Tommy Ray – ‘Handful Of Hits’ (GAdM/Beluga Records)

Tommy Ray – ‘Handful Of Hits’ (GAdM/Beluga Records)

With his Portland based band The Cry on hiatus, singer/songwriter Tommy Ray has been busy channeling his music into various projects over the last couple of years. Following an album release from his street punk side project The Decayed, and his most excellent 2020 long player ‘First Hits Free’, Tommy wastes no time delivering his sophomore solo album ‘Handful Of Hits’ to the rock n’ roll world.

Seen as a companion album to the aforementioned ‘First Hits Free’, this new collection of songs is as honest, gritty and 4 real as you wanna get.

 

So what does our leather clad, feather-haired rock n’ roll singer offer this time around?  Well, these are simple songs from the heart, with themes that cover his ongoing mental health struggles, and the trials and tribulations of modern life, and how to lose the girl you wanna love.

‘Handful Of Hits’ is a solo album in every respect. Tommy wrote everything, played everything and self-produced this album. And what a gloriously ramshackle collection of songs we have here. Going by his “Don’t bore us, get to the chorus” mantra, Tommy references The Exploding Hearts, Ramones and The Beach Boys as influences in his songwriting, and his love of 3-minute pop songs is always evident. You see Tommy Ray has a knack for penning a melody or two and understands the fine art of a catchy chorus.

 

Opener ‘In Love Again’ is a jangly, power pop anthem straight outta ‘77. It has an instant chorus and a sense of immediacy to it. There’s a sense of euphoria that goes perfectly with the lyrical theme of falling in love feeling like the first time every time.

The honest lyricism throughout the album is to the point. Getting laid (sometimes failing) and getting fucked up (never seeming to fail at that one!). You see like Johnny Thunders before him, Tommy Ray exudes the self-destruction blues, but you can tell he is just a soppy romantic at heart.

Rebelling with teenage kicks and trying to win the girl that is out of your league are the order of the day. The likes of ‘Closer To You’ and lead single ‘No, No, No, No’ are testament to that.

Tommy channels the likes of Hanoi Rocks and the New York Dolls to perfection on the likes of ‘On My Wall’, a Johnny Thunders inspired tale of wasting days and wasted love. Again, on the punky ‘Loser’s Anthem’ and the ode to one-night stands that is ‘Beer, Wine and Whiskey’. Urgent beats, one finger piano prowess and glam rock goodness are the order of the day.

 

‘Feel The Pain’ is killer power pop fodder, make no mistake. This is the sorta thing Tommy knocked out in The Cry day after day, no problemo. Instant, catchy and euphoric, this is a radio friendly hit that should be. You will be singing along wondering how you lived without this song in your life. Likewise, ‘Always Running’ will make you realise you needed someone to mash up the glorious retro sound of The Knack and XTC into one 3-minute pop song. We end with Tommy running from the law on ‘I Didn’t Do It’, one glitter boot stomping in front of the other. He tells us he didn’t do it in his wicked vocal drawl to an accompaniment of bombastic drums and handclaps and general 70’s retro glam rock vibes all over, what’s not to like here?

 

With a DIY ethos, power pop sensibilities and a punk rock attitude, Tommy Ray delivers another fine collection of songs that will fit nicely in your record collection alongside your heroes and possibly some of his too.

If songs about chasing love and getting fucked up from a guy who looks and sounds like he’s been dragged through the hedge of life backwards in his creepers, then look no further than ‘Handful Of Hits’. Like I said, a gloriously, ramshackle collection of tunes available on vinyl from the Bandcamp link below. Go fill yer boots!

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Author: Ben Hughes

 

Tommy Ray Interview Exclusive

Tommy Ray Interview Exclusive

Well, with a brand new album on the horizon we wanted to get the lowdown on whats going on with Tommy Ray and where he’s at musically. Having been a long time admirer of The Cry! and his punk rock record The Decayed Tommy branched out as a solo artist with an impressive debut solo album so, it was time to find out what makes the guy tick and where he’s at with the new record so here’s what we got once we tracked him down…

Solo record number two already you seem to have hit a rich vein of songwriting.  Are you writing all the time?

Literally, “all” the time. It’s how I see life; big hooks and jagged verses. My mind is always busy making verse or thinking through a production.  Right now, not including “Handful of Hits” LP and the dozen tracks I am holding back for a third “The  CRY!” record (hopefully),  I have over 50 titles in some active stage of production.   I will never have time to finish them all.

As far a the quality of songs, I guess that’s up to the listeners.

I think most people saw The CRY! as your vehicle and you are their focal point for sure.  Where are you at with The CRY!?  Could you not just have released the solo album under The CRY! banner?  starting over even in the internet age seems like a bold move.

Naw. The CRY! is a band and that owes its sound from the members creating collaboratively. TOMMY RAY! Is me doing me.  They are similar sounds for sure but my solo stuff has a much harder edge and the lyrical content is more real-life and not as clean cut.

Right now, The CRY! is dormant. Brian Crace (singer/guitarist/co-founder) and I have some pretty bad blood going that needs to get taken care of before we can work together. In time I think we will work it out. Brian is my favorite guitar player and life is short.  I do have an LP worth of material and have five or so tracks nearly completed but there doesn’t seem to be the same energy to complete the project with Brian and I not working together.  Also, our bass player (Michael Cortichiato) recently left Portland to play with Dr. Boogey in LA (I love those guys and wish them all much luck).

Photo by Michael McDaniel Photography.

Going back to the debut solo record, I think it was a familiar sound obviously with your voice on it but there’s more of an edge to the sound, is that fair?  In your opinion was it the best record you’ve made to date? Even songs like ‘Coming Back’ whilst having the keys is a rougher edge.

All fair!  But the records are all different.  But, here goes:  It is really close but I like the first CRY! record better than the ‘Dangerous Game’ LP.  I recently listen to both and was really proud to be part of that.  They are both really great records but I like the rock & roll feel of the first record just a bit more than the glammy feel of the second record. Brian wrote more of the 2nd record (‘Seventeen’, ‘Hanging Me Up’, ‘Toys In The Attic’. He also co-wrote a few tracks) and that is reflected in the overall sound of the record.

Also, Evan “Maus” Mersky and Dave Berkam also were HUGE contributors to both studio LPs by The CRY!. Maus recorded, engineered, and played amazing drums while Dave is simply a brilliant all-around musician.  His current band “The Reverberations” are pretty cool.

I like the song-writing and production on the TOMMY RAY! Records because (as you accurately stated) the songs are honest, gritty, and produced only as much as needed to get the point across.  My mind is a pretty chaotic place these days and I think that that gets across.

Bottom line: I like the new “Handful of Hits” collection…(until the next record) Buy it!

The Decayed is real buzz saw punk rock DIY record?  What’s the story behind that record?

That’s my shit!  The Portland street-punk scene is where I grew up. I am proud to say that these songs were NOT all written by me. There are songs written by my early bandmates that we played at hard-core house shows and notorious drunken events.  We had no way of recording tracks at the time, I didn’t want the songs to be lost, and I still feel the youthful angst so I figured it was time roast those old chestnuts one more time.   My old bandmates are super psyched to see me bring back those piss & puke proven classics!   My next record project will likely be a 2nd Decayed record.

Coming up to date tell us about the new record?  Whos playing on it?  Where was it recorded?  What’s it sound like?

Truthfully, I played guitar of only a handful of The CRY! recordings.  We had better players in Maus, Dave and Brian so I was happy to just write songs and sing my parts.   We always said that the best player should record the parts, and they did!   Of course, I played the parts live.

Now, I have learned how to play all the instruments so when I made “solo” music, I did it solo.  I mean, I recorded all the parts tracks myself here in Portland.    I think Brian may play a guitar part (like on Suzanne from the last LP) and Corsh was involved with recording a couple of tracks but the most part it’s all me.

It sounds like me.  Not sure who to compare it too… it’s honest…

What’s the lockdown been like for Tommy Ray?

Fucked.

I don’t like it.

I just don’t like it.

What influences have been coming out in your new record? I remember hearing a banana stand performance where you did modern kicks and thinking it was the perfect cover for you and you totally owned it?  What other covers you been jamming on?

I seem to recall you asking this question a few years back and my answer is the same as always. Ramones. Exploding Hearts.  Ramones. Paul Collins. Ramones. Beach Boys!

I really like a 3 min pop song that moves.  You know, “Don’t bore us. Get to the chorus.”

I’ve been playing tons of music and busking in downtown Portland during the recent protests.  Where there are people, I will play music.   I play mostly standards from the past 50 years.  Never gets old.  It’s my favorite thing to do.  My dad plays a little guitar and slams through the old hits like a savage for hours.  I learned from him…

Pandemic easing what are the chances of you coming to Europe and the UK for some shows?

Hell yeah, invite me and I’ll bring the boys and kick it.  I’ve never been to the UK.  I would like to tour Scandinavia too.  My “never suck” policy means the shows would always be epic!

What other bands and performers out there currently delivering the good in your opinion? Who would you think were the right bands for you to go out on tour with?

I’d love to tour with Green Day.  They bring the goods and I could learn a ton from Billy Joe. Mad respect there. Tuk Smith and the Restless Hearts are crushing it these days. Love his shit.   Shit, there are so many great talents out there    I will tour with anyone that is not boring.   Too many live acts are fucking boring.  Great skills, okay songs, but boring and lacking any “rock & roll”.

So there you have it. the new solo album is out in October and its a belter if you’re already a fan then you’ll love it and if you’re not – why not?  Its only Rock n Roll kids and Tommy Ray does it really well.

 

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Rainy Days & Mondays

Rainy Days & Mondays

Here we go, kids, its the first Rainy Days & Mondays feature of 2020 and we begin with a brand new video from Anti Flag just before they release their new album ’20/20 Vision’ later this week.

 

If you’ve followed the path of Rock n Rolla Tommy Ray closely over the last few years you would know that the man from The Cry has done good and made a solo record full of Rock and Roll. Check out the first video ‘Good Luv Gone South’

Finally to ease the new year in we have the power pop goodness from Mansion Harlots

Finally to wrap it up try this banger from the Speedways.

 

Gone But Not Forgotten – The Exploding Hearts

Gone But Not Forgotten – The Exploding Hearts

The Exploding Hearts were vocalist/guitarist Adam Cox, bassist Matt Fitzgerald, guitarist Terry Six, and drummer Jeremy Gage.

Shortly after the release of their debut studio album, Guitar Romantic, Cox, Fitzgerald, and Gage were killed in a car accident on July 20, 2003, after which the band ceased to exist.

The bands sound was born from power pop and new wave – punk drawing from the classic acts such as Buzzcocks, The Boys, The Only Ones. There was a brief groundswell of bands in the northwest part of the USA along with The Exploding Hearts The Briefs also rose to prominence from the same scene. The band signed to Dirtknap Records who released their debut album in 2003.

On July 20, 2003, the band was headed home to Portland on Interstate 5 after having played a show at the Bottom of the Hill in San Francisco. It is believed that Fitzgerald, who was driving, fell asleep and lost control of their van near Eugene, Oregon. Cox, 23, and Gage, 21, were thrown from the vehicle and pronounced dead at the scene and Fitzgerald, 20, died at a hospital. Guitarist Terry Six, 21, and manager Rachell Ramos, 35, sustained only minor injuries. The band disbanded in the aftermath of the accident having lost such vital members under such tragic circumstances.  Man, these were just kids when this tragic accident happened with their whole lives in front of them.

A compilation album was released by Dirtnap Records in 2006. In 2009, their song “Modern Kicks” is a classic slab of punk rockin’ power pop and has since been covered by bands who just got what The Exploding Hearts were all about.

Terry Six joined former members of the Portland-based band The Riffs, Gabe Lageson, Colin Jarrell, Alan Mansfieldwent, and established the Portland-based power pop band, The Nice Boys. They released a 7″ single on Discourage Records entitled “You Won’t See Me Anymore” b/w “Lipstick Love” and a S/T full-length album on Birdman Records but that’s it no more music.  it was such a shame as The Exploding Hearts had so much to offer but their star shone so brightly yet briefly. Play some ‘Guitar Romantics’ today and pay tribute.

The Cry! did a pretty decent cover of ‘Modern Kicks’ (remember them?) anyway enjoy some awesome power pop and remember The Exploding Hearts today of all days. there is also a rumour that a movie is in production on the band but as yet no details are available so we can neither confirm nor deny this as being a fact. There isn’t a huge resource of information on the band but there are two terrific albums and some youtube footage.  Go check em out and if you can pick up a record you won’t regret it.