Welcome to Episode 16 of our little Podcast where DD And Hotshot bring you some top tunes from the archives. We have some brand new tunes from current records that have either just been released or are about to be released as well as tunes from the archives such as Joe Strummers demo outtake of ‘Coma girl’ that is taken from his boxset 002.

First up in this Episode is a Steve Lillywhite recording of Johnny Thunders recording ‘Leave Me Alone’ recorded with current Damned bass player Paul Gray alongside drummer Steve Nicol. It was eventually released on a 10″ EP on Remarquable Records alongside three other tracks. It was a remarkable time for Thunders who went on to release ‘So Alone’ with a veritable host of bonafide Superstars, spawning his best work (arguably) that included the epic ‘You Can’t Put Your Arms Around A Memory’.

Next up Hotshot picked a Hanny J track ‘Days Felt Like Years’ From her 2019 EP ‘Possession’. HAnny is known for her bass playing in Melbourne punks Clowns but this change of pace offers an insight into her talents as a songwriter and singer.

Ming City Rockers have just completed a new album and whilst we wait for them to start dropping details of when we can expect to hear songs of fit you’ll have to make do with ‘Desperate’ from their last album ‘Lime’ which was released early in 2023. We’ve already had the one-track drop so hopefully, it’s soon when we’ll get news.

Guitar pop indie kids Ash released a great new album late last year and have just released it as an extended option ‘Race The Night’ comes out with an extra raft of tracks. If it’s classic tracks you’re after then look no further than Misfits classic ‘Hybrid Moments’ lifted from the Box set version ‘Static Age’. Digitally remastered from the band’s classic debut – You can’t argue that Early Misfits didn’t deliver and anyone whos seen them play recently can testify that they still have it.

Scandinavian punks The Good The Bad And The Zugly are about to release something of a compilation album based on B sides of singles and a new cut that we play spanning the band’s 15 years of doing this. ‘Decade Of Regression’ hits the shops on the 5th of April. Catch them on tour now!

Next up The Drowns knock out their single ‘Ketamine And Cola’ from the album ‘Blacked Out’ get it off Pirates Press and I can promise you – you won’t be disappointed.

Jumping back to Scandinavia the pair offer up The Backstreet Girls and ‘Boogie Woman’ lifted from their latest album of loud infectious rock n roll ‘In Lust We Trust’. If it ain’t broke don’t fix it which is the mantra the band adhere to and continues to turn out top tunes and top albums.

Joe Strummer gets aired and a demo of ‘Coma Girl’ lifted from his second box set ‘002’ The Mescaleros years. It’s hard to believe that Strummer passed in 2002 and those studio albums still sound fresh and relevant all these years later. This is one of the early outtakes of the track and still, I champion it as his most outstanding solo post Clash record. The box set is well worth investigating full of artefacts and really well designed.

Who doesn’t love Slade? I guess if you’re still reading and you hit the link to play the podcast then you’re going to love this live recording which was recently released on splatter vinyl. ‘Them Kinda Monkeys Can’t Swing’ is a barnstorming opener and this version is particularly good. After a quick check, I can correct myself and say this recording was made from a few nights at the theatre in 1975 so right smack in the middle of the band’s pomp. Captured for a BBC performance Slade are remembered by a slew of fine albums that have just had the rerelease treatment and this is one not to miss alongside the Reading performance that the pair chat about. If you’ve never delved into the Slade archive then what better place to start than a live album stacked with absolute bangers. there aren’t many frontmen with a set of pipes like Holders and on this song he gives his vocals a damn good workout.

Maverick Ryan Adams recently dropped five albums on the same day (now that doesn’t happen every day) one of those albums particularly piqued my attention and ‘Skulls’ is lifted from the album ‘1985’. A daunting and huge back catalogue maybe if you start from this recent album drop you have pretty much the whole sound of the guy in one day – five albums mind and all crammed with tunes. Try him.

Gene Loves Jezebel recently released an album on Cleopatra Records ‘x – Love Death Sorrow’ and it contained a very mixed bag in as much as there were Four covers with the originals and one that caught our ears in the classic post-punk/ New Wave ‘Another Girl Another Planet’ but put their Gothic twist and owned The Only Ones classic taking it somewhere we weren’t expecting but thoroughly enjoyed.

NWOBHM aficionados might baulk at our ignorance when we encounter the recent Cherry Red Records compilation ‘All Systems Go’ and the Crucifixion track ‘Jailbait’. The beauty of these retro boxsets is that you discover bands like this that you might have missed first time around. Don’t take my word for it hit the podcast and get on it.

I think it’s the first Replacements track we’ve dived into on the podcast certainly the first one lifted from the superb ‘Tim’ album box set that came out last year with a superb remix that elevates the album from what we were used to. Possibly hearing the one track in isolation doesn’t do it justice but ‘Kiss Me On The Bus’ is a belter and if you’re new to the Replacements then this is a quality album/box set to dive into it also includes some fantastic live recordings. one of Americas best gifts to music ever – you can take that to the bank.

Finally, on this episode, Laura Jane Grace closes off the show with the title track off her new solo album ‘Hole In My Head’ an album that offers the listener her usual variety of electric and acoustic songs as she rages against the machine. Its her fourth album and this is just a taste of what to expect from another fantastic album. Punk, Folk Rock, Acoustic, Rebel Rousing Grace is compulsive listening and this album maintains the super high standard of songwriting be it as a solo artist or fronting Against Me! or Laura Jane Grace & the Devouring Mothers.

I’m sure you’ll agree if you can understand our poetical Welsh voices we do have the gift of the best music available whatever variety it might be. Join in – let us know what you think. If you have a request or a topic you’d like us to play/discuss then get in touch.

Listen-Folow-Like-Share. Thanks from the pair of us.

Genius, Mad as a box of frogs, show off, nutcase, prolific, has nobody to quality control him are all things people have said about Ryan Adams, and at some point, all of these would be true and we’ve barely scratched the surface of 2024 and Adams has already dropped not one, not two but Five albums! now drink that in music lovers Five albums. Four new studio albums and Prisoner live which is a bit lazy releasing a live album on the day he drops Four studio records. What was he thinking? Anyway, whilst trying to live with the new albums and intake all that new music as well as deal with a plethora of new releases January has gotten off to a headfuck of a start and none more noteworthy as ‘1985’ from Ryan ‘What me writer’s block?’ Adams.

A quick summary would say that ‘Heatwave’ is fourteen songs of Adams does… whilst Star Sign’ is ten songs of Adams doing… then ‘Sword And Stone’ aren’t Adams Goes Manowar (now that I could handle) but twelve songs deep whilst ‘1985’ is, wait for it, twenty-nine songs in half an hour of The Finger styley giving it some proper fuck you! punk rock hardcore. yup, we know he has it in him away from his takes of Oasis and Springsteen cover albums or his Taylor Swift take down this is nasty fuck you and the horse you rode in on punk rock. Something right up our alley (so to speak). One minute he’s Springsteen or Liam Gallagher goes acoustic the next he’s out Offin Keith Morris doing Hardcore with as much authenticity as Vinny Stigma.

‘1985’ kicks off with ‘Dark Places’ and away we go on a rip-snorting rocket ride. It’s not noise for the sake of it it is just wonderful Black Flag-style punk rock. ‘Waste Of Time’ is less bluster and more Replacements punk rock and who doesn’t like some of that? In fact, if this was announced as some long-lost Husker Du blast or Replacements demos I’d buy into that. The album lurches from the alt-punk rockers to the straight up Hardcore and ‘Forget Me Either Way’ is the latter whilst ‘No Flag’ is like a rabid dog barking out the chorus and its done.

The tone of the guitar is superb, ‘Skulls’ is a banger whilst the sharpness of the riff on ‘Toaster Face’ is like being hit in the face with a baseball bat and enjoying it. ‘You Are The Enemy’ is him chanelling his inner UK Subs. It’s all in here kids and by the time you reach ‘Midlife Crisis’ you might need a break its exhausting pogoing round your sofa to Ryan Fuckin Adams. ‘Down The Drain’ might offer the welcome break from all that chaos with its dark acoustic beauty. Then ‘Bag Of Trash’ could be a Fuzztones Psyche rock trip but then ‘What The Fuck’ draws you back into the punk rock maelstrome.

Before we’re done ‘Straight Edge Bookstore’ is his tip of the hat to Minor threat and the fucked up world of Straight Edge. The clock is rewound to the youthfulness of early punk with the comical ‘Punch Em In The Nuts’. I need a lie down, I’m exhausted Ryan Adams has almost broken my brain with his welcome to 2024 and this his ripsnorting kick up the backside that is one hell of a top record. My advice dont fuck about get in there and buy it. 1-2-3-4 Go!

Buy Here

Author: Dom Daley

This is a remastered reissue of Jesse Malin’s third album, ‘Glitter in the Gutter’, originally released in 2007 on Green Day’s Adeline Records and then released on One Little Indian Records pressed on 200g vinyl.  The album has been unavailable for years and has never appeared digitally until now.  The album features Bruce Springsteen, Ryan Adams, Jakob Dylan, and more on various tracks.  It also includes a bonus track, ‘The Angel To The Slave,’ which has never been released.  In the words of Jesse Malin, “I am really happy to have it out there in the world again.”

Glitter didn’t have the wham bang factor of Malin’s debut nor the intrigue of its follow up and whilst people historically referred to the difficult second album I’d go for the third being the difficult one if an artist is lucky enough to make it to a third. Jesse brings out some big-hitting guests on this record to help pique some interest (not in a negative way) like the obvious inclusion of having the Boss in to sing on ‘Broken Radio’ even if Malin alluded to at a recent show he never bigged up the inclusion of Springsteen and didn’t really push it which on reflection was/is strange and more than humble. Now it’s not only included it’s been musically re-recorded for the new release.

It blows my mind that this album came out in 2007 it seems way more recent than that and the songs still sound fresh as Malin leaves behind the punk rock of D Gen way further back in that rearview mirror even if at the core of his solo work is a throbbing punk rock work ethic and core songwriting style. from the off his Noo Yawk vocal style shines through on ‘Don’t Let Them Take You Down’ and the rocker that is ‘In The Modern World’ still gives me a buzz in his live set.

People wondering why they should pick this up on Wicked cool; I’ll offer the rework of ‘Broken Radio’ for a starter and the bonus track that wasn’t on the original ‘The Angel To The Slave’. To be I loved this album when it came out and I still love it now. Its got an effortless rock n roll heart beating away with a carefree attitude on songs like ‘Lucinda’ and the brilliant ‘Love Streams’ and the melancholic yet stunning version of the Replacements classic ‘Bastards Of Young’ is worth purchasing alone.

Malin has always told a fatastic story and his songs are captivating and Glitter is one of his best examples throughout his whole career. Rotating his bands has kept a freshness throughout each album and when he rocks out he does it with style and panache and the reworked inclusion of ‘The Angel To The Slave’ makes you wonder what else he leaves on the cutting room floor. Signing off with ‘Broken Radion 22’ is a wonderful full stop to a fifteen-year-old record that needs to reach a bigger audience because music this good shouldn’t be exclusive in crowd treat. Jesse Malin is one of America’s gifts that keeps on giving time after time and record upon record. Even if you have this on CD, original vinyl or the one little Indian 200g vinyl audiophile version of this album when is enough ever enough? This album would Glitter anywhere never mind in the gutter. Buy It!

Buy Here

Author: Dom Daley

Ryan Adams releases news of his forthcoming new album with links to order and details of his Scottish, English and Irish tour dates.

‘BIGCOLORS’ is available for pre-order! All vinyl purchased from the PaxAm store comes with an exclusive 7″ (with 2 previously unreleased songs) and the first 1000 vinyl orders will receive a limited edition paint splatter vinyl. If you live in the UK, any order placed will get you first access to UK dates on Ryan’s tour! Pre-order: Here

Ryan’s heading out on tour! This March and April, he’ll be playing 8 dates in the UK and offering fan experiences that grant access to Ryan’s Pinball Lair pre-show experience and premium seating during the show. The pre-show experience will also feature a variety of pinball games, a private bar, and a specially curated Ryan Adams gallery. Check out the fan experiences: Here
Tickets on sale this Friday, 1/25 on paxamrecords.com

March
31 Dublin, IE Olympia Theatre

April
2 London, UK Royal Albert Hall
5 Newcastle, UK O2 Academy
6 Birmingham, UK O2 Academy
7 Manchester, UK O2 Apollo
9 Glasgow, UK Royal Concert Hall
10 Sheffield, UK O2 Academy
11 Cambridge, UK Corn Exchange