Well here it is kiddie winkies the ‘Best Of’ album of the year and probably any other year if it were a competition, which it isn’t. But if it were Mötochrist has won.  From the artwork to the content and the cliche crammed melodies its an absolute steal at any price.  If you haven’t already ordered your own copy why not?

Originally released as one of those Kickstarter campaigns many many moons ago (at least 18 months if I’m honest) and for it being a Greatest Hits compilation fuck knows why it’s taken so long but it doesn’t even matter because it’s Mötochrist and they Rock and that can do what they want simple as that!

 

I know there’s a certain irony of it being a Greatest Hits seeing as they’ve only ever released one single on vinyl proper oh ok So ‘I Don’t Ride Bitch’ was a single-sided No Balls creation and they did release a three-track CD Ep. and that was on No Balls and not many will have ordered it anyway but truth being known everything Mötochrist has released is the Greatest anyway even when they’re not on top form its still the Greatest and way better than 99.9% of other bands records. Oh, and the artwork is a stroke of genius front and centre – absolute stone-cold classic. I’m lucky being a fanboy I got mine signed even during COVID because if it wasn’t already obvious there’s no way any Virus is taking Mötochrist down not now not ever- they are indestructible

So Whats on this Greatest Hits then I hear you say through salivating chops. Well, the only downside is its just the one record and not a double album or better still boxed set with everything they’ve recorded on vinyl – Fingers crossed eh?

It starts as it does at the start of the ‘Greetings’ album with the glorious ‘Hang Em High’ and the total heaviness of those Guitars man it’s fucking awesome and the tone of Diamond and Vodka is immense. Catchy tune after catchy tune with cheeky lyrics and big riffs this compilation is a must-have don’t take yourself too seriously and let your hair down ‘The Fist’ is a beauty and from the bands decade-old ‘Corvette Summer’ album (man it seems like yesterday)

Then it’s back to those ‘Salt Flats’ for ‘Super Sonic Speed Machine’ but its not all full throttle as the laid back ‘Holiday’ steps up with its ‘Strip club’ staple groove and killer chorus. Of course, the tribute to ‘Evel’ is present as is Marc Diamond penned ‘Pretty Girls’. Then to close off the first half, side one is drinking anthem ‘We Came We Saw We Drank’ and its TV Eye tip of the hat to Iggy and boozing and a fine way to take us to half time.

Side two opens with a pair from ‘Corvette Summer’ before their last album ‘Chrome’ rears its devil horned head.  I’m going through side two and by the time I hit ‘Hellbound’ and its wonderful lyrics of Shakespearian quality.  I guess having self-awareness is a good thing and guys I think Hellbound is the only option so well done for embracing your final destination but as the final thirteenth track ‘I Don’t Ride Bitch’ plays out I realise there’s no room for the epic ‘Marc Diamond’  or ‘El Diablo’ uh what? oh, I see Pfew Volume One. It just wouldn’t be fair to overload this one so you’re forgiven.

In short, just buy this album if you don’t have a record player, well, this is your excuse to get one.  A stone-cold winner of Greatest Hits album of the year and its only August for fucks sake!

 

Oh and to make this bad boy even more desirable (if that’s possible) my record came with a CD that features a whole heap of bands covering Mötochrist which is as we all know futile but worth a go and most definitely worth a listen from some pretty straight takes on classics and some that are well and truly fucked with oh and they have ‘Marc Diamond’ and ‘El Diablo’ so all not lost. Danny Christ!? Jesus wept I can’t stop looking at it and laughing.

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Author: Dom Daley

The first new record from Lucas and his Subhumans in a while (Twelve Years?) and with the current global situation its not like Lucas has had writers block or lacking the inspiration.  Everywhere you look there’s a meltdown – climate change, government leaders lying, despots taking over, smiling, lying and cheating yet it seems OK to the public. Nobody loses their jobs its all fair game. Summed up nicely on ‘Fear & Confusion’. A more polished sounding record that their last outing ‘Internal Riot’ but it every bit as sharp and relevant.

To be fair Subhumans have always released intelligent records their Anarcho leanings have always been dressed really well in big riffs, tight time changes and some sharp as fuck punk rock. ‘Crisis Point’ seems apt as Lucas starts the war cry with the flurry of opening punches on ‘Terrorist In Waiting’ great lyrics (as usual) thunderous drumming and riffs raining down on the listener with an energy and excitement that sets the album up really well.

throughout the albums eleven tracks the ebb and flow is excellent.  I love the attitude on ‘Atom Screen War’ emanating from the riff as it pounds away but it’s nicely pinned by the bass thats rumbling away underneath.  To be fair the sound is reminiscent of the last few UK Subs albums. ‘Follow The Leader’ takes that edginess up a notch as the album has warmed up and is really taking flight. Strange land has the feel and sound the band had back in the ’80s with that flange riff and repetitive beat its a really good tune and one that shows how bloody good a band Subhumans are.

Its no good looking for a weakness because there isn’t one.  Its a really consistent album its focused and as you’d imagine thought provoking with excellent lyrics and a great production. ‘Crisis Point’ is ticking all the boxes whats not to like? If you want fast no nonsense heads down punk rock then Subhumans do that ‘Poison’ if you want intricate musicianship Subhumans can do that for you, if you want lyrics that are well constructed and thought provoking to prick your conscience subhumans can do that. They were a big part of that early ’80s punk explosion and are still going strong along with the Subs,  they always turned in better records than Crass and Conflict in my humble opinion and this record is proof that they are as relevant now as they always were. ‘Crisis Point’ can cover all your modern punk rock needs as well as you old school punks wondering if Dick has still got it.  Of course he has. My advice is get hold of ‘Crisis Point’ now and get on board its never too late. Buy it!

Pick up a Copy Here 

Author: Dom Daley