FUTURAMA FESTIVAL EASTER 2021 – A UTOPIAN FESTIVAL FOR DYSTOPIAN TIMES

FUTURAMA FESTIVAL EASTER 2021 – A UTOPIAN FESTIVAL FOR DYSTOPIAN TIMES

THE RETURN OF THE FUTURAMA FESTIVAL EASTER 2021 – A UTOPIAN FESTIVAL FOR DYSTOPIAN TIMES

THE LEGENDARY 2-DAY POST-PUNK FESTIVAL RETURNS TO LIVERPOOL APRIL 3-4, 2021

SECOND WAVE OF BANDS ANNOUNCED!

HEAVEN 17 ARE SATURDAY NIGHT HEADLINERS WHEN THEY PRESENT ‘THE FUTURAMA YEARS 1979 -1983’

TICKETS AVAILABLE FROM SEE TICKETS HERE:

www.futuramafestival.com

Futurama, the legendary post-punk festival is back after 40 years and takes place at the Invisible Wind factory / Make Arts Centre and Ten Streets Social in Liverpool over two days, 3rd and 4th of April 2021.

With promising news on the horizon regarding the vaccine roll out this week, the Futurama Festival’ has announced a second wave of bands to play the influential festival in Liverpool next Easter.

Undoubtedly one of the most famous electronic & synth bands of all time, Heaven 17 had hit after hit back in the 80’s with their incredible albums ‘Penthouse and Pavement’ and ‘The Luxury Gap’. This extraordinary success means their gigs are as popular as ever and they consistently sell out shows in the UK and abroad. The original Human League split in 1980, when Martyn Ware and Ian Craig Marsh left to set up their BEF production company and recruited Glenn Gregory to help create “music of quality and distinction”. Taking their name from the disco in Clockwork Orange, Heaven 17 had immediate success with hits such as ‘At the height of the fighting’, ‘Fascist Groove Thang’ and ‘I’m your money’. ‘Penthouse and Pavement’ would become a landmark album that defined the 1980’s.

For their unique performance at the Futurama, Martyn and Glenn will perform a Heaven 17 set and will also revisit some of those classic early Human League songs. By re-imagining them and keeping the original spirit, they hope to recreate the futuristic ambience and immersive atmosphere of the early days. As Martyn says he ” loved the wider theme of dystopian science fiction that the Futurama touched upon and he always envisaged the Human League growing up in a science fiction noisescape”. Human League were scheduled to play the original Futurama in 1979 but for one reason or another, it sadly never happened.

As well as Heaven 17’s back catalogue, Martyn Ware can call on the astonishing early records of the Human League. The first Human League albums ‘Reproduction’ and ‘Travelogue’ were two of the most influential synth albums of all time. It cannot be underestimated how important the sound of young Sheffield 78 -83 became in post punk Britain with the Human League, Cabaret Voltaire, Clock DVA and Vice Versa (Later ABC) leading the way. They were the first wave of British bands to mix machines and electronic noise. Their music reflected their environments, the urban decay and industrial decline of this period.  A bleak but beautiful soundtrack.

“Heaven 17 are really looking forward to the Futurama show, it holds so many fantastic musical memories for us both as performers and audience, states Glenn Gregory. “It’s fantastic that we have the chance to be a part of the future of Futurama”

“Brothers, sisters don’t just sit there on your ass!” Join us as we fix this historic error and go back to the Futurama with Heaven 17

Peter Hook and The Light are the Sunday night headliners and will be performing the ‘life changing’ Joy Division set from the 1979 Futurama in Leeds for the first time in 40 years. Another world first for the return of the Futurama in 2021. Peter Hook and the Light as well as the historical set will back it up with all the classics that they have delivered across the world in recent years to such acclaim. Two very special headliners for the return of the Futurama. They are joined by legendary Factory band Section 25 and the Expelaires who played the first Futurama in Leeds in 1979.

The AF Gang have confirmed their first acts for their All Is Love / Goth Kitchen stages with up-and-coming London punks Chubby And The Gang who have just signed to Partisan Records (Idles, Fontaines DC, Laura Marling) and TV Priest who have just signed to legendary American label Sub Pop. Other bands they’ve picked are Genn, The Pleasure Dome, Ditz & Frauds who the AF Gang have been championing for some time.

Planet X, Liverpool’s infamous goth and punk club have Balaam & The Angel headlining its stage with Dr Diablo & the Rodent Show, Peter Bentham & The Dinner Ladies, Feather Trade,
the Gentle Scars,  Three from Above & The Webb supporting. Also, confirmed are Girls in Synthesis, Ist Ist, Dream Nails, Liines, Gravves, Klamp, Coughin Vicars & Deh-Yey.  All in all, it’s shaping up to be one of the best line-ups of every year.

As promoter Marc Jones, says ‘fingers crossed, the timing could be perfect, we all desperately need something to look forward to after one of the hardest and most difficult years ever! 2020 has seen the festival and live gig circuit decimated by the pandemic. It could one of the first festivals post Covid restrictions and it would be a real boost to the Liverpool music scene and the independent venues involved and perhaps a real starting point for and hopefully a much better year in 2021″

New Early Bird December from SEE tickets HERE: 1st payment 7th December with subsequent payments in Jan, Feb and March 2021

There will be a last wave of bands to be announced in January when day splits and full stage line ups will be announced.

Other acts confirmed to appear include Theatre Of Hate, Warmduscher, The Chameleons, The Blinders, The Lovely Eggs, Spizz Energi, Imperial Wax, Just Mustard, Membranes, Evil Blizzard, Sink Ya Teeth, John, Heavy Lungs, We Are Not Devo, DSM IV, Bob Vylan, Billy NoMates, Witch Fever, Tokky Horror, Pozi, Crows, St Agnes, LibraLibra, Courting, Crawlers and Joe & Shitboys, with the world’s biggest rock ‘n’ roll and punk magazine Vive Le Rock and respected website Louder Than War hosting the main stages.

For more info head to: futuramafestival.com

Spear Of Destiny – ‘World Service 35’ (Eastersnow Recording Company)

Spear Of Destiny – ‘World Service 35’ (Eastersnow Recording Company)

Recorded during the lockdown in July 2020. Spear Of Destiny has re-recorded the hit album ‘World Service’. I’m sure there are those who’ve clicked here wondering why? Royalties?  Those less cynical amongst us might have recently read Kirks reasons where he sites the original production being a pop/rock record which was never his intention and whilst Rusty Egan did a job (and a jolly good one too) Brandon was never happy and with a settled, more Rockin line up currently playing the songs.  Also, it was a chance to change the artwork – (oh well you can’t have everything even if this new one is better than the ’80s version.) The tracklisting has been arranged and to be fair Brandon’s recent explanation makes sense and this re-imagination is certainly a lot harder hitting. Following on from 2019’s rerecording of ‘One-Eyed Jacks’

Trying to put fresh ears on a record I’ve played hundreds of times isn’t an easy thing but I will say I’ve not actually played it for a few years to be fair and probably the last time I did was when Brandon was touring with mike peters under the dead men walking banner so there you go.

Opening with ‘World Service’ the re-recording has a punch that’s for sure and the saxophone wails perfectly the other thing I notice is Brandon’s vocals are infinitely stronger.  He has a unique style that’s instantly recognisable and there are moments here where he really excels like on the punchy ‘I Can See’.

I was never keen on the piraty ‘Come Back’ although I would say here it sounds more Strummer than Strummer ever did on his Mescaleros recordings.  The breakdown and sax is excellent here and the song isn’t as piraty as I remember it being. To be fair its songs like this that have benefitted most from the re-recording.

‘Mickey’ is still a chest pumping classic. Now minus the ’80s drum sheen and overall compression squeezing the life out of everything having it stripped away has breathed new life into all these songs. The original album opener ‘Rocket Ship’ has fallen down the tracklist and has a harder rockier edge breathed into it which is another good reason to have done this.

One of the songs that strangely was more “Rock” on the original for me is ‘Last Card’ but having the ’80s Rusty shaken out of it makes the song brighter. ‘Walk In My Shadow’ is possibly the song that’s changed the least with it still having that Blues based undercoat workout. ‘Up All Night’ reminds me a bit of Adam And The Ants with the guitar sound and drum beat but that where the comparisons end.

To finish off this rework is a beautiful piano-led take on ‘Young Men’ which fits perfectly as some sort of come down and mellow out from what’s gone before.  I haven’t seen the line up with Craig Adams in and I can’t understand why that hasn’t taken place so once we’re all able to venture back inside a venue I will be taking myself to see the band and hear how this reworked album unfolds live – but then Brandon always excelled live. It’s a no-brainer for diehards but for casual fans and newcomers, it’s a great place to jump in. Like the titles tracks lyrics “It only seemed like yesterday, I hear music”  where did all those years go? Two reworks and both well worth investing in with this one being the boldest and brightest.  Great job.

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Author: Dom Daley

THE RETURN OF THE FUTURAMA FESTIVAL – EASTER 2021

THE RETURN OF THE FUTURAMA FESTIVAL – EASTER 2021

  A UTOPIAN FESTIVAL FOR DYSTOPIAN TIMES

THE LEGENDARY 2-DAY POST-PUNK FESTIVAL RETURNS TO LIVERPOOL APRIL 3-4, 2021

PETER HOOK & THE LIGHT CONFIRMED TO PERFORM JOY DIVISION’S SET FROM FUTURAMA 1979!

TICKETS AVAILABLE FROM SEE TICKETS HERE:

Website

Futurama, the legendary post-punk festival is back after 40 years and takes place at the Invisible Wind factory / Make Arts Centre and Ten Streets Social in Liverpool over two days, 3rd and 4th of April 2021.

The Futuramas were a series of ground-breaking and innovative post punk and electronic music festivals in the late 70’s and early 80’s. They were the brainchild of one-man, John Keenan, a legendary Leeds promoter who has put thousands of bands on over 40 years at his famous F Club. In 1979, he decided to do a 2-day festival at the Queens Hall in Leeds and put on all of his favourite up and coming bands and curated the first alternative indoor festival in Britain. Nearly all of Britain’s most important and influential independent bands played these festivals and many of them went onto considerable success in Britain, Europe, and the US. The roll call reads like the greatest who’s who of alternative music and they include Joy Division and New Order, Echo and the Bunnymen, PiL, Killing Joke, Teardrop Explodes, Bauhaus, The Fall, The Smiths, Gang of Four, Sisters of Mercy, Theatre Of Hate, The Psychedelic Furs & even a fledgling U2. The Futurama festivals caught the zeitgeist perfectly and not only put on many female fronted bands, including Siouxsie and the Banshees, Young Marble Giants, Bow Wow Wow & Altered Images, but also many of the new wave of electronic & synthesizer acts including Soft Cell, Cabaret Voltaire, OMD, Simple Minds, Clock DVA & Vice Versa who later became ABC.

The post-punk era still casts an enormous influential shadow over contemporary music, making the timing perfect for the festival to return, combining both legendary acts from the festival’s history with the absolute best in up-and-coming talent.

pic by William Ellis – www.william-ellis.com

Bringing Futurama full circle, Peter Hook & The Light are confirmed to perform Joy Division’s set from Futurama 1979 in full, promising to be an absolute thrill for fans of the iconic band.

“Futurama was one the first festival experiences I ever had,” remembers bassist Peter Hook. “John Keenan the promoter became a lifelong friend. He was one of the first legends. The gig was the first time I’d ever seen caravans used as dressing rooms indoors, but it had a great atmosphere. It really put Joy Division on the map and the groups on the bill were very well matched to the audience. There weren’t many indoor festivals prior to Futurama so it was quite ground-breaking for the genre in the north. Funnily enough it gets talked about a lot even now. John became a legend and, in many ways, so has the festival. Let’s hope we can capture that wonderful atmosphere again.”

Also linking the festival’s history are Kirk Brandon’s Theatre Of Hate who will be celebrating their 40th anniversary of playing Futurama 3 in 1981, returning in 2021.

With a headliner still to be announced, these iconic acts join a host of bands from the many different strains and spectrums of alternative music, with respected website Louder Than War hosting the main stage on one day, and the world’s biggest rock ‘n’ roll and punk magazine Vive Le Rock the other day, whilst The AF Gang (the IDLES legendary fan club) host the up and coming stage.

There are 4 stages at the Futurama.

Invisible Wind Factory Main Stage: Headline acts and supports

Substation Downstairs in IWF: Electronic, synth and experimental noise

Make Arts Centre: Some of the best new and vintage post punk bands on the circuit

Ten Street Social: The AF Gang hosts the up and coming stage plus DJ sets

Other acts confirmed to appear include Warmduscher, The Chameleons, The Blinders, The Lovely Eggs, Spizz Energi, Imperial Wax, Just Mustard, Membranes, Evil Blizzard, Sink Ya Teeth, John, Heavy Lungs, We Are Not Devo, DSM IV, Bob Vylan, Billy NoMates, Witch Fever, Tokky Horror, Pozi, Crows, St Agnes, LibraLibra, Courting, Crawlers and Joe & Shitboys, with many more to be announced.

Tickets are Early Bird £80 for the weekend from See Tickets HERE:

£20 deposit scheme and four payments scheme in place

For more info head to: futuramafestival.com

On this day – Gone But Not Forgotten – Nick Knox

On this day – Gone But Not Forgotten – Nick Knox

Nick Knox, the drummer with the Cramps from 1977 until 1991, died at the age of 60,  (born Nicholas George Stephanoff; March 26, 1953).

He was the band’s longest-serving drummer and appeared on their biggest selling albums including 1986’s ‘A Date With Elvis’. Knox died of Cardiogenic shock (which is a condition in which your heart suddenly can’t pump enough blood to meet your body’s needs) on 15th June 2018.

Knox played drums for proto-punks the Electric Eels before joining Lux Interior and Poison Ivy Rorschach in the Cramps.  He played on ‘A Date With Elvis’ – which was the band’s most commercially successful album. It followed 1980’s ‘Songs the Lord Taught Us’ and 1981 follow-up ‘Psychedelic Jungle’. Knox’s final recording was, 1990’s ‘Stay Sick!’ before his departure.  The band extensively toured Europe under Knox’s watch and hes regarded as being the glue that pulled the Cramps sound together.

After retiring from The Band Knox didn’t surface until he appeared on stage with The Pagans in 2003and it wouldn’t be until 2017  when he was credited as “senior advisor” to the Cleveland-based punk band Archie And The Bunkers in 2017.

After his passing Knox had some wonderful testimonials from his peers such as his predecessor Miriam Linna, the Cramps’ drummer Knox replaced, She Said she’d visited Knox in the intensive care unit in Cleveland. She added, “I thank God that Nicky was a friend of mine. He was one of the kindest, funniest, most amazing human beings ever and I was very lucky to have been in his orbit.”

On his passing Former guitarist Kid Congo Powers tweeted, “Nick Knox Coolest of the cool. R.I.P. Glad to have played to your boss Beat. Meet you on the mystery plane.”

 

On a happier note  RPM favourite, Noddy Holder was born on this very day in 1946. Noddy went on to front The UK’s most successful singles band of the ’70s scoring 17 consecutive top 20 hits and six No.1’s impressive legacy by anyone’s standards.  Neville John Holder was born in Walsall, West Midlands.  Sadly Holder isn’t interested in joining his ex-bandmates for any shows and prefers to spend his time hosting radio shows and acting.  What would we give to hear him belt out a Slade tune with Jim, Dave, and Don.  We can but hope, anyway, Happy Birthday Noddy.

Also sharing his birthday on this day is current Wonder Stuff Bass player Mark Gemini Thwaite (born 1965) ordinarily known as a guitarist of the six-string variety Mark is standing in on Bass for shits and giggles according to Hunt and on the recent tour the band has never sounded so good largly down to the fantastic musicians in the current line up. 

The list of artists Thwaite has recorded and toured with is incredible – The Mission, Tricky, Peter Murphy, New Disease, Spear of Destiny, Theatre of Hate, Mob Research (with Paul Raven of Killing Joke), Canadian band National Velvet and he recorded with Gary Numan, Al Jourgensen of Ministry, Revolting Cocks, Roger Daltrey of the Who, P.J. Harvey, Alanis Morissette, Primitive Race(with Chuck Mosley of Faith No More), Ricky Warwick of The Almighty, Ginger Wildheart, Stan Lee of Marvel Comics, Franz Treichler of The Young Gods, The Wonder Stuff, Ashton Nyte of The Awakening, Burton C. Bell of Fear Factory, Laurence “Lol” Tolhurst and Porl Thompson of The Cure and Ville Valo of Finnish band HIM. And breath; Mark has kept himself busy to say the least and landed himself some exceptional jobs with a whole variety of cool bands. Happy Birthday, Mark!