Influenced by the likes of Bored! Radio Birdman, Sonic’s Rendezvous Band, The Hellacopters as well as the MC5, Stooges and Motorhead this impressive list alone was more than enough to pique my interest and have me blasting out ‘94/20’, the all new eleven tracker from Spanish garage punks Señor No.

Having never heard of Señor No before and then discovering that not only do they sing in their native Basque tongue but also that the ‘94/20’ album title refers to the fact that this year is the band’s 26 year in the business only added to the intrigue.

Thankfully ‘94/20’ more than lives up to the mystery and PR hype and in fact just like albums I’ve raved about in the past by the likes of City Saints and Trust what really sets Señor No apart is the fact that the songs are being sung in the band’s native language as it actually adds to the band’s incredible sonic melting pot.  And boy what an intoxicating mix it is too. Yes, there are elements of all of the aforementioned bands that could be pulled from the tracks on offer here but for me it is the bark and sneer of singer Xabi Garre (a veteran of the local Basque rock scene) that really hammers home the band’s message. Even if I do have to refer to the English track listing on the band’s Facebook page to really get a grip of the self-styled Bukowski style street poetry the singer specialises in – this doesn’t spoil this musical rocket ride one iota.  In many ways this curiously reminds me of what a Basque Tyla fronting the MC5 singing songs about the rock ‘n’ roll lifestyle might sound like, and one thing’s for sure, it will definitely require more than my usual “dos cervezas por favor” level of Spanish for me to fully understand.

So, with this in mind let me introduce you to Señor No’s ‘94/20’, an album chock full of musical twists and turns and yes, more than just a hint of mystery thanks to Xabi’s vocal stylings. With the band’s mission behind the record being to re-record and reimage songs from throughout their career to date.

Kicking off with ‘La Ruta Interior’ (The Interior Route) this is perhaps the nearest Señor No comes to the sonic jams of their Detroit heroes and the guitar interplay between Jorge Colldan and Joseba Baleztena at times really does bring to mind Smith and Kramer. For me its when the band really go for the throat like on ‘Déjate’ (Leave It) that they really click and here you can clearly pick out the Motorhead influence albeit with a little Poison Idea thrown in for good measure too.

Señor No are anything but a one trick punk rock piñata though, just take one listen to ‘Perra’ (Dog) where the guitar breakdown really will have you punching the air in celebration or the kooky time signature of ‘Meando En La Niebla’ (Piss In The Fog) that gives the track a real feelgood swig from the bottle kind of swing, all driven along by bassist Fumai and drummer Fosy who put in a superb shift throughout.

Bristling with energy and sounding like the very heartbeat of Basque punk rock ‘n’ roll ‘94/20’ should have by now seen Señor No tearing up and down the highways and byways of Europe in support of the record, that day I’m sure will eventually come, but in the meantime you can order your copy via the link below.  Glorious stuff!

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Kurt Baker.  A name that is like the stamp of quality on any product of value like a watermark of exceptional craftmanship and a name you should never walk on by if someone offers you the chance to listen to one of his records.  If its solo, Kurt Baker Trio or Bullet Proof Lovers take our advice and check hi out.

Now previously I picked up the Bullet Proof Lovers when I found out who was on it and loved every second of every track and when I found out I’d missed the Self Titled EP and especially as it was on the exceptional ghost Highway I was ashamed and made myself stay back for rock and roll detention and write I promise not to miss another Bullet Proof Lovers record release again 1000 times.  Now the detention was helped on the grounds that I had the self-titled EP on loop whilst I carried out my punishment.

It’s not all about Baker mind (although I bet he could make this record by himself write it, play it, record it and bloody well press it himself as well) he is ably assisted knocking out all this good time Rock and Roll noise by Luiyi Costa (Txorlitohead, Lolas Club), Joseba Arza (Brigada Criminal, Señor No, Ladislao), Gonzalo Ibañez (Nuevo Catecismo Católico, La Perrera) and Juan Irazu (Discipulos de Dionisos, Gran Yate Especial). The downside is it’s only five tracks.  I hear you and feel your pain (what are they thinking?) Five tracks? C’mon I know it should carry a govt health warning this shit is more addictive than crack and cigarettes but it’s not at all bad for you (unless you dent your bank balance).

‘Razor-Sharp’ is all uptempo rockpile rock n boogie with a great powerpoppin’ melody you know exactly what you want from Kurt Baker. The guitars are beefy and the rhythm is tight and punchy.  ‘Under Pressure’ isn’t the Queen Bowie cover (mores the pity, Imagine that?) It’s another stonking uptempo rocker fro the Lovers. ‘The Neon Bomb’ is rock and roll and if Giuda wrote this people would be wetting their double denim over how good it is from the BV’s to the barroom piano to the breakdown again, top stuff.

You can stamp your feet and clap your hands to ‘I Don’t Wanna Want No More’ and if you want to get your head around a comparison then think Biters at their best and if Tuk ever wanted to co-write with someone who knows his way around a power-pop melody then he couldn’t find anyone better than Kurt Baker unless he was busy then he’d go visit Cheap Trick.

To take this bad boy home; ‘Fist Full Of Dirt’ is up. and this should be the end of side A, not the end of the EP you bad boys. cool as a polar bear perched on an ice cube Bullet Proof Lovers must know they’ve penned a good un here and you should make sure you give it a listen.  There’s no point coming this far and then you don’t check it out.  You can thank me laters until then I’m gonna go turn this bad boy up again. Bye!

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Author: Dom Daley