The Cult / Mike Peters – Arena Abertawe 22.10.24

The Cult / Mike Peters – Arena Abertawe 22.10.24

With the late announcement of Mike Peters being added to the Cults appearance in Swansea, it seemed only fair to take my spot early and offer Michael Leslie Peters my support for the two hundred and God knows how many times. Now almost everybody I’ve spoken to who was there said how good his appearance was and sure I’d like to concur I thought his voice sounded really strong and there was an urgency to his performance as he knocked out some recent(ish) bangers from his vast repertoire but I really do struggle with the band-in-a-box performance maybe I’m just a traditionalist like Mr Duffy who later in the Cults performance spoke about it being live musicians up there and not a laptop or other aids, I don’t, however, think he was having a go at anyone in particular just live music in general.

Call me old fashioned but there’s something special about a band hitting the stage and for the next however long feeding off the energy of the music rather than the cold and disciplined karaoke style of using backing tracks (very clever technology I’m sure but I’m struggling to get my head around it). Anyway, I know this opinion won’t be popular with people but having seen him live well over two hundred times I like to think I know my subject and whilst I wouldn’t ever enter the Mike Peters Gathering mastermind I would rather hear him do the acoustic solo performance as exactly that and I’ve seen countless amazing solo shows from the man.

In a slimmed-down set Mike began with ‘Beautiful’ then followed it up with a couple that the casual listener might well remember ‘Strength’ followed by ‘Rain In The Summertime’ which got the audience singing along enthusiastically. Mike then played ‘Transition’ from the ‘Forwards’ album and explained his current health situation and his appeal from the stage for people to register on their way out with LHS in the hope that they could be matched in the future which went down really well and I hope there were plenty in attendance who did register.

The penultimate song was Peters being joined by Billy Duffy for a stonking rendition of Coloursounds ‘Fade In Fade Out and Fade Away’ which worked really well and took me back to that first Gathering show from Coloursound that to this day was one of the highlights of all those shows I’ve seen and the Camden Falcon show from when the coloursound band kicked off. It was great to see Mike Peters on Stage in my hometown again and I look forward to seeing him with a full band in the future be it here or wherever, we’ll go marching on with our hands held high. Which only left ’68 Guns’ and a rapturous ovation as the arena filled up for this emotional support set. The energy Peters puts into such a short set is emotional considering what he’s currently going through with his treatment and how he finds that energy is something 99.9% of performers simply don’t have even without his health issues. Great times and indeed MLP stay alive.

The Cult are up next and a band who’ve not had a new album for a couple of years and who seem to have had a resurgence of late but to be fair have toured a whole bunch since covid. I have seen them a number of times over the last half a decade or so and pretty much thoroughly enjoyed every performance be it in Florida at the House Of Blues to Death Cult on Billy’s home soil to the Cult on every tour since ‘Love’ and they’ve always given me good reason to come back for more even the time they supported Alice Cooper in this very arena a few years back. I don’t know if it was fatigue but that night they seemed to go through the motions which was strange because the times over the last four decades I’ve seen them they’ve always turned in a performance regardless of how they played be it the hedonistic days of ‘Love’ in Cardiff Uni or the ‘Electric’ tour and its hard rock excess to Wembley arena and the drink and drug haze to Finsbury park or The Marquee one off in support of ‘Ceromony’ the Cult have never been dull. In fact Last year in Cardiff Castle they were bang on form and the Death Cult in Manchester was exceptional.

Tonight with the intro tape of the dam buster fading out with the promise of songs from every album (cough cough I don’t think so) they delivered a really impressive set that wasn’t just heavy as fuck in places (‘War’) they played some old gems (‘Brother Wolf Sister Moon’) and one of the best Cult albums ever (Self Titled) ‘Star’.

Early set we were treated to ‘In The Clouds’, ‘Rise’ and ‘The Witch’ and to be fair the band sounded on fire. It was Astbury who looked fitter than he’s ever done and his vocals are in great form, pretty much nailing all the high parts which is something he hasn’t always done (Finsbury Park and early Electric tours) he clearly doesn’t smoke and Drink and do other vocal damaging substances and his voice is all the better for it as he prowled the vast stage mesmerising the audience none more was it evident than their RSD single ‘Lucifer’ whilst Duffy threw out the shapes that helped propel the band to these dizzy heights against a music press that was only ever happy to have a pop at the pair. I believe Duffy once said of support tonight he used to love the Alarm when they had a new record out because the press would have a day off slagging the Cult.

The anniversary set list tonight was pretty much the same as every night of the tour and to be fair it wasn’t reliant on one period and my least favourite album being ‘Sonic Temple’ we had its standout songs which was a bonus. It’s always great to hear the likes of ‘Resurrection Joe’ and the awesome ‘Spiritwalker’ and as time flew by the main set was brought to a thumping finale with ‘Love Removal Machine’ and we were done.

The encore saw ‘Loves’ ‘Brother Wolf Sister Moon’, before the inevitable ‘She Sells Sanctuary’ ended an exceptionally good set and that folks was a wrap. They came, they performed and they once again conquered with a superb set of power, Glory and finesse from most corners of their history but I’d love to have heard something off ‘Ceremony’ if I was to be a bit picky and leaving ‘Pheonix’ in the set wouldn’t have gone amiss either but that being fanboy needy and having a catalogue of banging tunes always helps regardless of what style they do it.

The Cult has a beating heart and when Astbury is in this kind of form they are one of the UK’s finest Rock bands no question about it from the riffs and tones of the Gretch or Les Paul Duffy seemed happy and right on it tonight and that always makes for a good set. The fact they are still here selling out 3,500 capacity venues on a school night is all you need to know whilst Sounds, The NME, and Melody Maker are all long gone means that he who laughs last laughs longest. Duffy lamenting the sound of live Rock n Roll music was loudly applauded and on this evidence it would be crazy to disagree! Chow Baby!

Author: Dom Daley

Diamond Dogs – ‘Too Much Is Always Better Than Not Enough’ (Wild Kingdom)

Diamond Dogs – ‘Too Much Is Always Better Than Not Enough’ (Wild Kingdom)

I think we’re up to reissue number sixty nine or something like that but I couldn’t care a less. When it’s the Diamond Dogs it’s all about the song and the Double D’s have ’em in spades.

Record label Wild Kingdom is re-releasing Diamond Dogs’ first 5 classic Long-Players (1993 – 2003). and including the singles and EPs from the same period.

Diamond Dogs were formed in 1991 in Katrineholm, Södermanland. From the very beginning hugely influenced by British Early 1970s R&B rock like Rod Stewart and The Faces, Frankie Miller, Dr. Feelgood, etc. and they are most unapologetic about that and so they shouldn’t be too.  When a band rocks up with an opener like ‘Charity Song’ and along with that huge swing, they have more horns than you can shake a big stick at, and before you know it whatever shitty day you were having will be transformed.

By the time the band made it to ‘Too Much Is Always Better Than Not Enough’  they’d changed personnel a bazillion times except for the lifers and integral members the Diamond Dogs built a formidable reputation for their live shows, with the charismatic singer Sulo, as well as The Duke of Honk and his organ (ooh er Mrs) The sound and style of gritty rock’n’roll was cast in stone. Sören ‘Sulo’ Karlsson also being the main songwriter, and Henrik ‘The Duke of Honk’ Widen serving as the group’s principal producer. as long as the quality of songs was being written the sound was going to be died in the fabric of the bands DNA. Former Oddball Stevie Klasson has the deft touch of a Keith Richards or a Ronnie Wood and could crash out a chord when he needed to like his old boss Mr. Thunders. Such is his quality and the fact the guy oozes it every time he picks up a guitar he was exactly what the Diamond Dogs stood for and then some and he really came into his own on this record.

This their third proper album ‘Too Much Is Always Better.. ..Than Not Enough’ showed they weren’t done yet, the album was released in 2002 (almost twenty years!),it opened some cool doors enabling the band to tour with the likes of The Cult, Nazareth, Ian Hunter, Hanoi Rocks, The Damned, The Quireboys, Dan Baird/Georgia Satellites, Sensational Alex Harvey Band to name a few.

‘Bound To Ravage’ was released as a single and its slide guitar-driven upbeat rocker was classic boogie-woogie. but the band weren’t just about the good times as they mixed it up with the slower more reflective rockers ‘Sad To Say I’m Sorry’ and the epic balladeering of ‘Somebody Else’s Lord’ with the swirling organ is a match for the Rod the Mod classic ‘I Would Rather Go Blind’ or the Stones ‘Get Your Ya Yas Out’ version of ‘Love In Vain’ and I kid you not when I say that. Then to follow it up with the wonderful ‘This Ones For My Lady’ shows that The Diamond Dogs had many strings to their bow and were experts when dealing with the precious tunes that were bestowed upon them. They step back into the beginnings of Rock and Roll with the 50s inspired swing of ‘Desperate Poetry’. Strangely this album is preserved with the same twelve tunes that made up the original release but somehow after all this time the wonderful tones of Stevie Klasson have somehow elevated it for me and his playing gives it the edge on the previous releases.  It might not have the bands best songs on it but as a complete album it’s exceptional.

Now had the Black Crowes continued on the trajectory of the first two and a bit albums I would hold them in the same esteem but alas they went all beardy Casey jones on us and fucked it up.  It always puzzled me how the Robinson brothers could fill large arenas and got people wetting their panties at the prospect of their reunion to play the money maker album but the real tunesmiths are here hiding in plain sight.  Ripping the shit out of rock and Roll and cooming up with top-notch album after top-notch album yet playing in local pubs.  Sometimes life does indeed give you lemons but if my words help one soul turn the way of The Diamond Dogs then I’d be happy and if you remember the band who dished this treat of an album up almost twenty years ago and want the chance to hear it on vinyl – well this is your chance because Too Much Diamond Dogs is never enough just buy it!

Buy it Here

Author: Dom Daley

Diamond Dogs – ‘As Your Greens Turn Brown’ (Wild Kingdom Records)

Diamond Dogs – ‘As Your Greens Turn Brown’ (Wild Kingdom Records)

As my learned colleague, Craggy waxed lyrically when he reviewed ‘Honked’ the first of these Anniversary albums from Diamond Dogs, I went on a journey down the Rock and ROll highway and played every Diamond Dogs album released and the overriding thought I had was –  Damn this band was smoking hot when they got in that groove.

They were honking on the whole Faces early ’70s Stones vibe and they were killing it every time and the most important thing was they had the tunes to go with the swagger and if those five albums were my gift to the world I’d be so proud of my band and the songs we’d created. Its quite some collection and as the band aged like a good wine they changed taste but remained true to their roots and sound.

On reflection, it seems like yesterday the band were rolling into my small village and pitching up their amps in a restaurant at the rear of my local boozer on a Sunday night after having a show in the City cancelled they then proceeded to Rock the socks off the locals with a wonderful and impressive set. These sets are pressed on vinyl as well as CD and contain a plethora of bonus tracks (singles B Sides) to wrap up the tunes from that period in a perfect set.

As Your Greens Turn Brown: After the keys introduce the listener with a bit of ‘Bloodshot’ before kicking up a shitstorm in the shape of the fantastic no holds barred ‘Goodbye, Miss Jill’ even now it makes me smile a five-mile smile when the band kicks in and the harmonica starts honkin’.

The record ebbs and flows superbly with the highs being particularly high and when the band gets going man they sounded authentic and passionate.  The lulls when they’d kickback. Their blend of Hammond and Rock and Roll overdrive mixed with a few horns stabs here and there is timeless. Let the good times roll on the ballsy ‘Hardhitter’ and then they can drop a few gears as they venture off into Small Faces territory via ‘Singing With The Alleycats’ it’s easy to see how these guys got gigs with Punk rockers like the Damned or Rockers like The Cult and Nazareth when you hear the raw ‘Bite Off’ with its too fast to live riff and with that variety in mind you pick up the flavour of just how talented a songwriter Sulo is and he lives these songs and wears them on his sleeve you can’t bluff Rock and Roll this good which is why he attracted the likes of Darrel Bath and Steve Klasson into the fold.

 

The band were comfortable letting go and cutting loose as they were doing the jig is up country-tinged ‘Anywhere Tonight’ as they were doing the whole Thin Lizzy duel guitar kick-off that had songs like ‘Boogie For Tanja’ being so effortlessly good. Then when they needed to turn down the lights they could glide into ‘Yesterdays Nymph’ in one fell swoop. When Sulo took the mood down he has a wonderful tone on his voice and as far as taking on the Brits doing the whole R&B thing there’s no contest Diamond Dogs were more consistent than a lot of their contemporaries churning out albums of exceptionally high quality and this bad boy is right up there with the best of them and when your B Sides are as good as your A-Sides you know you’re onto something.

Fifteen songs of exceptional quality its like they once said Too much is never enough! Bring on the next one and I’ll get me filled up on more trips down memory lane and promise myself to play these records more often they deserve it and so do you – Buy it!

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Buy Diamond Dogs Here

Author: Dom Daley

RPM writers top of the pops 2019 – The Live shows

RPM writers top of the pops 2019 – The Live shows

Some of the writers managed to send in their list of the top ten live shows they went to in 2019.  they attended hundreds of shows all over the place via trains, planes and automobiles.  On another day I’m sure these lists would change many times over.  RPM Online supports Rock and Roll and loves a live show and as you browse through the lists there are many genres covered as well as some familiar suspects there are many new entries this year.  We’d love to take this opportunity to thank all the bands who toured and played shows all over the UK and continue to do so, All the festivals that supported independent music from Rebellion Festivals and Camden Rocks to Steelhouse Festival in South Wales and all the festivals around Europe and wider thank you.  Continue to look after independent Rock and Roll and help it thrive and reach a wider audience if you want to get involved get in touch we always welcome fresh eyes and ears to spread the word: rpmonlinetcb@yahoo.com

 

 

Leigh Fuge 


John Mayer –  02 Arena London

Ryan Roxie –  The Asylum, Birmingham

Michael Monroe –  The Fleece, Bristol

The Cult –  University Great Hall, Cardiff

Kenny Wayne Shepherd –  City Hall, Salisbury

Kiss –  The Arena, Birmingham

Alice Cooper –  Motorpoint Arena, Cardiff

Paul Gilbert –  The Fleece, Bristol

The Wildhearts  – The Tramshed, Cardiff

FM & The Quireboys  – The Globe, Cardiff

Nev Brooks 
Pulled Apart By Horses – Newport Le Pub (Reviewed Here)

Primal Scream –  Great Hall Cardiff

Alice Cooper, MC50, The Stranglers – Motorpoint Arena Cardiff

Nick Cave – Millenium Centre Cardiff

Mighty Mighty Bosstones, Bar Stool Preachers – O2 Bristol

The Hip Priests, DC Spectres, Deathtraps – Le Pub Newport

The Wildhearts, Towers Of London – SWX Bristol

Wonk Unit – Drogonfly Pontypool

Frank Carter & The Rattlesnakes – Sin City Swansea

Holy Holy – Tramshed Cardiff

 

 Gareth Hooper
Duncan Reid, Cyanide Pills, Bruno – Louisiana Bristol

Ginger & The Sinners – St John’s church Cardiff

Clowns, BBSC – The Exchange Bristol

Amyl And The Sniffers – Louisiana Bristol

Rich Ragany & The Digressions, The Speedways, More Kicks, The Spangles – The Blackheart London

The Wildhearts, Janus Stark – Komedia Bath

The Hip Priests – Le Pub Newport

Bar Stool Preachers, Rich Ragany & The Digressions – Clwb Ifor Bach Cardiff

Jim Jones & The Righteous Mind – Jacs Aberdare

The Stray Cats, Selector, The Living End – Hammersmith Eventime London

Johnny Hayward
Bar Stool Preachers, Rich Ragany & The Digressions, Social Experiment –  Clwb Ifor Bach, Cardiff (Reviewed Here)

The Hip Priests, Rotten Foxes, Flash House, Glitter Piss –  The Pipeline, Brighton

Rebellion Festival 2019 – Winter Gardens, Blackpool

Jim Jones & The Righteous Minds, Heavy Flames, Deathtraps –  Jacs, Aberdare

Death By Unga Bunga, Seek Warmth –  Hy Brasil, Bristol

Dboy, The Vega Bodegas, Nigel –  Clwb Ifor Bach, Cardiff

The Stray Cats, The Selector, The Living End –  Hammersmith Apollo, London

Grave Pleasures – The Fleece, Bristol

Pulled Apart By Horses, Baba Naga, Dactyl Terra –  Le Pub, Newport

Clowns, Broken Bones Gentleman’s Club, Glug – The Exchange, Bristol

Fraser Munro
Adam Ant – St Davids Hall Cardiff

Kiss – Kiss Kruise, Miami

Michael Monroe, Electric Eel Shock – The Fleece, Briatol

The Hip Priests – The Drippers, Deathtraps – JT Soar, Nottingham

Alice Cooper, MC50, Motorpoint Arena, Cardiff

Turbonecro, The Hip Priests – The Chameleon, Nottingham

Dboy – Clwb Ifor Bach, Cardiff

The Damned – KK’s Steel Mill. Wolverhampton

Skidrow, Backyard Babies – The Forum, London

the Wildhearts, Towers Of London – Tramshed, Cardiff

Ben Hughes
Michael Monroe – Brudenell Social Club, Leeds (Reviewed Here)

Duff McKagan/Shooter Jennings – Academy 3, Manchester

The Wildhearts – Stylus, Leeds

Frank Carter & The Rattlesnakes – Brudenell Social Club, Leeds

Low Cut Connie – The Fulford Arms, York

Amyl & The Sniffers – Brudenell Social Club, Leeds

Ryan Hamilton Songs & Stories Show – Bloomfield Square, Otley

Tyla’s Dogs D’amour – The Fulford Arms, York

Levellers – The Minack Theatre, Cornwall

Hands Off Gretel – The Fulford Arms, York

Nigel Taylor 

The Stray Cats – O2, Birmingham

Saint Agnes – Plymouth Junction, Plymouth

The Wildhearts – Cavern, Exeter

Motörgoblin (Orange Goblin plays Motörhead) – St Moritz Club, London

Ginger Wildheart – St Johns Church, Cardiff

Queensryche – Islington Assembly Hall, London

Mother Vulture – End of the World Festival, Plymouth

Uriah Heep – Steelhouse Festival, Wales

Cradle of Filth – London Palladium, London

Ghost – Motorpoint Arena, Cardiff

Blaze Bayley – The Junction, Plymouth

Dom Daley
Rebellion Festival – Winter Gardens, Blackpool (Reviewed Here)

The Damned – London Palladium, London

Michael Monroe, Electric Eel Shock – The Fleece, Bristol

Duncan Reid &The Big Heads, Cyanide Pills, Bruno – Louisiana, Bristol

Amyl & The Sniffers – Lousiana, Bristol

Ginger & The Sinners – St Johns Church, Cardiff

Clowns – The Exchange, Bristol

Rich Ragany & The Digressions, The Speedways, More Kicks, The Spangles – Black Heart Camden, London

New Model Army – Tramshed, Cardiff

The Wonder Stuff – O2, Bristol

The Last Internationale Announce February / March 2020 Headline European Tour

The Last Internationale Announce February / March 2020 Headline European Tour

After a successful romp around the UK supporting the Cult The Last Internationale release a brand new video for ‘Soul On Fire’ taken from the recent album of the same name

 

Comments from Delila & Edgey: “We wrote the Soul On Fire album after our escape from the major label system. It was a low point for us, where almost everyone we worked with (or called us “family”) had abandoned us. We had to make that dreaded decision of whether to quit or continue the long battle that seemed more impossible than ever. Although our physical and mental health was quickly deteriorating, we reminded ourselves that there are people in the world who are much worse off than us and that we are actually in a very fortunate position where we can continue to use our voices to uplift people and expose injustice. What appeared to be a tragedy instantly turned into a blessing and an opportunity to trust ourselves and once again embrace the DIY spirit that this band is about. The video for “Soul On Fire” was shot by us and a few friends and was edited and directed by us. The NYC running scenes are essentially documentary footage, as Delila was still very ill at the time. Running in NYC woke up our soul and fed our fighting spirit.” Enjoy TLI x

 

UK/European Tour 
Support to Rival Sons – November 2019

Thu 21stNov – Aarhus, Train (Denmark)
Fri 22ndNov – Gothenburg, Kajskjul (Sweden)
Sat 23rdNov – Bergen, Forum Scene (Norway)
Mon 25thNov – Drammen, Union Scene (Norway)
Tue 26thNov – Uppsala, Katalin (Sweden)
Thu 28thNov – Helsinki, Circus (Finland)

UK/European Headline Tour – March 2020
Fri 21stFeb – Le Fuzz’Yon, La Roche Sur Yon (France)
Sat 22ndFeb – Le 106, Rouen (France)
Sun 23rdFeb – L’Antonnoir, Besançon (France)
Tue 25thFeb – 1999 Club, Paris (France)
Wed 26thFeb – La Laiterie, Strasbourg (France)
Wed 4thMar – Das Bett Club, Frankfurt AM Main (Germany)
Thu 5thMar – Clubcann, Stuttgart (Germany)
Fri 6thMar – E-Werk Club, Erlangen (Germany)
Sat 7thMar – Eventall Aiport Obertraubling, Regensburg (Germany)
Sun 8thMar – Spectrum Club, Augsburg (Germany)
Tue 10thMar – Futurum Music Bar, Prague (Czech Republic)
Thu 12thMar – Das Badehaus Club, Berlin (Germany)
Fri 13thMar – Grünspan, Hamburg (Germany)
Sat 14thMar – Kulturzentrum Faust, Hannover (Germany)
Sun 15thMar – Die Kantine Club, Köln (Germany)
Tue 17thMar – 100 Club, London (UK)
Wed 18thMar – Hare & Hounds, Birmingham (UK)
Thu 19thMar – Exchange, Bristol (UK)
Sat 21stMar – Night People, Manchester (UK)
Sun 22ndMar – Stereo, Glasgow (UK)

Tickets for UK dates: https://bit.ly/LastInternationaleUK
Tickets for German dates: www.piligrim.eu/the-last-internationale
Ticket for Czech date: https://goout.net/en/tickets/the-last-internationale/rbff/
Tickets for French dates: www.livenation.fr/artist/the-last-internationale-tickets
UK/Europe physical: https://thelastinternationaleukeurostore.bigcartel.com
Worldwide physical: https://thelastinternationale.bigcartel.com
Stream: https://onerpm.lnk.to/SoFAlbum

Rainy Days & Mondays

Rainy Days & Mondays

As far as cover versions go I think its fair to say I didn’t see this one coming did you? Prima Dona unleash their inner teeny-bop with their take on ‘Cruel Summer’

Just incase that’s left you feeling slightly queazy why not cleanse your pallet with something by the Damned seeing as all roads today lead to the London Palladium for the night of a 1000 Horrors where the Damned will be playing one of their most audacious sets yet at the famous theatre. a fan-made video this time for one of the bands finest tunes never to make an album – please enjoy ‘Limit Club’

Finally seeing as this past week has been mostly about the live shows we’ve been to and with The Cult turning in one of their best live performances to date enjoy this slice of slick Rock that was taken from the film soundtrack ‘Gone In 60 Seconds’

 

The Cult/The Last Internationale – Cardiff, University Great Hall – 18th October 2019

The Cult/The Last Internationale – Cardiff, University Great Hall – 18th October 2019

 

 

Hot on the heels of an expansive reissue set to commemorate the 30th anniversary of band’s multi-platinum selling ‘Sonic Temple’ album The Cult have long since sold out Cardiff University’s Great Hall, with this ten date run of shows across England, Wales and Scotland celebrating all things Sonic and Temple-like proving to be their most popular in many a year.

Myself having never been that big a fan of said opus (I much prefer the three albums that directly preceded it) I did initially dither a bit over whether to actually pick a ticket up for this one whilst in the weeks running up to the show itself I was half toying with the idea of passing it on to my RPM compadre Hotshot Hooper as he’d only recently discovered the delights of band’s largely superb back catalogue.

A few memory jogging spins of the aforementioned 5 CD ‘Sonic Temple’ box set though and suddenly I’m driving through stop/start Friday night traffic and seemingly endless sheets of rain (there’s a gag in there but I’m not doing it…yet) now actually half looking forward to seeing Ian Astbury and Billy Duffy back in the place they’d almost half flattened six years earlier on the opening night of their then UK tour celebrating the ‘Electric’ album.

Unfortunately due to my journey into Cardiff taking almost twice as long as usual I only get to catch the last two songs of tonight’s openers The Last Internationale with the band sounding a hell of lot feistier than the last time I saw them live just down the M4 at the Newport Centre (plying their wares for a much more sedate Robert Plant audience), and by the time I’ve finally taken up my prime viewing spot a few rows from the front of the stage singer/bassist Delila Paz is already in the crowd and loving every second of their chance to play Wales once again.  With new music to promote and upcoming dates across Europe with Rival Sons, what I did get to hear of The Last Internationale tonight sounded bluesy in a Buck & Evans kind of way yet still positively huge. So, if you’re off to one of these shows make sure you get in early doors and check them out. It’s not for me though.

After the longest intro tape known to humanity seamlessly segues into Grant Fitzpatrick’s gigantic bass rumble intro to ‘Sun King’ it feels like the audience in the Great Hall has suddenly trebled in size as the crowd slowly starts to wake up and dance along to the opening track of the night, but as Mr Astbury (who once again tonight looks and sounds back at his very best) states right from the off “it’s time to ease into things baby, let’s not rush it”.

‘Wild Flower’ quickly follows and unlike with the Love and Electric tours that have gone, it’s interesting to note that The Cult have chosen not to play ‘Sonic Temple’ in sequence or in fact as it would go on to prove in its totality, with the final trio of tracks from the album (‘Soldier Blue’, ‘Wake Up Time For Freedom’ and ‘Medicine Train’) all missing from the set list tonight.

Of the seven ‘Temple’ tracks aired during the first half of the set ‘Sweet Soul Sister’ complete with Damon Fox’s sublime Jon Lord-like keyboard intro and thunderous drumming from John Tempesta truly soars in all its stadium rock majesty whilst ‘Soul Asylum’ is still The Cult’s very own ‘Kashmir’, however aside from the new wave of classic rock brigade in attendance all trying to be teenagers once again, things (just like during the Love tour) don’t really shift through the gears until we hit the ‘Beyond Good & Evil’ pairing of ‘Rise’ and ‘American Gothic’ give us a glimpse of 21st century Cult at their very finest.

I never thought I’d be saying this after tonight’s drive, but the arrival of ‘Rain’ is welcomed with open arms (boom boom) as it finally gets all the old goths out of the shadows and going suitably bananas whilst ‘Phoenix’ complete with Stooges teaser intro courtesy of an on fire Billy Duffy sends the atmosphere off the scale. This leaves just enough time for ‘Spiritwalker’, Fire Woman’ and ‘Love Removal Machine’ all in quick succession and all those brand new £30 tour shirts in the crowd will certainly be in need of an immediate wash first thing in the morning.

Returning for an encore that sees ‘Horse Nation’ dedicated to the both long since departed and still very missed Nigel Preston and Swansea Circles club, its left to the ultimate goth anthem of ‘She Sells Sanctuary’ to close things out, and the delight on the faces of both Astbury and Duffy as the lights go up is there for everyone to see. Something that makes nights like these feel so much more special.

What lies ahead next for The Cult though I wonder? I doubt a Ceremony 30th anniversary tour is going to be high on many people’s must-see lists, so will 2020 see new music from the band, and a long overdue follow up to 2016’s Hidden City?

Whatever happens, It’ll always be CFFC.

Author: Johnny Hayward

Review of Sonic Temple 30 Here

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October Playlist

October Playlist

With 2019 quickly rolling downhill towards 2020 and with Halloween just around the corner and Shit Island still under Tory rule heres a playlist to take you away from the humdrum of real-life and to take a peek at whats on the RPM turntables and MP3 players this month.

Alice Cooper is in the house with Go Man Go taken from his excellent EP ‘The Breadcrumbs EP’ and how could we not include Jim Jones & The Righteous Mind so get down and get with it as ‘Shazam’ is in the house on the virtual player.

Also on the live front we’ve caught up with the awesome Cyanide Pills who are ‘Still Bored’. this month we’ve got an exclusive interview we recently did with Spunk Volcano so it seems right we should include ‘Shit Excuse’ from ‘Double Bastard’.  It seems that every man and his dog is attending one of The Cult winter tour dates so why not play ‘New York City’ from the 30th Anniversary ‘Sonic Temple’.

Hands up if you’re heading to one of the Black Flag dates around the UK this month?  We are so ‘My War’ is on the list. Pulled Apart By Horses rode into Newport and left a mark so ‘The Big What If’ is on the list.

As for new albums we’ve reviewed how about a few new ones starting off with Pardon Us with the opening track on their debut album ‘Wait’ ‘check out ‘Beyond The Valley Of The Wolves’. The Hangmen are back with ‘Cactusville’ as are Starcrawler who we’ve included with the excellent rock and rolla ‘No More Pennies’, Bitch Queens bring ‘Superboy’ and their brothers from different mother are back with a new single.  The Hip Priests ‘I Hate The City’ from their recent split but fear not pop pickers they have another single on the way this month we’ve heard it and its a no brainer kids all killer and no filler was written for them.

As we say goodbye to Barrie Masters we’ve included Eddie And The Hot Rods cover of ‘Once Bitten Twice Shy’.  Since they’re having a movie made about them we think it’s apt that we include the awesome Redd Kross with ‘Motorboat’ on this months playlist.  turn it up baby because Charger make the paylist with ‘Victim’ from their self titled record. Cockroach Clan released their new/old record so why not sample some Norweigan punk rock whilst youre here.

It wouldn’t seem right not to have a Wildhearts tune in our playlist seeing as they have a new mini-album out this month and are playing the UK again so heres ‘A Song About Drinking’.  Supporting them on this round of dates are Janus Stark who also have a headliner at the hope & Anchor so with news of their new album released last week heres one from them for good measure – We can’t play you anything new but trust us when we say it’s going to be worth the wait so to keep you going heres ‘Every Little Thing Counts’.  It only seems fair we offer up some Shitbaby Mammals with the opener from their record ‘Heart On My Sleeve’.  To wrap up this months playlist heres some Black Star Riders with the second track from their new album and title track ‘Another State Of Grace’. So until next month…

The Cult – Sonic Temple (Beggars Banquet)

The Cult – Sonic Temple (Beggars Banquet)

This September, The Cult‘s 1989 album Sonic Temple turns 30 and for its birthday those lovely people at Beggars Arkive are giving it a 5 CD, 53 – track deluxe makeover, along with a couple of rather special vinyl editions to boot.

Across the 5 CDs you get the original album on disc 1, alternate edits, mixes, extended versions and acoustic versions on disc 2, limited-release demos on discs 3 & 4 and Live at Wembley recorded by the BBC on disc 5. Six of the live tracks are previously unreleased.

So lets take it one disc at a time….

Disc 1 contains the Bob Rock, Sonic Temple album, complete with its 3 UK top 40 hit singles (Fire Woman, Edie (Ciao Baby), Sun King). You know the score with this one, the follow-up to the Rick Rubin produced mega-album Electric, that took The Cult into the arenas and stadiums of America. Listen back to it, it has the late MTV eighties sheen and while not quite up there withit’s predecessor (at least for me), it’s still a damn fine album, that certainly did the business, shifting in excess of 1.5 million copies in the USA alone. The album catapulted The Cult into superstar status, job done!

Disc 2 is more a luxury than a necessity. You get short, long and very very long versions of the album’s singles, along with a very unnecessary radio advert for the album. Though amongst the chaff there are some jewels. Single b-sides  Messin’ Up The Blues, Medicine Train, The River and most notably Bleeding Heart Graffiti are fine reminders of those great singles tucked safely up in the attic.

Now onto the really interesting stuff, the Sonic Temple demos. During 1988, The band recorded the first (14-track) demo version of this album with soon to be KISS drummer, Eric Singer. Then, a further 15-track demo version of the record with Bob Rock’s drummer, Chris Taylor. Twenty of those 29 tracks are presented here across 2-discs, a fine treat they are.

Disc 3 presents 6 of the 10 tracks that made it to the final album (New York City, American Horse, Sun King, Automatic Blues, Fire and Wake Up Time For Freedom), along with future B-sides  (Medicine Train and  The River) and a couple of also-rans ( Yes Man and Citadel ). Even at this early stage you can hear why Fire was a chorus short and a drum more than the classic Fire Woman hit single it became and why Yes Man got dropped. This disc is a great listen, sounding really stripped down and raw. Sure, Billy over-plays it throughout, chucking in what seems like every lick he knows and Ian’s vocals are rough but that’s cool, very cool.

Disc 4 is bursting with another 10 demo tunes and along with the previous disc make this package an essential purchase for any self respecting Cult fan. This time only Edie (Ciao Baby), New York City, Medicine Train and Fire (Woman)  feature from the final album, with another largely lost 6 tunes (The Crystal Ocean, Cashmere, Bleeding Hearts Revival, My Love, Star Child and Spanish Gold) making up the numbers. While the content is a little more sketchy than on Disc 3, it’s a great listen. The whole CD is pretty much a Zep-out, not only from the obvious lift of Cashmere but the general stripped down vibe of the whole thing. Billy’s playing is a little more restrained and Ian’s vocals a little more hesitant and thoughtful but, the jam demo of Spanish Gold is a real gem.

 

Disc 5 pulls together 9 tracks from a BBC recorded Wembley live show. While 3 of the 9 tunes (American Horse, Soul Asylum and Sweet Soul Sister ) have previously appeared as B-sides, 6 of them are previously unreleased. It’s a decent listen but nothing particularly exciting. Just your standard soundboard kind of recording. Astbury sounds like an out of breath yank, Duffy riffs like a muther fucker and even Jamie Stewart gets a bit of a bass solo…. it’s cool but nothing earth shattering and hardly the pick of the vaults. Much like Disc 2, this isn’t a disc you’ll rush back to time-and-again.

 

All this loveliness comes packaged in book form with rare photographs and interviews with the band by journalist James Brown, though I’ll have to wait until the official release to check that all out.

There are also another vinyl two editions of this bad boy to seperate you from your hard earned cash. Firstly, there’s a double re-vamped 16 track reissue of the original album, spread across 2 discs and adding 6 B-sides to the original 10-track LP. Secondly, there’s a mouth watering  limited (to 3000) mega box set containing three slabs of vinyl (featuring the original album, B-sides and live tracks), along with a cassette of demos plus tour memorabilia and other goodies (replica of original laminate, backstage pass, original press releases and label copy and more). Not sure why the hell anyone would want the demos on a cassette to be honest as they are the highlight of the package so why shoove them on a hipster format you can’t listen to…. unless of course it comes with a download code.

So where does that leave us? While not as essential as 2013 Electric/Peace Train re-issue, £35 for the CD box-set is a great deal. The double LP at £22 is an attractive proposition too, though weighing in at a hefty £85, the box-set may be for the hardcore only.

The Cult bring there Sonic Temple anniversary tour to the UK this coming October. Dig deep and check it out, it’ll be a hell of a night out !!!

 

Buy Sonic Temple 30 Here

Author: Fraser Munro

The Cult Sonic Temple at 30

The Cult Sonic Temple at 30

Following on from the awesome job Beggars did on the ‘Love’ anniversary it seemed about right for them to get stuck into The Cults ‘Sonic Temple’ when the band reached the top of the Hard Rock tree and played Wembley Arena which seems a lifetime ago now (it probably was).  The band enjoyed enormous success with the record and subsequent videos and singles off the album and it looks like once again BB has delivered the goods with these awesome Sets.

The Vinyl BOX SET contains three pieces of vinyl and a cassette plus tour memorabilia and ephemera (replica of original laminate, backstage pass, original press releases, label copy and more). It’s numbered and limited to 3000 pieces worldwide and contains 40 tracks, four of which are previously unreleased. LP1+2 contain the album as originally released. LP3 contains Live At Wembley recorded by the BBC, and the included cassette contains limited-release demos. Four of the live tracks are previously unreleased.

Whilst The FIVE-CD SET contains 53 tracks (including 6 previously unreleased) with the original album on disc 1, alternate edits, mixes, extended versions and acoustic versions on disc 2, limited-release demos on discs 3 & 4 and Live at Wembley recorded by the BBC on disc 5. Six of the live tracks are previously unreleased. It is beautifully packaged in book form with rare photographs and interviews with the band by esteemed journalist James Brown.

 

Beggars Banquet Webstore

to dovetail the releases the Cult return to the UK for a tour dates below

TOUR DATES
Oct 15 Nottingham, UK – Rock City
Oct 17 Birmingham, UK – Academy
Oct 18 Cardiff, Wales – Cardiff University
Oct 20 Leeds, UK – Academy
Oct 21 Aberdeen, Scotland – The Music Hall
Oct 22 Glasgow, Scotland – Academy
Oct 24 Manchester, UK – Apollo
Oct 27 London, UK – Hammersmith Apollo
Oct 28 Bristol, UK – Academy
Oct 29 Portsmouth, UK – Guildhall