Formed out of the ashes of that LA rockers Smash Fashion, brand new four-piece CRYMWAV are here to rock you like it’s 1979!

Having racked up four albums over the couple of decades, most recently with 2018’s glorious ‘Rompous Pompous’, Smash Fashion found themselves frustrated at the side of the road, having seen off yet another rhythm section. Flying V-toting glam tag-team Roger Deering and Lloyd Stewart Casson had a bunch of songs written but nowhere to go. His rock’n’roll compass spinning wildly, Deering took time out, fetching up in London on a trip to see his girlfriend. It was there that he suddenly saw the light!

“I spent some time in Ladbroke Grove, I brought my guitar and wrote a bunch of newer, darker material. I felt I was channelling the vibes of the area… Hawkwind, Motörhead and The Clash…” Add to that soupçon of Lizzy, The Damned, The Ruts, UFO – don’t forget Phil Mogg’s nephew Nigel had already slung bass with the Fashion brigade – and a liberal dose of NWOBHM and you’re getting a very heavy picture.

Calling his buddy to gas up the van, on his return, the pair hooked up with hard-hitting drummer Greg Rogers, once of Maryland metal legends The Obsessed and currently LA stoners Goatsnake, and bassist Bruce Braddock, Deering’s old sparring partner from Miami punks The Drills, who played with everyone from Bad Brains and the Dead Boys to the Ramones and Motörhead.

Locking down in their rehearsal room, they came together with a sound at once new yet one that’s paid its dues – bass-heavy and crammed with hooks, nodding to metal, punk and post punk. The results are a six-track EP titled 24/7 – the sweat-soaked door number on their downtown rehearsal dungeon.

Six hot tracks frontloaded with hungry riffage, crunching grooves and fluid, melodic Schenker-style soloing, the video for the lead track ‘American Carnage’ is already picking up media traction, while the icing on the cake is a timely tribute to recently-departed Saints, Damned and Tank bassist Algy Ward, in the shape of a fine, throbbing cover of the latter’s ‘Walking Barefoot Over Glass’; an anthem in itself for these rock’n’roll vets…

“We’ve been through the record deals, the drugs, the ups and downs,” says Deering. “We’ve all gone through the rock wars and are still going. It’s what we do.”

24/7 is out through Electric Pudding Records on 27 October.

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The title track of Danny The K / Dan Kopko’s first solo EP on Rum Bar Records ‘Cigarettes & Silhouettes’ – Shot in a rocking horse graveyard that goes by the name “Ponyhenge” – video masterfully shot by the inimitable Harry McCoy. Order the single or, hell, the whole EP Here

Danny Kopko who is a also a member of The Shang Hi Los, Watts and The Peppermint Kicks certainly has pedigree when it comes to rockin and rollin. The EP oozes class mixingg up old school new wave with great hooks like the uber cool ‘Roller Derby Girl’ and the dreamy sunshine pop of ‘The Skateaway’ for an EP its a great taster as to what Danny is capable of by himself. Sadly its not enough – us greedy consumers want more so hopefully this is a prelude to a long player and thus far the whistle is wet but c’mon Rum Bar get this guy back in the studio and lets hear more more more. Dannyoozes class and this is just the beginning

Rumbar Records / Bandcamp

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Listen to ‘Oblivion’ Here

Edinburgh, ScotlandOctober 06, 2023 – Following up the announcement of BILLY LIAR’s new album “Oblivion,” he has just dropped his first single “Oblivion” on all streaming platforms! CLICK HERE to listen to the song. Additionally, his album “Crisis Actor” is available for pre-order on the Pirates Press Records website.


“Billy Liar is one of my favorite songwriters. Powerful and honest.” – Tim Armstrong (Rancid)

That’s one hell of a statement coming from Armstrong, a guy who knows his way around a tune as one of the most beloved songwriters in punk rock history.

A single listen to Billy Liar’s new album “Crisis Actor” will have any listener agree with Armstrong. With this album, Billy Liar showcases his outstanding talent for storytelling and his ability to capture raw, unfiltered emotions that resonate with listeners on a deeply personal level. These songs are bold, brash, and destined to be played loud in any size venue Billy steps into, from a solo show at a DIY space to a full-band set on a giant festival stage and everywhere in between…all with fans screaming back every word!

From the outset of “Crisis Actor,” Billy Liar commands the listener’s attention. From the opening track “Oblivion,” he pulls no punches when he sings “The only way I win is by not giving in to oblivion.”

Throughout the album, Billy intricately weaves anecdotes, scathing social commentary, and self-realization to craft a record that will please old and new punks alike. Drawing the inevitable comparison to the legendary punk troubadour Billy, Mr. Liar shares Mr. Bragg’s ability to address society, politics, and the world at large through the lens of lived experience and deeply personal, confessional emotion.

And just to put “Crisis Actor” over the top, a friend turns up to lend his familiar voice to one of the record’s highlights: the one and only Frank Turner joins Billy on “Negroni,” adding his trademark powerhouse grit to Liar’s boundless, exuberant energy.

With “Crisis Actor,” Billy Liar is poised to step up as a central voice in a new wave of singer-songwriters ready to tell their tales to listeners across the world. Clocking in at just 28 minutes, this album is a proverbial uppercut to the jaw. It hits you hard and fast, but it is intricate enough to reward close repeat listens. This is fortunate, because you’ll find yourself dropping the needle on this one again and again!

Whether armed only with his guitar or backed by a full band, Billy Liar will be traveling the globe, commanding stages of pubs, clubs, and arenas alike with this new set of tunes ready to catapult him into the hearts – and record collections – of punks worldwide!

For more information on Billy Liar:
https://www.billyliarmusic.com/
https://www.facebook.com/official.billy.liar/
https://www.instagram.com/officialbillyliar/

John J. Presley announces UK headline tour dates for February 2024

Tickets available HERE:


New album ‘Chaos and Calypso’ due October 20th via God Unknown Records

Album launch show confirmed for October 18th at Third Man Records, Blue Basement in Soho, London. Tickets HERE:

Pre-order the album
HERE:

Listen to new single ‘Silhouettes’ HERE:

“This is so good, a brooding, bluesy work out which would sound quite good in a Peaky Blinders-esque epic, perhaps we should also pass that on to that nice Cillian Murphy fellow…” Steve Lamacq, BBC6 Music

“What a return, sounding so good…superb stuff.” John Kennedy, Radio X

“Beauty in the songwriting, with John J. Presley displaying Nick Cave-esque levels of vocal intensity.” CLASH

“A ferocious, belly-deep sound, but somehow tender with it.” The Guardian (Laura Barton)

Brighton based multi-instrumentalist John J. Presley returns with a new album ‘Chaos and Calypso’, due October 20th via God Unknown Records. Following a period of activity in May of this year, John broke a three-year hiatus with the brooding, hypnotic single ‘Sinnerman’ (a collaboration with friend Laura-Marty Carter from Blood Red Shoes), and live shows with Radiohead’s Philip Selway and Gaz Coombes (Supergrass).

‘Chaos and Calypso’ features the first new music from Presley since his debut album ‘As The Night Draws In’ in 2019 and the vinyl only lockdown release ‘Albany Sessions’, which were both released to great acclaim. Presley’s music is hard to categorize but that is its strength – from folk blues noir moments to tasteful post rock walls of sound, – classic songwriting to improvised, experimental moments, Presley is constantly creating a tapestry that will engage, challenge, and inspire.

A diary piece that echoes a period of ill health, of spiralling vertigo and misdiagnoses, ‘Chaos and Calypso’ shows Presley’s trademark guitar tone in full effect with enough space in the mix to weave in a new palette of textures from drum machines and synths throughout. Presley plays guitar, bass and pedal steel on the new record and is an in-demand player too – Nadine Shah, Duke Garwood, Laura-Mary Carter, Juanita Stein and Smoke Fairies have all had him join their line ups.

Finally free of the confines of the studio, Presley is ready to bring ‘Chaos and Calypso’ to life in venues across the UK and following a special album launch show at Third Man in London on October 18th, will undertake a headline UK tour in February 2024.

Tickets are available HERE:

Full dates below:

18th October Third Man, London (special album launch show)

31st October The Prince Albert, Brighton

2024

1st February Edge of the Wedge, Portsmouth

4th February Strings Bar and Venue, Isle of Wight

9th February Ramsgate Music Hall, Ramsgate

22nd February Adelphi, Hull

23rd February The Golden Lion, Todmorden

24th February Le Pub, Newport

25th February Hare and Hounds, Birmingham

‘Chaos and Calypso’ album launch show confirmed for October 18th at Third Man Records, Blue Basement in Soho, London. Tickets HERE:

Pre-order ‘Chaos and Calypso’ HERE:

Follow John J. Presley online:

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BANDCAMP

THE DWARVES Concept Album comes out November 17! This sprawling 20 song record covers every style from hardcore to garage rock and surf music, experimental noise, pop punk duets and bar band rock & roll. One look at the classic (censored) cover shot by F. Scott Schafer tells you the mighty Dwarves have returned! So get ready for the album of the year and see the masters of mayhem when they tour pretty much everywhere!

Dwarves Facebook is here     Dwarves classic LP reissues available here

HeWhoCannotBeNamed has released his second video from his latest “Impostor”.  This time with Nick Oliveri (QOTSA, Mondo Generator, Kyuss and many more) on vocals and in the video.  Check it out!
Vinyl is still for sale in North America from STR. Europe,  pick one up from Beluga Records or Ghost Highway Recordings.

2023 marks the 20th Anniversary of the long out of print first album from the Cheats, ‘Cheap Pills’ was the name and sleazy punk n roll was the name of the game and straight from the get go ‘Automatic Reaction’ signalled the charge. To celebrate the band enlisted new guitarist, Johnny Razorblade, to Re-EQ and remaster the original release and a sterling job he’s done and having a fresh set of ears on the songs was an inspired choice. It doesn’t end there though because they wanted to add value and plenty of bang for your bucks so they also added the original No Goods’ demo (which included a cover of The Joneses “Pill Box”) and a couple live tracks recorded on their recent spring tour with Riverside Odds. Screaming Crow Records also redesigned and upgraded the original “Cheap Pills” layout design. 

Hell if you don’t dig the Ramones bop of the title track then you’ve landed on the wrong website because this is snotty as fuck and not having heard this album for a while I forgot how good it was. its no frills for sure, the riffs are dirty and nasty ‘Just Like You’ is a back alley brawl and as you dive into the album there are moments of unbridled joy as ‘5X Loser’ takes a slug before the Steve Jones ugly riff-a-rama kicks in. ‘Bombs Away’ is a banger reminding me of The Black Halos at their scuzziest and as my learned friend once told me that he was punk as fuck I’m sure he must have been listening to ‘Buzz Bomb’ when he had the realisation.

‘Young and Dumb’ has aged really well and then you enter the demo territory rapid and rough is always a great place to be and these bonus cuts are wild and reckless and well worth digging into especially their take on the Joneses classic ‘Pillbox’.

If you’ve never heard the band then this is a wonderful place to start and work backwards. where did all those wasted years go? right back to where it all began. Buy it!

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Author: Dom Daley

Kurt Baker is in the club and kicking off in style, wrapping his lips around some Gallagher Brothershow-offs sneering Rock n Roll ‘Hittin Roc Bottom’ with a solid riff and some show off lead breaks that shimmy into an uber cool chorus thats got gang vocals to die for. Hell, by the second chorus, I’m punching the air and shaking my tambourine. For those not in the loop Kurt Baker is a prolific churner out of power-popping rock ‘n’n roll and some. His records drip with class and the melodies he crams into his songs sure beat the hell out of a bazillion bands who try to hit the mark. The fact hes on Wicked Cool means someone somewhere knows their stuff.

Baker is certainly rockin’ these songs up and making them more powerful than pop as the title track will testify as the beefy drums kick into a tried and tested riff. Man, this guy can’t sleep with the amount of stand-out melodies he takes ownership of from the ether. Another thing you’ll notice is its sunshine rock n roll, you imagine he writes and records with a beaming smile slapped across his face, ‘She Don’t Wanna Be Alone’ will testify to that. Even if he’s singing about relationships gone bad or not the best situations you imagine they’ll shake hands and just move on its what Kurt would have wanted.

The album shapes up for a cruise around the highs and lows of 80s power pop and new wave legends from the Costellos to the Cheap Tricks its all woven into the Baker DNA. ‘Anchors Up’ is punchy pop wearing a fingerless leather glove sneering into one of those slim mics with a pair of crisp hi-tops bopping up and down to the beat. But hey things get funky on ‘Love Express’ like he’s been holidaying at the club Tropicana, totally unashamedly the funky fuckers.

The 80s vibe whatever genre isn’t far away as ‘Bright Blue Sky’ with its punchy bass line struts in only being ushered out of the way for the ‘Missed Connection’ as that power gets rounded off with some shiny synth-driven pop. The ‘Good Feelings’ push the envelope with some spandex and legwarmer work sounding like a track from some weekend at Bernies teen flick for kids who should know better.

To my taste ‘Go Better’ is the territory where Baker excels turning up the amps and rockin’ like they’ve just discovered Cheap Trick and The Runaways. ‘In Love Again’ is pure 80s new wave al a Costello and his attractions. To be fair ‘Not Right’ is in the same ballpark with a killer melody and the song structure is excellent. Only leaving an acoustic stab at Britpop USA style in the shape of ‘It Was You’ Now if this was the new Goo Goo Dolls track it would sell a truckload and people would be rightly hailing the band’s resurrection from the abyss they fell into but this is Kurt Baker, a true American hero who has mastered his craft and written another top-notch record. Just buy it! It will make you smile and fill your heart with wonderful tunes – Welcome to the Rock n Roll Club.

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Author: Dom Daley

Triumph Of Death

PROUDLY ANNOUNCE THEIR DEBUT LIVE ALBUM PERFORMING THE MUSIC OF HELLHAMMER ‘RESURRECTION OF THE FLESH’

RELEASED ON NOISE/BMG ON 10th NOVEMBER 2023 LISTEN TO THE TRACK ‘MESSIAH’

PLUS PREORDERS & EXCLUSIVE MERCH BUNDLES HERE

Triumph of Death – Photo by Roli

The impact of Swiss extreme metal forefathers Hellhammer is one that still resonates around the global metal scene today, such was their influence on the early extreme, death, and black metal genres. In the 40 years that have passed since their humble beginnings in Nurensdorf, Switzerland, in May 1982, they have gained a mythically iconic status despite existing for a mere two years. However the band left a highly influential body of work behind, including the three demos Death Fiend, Satanic Rites and Triumph Of Death (al re-released in 2008 as the Demon Entrails demo retrospective), the seminal Apocalyptic Raids EP, and two tracks from the legendary Death Metal compilation. In light of this legacy, it is almost inconceivable that Hellhammer never performed this music on stage.

Celtic Frost, the successor group formed by Hellhammer founding member Tom Gabriel Warrior and former Hellhammer bassist Martin Eric Ain, would sporadically play a Hellhammer song or two, and Warrior’s current band, Triptykon, have played the occasional Hellhammer song live, but the vast body of Hellhammer’s work remained unperformed, until the inception of Triumph Of Death. In 2019 Tom Gabriel Warrior stated : Hellhammer will never return and will never be reformed. It is absolutely impossible to reform a band so closely linked to a very specific and unique period in time. But Hellhammer’s music exists, and it is an extremely important part of my life’s path. And I would like to play it onstage before my demise.

The resurrection of the music of Hellhammer had been an idea Tom Gabriel Warrior and Martin Eric Ain discussed for many years, sparked not least by their renewed collaboration in the reformed Celtic Frost in the 2000s. The first steps towards the realization of Triumph Of Death, named after Hellhammer’s most infamous song and intended to be a very respectful and authentic tribute to Hellhammer, were finally taken in 2014, and the band was officially founded in autumn of 2018. Triumph Of Death consists of individuals who not only love the music in question but truly understand it. The line-up emulates Hellhammer’s final incarnation of April/May 1984, when the group had added an additional guitarist. To date Triumph Of Death have performed numerous notable concerts globally and have brought the seminal music of Hellhammer to fans both old and new. Many of whom thought they may never see it live on stage.

Triumph Of Death’s debut live release Resurrection Of The Flesh is the culmination of three concerts. Recorded in the spring of 2023 at Hell’s Heroes Festival in Houston USA, Dark Easter Metal Meeting in Munich, Germany and SWR Barroselas Metal Fest in Portugal, the album was produced by Tom Gabriel Warrior and Triptykon’s V. Santura. The record captures the band at their primeval finest; raw, foreboding and heavy. The songs may date back four decades but here they are revealed to be still just as vital today as when they were written in the band’s infamous rehearsal bunker in the rural village of Birchwil, Switzerland in the early 1980s. From the thunderous opening chords of Third Of The Storms (Evoked Damnation) to the malevolent, morbid feedback of set closer Triumph Of Death, this album is a sixty minute document of the overwhelming power of the live performance of Triumph Of Death, and it captures the spirit and intensity of these historic songs that have transcended decades to become revered and timeless.

Warrior: This album is, most importantly, testament to the unique connection that exists between the audience and this band. Hellhammer’s music was an underground token in 1982 to 1984, often ridiculed and shunned, and we owe the fact that we are now able to perform it all across the globe entirely to grace, openness, and enthusiasm of those who make exactly these concerts possible. They give us as much as we given them, and my gratitude to them knows no limits.

Triumph Of Death

Tom Gabriel Warrior – voice/guitar /André Mathieu – guitar/vocals/Jamie Lee Cussigh – bass/Tim Iso Wey – drums

Resurrection Of The Flesh will be available as :

  • Deluxe CD mediabook
  • Double gatefold LP w/booklet and posters on black vinyl and B&W swirl (HMV exclusive)
  • Super deluxe double LP bookpack with bonus 7” (red vinyl) single plus posters

Tracklisting

  1. The Third Of The Storms (Evoked Damnation)
  2. Massacra
  3. Maniac
  4. Blood Insanity
  5. Decapitator
  6. Crucifixion
  7. Reaper
  8. Horus/Aggressor
  9. Revelations Of Doom
  10. Messiah
  11. Visions Of Mortality
  12. Triumph Of Death

Bonus 7” (Super deluxe edition only)

  1. Decapitator (Live In Houston)

www.triumphofdeath.net

The first time the album has been released on vinyl and will be available on three different limited edition
vinyl’s – White, Gold and Red & Black Splattered vinyl.

The album, originally released in 1996, features four original members of The Boys – Matt Dangerfield,
Casino Steel, Duncan ‘Kid’ Reid & Honest John Plain along ex Berne Torme drummer Mark Harrison and Die Toten Hosen frontman/singer Campino. The album includes sleeve notes from Campino & Matt Dangerfield along with full lyrics and several never-before-seen photos from the recording sessions. There has been a resurgence in Boys’ releases recently what with To Hell and Odds And Sods getting pressed and selling out it makes sense for this beauty to finally get pressed on wax. Along with Mattless Boys, it’s some of the finest Boys-related curio out there and the quality of sound and of course the music is second to none. Sure the staple classics are here like opener ‘See You Later’ ‘Brickfield Nights’ ‘Soda Pressing’ but the hidden gems are the likes of ‘Gabrielle’ which in its stripped back form is an absolute stone cold classic and the delivery is emotional from the deft piano fills to the sparce drum fills its a beautiful song and takes on a new life.

I always loved the artwork and the cheeky Black and white kickabout it sort of summed up The Boys and this particular release. Anyone lucky enough to catch the band playing an acoustic set at Rebellion even the final Duncan Reid set from some years ago will get the picture of just how good these songs are plugged or unplugged a great song will stand tall whatever form. An emotional ‘Brickfield’ takes me right back to those unplugged Blackpool nights.

If you are lucky enough to hold a copy on its rightful format (12″ of wax) then cherish one of England’s finest ever bands stripped back delivering the goods – Its a real joy to hear especially loud and after a few glasses of plonk. Those big sweeping chords of ‘First Time’ or the raw aggression of ‘Sick On You’ is a beautiful thing.

When I was planning to review this release I put the songs on my phone to play whilst out riding my bike on a crisp morning I pulled over along the local canal and just sat and listened to the whole album from top to bottom day dreaming and admiring just how bloody good these songs are. ‘Heroine’ had me wiping a bead of sweat from my cheek It wasn’t a tear honest.

The only problem I have with this is it was recorded back in 96 and therefore doesn’t have any of the more recent ‘Punk Rock Menopause’ tunes given the same treatment then it could have been a double album covering all points of their legacy. As a stand alone LP ‘Power Cut’ is a must own LP Long Live The Boys and all who’ve sailed within. Easily one of my favourite ever acoustic albums, perfectly captured, perfectly executed.

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Last Exit Music

Author: Dom Daley