Boy Oh Boy.  It’s always nice to have a few words off one of the Boys and with a couple of special shows coming up what better time to catch up with Matt and see what’s happening.  Ticket details and links are below the interview for their Lewes and London shows along with the posters with all the details.

 

Hi Matt.  The boys have been announced as headliners at Resolution Festival in the 100 Club this coming January. Having been two years since you headlined there was it an easy choice to say yes to doing it again?  It is a great line up as well with Last Great Dreamers and Menace playing as well.

Hi Dom. We’re always happy to play at the 100 Club. It’s almost a New Year tradition for us to play there now. It will also be great to hook up again with special guests Last Great Dreamers who we shared a festival stage with in Norway last year.

It’s already announced as the bands only show in London for 2020 is that an easy decision to make with it being so early on in the year?

Not at all, we’re usually planning gigs a year or so ahead and there are only so many gigs we want to do per year in any particular city or country as we don’t want to overplay anywhere. But we are playing Brighton before the London gig as well as Rebellion in 2020 and there might also be one or two other gigs in the UK later next year.

London is an ever decreasing hotbed of Rock and Roll with venues and gentrification closing down places is it harder to find suitable places these days compared to when the Boys started?

Sadly, I think that’s the truth, which is why I have a soft spot for the 100 club as one of the few surviving venues in London that have been around since the beginning of British rock ’n’ roll. When we started out in 1976, there were probably 100+ small music venues and pubs in London where we could feasibly get gigs as a new band, I doubt there’s more than a handful now.

It seems like a whole new world out there for bands what with the internet being so instant and making the world a smaller place.  Bands can record at home from anywhere is it a good or bad thing?  there seems to be less chance of there being a community or movement like when you opened up your flat in Maida Vale. Have those kinds of days totally gone do you think? 
The music business has always been changing. Other than live performance, income from music evolved from sales of sheet music to vinyl records, cassettes to CDs. and downloads to streaming. And even live performance evolved with the advent of music videos and once again with the arrival of the internet as well as audience smartphone recordings now all available online. The main problem now is that music is so easily available that it’s in danger of being taken for granted and devalued
Did you keep all the tapes from those recordings? Were there any particular people who impressed you who went on to great things in music that you could sense from the time? 

I have some early Boys’ recordings that I’d mixed down to cassette but all the original multi-track tapes went missing at some point and I don’t know who took them. If someone had stolen them to sell on or release as a bootleg I think they would have resurfaced by now so either they were stolen to record over or maybe removed by one of the bands who didn’t want their embarrassing early efforts aired. Who knows?

Most of the people that hung out in Warrington Crescent went on to greater things, including non-musicians like Magenta Devine, but one person who did impress me was the new guitarist with Chelsea who had only just started playing. I showed him a few guitar licks and he picked them up so quickly I thought this boy’s going to be a great guitarist. His name was Billy Idol.

A little bird tells me that The Boys in 2019 have also been busy recording is there any details you could reveal about that?

All I can say is that we’ve started recording and it’s sounding good – but at the moment it’s just new tracks with as yet no specific end-use and we’ll work on them and possibly more tracks in the New Year.

Going back to playing the 100 Club.  Its such an iconic venue for many reasons its steeped in history and one of the only remaining places still standing.  How does it stack up playing the 100 Club in 2018 or 2020 compared to 40 years ago and which of the venues hold the best memories and why?  The Roxy,  Marquee club when it was on Wardour Street.  I guess the Hope And Anchor which is also still standing.  Wasn’t that the venue the band made their live debut?  What do you remember about that?

Funnily enough, we never played the 100 club back in the day. I think after the first punk festival there when an audience member was hit by a thrown beer glass, they were a bit wary of booking punk bands for a while. Me, and I think Cas and John were in the audience for that gig. I also remember our debut at the Hope and Anchor shortly after, as it was such a relief to get our first gig safely under our belt after all the rehearsing. Mick Jones, Gene October and a lot of other fledgeling punk rockers were at the gig.

The Roxy was special because it was so short-lived. It was open only a couple of months but it that short time it gave punk its own home and helped to turn the UK music biz on its head and give the fledgeling punk bans the upper hand over the record companies, who were suddenly all desperate to sign a punk band. Also, venues, radio stations, recording studios, newspapers and music magazines were all forced to open up their minds to the punk phenomenon.

Re the Marquee, I saw so many great bands play there that it was a privilege for me to use the same stage and tiny dressing room. I’m still angry about the Marquee being lost forever after the developers promised there would still be a live music venue as part of the new development. I went to the opening of that ‘live music venue’ which was actually the basement area of a Conran restaurant. It was packed with tables and chairs for diners and had a tiny cabaret-style stage that you could just about fit a grand piano on. What really annoyed me was the ashtrays (you could smoke in restaurants back then), which were embossed with the names of some of the great bands such as Jimi Hendrix, Rolling Stones etc that had played the Marquee, implying that this was where they had played.

When I go there (Hope & Anchor that is)  I don’t know why but I’m always slightly taken aback how small it is. Again its got a lot of attachment to some bands history like the Stranglers and The Damned playing there. The 100 club seems palatial in comparison.
Are there any plans to play further afield again in 2020? the USA shows went down well and I know bands and fans were thrilled with the experience of hearing you guys play live.  What about china is that due for a return visit or are you now banned?

We are in talks about doing another South American tour and also Japan plus a few other things in the pipeline. I’d personally love to visit China again and tour there properly as we intended last time but it would be risky as we don’t know if we are still banned and probably wouldn’t know till we arrived there.

As for the band will John be playing the Resolution show?  It would be great to see him up there with you guys.

As you probably know John hasn’t been well for a long time. He is showing signs of improving. It’s a slow process so we don’t know if he’ll be able to be at the show but we do hope so.

I live in Swansea and the local museum recently had an exhibition to celebrate 50 years as a city and 50 years of music in the city and low and behold there is a feature from the 70s of Circles night club down the marina with pictures of yourself from when the Boys played on a Monday night. With a great bill poster advertising the show.  Do you have any memories of that show which was bootlegged and the first Bootleg I ever heard of the band.  Sounded like an electric night in an infamous local venue. Were they good memories of getting in a van with the band and togging it around the UK in the late ’70s.

With these memories in mind would you ever consider penning an autobiography?  The Boys history is an exceptional one and would make for a riveting read.

I’d like to have seen that exhibition. Do you have any photos of that feature? It was indeed great fun touring in the 70s because in many cases we were the first punk band that anyone had seen so it felt like we were trailblazing. As to an autobiography, no plans at present but if I get bored maybe.

Lewes Con Club 10 January –Tickets
Resolution Festival (100 Club) 11 January – Tickets

The second announcement for Rebellion 2020 this week sees a return for The Boys who will play two sets at Rebellion 2020, one electric and one acoustic. Anyone lucky enough to catch them last time in the Opera house for their acoustic set will testify how brilliant it was and how well their songs were transferred to the acoustic styling.

To celebrate the fifth anniversary of the release of The Boys critically acclaimed 2014 album, ‘Punk Rock Menopause’, the band has released a new promo video for album track ‘Keep Quiet’
 
The video was recorded during the band’s September 2018 Italian tour. Unfortunately guitarist Honest John Plain was unable to make the video shoot due to ill health.
 
Casino Steel comments, “It was filmed and directed by Lester Greenowski at the Ligera Club in Milan. Many thanks to Lester and the enthusiastic crowd who made this possible. We had a great time!”
 
Matt Dangerfield agrees and adds, “This is now the sixth track from ‘Punk Rock Menopause’ to be immortalised in video, which I think demonstrates just how strong the album is.”
The band’s five-year distribution deal with Wolverine Records for ‘Punk Rock Menopause’ expires later this month, which means that from now on it will be available to stream/download from Revolution RecordsSpotify
The band will be playing a series of live dates in Scandinavia in June & September:
Sat 22 June – Odal Rock Festival
Thurs 12 Sept – Gothenburg
Fri 13 Sept – tbc
Sat 14 Sept – Hova
Fri  20 Sept – tbc
Sat 21 Sept – Trondheim

Wow just wow.  As far as tribute albums go there have been plenty of duds and a few decent ones but when I saw the track list for this one I couldn’t believe how amazing this compilation is and how in times of need the Rock and Roll world can pull together and help out a brother when hard times come a knocking.

IF you don’t know the background to this one then you simply have to click on the links to read Sonny’s story and then you can see just why we need to pick up a copy of this and if you can’t buy one then why not share this review and post it on your facebook page or other social media so it gets maximum exposure and maybe your friends will pick up a copy because this compilation is three discs deep and choc-o-bloc with amazing bands offering up songs to help Sonny and his family.  Coming from the UK I can’t quite get my head around a country that doesn’t want to help its people when they most need it but like I said I’m not here to give my view I’m here to play this CD and give a convincing load of words as to why you should invest in your copy.

Seventy-Six songs over three CD’s Yup I did say 76 you’ve not misread that and all for the price of a few drinks or corporate coffees it might go a long way to help Sonny out. There are a bunch of no brainers going on here like the Amazing Jeff Dahl, James Williamson, Flaming Groovies, The Boys, Corpse Grinders, Pagans, Streetwalkin Cheetahs, RFTC and a whole load more besides.  These legends are pitted next to lesser known bands and singers but not lesser in quality there are plenty of bands I’ve obviously heard of whilst there were more than a few I’m hearing for the first time and I’m blown away by the sheer quality of it all.

Rough Kids ‘Lights Out’ bookends the fantastic The Dogs Riff-a-rama of ‘Call My Name’ with the other side being Richard Duguay with the sublime ‘Fuck You Fame Whore’.  Damn The Viletones ‘Screaming Fist’ makes way for The Candy Snatchers for god’s sake how good do you want this to be? If it was just the one CD it would be mightily impressive but three CD’s is almost overwhelming.  I’m almost embarrassed handing over my $35 and that includes shipping Europe folk seriously!

 

This could go down as the longest review in history if I were too big up everyone who contributed and I’m still looking for my favourite songs that I wasn’t already familiar with. Some much kudos to the bands from across the globe who’ve given up tracks for this it must be humbling to know that so many want to support Cayden and his continued recovery.  Sonny, you should get a cut off each new sale these bands pick up my discogs finger is getting twitchy. The B Girls ‘Mystery’ is such a cool song and its great to hear bands like the Kopek Millionaires next to the Carbonas next to the Testors next to the Barracudas  I love it all!  there are exclusives and some from long since deleted records or not available on CD its a breathtaking project and done to such an amazing standard.

I can’t stress enough why you should support this CD release lets give a family a break and to get something in return is super cool.  Let’s do this for one courageous kid and his family do it because it’s the right thing to do.

Author: Dom Daley

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76 amazing bands support Sonny to help support Cayden’s recovery. Including James Williamson (Stooges), Refused, Black Lips, The Dogs, Flamin’ Groovies and many more.  Please share

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“Didn’t we have a luvuly time the day we went to Blackpool, Kiss me quick and Lets Rock Like Fuck!”

August

August.  All roads lead to Blackpool, for it’s time to head into the Winter Gardens for the UK’s finest alternative extravaganza and catch an awesome line up at this year’s Rebellion Festival.  However you look at it this year was one of the finest line-ups ever at the festival and RPM scribes were in attendance for plenty of giggles, wobbles and plenty of old and new favourites. I wouldn’t know where to start to sum it up and do justice to the bands who played, however, there were a couple of outstanding performances at this year’s festival most notably Michael Monroe who stole the show with the Sunday night headline in the Opera House.

There were so many other high points so many great bands and looking back there are so many memories that I’ll never have again. As the year unfolded and I look back bands and people that I’ll never see again which makes me grateful to have had these moments however brief in the first place.

There were a few mentions I need to make as I mentioned the performance from Michael Monroe.  sure its no secret I think the guy is the best in the business and an incredible talent and has never had the credit he deserved by wider audiences but those who get it just get it and can see that the guy and his band ooze class and he has a back catalogue so full of great songs its one of life’s mysteries how he’s not selling out stadiums and sitting on a pile of platinum records globally but hey life ain’t like that and he just gets on with it and does it with a smile and a wink as he and his band rocks like Fuck! at least now Rebellion knows this as well.

TSOL rocked like fuck – Pizzatramp turned up like fuck (well except Dan) – Clowns blew my mind – Neville Staples skanked like teenagers and considering we stood on the side of the stage to take them in for a song or two we ended up staying for the whole set and loving every minute of it – The Adolescents did Soto proud with an awesome heartfelt performance and all power to them for having the balls to turn up and play and not cancel. The Briefs showed that not all Americans are stupid – Buzzcocks were once again worthy headliners knocking out over an hour of power pop buzzsaw classics. Bar Stool Preachers were also worthy headliners and with their new album in tow, they showed a lot of established bands with decades under their belts how to rock the house and do it with a smile an outstanding and memorable performance.

Idles told it as it is and their assessment of the Tories was spot on. We danced with The DeRellas and pogoed with the Cyanide Pills. We boogied with The Boys who did two sets on two stages and ripped it up on both possibly with the Acoustic taking first prize maybe because it was a little different but the songs sounded so good acoustic.  All in all, Rebellion was once again the highlight of the festival season and as far as the UK goes still the best there is beside where else are you going to chat with Supla and see his action figure – you should try it sometime you’d enjoy it. To be fair Rebellion has so much going on besides the bands its championing alternative culture in so many ways and they also had Mr. Lydon trying to be so controversial but only making himself look like a silly billy as a result but even his bizarre words can’t damped what was a massively enjoyable four days and we’re proud to be a small part of championing them because its a platform that’s pretty much free from the clutches of the big circus-like festivals that charge a fortune and treat the fans like customers in a supermarket and only want your cash because that could never be leveled at Rebellion that’s for sure and we’ll be back next August if they’ll have us to do it all again If they’ll have us that is.

But this was only the first weekend of August and this budget-busting month was barely alive and already there was so much going on.

Ben managed to take in The Wildhearts acoustic performance in York where all the hits were stripped bare.  Before we could even get over Rebellion it was back to South Wales where we had a date with some Big heads oh and Duncan Reid who turned in a spectacular performance on a night that decided it was going to rain like when Noah built his ark, in fact, it was rumoured that Duncan had to swim back to the Severn Bridge where his band had hired a bigger boat but it didn’t matter to the hardy souls who braved some water falling from the sky because there was rockin’ and rollin’ to take care of.

To kick back a little Leigh Fuge took a leisurely stroll through Hyde Park and happened upon one of his guitar-slinging heroes – none other than old slow hand Eric Clapton kicking up a bluesy stink in Hyde Park along with some other six string slingers (you say that after a few bottles of house red at British Summertime Events prices) namely Carlos Santana and Gary Clark Jr. it really was the Cream (sorry couldn’t resist it) of old-school blues guitarists.(who said we aren’t a broad church here at RPM?) Leigh had to tick this one off his must-see list and was glad he did as the bluesmen certainly delivered. He also took in Maiden in Birmingham he said this about it, “Even after 40 something years of rocking, this band seem to improve with age like a fine wine. While they may not be to everyone’s taste, this year’s Legacy of the Beast tour was one of the highlights of my year. I’ve seen the band 14 times now and this one felt like something very special.” Who said we’re not a braod church?

As far as album releases in the month of August go – There was Idles releasing their ‘Joy As An Act Of Resistance’ which went down rather well at RPM. there were also albums released by some old friends that were more than welcome making a return to our turntables namely Mr Walter Lure who managed to put out a new album with the Waldos for the first time in 24 years!  has it really been 24 years? My God, I feel old but ‘Wacka Lacka Boom Pop A Loom Bam Boo’ yeah that’s right it is called ‘Wacka Lacka Boom Pop A Loom Bam Boo’ but its Waldo and its rock n roll just accept it and move on.  Ian McNabb also put out his latest long player this month with ‘Our Future In Space’ rocking out like he promised he would.  There were also notable releases from The Ringleaders with their superb effort ‘Bi-Coastal Blasphemy’ and if that wasn’t enough Lovesores released ‘Gods Of Ancient Grease’. Craggy was outside his local record shop at half eight in the morning to purchase his copes of The Dahlmanns ‘American Heartbeat’ and Fertile Hump ‘Kiss Kiss Bang Bang’ in August as well he hasn’t stopped playing them since. sneaking in through the back door right at the last minute of August was a fantastic record that I was shocked to hear but in a good way and the more I played it the more I liked it and to be fair its been easily one of the highlights of the year. Oh yeah, The Brutalists with their debut long player ‘The Brutalists‘. go check it out its a belter.

As far as singles go those 45 RPM releases saw the wonderful Damaged Goods celebrate being in existence for 30 years by releasing a whole bunch of cool singles and the first one being those wonderful chaps Cyanide Pills and their take of the Glitter Band single and what a job they did on ‘Just For You’ which we picked up at Rebellion along with a new 7″ from TSOL and The Briefs ‘Kids Laugh At You’ but I have to mention TV Crime as well because their single ‘Hooligans’ was pure earworm and once it was in the old noggin I couldn’t shake it.  Fantastic stuff. Hopefully, 2019 will see them release a long player we can hear never mind “shitty attitude – killer tunes” sort it out gents I want the album, thank you kindly.

In a nutshell that was the briefest glimpse into our August. On to September…

 

With 2018 in its last throws RPM thought it would be a good idea to have a quick glance over its collective shoulder at a blur that was 2018.  It was choc full of albums – singles – concerts and the odd loss and break up. We spent the end of November telling each other no that was never this year or wasn’t that out in 2017  or in some cases the wrong decade 😉

 

We’ve only been in existence a short number of months and already we’ve racked up a heap of albums reviewed and there are plenty from earlier this year that we’d covered elsewhere on the web so cast your minds back eleven months and January as we look at the early movers and shakers in a notoriously slow month as the year finds its feet.

January 2018.

One of the first engagements I had in 2018 was a date at the 100 club for the Resolution Festival appearance of the mighty Boys who would be supported that memorable night by four should know better upstarts from North of the border  Heavy Drapes with their enigmatic frontman Garry. To say I was blown away that night would be something of an understatement as the band knocked out a whole set of memorable tunes and The Vulz. 

 

Elsewhere RPM scribes caught their first sighting of The Hip Priests as a five-piece when they visited Le Pub in Newport but that wasn’t before they caught former Misfit Michael Graves doing his thang in Cardiff on the live front.

As far as a slow-burning month goes it would appear that that is a load of old bollocks as this January looks like its kicking off with a few right bangers as Amyl & The Sniffers released their EP’s on one glorious longish player in the shape of ‘Big Attraction/Giddy UP’ who despite being bigged up by the media were determined to warrant the tag and deliver the goods on record.  This Australian mullet sporting punk rock group certainly set the pace.

Other recommendations from the opening month were Doll Hazard with their Transatlantic Meltdown. Which Ben recommended after hearing the Dirtbag Republic and Suicide Bomber players join forces to pen a sleazy bag of Rock and Roll tunes

 

Also in January, we had some dirty filthy treats from a couple of garage punk rock n roll bands that like nothing more than making a rather splendid racket first up the awesome The Good The Bad And The Zugly with their Misanthropic House album that got Fraser all hot and bothered and rightly so. We love TGTBATZ around here and they are to feature later in the year with their fantastic video to their new single but more of that laters. Don’t think its all about Scandinavianian punk either as London town delivers the goods with the new kids on the block (who said new kids?) Flash House who’ve been kicking around for a while actually settled down to release their mighty fine album full of noise in the shape of ‘Brown Sauce’  as it came barking out of the traps rattling speakers cones all over the shop. I’m not sure about Brown Sauce but played loud enough I think it might be what scientists call Brown Noise such is the bass rumble involved in this bad boy. Even though it came out at the final knockings of 2017  I didn’t get my mitts on it until January.

Sadly January saw the passing of a real enigma in British Rock N Roll as Mark E Smith lost his battle with lung cancer and the alternative scene lost one of its most prolific writers and performers. Releasing 32 studio albums and many singles during his time on earth. As leader of the Fall he probably went through twice as many bandmates as records released with him being the only constant in what was a turbulent and often antagonistic life Smith was certainly unique.  But January passed and it took the third and final member of Motorhead on January 10th. Edward Allan Clarke – or as we all know and love him “Fast” Eddie Clarke – passed away peacefully after contracting Pneumonia. Clarke left Motorhead in ’82 but he will forever be associated with the band and the classic riff that was ‘Ace Of Spades’  RIP both and take it easy.

 

 

 

 

January album of the month would probably have to go to The Good The Bad And The Zugly which is a pretty decent way to kick off any year I’m sure you’ll agree.  Roll on Foulmouthed February…

“And The Beetle Trumpets…”. Recorded at Rock On Studios in Annecy, France in May this year. The Band is called Vocal Remover Requested. Not a band name that rolls off the tongue I’ll admit but when you see the personnel involved.  Those of you of a Rock and Roll persuasion will be all over this record like a rash and so you should be.
With the songwriting duties shared between mr Honest John Plain
and Sergeant No Voice with arrangments from Lester Greenowski and hitting the drums a certain Stéphane Renaud who many will know from the Punk Rock Menopause album released by the Boys.  now you know a bit about the people involved take a second to wonder what this might just sound like.  Ready? … There that wasn’t rocket science, was it?  Its a rock and fucking roll record of course and boy does it rock and roll.
Vocal Remover Requested has got everything bar the kitchen sink thrown in (it might even have that) laid out over fourteen songs.  As soon as you get that crisp slap of the snare they’re off.  The sludgy distorted Rock and Roll is happening and honest John Plain is right on form. ‘Personal Rain’ is a fine opener on this plain and simple rockin’ record.  There are no airs and graces here just a good time, No make that a great time played by people who really mean it man, not some Johnny come latelys jumping on a bandwagon but lifers with rock and roll coursing through their veins, playing rock n roll music that’s best left to the professionals and shouldn’t be tried at home unsupervised unless you’re sufficiently proficient like say Honest John Plain.
I love the melodies and the deadpan delivery of ‘Handle With Care’ as the music motors on and crashes into the next one ‘Self Sorryness’ is a traditional romp with Honest John shouting the counter chorus back at Sergeant and then ripping into the solo.  Classic and always a joy to hear. You just know that these songs would make for one hell of a great night out imagine happening upon some sleazy smokey bar and this is blasting out from the stage – me I’d be ecstatic and you just know that the louder you get your speakers the better this is going to sound.  the songs are about everyday life birds, booze with a cheeky wink and a smile.  the songs never go too fast nor do they  venture into genres or territories they don’t know this is a close relative to Plains day job with The Boys and not a million miles from The Amigos or the Crybabys and to end it all they take a seat and grab those acoustic guitars for a more gentle exit and I doubt they give a flying whatsit what any of us think but for what its worth I love it and highly recommend you grab yourself a copy before they’re all gone and then you’ll give a flying whatsit.
Author:Dom Daley.

These weeks Monday morning video selections are all culled from some of this weeks revies starting with today’s album review the fantastic Nikki Hill performing a Chuck Classic. view away those Monday mornings. blues.

Next up, Later this week we review the brand new album from Californian punk legends the US Bombs. until then we’ll leave you with this classic.

Finally this week we bring you the brand new album that features Honest John Plain so its only fair that we round up this week three videos with a classic released on the same label as this weeks review.  Take it away John…