catch up with some established acts like Penetration who are immediately followed by TV Smith playing The Adverts. Tonight the UK Subs also hit the Empress Stage and will turn in their usually epic set over the last few years their sets have become more and more epic and The Empress usually fills up so if you are partaking in some Subs get in early it’ll get very busy.

But, Let’s not get ahead of ourselves because over  on the Club Casbah stage at 3.15 we welcome back Dragster after missing them last year they’re back with a new album and a sharper more focussed sound. If the weather has anything to do with it they’ll be on when only Mad Dogs and Englishmen (and a few Welshmen)  will be out and about in support of that ‘Anti Everything’ album it’ll be a wild ride if previous performances are anything to go by and one I would recommend catching.  If Casbah is an escape from the greenhouse effect of walking around the pop-up shop stalls then its only a short wait until another band who was widely missed last year hit the stage, Argy Bargy. They only made a return to the stage in May so that will be a popular set no question that’ll be busy and you might as well hang around because fresh from the studio Spunk Volcano and The Eruptions are on after Argy with their ‘Double Bastard’ epic in tow. Why not join in and throw yourself around like a teenager it’ll will be the perfect loosener.

I might then Pop over to the Opera House for some 1-2-3-4 with The Avengers who are back again from Sunny California. Damn, I feel bad for not mentioning what on the Almost Acoustic stage where you can sit (not always) in relative comfort and see the whites of your favourite punk rockers eyes as they’re stripped bare (not literally unless its HeWho). My top tip for who where and when would be Duncan Reid who is picking up the acoustic for a run through his fantastic power pop repertoire. This is listed to happen at the highly responsible time of 9.25 by which time the beer will have kicked in so a fine chance to sing-a-long could be on the cards.  If Duncan plays the final number quick enough it shouldn’t be  a problem hot-footing it over to the Opera House for Cheetah Chromes Dead Boys sure, sure, sure we’ve heard the rumours about whos playing will they won’t they; well, so far it hasn’t been cancelled so I guess I’ll be elbowing my way to the front for some ‘Sonic Reducer’ whilst the night is still young.

 

So Hopefully Dead Boys show but if not you could head over to the Empress for some ‘Golden Brown’ and The Stranglers or why not head back to the Acoustic stage for Alex Wonk and join him for some songs about plastering and/or race horses, either way, it’ll be good. I could keep going as to where to be and at what time but such is the quality on offer. You could be in any vicinity of a PA and I’m sure if you stand still long enough a quality tune will waft over the airwaves towards you and if you have a beer in your hand there will be someone to talk to and shoot the breeze with.

Now that’s two down and two to go hopefully you’ll just need a gentle cool down because like we say its not a sprint. I’ll be off to bed dreaming about the morrows fry up and we’ll no doubt dissect the action so far.  Onwards and upwards and bring on the weekend when things tend to get a little messy.

Ticket details Here

Author: Dom Daley