COLOURSØUND is a project created by none other than Billy Duffy of The Cult and Mike Peters of The Alarm, who first recorded under the name COLOURSØUND in 1998 /1999 when both Duffy was on extended hiatus from the Cult and Peters was going through all sorts with the use of the Alarm name.

The project was unveiled with a set at the Legendary Gathering weekend in North Wales when along with Craig Adams and Johnny Donelly it still to this day rates as one of the highlights of any Gathering and I’ve seen every single on for the last 25 plus years. There was a demo CD ep first and then the album that I’m about to review containing a remastered version with a few added bits here and there I guess but listening to it on record is a real joy.  What essentially is the best Cult album the Cult never recorded. It might well have been the catalyst to Asbury regaining his Mojo and getting back with Duffy for Cult duty but that wasn’t until I’d managed to catch a whole bunch of shows from Coloursound in sweaty venues with plenty of volume and a handle on the new material. Revisiting this once again all these years later is cool and its lost none of that rawness and joie de vivre it had back then in the late ’90s. So much so that when I heard that under lockdown they had reconvened to record another album but this time its Duffy and Peters minus the talent of Adams and Garrett.

If I’m being honest Duffy brought out the best in Peters and maybe having that creative riff machine to bounce off Peters excelled and turned in a fantastic performance and it has to be said the same vice versa.  Duff plays some of his finest licks for many a year on this album and I have even imagined how it would sound if it were Astbury singing these songs would it have been a smash hit?  I believe it would have been but them is the breaks,  I’m glad we have this album now and the best-kept secret remains in all the participant’s resumes.

‘Under the Sun’ kicks off with a classic Duffy riff – loud – distorted – loud and with plenty of punch a fantastic album opener in anyone’s book. I remember attending a Coloursound weekend in North Wales where we were played the album in its glory and asked to pick which track should go where and I think I remember correctly everyone in that room had ‘Under The Sun’ as the opener.  Still to this day a corker. Considering the album is now twenty-one years old it sounds as fresh as a daisy and the remastering has given it a new lease of life.  The record sounds bigger than the CD ever did or at least that’s what my vain brain is telling me (sonically Speaking of course). Maybe changing the tracklist for the vinyl is a time consideration for vinyl or the original running order wasn’t what it should have been (can I collect my prize now?)

I have no clue as to who brought what to the table which must be a compliment to the band seeing as they are all capable fo being involved with some of my favourite songs with their respective bands but with the distance of not having played this in some time songs like ‘State Of Independence’ take me right back to those nights in the Barfly in London and squeezing into the back room with the psychedelic lighting and the melody rattling around my head for ages and loving that bridge.  One of the albums standout tracks on an album full of stand out tracks.

For the people who aren’t keen to jump on board with Peters and his day job songwriting need to check out ‘Heavy Rain’ and then give themselves a good shake. A fantastic, vibrant and pulverising song that builds and builds with a thunderous rhythm courtesy of Adams bass thump which enables Duffy to keep it simple sure it leans on The Cult formula on the chorus and the bass distortion before that solo is still fuckin’ awesome.

‘Alive’ still has the brooding drama before the punch and who doesn’t like a trademark pause before Duffy unleashes his trademark riff and I would say solo but he does that all over this one. Sounds awesome through my speakers sir. Even if it does seem weird with it ending side one after all this time.

‘Fade In Fade Out Fade Away’ opens side two and always was a great sing-along and again time hasn’t dulled the song at all. from the moment Adams bass enters as Duffy wanders across the fretboard this song was a live favourite and the remastering hasn’t killed any of that live feel when the drums kicks in.  Peters best vocal performance on the record hands down. The original long sold out versions came with a bonus single-sided lockdown re-recording of ‘FIFOFA’ but its never going to hit the heights of the original.

I’m happy for the rejig of the running order its breathed new life into songs like ‘For The Love Of’ which might have been overshadowed on the original running order (if that makes sense?) sometimes its nice to just put on your shit kickers and do it!

The album does chill for a bit with ‘A View From A Different Window’ I always liked the rhythm and the acoustic guitar fits in nicely. I’ve no clue why but it always reminded me of Bowie maybe from his Tin Machine project but I always loved this song. with only a couple of tracks left I guess it’s fair to say I love the fact that this record finally gets a vinyl release which it most certainly deserves.  The news that it will soon be joined by Coloursound two is a beautiful thing and I’m excited to hear what they’ve come up with a couple of decades later. Now if this virus would kindly fark off maybe just maybe we could accompany the release of Coloursound two with a live show or two that would be jolly nice please Gents.

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Author: Dom Daley

All roads lead North as this scribe makes the twenty-sixth consecutive January trip for a weekend of all things Alarm and Mike Peters.  This one’s been hashtagged #Thiscouldbethelasttime so something was up but what exactly? As we enter the arena for the Friday nights performance it was no ordinary concert this one was more an experience. This one was with a twist, no not the original drummer but a performance split into three acts, first up – MIKE PETERS AND THE HURRICANE OF CHANGE Performing ‘DOWNSTREAM’.  A bold attempt at mixing the monologue performed by Sean Jones (Blood Brothers, Macbeth) who weaved his way through the audience around the venue whilst the band played reconstructed songs from Peter’s back catalogue. ‘Newtown Jericho’ sparked the Rebecca Riots that moved through the audience that worked well.  Act One closed with the Sharp classic ‘One Step Closer To Home’ which reunited Peters with original songwriter, the song always sends a shiver down my spine no matter how many times I’ve heard it tonight was particularly good.

Every year the Gathering has been split into Friday night – a looser mostly acoustic affair sometimes in the round, a more eclectic evening where Peters has attempted to push himself in different directions sometimes it worked amazingly well other more interesting or full of new unheard material but never the same. 

It’s a bit of a free shot to be fair seeing as the tables have been turned and fans have travelled from near and far to Peters home area for almost three decades and have gone with whatever has been thrown their way with Saturday being a day filled with Alarm related fanboy activities and then Saturday night is the more traditional show often of Springsteen length performances.

So, back to Hurricane Of Change whilst Sean Jones narrated using Alarm lyrics from that specific period it was interesting and it was out there as far as performances go. It was maybe something of a work in progress to be fair. Whilst it can be rehearsed you’ll never know until you get out there in front (or amongst) a live audience.

When finely tuned maybe it will work really well.  Maybe something for S4C or BBC to do on TV where it can be cut and edited where the idea would be amazing. Rather than just knock out an acoustic show (which would have been suffice and safe) Peters doesn’t do safe so I’d take this every night of the week.  A Bold and brave move and certainly interesting viewing.

I’m not particularly a fan of bands who chew up their back catalogue (usually) to keep it interesting for themselves and the audience but I guess the old adage of damned if you do would certainly apply to the Gathering.  Play the same old same old year after year might please many so I get why this has been split into three parts tonight and as ambitious as it is. It’s cool to see it first and maybe next time it’ll be tweaked and be a lot smoother but that’s no criticism. it is a lot to take in and it was great to see Dave Sharp make another cameo appearance as he joined in with tonight’s band -that saw George Williams playing keys and bass for the performance alongside Smiley, James and Jules.

If I had to pick a favourite moment To be fair part three was excellent, people held up cards with a song request on it and Peters played it. Tonight we got some songs that he hasn’t played in a while and it was great to hear old classics like ‘Lie Of The Land’ and especially ‘What Kind Of Hell’.

The elephant in the room had nothing to do with music tonight with it being the 31st of January.  We were reminded that tonight was Brexit and at eleven Big ben would bong. A moment marked on the big screens.  Not particularly something many gave a shit about and it would seem more didn’t even want but on the hour Big Ben bonged and it was a bit of a deflator to be honest even if the ridiculousl=ness was poignantly marked by playing Python.  Going back to what was a highlight from tonight was it seemed right to play ‘Day The Ravens Left The Tower’ and ‘The Deceiver’ back to back and then to follow it up with a rousing ‘Rocking In The Free World’ which only left ‘Walk Forever By My Side’ and the classic ’68 Guns’ to close the Friday night. A pretty decent opener for the weekend to be fair, bring on a good night’s sleep and see what the Saturday night brings. ITs always a pleasure to be in Venue Cymru on Gathering Friday.

For those early birds, you can fill your day totally fanboying out on all things Mike Peters and the Alarm I’d recommend it at least once it can be great fun and a good way to meet and greet friends old and new.

The doors swing open at 10.00 when 21st Century Film – SECRET CINEMA is in operation with a secret screening of a life-saving show that fans will only have ever seen in the theatre. This is followed by the annual Alarm Mastermind with Modnuss Modnusson (hardcore nurds need only apply) this quiz isn’t easy and under the full glare of the light and all the fellow Gatherers watching it can be daunting even for the most hardcore Alarm fanboys and girls.  This is then followed by a Keynote Address from Mike Peters that I’m aware was to announce the details of next year’s plans with no annual Gathering in Llandudno in January or at least not as we’ve come to know it but a string of summer shows to celebrate 40 years of Alarm music.
Then at 6 pm the lucky 300 are let in early where details of record store day release is unveiled as well as questions from the floor and a chance for a young girl to request ‘One Guitar’ which Peters duly plays and Compare Gareth Jones (Gaz Top) invites the young lady up to play the tambourine and make her weekend.  The stuff dreams are made of for all of us music fans never mind a young child. There was also a new track premiered as always so much to take in.  Peters and The Alarm show no signs of winding down or easing up with the next 18 months being mapped out already.
The doors then swing open for the evening’s extravaganza where Dave Sharp plays his solo set before The latest set up of the Alarm take the stage for another extraordinary evening of Rock and Roll from Peters past. Sure it wouldn’t be right if we didn’t get ’68 Guns’ or the blistering ‘Deeside’ and as newer songs rub shoulders with the “old” classics.  ‘Cenotaph’ and ‘Neutral’ sound great alongside ‘Superchannel’ and ‘My Town’.  Sure there have been unbelievable Gatherings like when Coloursound rocked up and almost took the roof off the venue way back in time or the more recent epic four-hour set.  The line ups have changed and I’m sure we’ve all had our favourites but tonight Peters is as passionate as ever leaving nothing behind in the changing room and playing as passionately as the first gathering or the twenty-first the man is indeed an inspiration.  Smiley is like a machine in the engine room hammering away on his kit the most Moon the loon like drummer out there and great to watch.  He looks like he’s having the best time of his life every time he sits behind his kit. The longest member other than Peters is James Stevenson who has left his own unique stamp on some of the classic tunes as well but I can’t help but feel I’d love to hear him just play the guitar – there’s something about the traditional lineup and I can’t help it but I do miss Adams thump on that bass. I know times change and accept that this is where The Alarm is now and accept it – I’m sure it’ll evolve again someday it all makes for a rich tapestry and I’m not one of the fans who crave the original line up.  Sure I’d love to see a set for old times sake but we’ve moved on and that’s also cool.  We almost certainly wouldn’t have had 45 RPM from that lineup nor songs like ‘Two Rivers’ so swings and roundabouts and its what makes attending this weekend such a buzz.
I’ve always looked forward to heading North every year and wondering what might unfold.  The Gatherings in Pontins were different but Venue Cymru is the spiritual home and it feels right.  I will no doubt miss it come next January but the recent announcement of St Davids Hall, Rhyl and Prestatyn something to look forward to as we go back to the real intimate shows which will no doubt be brilliant.  The Gathering has been unique events with some real hard work to mix it up by team MPO some have worked amazingly well other maybe not.  I used to enjoy the impromptu late-night Clash sets in the Hydro with people like MTV Alex Coletti turning up or when Steve Diggle was steaming and giving it to the tories (God Blass Him)  From the Venue Cymru.  My favourite was Coloursound and as far as line ups go When Craig Adams (The Mission), Mark Taylor (Lords Of The New Church), Smiley and James Stevenson they were an unstoppable force who were a match for any live band on any stage.
Hopefully, this wasn’t the last Gathering in this format it can’t be.  I tip my hat to Jules and everyone who puts this together because there isn’t anything quite like it and I simply don’t want it to end, what will I do every January? Love Hope & Strength to you all and keep on keeping yourselves alive. Life-affirming and another immense weekend of performances.
Author: Dom Daley

 

Another year another venture North for my annual trip for the Gathering as we head for Gathering Twenty Seven and this year’s festivities seem to coincide with the cold snap as the UK is besieged by snow as we struggle to trek North under the half an inch of snow that seems to have landed on high ground but we struggle on regardless as we maintain a=our fine record of attending every single one outside Rhyl town hall So that’ll be Twenty Five without fail.  We’ve seen some amazing performances over the years culminating in last years mammoth Saturday Night and a set that had an hour-long encore! beat that Springsteen.

We enter the arena for Friday nights performances and as if by magic Dave Sharp is taking the stage for his solo performance. Now I’ll admit that Dave is a little like marmite and there are those who love him and his folky noodlings and those that aren’t fussed and as much as I love the guy and ‘Hard Travellin’ was and still is a fantastic piece of work and one of the best albums the Alarm or associated members ever made since then his work has left me cold and his performances of which I’ve seen many have been tepid.  Its a tough gig even for Dave doing the Gathering as a lot of people just want to hear old Alarm songs and drink and as many people catch up on the Friday its not until Dave is Joined by Mike Peters that things get really interesting.  There is a respect and a love that is evident considering what these brothers from different mothers went through but there is also a tension in the air and they seem to accept both and it helps create some magic when the guitars are turned up and the mics are switched on.

Tonight sees the pair begin with a fine rendition of ‘Bells Of Rhymney’ quickly followed by a fantastic ‘Gasoline Alley’ some great stories are told about their pre-recordings and the songs they used to play together when they started this journey and ending on ‘Get By With A Little Help From My Friends’ seemed to cement that respect for each other and what they have achieved.

We get a great ‘Shout At The Devil’ followed by ‘For Freedom’ and ‘Marching On’ and for me such a magical time in music comes flooding back with such classics getting played by James Stevenson, Smiley and Peters even if James seems to be having some technical difficulties the flow of the set isn’t broken and playing in the round is working a treat . As the Bass synth starts for ‘Howling wind’ my mind takes me back to some of those early shows and the feeling I had as a young man and that steady bass vibrated through the floor as sharpie played the riff on ‘Howling Wind’ I’m caught with my thoughts where have all those years gone its well over half my life ago and I’m brought back to more recent times after ’68 Guns’ because James and Smiley leave the stage for peters to wander down a wormhole of early solo songs as the excellent and underplayed ‘Poetic Justice’ gets a rare outing the same can be said for ‘It Just Don’t get any Better Than This’ and latter ‘Feel Free’ as far as Fridays go this one is shaping up rather nicely thanks.

James and Smiley return to the round for a blast through ‘Drunk And Disorderly’ and ‘We Are The Light’ and its a delight to hear ‘Superchannel’  and ‘Rocking In The Free World’ for the first time in a long time.  With the clock ticking and beauty sleep needed for a long Saturday it only left Mr Sharp to return to the stage for a memorable slog through ‘Knocking On Heavens Door’. Friday was in the bag, done and dusted and as far as Fridays go that was easily the best for many a year possibly since Coloursound made their debut. Bring on Saturday.