On November 15th The Silverlites proudly release their self-titled debut album on Sunyata Records distributed by Sony Music.

You might think so what who are these new kids on the block? Well, They might be a new band but wet behind the ears they most certainly are not. In the great traditions of a supergroup, This quartet includes Peter Buck (R.E.M.), Rich Robinson (The Black Crowes)Barrett Martin (Screaming Trees and Mad Season) and Joseph Arthur, a singer-songwriter who was first discovered by Peter Gabriel. 

You’re gently eased into the world of Silverlites with ‘Still Don’t Know You’ which in a predominantly acoustic affair before the cool tones of an electric guitar fall in like rainfall on a misty evening. Sitting comfortably? ‘Forever And A Day’ has a dreamy Bowie-esk feel to it as it drifts in on a cool shuffle courtesy of Barrett Martin. Putting the supreme relaxed structure of the music as the interplay of the electric and acoustic guitars takes hold of the earworm that’s settling in nicely maybe its Arthurs vocals that are soothing and sounding like a hushed Scott Weiland to my ears.

The gentle laid back mood continues until the first single chimes in with a cool swagger, ‘Don’t Go Don’t Stay’ is the work of a band comfortable in their own skin who need to prove nothing and can therefore concentrate on making the best music they can together as a band. Excellent single and song that showcases their individual talents and their collective cool.

The Silverlites initial spark happened in 2015, when Barrett and Rich played together in the backing band for a tribute to Led Zeppelin guitarist, Jimmy Page. 4 years later, in 2019, Rich called Barrett to see if he was interested in assembling a new band that could create equally adventurous music. That’s when Barrett called Peter Buck, a long-time friend and collaborator, and Peter called Joseph Arthur, whom Peter had also worked with. The Silverlites debut album was recorded during the pandemic years between 2019-2021 in a series of recording stages. 

It began with Barrett recording Rich and Peter in a hotel room in Nashville when they took out their acoustic guitars to write the initial songs. Barrett literally ran down to the local music store, bought a portable recording rig, set it up in the hotel room, and started recording these initial basic tracks. The following year, in 2020, the band recorded overdubs and vocal arrangements from the Nashville sessions, and they also recorded a few more new songs at Jack Endino’s studio in Seattle, WA. Barrett then collected, organized, and edited all the final overdubs and prepared 18 songs for mixing.

Final mixing happened in New York City in the summer of 2021 with Barrett, Joe, and mixing engineer Daniel Sanint. When it came time to sequence this huge initial offering, the band had differing opinions, so Barrett sent the mixes to his former bandmate, Mark Lanegan, singer of the Screaming Trees. Mark loved the songs so much that he offered to create the sequence you now hear, which includes the 12 song album, and a 6 song EP. 

The album was delayed for release because of everyone’s incredibly busy touring schedules post-pandemic, but now the album is ready to be heard by everyone. The band has decided to release 2 singles in early October and early November, and then the full album will be released on November 15th, followed by the additional 6 song EP in March of 2025. 

You can see why they broke the flow of the songs into the EP and the 12-track LP. It’s a lot of music to get through and the beauty of these supergroup projects is to create something that is outside of their wheelhouse I guess and that is certainly achieved here. There are times I’m thinking of Neil Young with the keys and acoustic combinations but the laid-back restrained percussive drums take it somewhere different, especially on the excellent ‘No Time’ and the countrified ‘Dark And Magic Skies’. The production is massive and adds a grande and confident feel to the songs and songs like ‘Looking For A Friend’ it’s easy to see how Mark Lanigan was so impressed and wanted to be involved in some capacity.

The penultimate track on the LP is ‘No More’ which is the loudest track on offer and a nice contrast to the more laid back acoustic stuff. This will have intrigue and appeal to fans of their day job bands for sure and some will love it whilst others not so much but isn’t that the beauty of creating music? Me, I find it really impressive and very enjoyable now where did I leave those Josticks and my paisley rug? Catch you later you crazy kids, peace out!

The CD will be released with six more songs on January 10th.

 

Rufus Publications and Ross Halfin are proud to present a huge, new, limited edition book ‘The Black Crowes’ featuring thousands of unseen images from Ross’s extensive library.

Produced alongside Chris and Rich Robinson the book is a huge photographic essay on the band, formed in Marietta Georgia in 1984. The book features introductions from both brothers and as Chris Robinson says in his introduction, “To say that The Black Crowes & Mr. Halfin have a long history together is most definitely an understatement. Here in these photographs you will see & feel.”

As Ross remembers. “Could I tell you stories about this band? I could probably tell you a hundred, and one of the highlights was seeing them opening for The Rolling Stones at Wembley Stadium and whilst doing an hour’s set they did a 25-minute version of ‘Thorn in My Pride’. In hindsight, perhaps not the best idea to warm up 90,000 people, although I did think it would be funny if they put it out as a single and called it the “Radio edit” – but that’s not really the point to this, it’s something I remembered which made me laugh, then again I saw them at The Forum in London when they did a really succinct and great rendition of the Joe Tex song Hush made famous by Deep Purple”.

 

Two editions of the book will be available:

A huge 600 page plus edition, numbered and signed by Chris and Rich Robinson complete with a luxury slipcase and lenticular print and a stripped down 300 page version, unsigned.

Both books measure 245mm x 345mm. The Deluxe version will cost £300 and the Standard Edition will cost £89 plus delivery worldwide.

The book will go on pre-sale at 3pm UK time on Friday October 29th and will ship in March 2022.

Right. let’s deal with the rather obvious elephant in the room first and foremost shall we? Because if this really were a 30th Anniversary celebration of The Black Crowes awesome ‘Shake Your Money Maker’ debut album, this release should have happened in February 2020, not 2021. However, given what has been going on globally these past 12 months I’m more than prepared to let that not so insignificant detail slide, for now.

 

However, what I’m not about to let slide is the fact that almost a month before the February 26th 2021 street date of this release, I suddenly get an email from Universal telling me that my pre-order of the Super Deluxe 4xLP box set has somehow been pushed back to 19th March 2021 with no further explanation offered. That I’m sure you will agree is not exactly an ideal situation, not for the band or most importantly their fans, who will have already shelled out over £75 for one of these sets. Then there’s also the mix-up on a certain well-known online retailing platform regarding the CD Deluxe Edition and the CD Softpack Edition (both of which did actually make the February 26th release date) that has also left some other fans less than happy.

 

Oops!

 

So, with all this in mind, what I’m actually reviewing here is a stream of the audio from the Super Deluxe set, for the packaging and all the extras that come with it you’ll just have to cast an eye over the attached promotional photograph and hope that the finished sets do actually still contain the same goodies (they are set to include a reproduction of an early Mr. Crowe’s Garden show flyer, setlist and tour laminate, a 4″ Crowes patch plus a 20-page book with liner notes by David Fricke) by the time Universal get around to shipping them to us.

But what about the music I hear you cry? Well, of course kicking this set off in true style we have the five times platinum debut studio record from the Georgia based rockers. Originally released in February 1990 and here remastered by George Drakoulias. To be honest though to my ears I couldn’t really detect anything significantly new or different listening once again to the 11 tracks that make up the album, but then as I’ve always loved the way the original record sounded, if there are actually any tweaks or corrections made then it’s certainly nothing on the scale of those say done by Giles Martin for the Super Deluxe Beatles reissues. What should never be in question here though, is just how truly special a debut album The Black Crowes produced for their then new label Def American. You really would have to be dead from the neck up not to be in some way moved by the likes of ‘Sister Luck’, ‘She Talks To Angels’ and ‘Seeing Things’ and dead from the waist down if you don’t immediately feel the need to shake a tail feather of two when the likes of ‘Twice As Hard’, ‘Stare It Cold’ or ‘Think n’ Thin’ come powering out of your speakers. This really is the type of music that feather haircuts, flowery shirts and Chelsea boots were all invented for, as the band themselves just oozed cool from the cover through to the aforementioned songs themselves.

 

Next up, and probably the real reason any Black Crowes fan will be chomping at the bit to get their hands on this set (whichever of the six different versions you do eventually decide to buy) we have the first of the additional material included via a set of tunes brought together under the collective banner of ‘More Money Maker: Unreleased Songs and B-Sides’. Featuring ten tracks in total, and boasting three never-before-heard studio recordings plus two unreleased demos from the band’s early incarnation as Mr. Crowe’s Garden this proves to be an interesting delve into the ‘Shake Your Money Maker’ archive with my own person highlights being ‘Charming Mess’ (which sounds like a possible Rod Stewart lawsuit just waiting to happen) along with a faithful (and most excellent) rendition of Humble Pie’s ‘Thirty Days In the Hole’. However, if I’m truly honest here, it’s the previously unreleased concert recorded in their hometown of Atlanta, in December 1990 that makes up the final disc/s of this set that really is the golden ticket hidden within the 2 hours and 45 minutes of music contained within this set.

 

For anyone who was lucky enough to witness those early nineties Crowes live shows (I still have the physical and mental scars from their frenetic London Astoria support slot with The Dogs D’Amour) this live set is truly what the band were all about back then. This is REAL rock ‘n’ roll baby, complete with mandatory low-slung guitars and cigarettes in the corner of the mouth, and by God do they sound magnificent across the thirteen songs contained here.

 

From the breakneck opener of ‘Thick n Thin’ through to the swaggering gig closer ‘Jealous Again’ this really is essential stuff and the jam band the Crowes would soon become is thankfully at this point nothing but a hazy half idea hidden away somewhere within the Robinson’s brains. It’s something that is kind of alluded to during ‘Words You Throw Away’ which crops up towards the end of this set as it does clock in at thirteen minutes plus. However, there is real fun to be had here, simply by playing “Spot The Future Crowes Song” as this epic must contain at least three other song ideas that would eventually make it onto a future Crowes’ releases. Good luck figuring them out!

 

The Black Crowes live in 1990 simply took no prisoners and were clearly heading for fame and fortune as the riotous crowd response during a glorious ‘Hard To Handle’ proves and whilst this debut is a stunner, there was (I’m sure you’ll agree) an even better record (or two) to come from the band in the years that immediately followed.

 

This Super Deluxe Edition then is a wonderful musical snapshot of early Black Crowes, and pre-egos its great to be able to once again listen to Chris, Rich, Johnny, Steve and Jeff fully locked in and working together as a solid cohesive unit. Ideally, I would have liked to have also seen something like the June 1990 Pinkpop Festival live video included here as a DVD (I’m sure the Robinson’s have many live videos in their archive) along with the promo videos and some TV interviews/live sessions (like the two song MTV Unplugged mini-set) to truly bring to life some of the visual elements of the band I mention above, plus you then truly get to see then the buzz that passed between the band and their audience. As it is though ‘Shake Your Money Maker’ totally gets a whole new lease of life with this box set, and I look forward to finally receiving it, hopefully very soon.

 

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Author: Johnny Hayward