Praise the fuckin Lord and any other higher powers for making this happen, and I’m sure I speak for many when I say the end of year album of the year might just be over already because Gluecifer are in da Mother funkin’ House! ‘Same Drug New High’ with its tasteful wholesome artwork is amongst us and whilst the world turns to shit and we’re all hellbound in a handcart the soundtrack to the journey into oblivion is fuckin pure fire!

As ‘The Idiot’ doesn’t so much bleed into your ether but rather kicks your eardrum all over the floor with its Subteranian Homesick rock out attack, Gluecifer confirm they have lost none of their fire, coolness or earworm goodness, and in three minutes they kick your backside so hard you would find sitting down impossible.

Hold on to your sanity because the title track is rapid through the door with a great hook. Gluecifer are the undisputed “Kings Of Rock”, and the world was a darker place back in 2005. After a farewell tourr it was a relatively short time to be fair, but in November 2017, the band announced their reunion for 2018. After 7 years, it was time to record the new album, stop the hype train and put their reputation on the line. It’s the first one since 2004, and boy, what a return it is.

keeping it to eleven tracks, they’ve not so much eased themselves back into the scen they’ve blown the doors off and with a sound and attitude that seems totally appropriate and oozing super cool attitude. I enjoyed Poons post Gluecifer projects, but I’ve missed the dynamic attack of Malibu spitting out the words backed by some tremendous riffage. It’s great to feel excited over some music, even at my advancing years its great to be alive and smashing out some high tempo rock n fuckin roll.

They’ve not reinvented the wheel or unlocked a new genre or gone drastic techno, but they’ve taken what they know and do and turned it up to 11 whilst using their experiences as the kings of Rock to puff their chests out and rock out even when the record takes a sharp breath its better than most other bands’ best song like the galloping riff of ‘The Score’ but they follow it up with ‘Pharmacity’ and its bright intro before burrowing into your brain with a great earworm.

What they do best is loud rock n roll like ‘1996’, simple but precise riffage and cool lyrics who else sings about their socks? One of the album’s deeper cuts is ‘Made In The Morning’ with its Malcolm Young tone; they sure do channel their inner classic DC and accelerate the song with a great chorus.

After playing nothing else since I had the album (not a great place to be for someone who has a stack of records to review) its hard not to compare loud rock n roll to this at the moment, so I’m just going to roll with it and keep this same drug giving me these new highs. ‘Another Night Another City’ is a time-honoured road story touching on elements of Cock Sparrer’s brand of Bootboy rock n roll with a fine hook and melody before they sign the comeback record off with ‘On The Wire’. If you were expecting a ballad to close off a rockin’ record, you might be disappointed if you want another full tilt boogie Gluecifer style, then get up for one last slam dance, but is that a keyboard /I hear noodling behind that filthy Bass line? Not a million miles from Colin Towns vibes as The Boys twist my mellon before singing off a magnificent return to form Now please come to the UK and no more hiatuses lifes too short, and the world needs Gluecifer right here, right now! Buy this record.

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Author: Dom Daley

When I first discovered Supersuckers back in 1999 (yup I admit I was a tad late to the game) via their inspirational ‘The Evil Powers of Rock N Roll’ album I really did believe that Eddie Spaghetti and the boys were like something approaching the second coming. They were an integral part of a hugely important and influential underground scene, and along with bands like Backyard Babies, Turbonegro, Toilet Boys, Nashville Pussy and Gluecifer, Supersuckers became one of those “go to bands” for those of us eager for a dose of proper punk rock ‘n’ roll music.

 

Fast forward two decades and after many ups and downs all the way Supersuckers are still thankfully very much a going concern. Granted frontman/bassist Eddie Spaghetti is the only remaining member from that ‘Evil Powers’ album, but just being able to write that is a huge positive in itself given his battle with stage 3 throat cancer just a few years ago.  Standing alongside Eddie since his return have been Marty Chandler on guitar and Chris Von Streicher and on 7th February 2020 they unleash their 13th studio album in the shape of ‘Play That Rock ‘N’ Roll’.

 

Those familiar with Supersuckers’ past two records (2015’s ‘Holding The Bag’ and 2018’s ‘Suck It’) might be wondering which path the band have wandered down to record ‘Play That Rock ‘N’ Roll’ given that the trio are as equally at home writing country tinged laments as they are penning skin shredding punk rock anthems, and when you also discover that this album was recorded in Willie Nelson’s Texas studio you of course might be forgiven for assuming it would be very much a set of songs soaked in Southern influences. But hold your horses right there folks because ‘Play That Rock ‘N’ Roll’ is very much a rock ‘n’ roll record, albeit its one that at times sees something of a shift in the Supersuckers sound that I for one was certainly not expecting.

 

So, of the dozen tracks included here two are cover versions. First up is a rocked-up version of Allen Toussaint’s boogie-tastic ‘A Certain Girl’ and then there’s a faithful retelling of Michael Monroe’s ‘Dead Jail Or Rock N Roll’. It’s the ten originals where the real sonic surprises lie though. Take lead lyric video and album opener ‘Ain’t Gonna Stop (Until I Stop It)’ for example, this track (along with ‘Deceptive Expectation’) really do sound so much like outtakes from ‘Tattooed Beat Messiah’ that I’m scouring the accompanying PR sheet half expecting to find a Manning co-write, and these new song writing influences don’t stop there either, as both ‘You Ain’t The Boss of Me’ and ‘That’s A Thing’ make me wonder if Mike Chapman and Nicky Chinn might have somehow been tempted out of retirement for one last throw of the dice, and these tracks alone almost have me half tempted to dub this album ‘The Evil Powers of (other people’s) Rock N Roll’.

 

The Supersuckers sound of old is still very much still alive and well though, especially in the shape of the hook laden ‘Getting Into Each Other Pants’ and the furious ‘Bringing It Back’, whilst the swaggering ‘Play That Rock ‘N’ Roll’ sounds like its fallen straight off a New Orleans bar stool.  Elsewhere ‘Last Time Again’ bears all the hallmarks of the sonic overload I saw the band deliver live at Helldorado back in 2018, leaving the heavy as hell duo of ‘Die Alone’ and ‘Ain’t No Day’ to walk a line somewhere in between ‘Going Blind’ and ‘Metropolis’ in the deeper cut album track department.

 

Whilst ‘Play That Rock ‘N’ Roll’ might not be the career-defining album I was so hoping for its still very much a fresh shot in the arm to a Supersuckers sound that some less clued-in people are still to discover, and who knows perhaps the tip of the hat to ‘Tiger Feet’ that is ‘That’s A Thing’ might just be what’s needed to deliver the mainstream success the band so justly deserve.

Buy Play That Rock and Roll Here

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Author: Johnny Hayward

 

 

 

I guess this 5 tracker EP released as a stop gap between albums should really be in Dom’s monthly singles round up, but this 12” and CD release is by Prong brothers and sisters, so you’ll forgive me if I indulge you further.

It’s safe to say that since the revitalised band signed for SPV back at the start of this decade they have been in a rich vein of form and haven’t really put a motorcycle booted foot wrong. Even ‘Songs From The Black Hole’ their 2015 album of cover versions was a “must buy” simply because as Prong do…they made that oh so well worn format (are you listening Cleopatra Records) all their own…and by God it worked.

Even with things are not going exactly to plan (like their website recently getting hijacked by an ex-manager for example) it’s the strength of character and conviction that Prong main man Tommy Victor has in his band and its music that keeps driving the band forwards, and whilst their albums are now largely devoid of the short sharp punk rock blasts the band first started out playing, that all important punk rock heart is still very much beating under that post-apocalyptic industrial metal exterior that now pervades all, meaning it’s still just as easy for the band to slot onto bills alongside the likes of Agnostic Front and Hatebreed as it is any out and out metal bill.

Consisting of two new studio tracks and three live tracks ‘Age of Defiance’ sees Victor welcoming drummer Aaron Rossi back to the fold (alongside long-time bassist Jason Christopher) whilst once again co-producing the release alongside Chris Collier who has worked with the band since 2014’s immense ‘Ruining Lives’ album.

Having digitally released the chugging thrasher ‘End of Sanity’ back at the end of October (which kind of made me think what Jaz Coleman might sound like fronting early Exodus) I was wondering if this release might mark the return of Prong to their earlier crossover days, but a few bars into ‘Age of Defiance’ it’s clear that Victor isn’t going to be breaking with the winning formula he’s developed over the past three studio records. Underpinning the huge slabs of guitar set to stun with pulsating rhythms that the melodies deep into your brain, this is the sound of Prong in 2019 and it sounds absolutely marvellous.

Moving onto the live tracks then and this trio were all recorded in Berlin back in 2015 revisiting tracks from the band’s initial mid 90s surge into the mainstream with ‘Rude Awaking’, along with ‘Cleansing’ duo ‘Another World Device’ and ‘Cut Rate’ showcasing why Prong always was and always will be a band out of time.

Like Victor himself states” Prong isn’t something he does for fame or glory”, it’s something I have to agree with the man on when he also states “it’s something spiritual, and a God given gift”. Why does he think this? Well check out ‘Age of Defiance’ and you’ll soon understand.

Once again this is truly amazing stuff from a truly amazing band.

 

Author: Johnny Hayward

Buy ‘Age Of Defiance’ Here