Seemingly untouched by the global crisis as much as any passing trend, Billy Childish continues to swell his catalogue at an amazing rate. After CTMF’s ‘Last Punk Standing’, comes the first of four albums by his latest project, The William Loveday Intention. Yes; four albums, already in the can. Joined by James Taylor and Dave Tattersall, “People Think…” has the flavour of a western-themed record. The Medway Delta is augmented by tales from the saddle, while Billy’s voice remains firmly in the Kent marshlands.

 

The production is lush, as befits the ‘widescreen’ feel of most of the songs here. Violins and mariachi trumpets enhance songs like ‘My Love For You’, which has the richness of The Urban Voodoo Machine, while ‘Again And Again’ and ‘This Wondrous Day’ reminds me of Dan Sartain’s recent ‘Blue Prairie’ album, though I imagine that Billy has cast an influence on them already.

 

The richer sound suits the songs and the cinematic feel throughout, but there are still the Lo-Fi elements you’d expect; the insistent, monotone keyboard riff of the title track, which manages to name check Kylie Minogue, and the fiddle led lament of ‘The Bitter Cup’.

 

I’m guessing that it’s Julie singing on ‘You’re The One I Idolise’, though I don’t have all the details to hand. A sweet song that echoes some slower T Rex tunes. Then there’s the skeletal blues riff of ‘My Father Was A Railroad Man’, one of the oldest riffs, that John Lee Hooker must have heard as a child.

 

This is an interesting side-step from Billy, and bears repeated listens. What the next three albums will bring, only he knows, but this is very promising.

Damaged Goods Records

Buy ‘People Think They Know Me’ Here

Author: Martin Chamarette

In the mid to late 90’s it seemed that bands in Scandinavia had sold their collective souls at the Cross Roads found at the Three-Country Cairn, where each member was given the complete discography of the Nomads, The Stooges and the MC5 and told to go away and learn them.

Paving the road were the three horsemen of the apocalypse; The Hellacopters, Gluecifer and the Flaming Sideburns. Following on in their wake were the just as important and influential second wave, never quite making it to the Arenas but packing out clubs across their home Countries, Europe and even as far afield as North America. One such band was the “DEMONS”. Strangely enough, the States, notably the Pacific Northwest, embraced the Scandinavian Invasion and for a while, “DEMONS” were the uncrowned Kings of it.

To celebrate the band’s 25th Anniversary a live album called “No Loitering” that was recorded between their second album “Stockholm Slump” and third “Demonology” on the 5th March 2004 at The Crocodile Cafe in Seattle is being released via Vitriola Recordings

The press release says that “It by no means is pretty”, I’m not even sure if this is off the Soundboard or a very well recorded audience recording but it’s what we want, no scrub that, it’s what we need; fast, sweaty and furious without any compromises. The original classic four piece line-up kicking an eleven song set off with “Undertaker’s Lament” from the aforementioned “Stockholm Slump” but before you have time to register that fact the band are already ripping through “Devil In Me” but it’s not all past glories as the band road test the as yet unreleased “Lost Dog” and “What’s This Shit Called Love”, that both sit perfectly well in the set. The gig is the perfect length for us old school TDK 90 merchants coming in at just under 40 minutes.

Back in the day if I did have this on a cassette on the other side would be the Ramones “It’s Alive”. The only gripe I have is no “Electrocute”. Over here in Dear olde Blighty gigs still seem a long way off. This is why “No Loitering” is so important; not only is it a band firing on all cylinders but it is a reminder of how good live gigs are.    

Buy it Here

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Author: Armitage Smith

*This album is a Bandcamp exclusive. It will not be found on Spotify or any of the other streaming services.
A limited-edition digipack cd with a bonus poster will be released by Vitriola Records and will be available at a later date*