POP CULTURE SCHLOCK at RPM: Exhibit I – Rock & Rule

POP CULTURE SCHLOCK at RPM: Exhibit I – Rock & Rule

It’s that time again, RPM-people, where I dip a retro-futuristic toe into the Pop Culture Schlock archive hoping to find something that will get your nostalgia nubs tingling and have you rushing to the secondary market seller of your choice, PayPal log-in details set to stun.

It’s the cavernous physical media section of the archive that I am plundering on this fine day, fingering a forgotten Eighties flick (that’s if you even knew of it in the first place!) that is more than deserving of the Cult Classic status that appeared desperately out of its reach as the film fell between the cinematic cracks, despite housing exclusive output from hit parade hot properties like Debbie Harry, Iggy Pop, Lou Reed, Cheap Trick, and, erm, Earth, Wind & Fire… but let’s not get ahead of ourselves…

 

1983’s Rock & Rule was the first fully animated feature film produced entirely in Canada. Nelvana, the studio behind it, was founded in 1971 and had reached for the pop culture skies several years later when it contributed to 1978’s much-maligned (long-forgotten if Lucasfilm could have its way) Star Wars Holiday Special; the studio creating the ten-minute animated segment that famously featured the first appearance of Boba Fett, the galaxy’s most-feared bounty hunter (well, until we found out that he was cloned from that bloke off of Shortland Street, at least).

 

Nelvana’s animators were ballpoints-deep in developing an animated feature entitled Drats! when they were approached by producer Ivan Reitman (Ghostbusters, Stripes, Twins) to work on a feature-length movie based on the classic magazine, Heavy Metal. Nelvana nixed the idea in favour of producing its own title. Heavy Metal, the movie, eventually released in 1981, utilised the services of several different animation houses, took around twenty million dollars at the box office, and became a cult classic. Them’s the breaks.

Drats! toiled through a development hell of sorts; originally intended as a more child-friendly Grimm’s fairy tale-like opus, the project was subject to countless changes, from tone to title. Now called Rock & Rule, the project dashed into production without a completed screenplay. Re-writes abounded, characters were changed long after their original footage was completed, the studio had to move location part-way through production, investment dried up, and the production sailed past every deadline. At least Nelvana had the might of MGM/UA behind them. Well, not quite. Boardroom musical chairs at MGM/UA resulted in the suits who had fallen for the animated project being hung out to dry and new suitors, if you could call them that, were less than enamoured with the work as a whole. Cuts were demanded, voice actors replaced, the title changed to Ring Of Power, resulting in the movie being dead on arrival – buried by a studio before it even had a chance to find its audience upon eventual release in 1983. But why? Was it really that bad?

 

Watching Rock & Rule now it’s easy to find fault – the post-apocalyptic tone is diluted too often by comic relief characters more suited to Saturday morning cartoons, and the cuts demanded (two different versions actually exist; American and Canadian) make for a patchy viewing experience – but, as far from perfect as it is, there is plenty on offer for this forgotten film to warrant rediscovery. It is, however, the rock and roll of Rock & Rule that will be of the greatest interest to RPM readers.

The story in a nutshell: on a post-apocalyptic Earth where the population has mutated from rodents to human form, a legendary super rocker, named Mok, resides in Nuke York and is obsessed with an evil experiment that will bring forth a demon from another dimension. To do this he needs to find an angelic voice to sing a certain combination of notes. Meanwhile, in a seedy club, a fledgling rock band has a keyboard player just finding her voice. Her name? Angel…

 

Mok was originally to be named ‘Mok Swagger’ until the talent representation of Mick Jagger objected. How did they know at such an early stage of development? Well, the Rolling Stones frontman was considered for the role of Mok (no doubt why the animated character has lips-a-plenty), as were David Bowie, Sting, Michael Jackson, and Tim Curry. Don Francks – who had provided the voice for Boba Fett in the aforementioned Holiday Special animated sequence – was eventually cast as Mok, although the character’s musical sequences were performed by none other than Lou Reed.

 

Who could provide that angelic voice, though? Well, voice-over veteran Susan Roman was cast as Angel, but the character’s potentially demon-inducing singing voice was provided by Debbie Harry. Add to these that fact that Angel’s bandmate, Omar, had a singing voice provided by Cheap Trick’s Robin Zander, and the one-and-only Iggy Pop voiced the thing from another dimension, and you have a proper rock ‘n’ roll curio almost certain to be missing from many a collection.

‘Angel’s Song’ is, in fact, an early version of the song, ‘Maybe For Sure’, that would appear on Harry’s 1989 solo album, ‘Def, Dumb & Blonde’. This was just one of three songs written by Harry and fellow Blondie founder, Chris Stein, for the movie; the others being ‘Invocation Song’ and ‘Send Love Through’, the version of the latter featured at the climax containing lead vocals by both Debbie Harry and Robin Zander. Zander’s Cheap Trick bandmate, Rick Nielsen, penned three tunes for the movie (‘Born To Raise Hell’, ‘I’m The Man’, and ‘Ohm Sweet Ohm’), Lou Reed two (‘Triumph’ and ‘My Name Is Mok’), and Iggy Pop just the one (‘Pain & Suffering’). It’s the Earth, Wind & Fire tune that you want to know about though, right? Well, ‘Dance, Dance, Dance’ plays out in a neo-disco scene set at Club 666. Now you’re interested!

 

Arthouse cinemas and film festivals provided the only opportunities to view Rock & Rule after its initial flop at release, aside from a rare mid-eighties airing on Canadian television, where it was promoted as a music special rather than an animated feature. Eventual home video releases on video cassette and laserdisc finally allowed the movie to find something of an audience until, in more recent times, a long-awaited double DVD release presented an anamorphic widescreen version to curious viewers and collectors alike. This digital versatile disc set is now out of print so good luck in finding a copy. I did, and it now resides in the Pop Culture Schlock archive where another curious item lies waiting to be fingered for my next RPM column…

 

Until then, keep watching the skies!

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Author: Gaz Tidey

45 RPM its a revolution thing

45 RPM its a revolution thing

So the time is here for a new batch of 45’s to spin and /or new videos I guess as there seems to be a bit of a drought lately yet we get video submissions all the time. First up is the new video from The Membranes ‘Black Is The Killer’ taken fro the band new long player ‘what Nature Gives …Nature Takes Away’

Dead Furies – Stay Gold, Ponyboy  Well this is like a breath of fresh air blowing through the Singles roundup.  Whilst it might not be pressed on a slab of wax and run at a speed of 45 RPM the new single from Dead Furies is easily the finest slab of noise in this bunch of singles.  With the classic one-fingered piano honk and a rollicking Stooges riff that Ron and Iggy would have been proud to have written and it hits you like a steam train.  ‘Stay Gold Ponyboy’ is majestic and guaranteed to get the blood pumping its classic scandi rock and traditional formula. simply Write a top tune and then play the fuck out of it – Hey presto!  Single of the month hands down – buy it!

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Jack Rabbit Slams – ‘Crackerjack’ Scottish three-piece like to make a noise as ‘Crackerjack ‘ will testify.  Taken from their debut album that’s to follow this tense loud slab of Rock also has a cool video to accompany it and one that works well with the tune.  Zombies – loud guitars – time changes – Blood – gang vocals what’s not to like?

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Joey & The Rats – Stick To You (Stardumb Records) On their brand new 7 inch which we’re looking at right here, Joey and the Rats? Confused? what happened to Lucy?  Fear not folks its just Lucy is taking a break from vocals and Joey has stepped up to the plate. With two glorious slabs of rock‘n’roll fun. Guitarist Joe Tolosa is taking care of the lead vocals of both songs, Its a punkier couple of tunes for sure, be it still got the power pop side of punk happening think The Boys, Teenage Head, Buzzcocks. Currently playing with the Rats as well as snotty punks Johnny Throttle. this is what 45’s were invented for. Sloppy, punchy and totally rockin’  – excellent single.

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The Drippers – Bottled Blues (The Sign Records) From the ‘Action Rock’ album soon to hit the streets on Sign Records The Drippers kick the living shit out of ‘Bottled Blues’, coming on like the bastard children of Lemmy daddy daycareing early Hellacopters and Total 13 and having Zeke over for some foreign exchange.  Rapid – exciting and ripped to the tits ‘Bottled Blues’ is all killer and no filler just like the album.  Check it out and tell me I’m wrong. Who said gamblings for fools? If you want to know what Action Rock sounds like chew on this one for fun!

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Piston – Rainmaker Rockers Piston come forward with a downloadable track off their new long player originally entitled ‘Piston’  its a hard-rockin’ wall of riff-a-rama that will have the fans of Rock radio drooling. Check it out in video form below.

Black Sheets Of Rain – Through The Storm (W.A.R. Productions) If Piston wasn’t enough how about more hard rock in the shape of Black Sheets Of Rain and ‘Through The Storm’.  Taken from their debut EP its classic hard rock.  sure it lacks originality but they can play obviously they’re rockers! Four and a half minute that felt like four hours. Not the best track I’ve had to review recently it reminds me of Queensryche (now that’s a band I never thought I’d mention on RPM)

 

Junky Love – Nowhere To Go (Red Thread Records) 4th single by London based psych/garage rock trio is a bit of a slow burner; a song about substance abuse comes to the boil slowly.  Its a grower, not a shower and never gets ahead of itself.  Interesting and a band to perhaps keep an eye on.  A touch of early nirvana about the track which isn’t a bad thing at all.

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Slaughter Beach, Dog – One Down (Lame-O Records) Not your typical single song.  A real gentle yet seductive song.  ‘One Down’ has a flavour of Neil young and more indie driven bands such as a gentle Dinosaur Jr maybe or Sonic youth go Eels as the song builds they control the feedback nicely and its a great introduction to the new album coming late summer.  Although ‘Good Ones’ which has also been released to promote the album release is a mighty fine tune mixing acoustic with fuzzed electric really well like Lemonheads used to do so well.

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Beauty in Chaos – ‘Drifting Away’ ft. Robin Zander (Synthetic Capricorn Mix)(33.3 Music Collective)  Robin Zander and Michael Anthony (Synthetic Capricorn Mix) Remix by Paul Wiley (Marilyn Manson) and Steven Alexander Ryan (The Black Queen)  Sounding more like A Pete Murphy song this is one that will test Cheap Trick disciples and people who wondered what Michael Anthony was up to lately.  A pop experimental remix is about as much as I can say Fair play to the artists for stretching themselves and really stepping out of their comfort zones on this one.  I’m sure many will be open-mouthed and gasp in horror.  Oh well, I bet the artists had a ball.  This remix really pushes the boundaries.

Album order Here

Baby Shakes – Baby Blue/ In My Arms Again (Surfin Ki Records) Classic two track slab of power pop.  Crunchy guitars built around a dreamy melody and delivered by the softly sung vocals like a knuckle duster in a velvet glove Baby Shakes give it some of that sweet Johnny Thunders guitar breaks and who doesn’t love that?  the flip side is a cover of the Shoes ‘In My Arms Again’ – lovely.  Head over Here to pick up a copy from the label or the band’s Facebook page I’m sure they’ be delighted to have you.  Besides, they’re heading out of New York and heading to Europe and Shit Island for a whole bunch of dates so how cool would it be to know a couple of tunes to sing along to down the front?

 

 

 

 

Ruled By Raptors – Ouroberos EP (Pulse Music) Noisy Geordie alt Rockers release new EP and accompanying video get an ear full of their angular alternative Rock or just check out their video below. Quite melodic yet bruisingly heavy the band get set to burst onto the alt-rock scene and make a lot of noise doing so.

MoLD – Breaking Bones (GMR Music) Hard ‘n’ Heavy is the order of the day.  Built around a rolling riff the band cite the likes of Motorhead, Sabbath and The Cramps as influences whilst I can hear the first two in this track I’m intrigued as to where the Cramps fit in but this is only the first track off the new record they’ve aired. ‘Breaking Bones’ is the first track taken from the album ‘Horrors’ which is out next month.  Oh, one thing.  There seems to be one string too many on that bass.  

Rat Face Lewey – Comfortable Taken from their second album this upbeat effort from alt-rockers who’ve been compared to the Manic Street Preachers (not a comparison I’d go for but hey ho) Its got a load of energy and who doesn’t like skateboard videos?

Para Lia – Hawk Hill (Bandcamp) Influenced by The Mission and a bunch of other alternative vagabonds Para Lia release this three track EP via Bandcamp.  The use of the male/female vocals on the chorus is very All About Eve meets the Mish as is the guitar solo over a wall of harmonic guitars.  The second track ‘Over It’ is a much stronger tune and I like the melody on the chorus but it sounds less cluttered that ‘Hawk Hill’.

‘On My Way Home’ has added cello if this wasn’t Gothic enough and sounding more Echo And The Bunnymen especially on the verses it’s a good tune with a decent arrangement. you can check out the songs via the bands Bandcamp page.

 

Psychobabylon – Is This All There Is? (Self Release) Four track EP is the way to go for this five-piece with a hard edge but melodic hook the band slam down the opening track ‘All There Is’ part Metallica part Almighty hard rock it’s a bruising affair yet has a strong melody as it weaves to its conclusion. There’s no reinventing the wheel here just bruising hard rock Released digitally and on CD you can find it at the link Here. ‘Die Alone’ is a hard and heavy riff that drops to reveal a filthy bass line rumbling away holding this one together before the inevitable gang vocals.  Will please audiences up and down the country who want something loud and heavy.

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GOON – ‘Check Engine Light’ (Partisan) LA-based scuzz rockers release video for the track ‘Check Engine Light’ off their album set for release mid-July.  Check it out here and search out the band’s social media for details of their new album.

Finally, Welsh duo Henrys Funeral Shoes release a video for ‘Everybody Say Hi’ the first track off their new album ‘Smart Phone Rabbit Hole’ due for release on September 20th.  Old school blues with a twist, fuzzy vibes and a simple chorus you can all sing along to and a rather addictive sound as it burrows into your ear cool soulful vocals is one way to describe this one check out the video and make your own mind up.

Until next time when we’ll bring you the new singles and videos – Stay sick!

Beauty In Chaos – ‘Finding Beauty In Chaos’ (33.3 Music Collective)

Beauty In Chaos – ‘Finding Beauty In Chaos’ (33.3 Music Collective)

The brainchild of Human Drama/Gene Loves Jezebel guitarist Michael Ciravolo, Beauty In Chaos is a goth-tastic supergroup project that brings together legendary names from the likes of The Mission, The Cure, Gene Loves Jezebel, Cheap Trick and Ministry to contribute on their debut album ‘Finding Beauty In Chaos’.

Influenced by the like of My Bloody Valentine, The Cocteau Twins and Lush, the LA-based guitar slinger hooked up his delay and reverb pedals joined forces with Ministry producer Michael Rozon and set about creating soundscapes rich in gothic goodness. Then enlisted the help of various musical acquaintances, such as Michael Aston, Wayne Hussey and Al Jourgensen, to add their own unique talents.

 

Opener ‘Road To Rosario’ sets the scene. With Michael Aston taking lead vocals, it unsurprisingly comes on like a lost Gene loves Jezebel cut as haunting, effect-ridden guitars weave in and out between a pounding bass line and lush distinctive vocals. A crisp production job ensures no sound goes unnoticed as guitars and vocals build in unison to create a killer opener.

Up next, ‘The Storm’ is the first of a trio of tracks to feature The Awakening main man Ashton Nyte on vocals. Atmospheric and emotive old school Goth, just the way we like it, baby! Later on, he opens his dark soul on the nomadic, Eastern tinged ‘Bloodless & Fragile’ and the moody closing title track. These tracks would not sound out of place on The Crow soundtrack.

Al Jourgensen lends his dulcet tones to an industrial tinged take on T Rex’s ‘20th Century Boy’ and pulls it off with ease, while the unmistakable vocals of The Mission main man Wayne Hussey are perfect for ‘The Long Goodbye’ and the simply enthralling ‘Man Of Faith’ (also featuring the talents of The Cure bassist Simon Gallup), possibly the stand out tune of the day for me.

Human Drama vocalist Johnny Indovina adds ethereal Bowie textures to ‘Memory Of Love’ and Ville Valo romanticism to ‘Beauty Lies Within’.

There’s a couple of unexpected diamonds in amongst the black ashes that permeate this collection of dark, gothic goodness. Namely, the power pop of ‘Drifting Away’, featuring an on form Robin Zander and top backing vocals courtesy of a certain Michael Anthony amongst others. Then Dug Pinnick and Ice T pump up the volume to industrial levels for ‘Un-Natural Disaster’, a song that retains the de-tuned, grungy feel of King’s X, while the spoken word rap of Ice T takes things down a darker street.

 

Collaborative musical projects run the risk of losing direction and focus, but Ciravolo takes the signature sound of each vocalist and adds his own textures to create an outstanding work of art that is both dark and cinematic and flows as a complete album.

‘Finding Beauty In Chaos’ is an album that celebrates the alternative late 80’s and puts a modern, edgy twist on a genre that has a place in the dark hearts of rockers, ravers and lovers the world over.

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