Poison Boys – ‘Steamroller’ (Self Relese) Woohoo! turn that stereo up! Poison boys aren’t messing around as they crash in on a stinkin riff and proceed to steamroll (yup) you inot submission. Of course this slice of unadulturated rock n roll is out pick of the pops for this session. Fuckin class dirty street punk n roll go buy it! These guys first came to our attention when they released a top single on NFT records and have kept turning in top notch Punk n Roll ever since and with this latest tune they show no sign of slowing down or writing anything below Grade A weapons.
Hurricane #1 – ‘Tonight’ (Golden Robot Records) Rolling in on a catchy melody these rockers are mixing indie with hard rock and this particular earworm is hopefully the first of many. Its lifted from an album the band claim to be a amalgamation of everything they love about rock n roll mixing melody with rock and moving from the greats like the beatles, Stones to the Stooges which is some ride. If they do capture the spirit of those bands then this is the tip of a particularly big iceburg. We wait with baited breath. Bring it on.
The Bellrays – ‘Ball Of Confusion’ (i94 Recordings) Everytime I’ve seen the Bellrays live they’ve pretty much blown me away with their performance which is never less than 100% and in frontwoman Lisa Kekaula they have a voice of pure punk rock n soul that is unique and utterly fabulous even if she were reading a train timetable. They own this Temptations classic and turn it into a Bellrays live classic no doubt. Flip it over and its an original song ‘I Fall Down’. The Bellrays don’t make bad records and i-94 don’t release bad records this is therefore a no brainer – Buy it!
Shop Talk – ‘The Offering EP’ (Mon Amie Records) Heres a smart Brooklyn based band knocking out five tunes on their latest relese. Its punk rock baby with a melodic slant. The opener comes in borrowing the Dead Boys Sonic intro (if you know you know) but it races off in a different direction and one we like here in the Singles Club. ‘Mirage Of Love’ sees the three punks tearing it up with something mashed up from The Gun Club meets say a bit of DK’s an odd comparison maybe but there is a lot going on here and their DNA is clearly made up from some wonderful places. All in all a really decent EP we are glad we stumbled across.
Klubber Lang – ‘Warhound’ (Fifa Records) Dublin noise makers ride in on a thumping bass line before the vocals wail in sounding like a cross between Johnny Rotten spitting out a lyric borrowed from Therapy? It’s a menacing Knockout tune (see what I did there?) as Warhound is drooling and snarling at the leash. A pretty decent single to be fair and made me want to investigate more from this powerful quartet.
Hot Breath – ‘Keep On Calling’ (The Sign Records) Following the release of the single, HOT BREATH will perform at one of Sweden’s leading festivals, Sweden Rock Festival, as well as Germany’s Enzo Festival. Besides this, the four-piece has a handful of other electrical shows booked. It’s retro baby as the band embraces what brought them together and helped them create music. Great video as well
Unfair Fate – ‘When Silence Falls’ (Wormholedeath) Sometimes here at RPM we like to go a bit metal thrashing mad and today is that day as Unfair Fate deliver the metal and we windmill like theres no tomorrow. Its unoriginal, macho and got Slayer riffs left right and centre so whats not to like? The lyrics revolve around themes like substance addiction, nuclear war, and letting loose the darkness within oneself so thats a Thrash Bingo House shout out there in one fuckin song! Hail Satan and it would have been a full house. They come from Sweden and there is only three of them making this unholy racket. They have an album out this month and we will be all over that as well. Get ready for Unfair Fate, they Rock Like Fuck!
The Lambrini Girls – You’re Welcome’ (Big Scary Monsters) raucous, shouty punk rock straight outta the mean streets of Brighton. the Lambrini girls are raging against the machine and making a pretty decent racket to be fair. ‘Van Man’ is pissed off and whilst this is a singles club ‘White Van’ wouldn’t do the band justice by only showcasing one track. Sure it’s like a pebbled beach version of Amyl meets Bikini Kill with some L7 thrown in for good measure but to be fair they’re more shouty and angry than all of those put together, and why the fuck not. I’ll be watching them tear it up supporting Iggy at the Palace where I will be in the pit throwing myself around to ‘Help Me I’m Gay’ in all its noisy glory. Short, sharp, blunt force is always good and Lambrini Girls do Blunt Force very well. If you think there is room on this record for a little light relief from all the anger and fucked offness then you have the wrong record in your hand. From the opening rage of ‘Boys in The Band’ it’s showing Idles how to do rage. ‘Lads Lads Lads’ is the sound of the roof caving in. What a top EP
I don’t really use social media for much these days, other than checking out what mates have been listening to, and to spot anything that might have passed me by and maybe not been sent to RPM towers for us to review. One such album, released back in April of this year, is ‘Vestige & Vigil’ the debut album from American goth rockers The Bellwether Syndicate. So, I’d like to take the opportunity to thank the Gothfinder General, Mister Midnight himself, Jason Creighton, for bringing this album into my life, because it is one that deserves to be heard by everyone with a love of the dark side of music.
Sitting somewhere between the hyper intensity of mid ‘80s chart bothering Killing Joke, the metallic edge of ‘Vision Thing’ era Sister Of Mercy and the ‘Mechanical Animal’ stomp of Marilyn Manson, The Bellwether Syndicate are the brainchild of William Faith (formerly of Faith and the Muse, Christian Death, Mephisto Walz, Shadow Project and The March Violets) and Sarah Rose Faith (aka DJ Scary Lady Sarah) and in spite of being together for over a decade ‘Vestige & Vigil’ is their first long player (available on vinyl and CD along with download from the Bandcamp below, along with other online retailers like Amazon).
To give you an idea of just how impressive this album is it took me just one Bandcamp listen before I was ordering a copy on vinyl, as songs like ‘Beacon’, ‘Dystopian Mirror’ and ‘Republik’ simply steamroller your senses into BUY NOW submission, and if I were to single out one band that The Bellwether Syndicate remind me of most, then it is Janne Jarvis’ post Warrior Soul tour de force Hate Gallery. Which for those of us who know, is very high praise indeed, and for those of you who don’t, get Googling now.
If you like some glam with your goth then there’s the fantastic ‘Noir Thing’, which really is something else (ouch), and if its towering anthems you want then check out the Pete Murphy-like croon of ‘We All Rise’ that then literally explodes inside your head as the colossal chorus kicks in. Epic stuff!
There are some (slightly) lighter moments too hidden amongst all the darkness and these happen to coincide with Sarah Rose Faith taking over vocal duties for the sweeping ‘Clarion’ and then providing a wonderful almost whispered vocal counterpart to another great Faith melody line on ‘Golden Age’, a track that also reminds me of the band’s labelmates, Then Comes Silence. Now can someone please get The Bellwether Syndicate added to their Swedish counterparts 2024 UK tour…thank you.
2023 has so far been a great year for gothic tinged music, perhaps one of its finest since its 80s heyday, and ‘Vestige & Vigil’ is right up there as one of its true highlights.
Sheffield-based hard rockers Black Spiders are ready to catch us all in their biggest web yet. It’s a big sticky one called ‘Can’t Die, Won’t Die’, and it’s guaranteed to get the party swinging. (That’s enough spider references…or is it?).
If you’ve heard Black Spiders before then you know what to expect from this latest release and you won’t be disappointed. The band’s influences are obvious, and you can hear elements of them all here. Thin Lizzy, AC/DC, Kiss, and even a touch of grunge creeps into the band’s sound. The band are very capable musicians and put in some stellar performances here. Good production values also make the album a (mostly) enjoyable listen.
The album kicks off with a lengthy intro before we are thrown headfirst into ‘Hot Wheels’, a mid-paced head nodder with an annoyingly catchy chorus. Next up ‘Driving My Rooster’ (fnarr fnarr) is a full-on barnstormer with some Lizzyesque twin guitar motifs. ‘Destroyer’ is a shameless tribute to Kiss. Lead single ‘Alright, Alright, Alright’ (a nod to Hollywood actor Matthew McConaughey’s famous catchphrase) is a fun romp with some chunky, stabbing riffage. ‘Traitor’s Walk’ is another straight-ahead rocker with more fine guitar work. The album does begin to trail off a little at this stage, ‘It Is What It Is’ drifts into generic hard rock territory. ‘Strange’ is another throw away track with no real hooks to speak of. The band do manage to pull it back with ‘Another Weekend’ which has a cool swaggering riff. ‘Make Me Bleed’ has an extremely catchy chorus and more chugging riffs.
The album closes with the oddly titled ‘A Rat Is a Rat’ and ‘End of The World’, both tracks are a bit dissapointing and just about get the band over the finish line. Black Spiders are hardly reinventing the wheel and ‘Can’t Die, Won’t Die’ certainly has its moments, and if you’re already a fan then you will enjoy what’s on offer here its a safe pair of hard rockin’ hands.
Black Spiders stay in their comfort zone and deliver what they always do – solid hard rock, Safe and sound and building to that killer record I know they have in them.
Of course its a loud glorious slab of punk n roll from Berlins finest. Wasting no time in getting on with the job at hand ‘Monsters Won’t Show’ is a rollicking good time with a good ole sing-a-long chorus and plenty of punch for an opener but it flys into ‘Useless Money People’ thats sharp as and right to the point Fuck em!
Lace up them creepers kids and get on the dance floor ‘The Cure’ is a hop, skip and a pogoing good time from the catchy hook and melody to the sanpaper raw riff that makes way for the solo and stabs as the band goes for it on a borrowed Clash Riff and some cool gang vocals. Album number four sees our heroes delivering the goods over their thirteen songs of punchy, tight, melodic punk n roll. they know what they’re good at and stick to their formula and over the albums thirty five minutes they knock out some pretty impressive tunes.
They even hand jive on the bouncy ‘420 o-rama’ and it has to be beer oclock becasue the party has started. They have settled into a rhythm and clearly know what it is they are good at and deliver time over strong melodies and cool riffage Berlin Blackouts are a great band and this is of the highest calibre in this genre. when they slow it down they smash the power pop Boys kinda vibe ‘I Go To Pieces’ is a fine example and delivers one of the albums high points. It may stand out more alongside the jitter riff of the Strummer like ‘My Name Is Stranger’ punching through my speakers its another quality tune and the duet works really well.
I think its the bands strongest bunch of songs so far and thats no mean feat considering how good their previous offerings were. Even though this one ends with a bizzare outro ‘420 Socialites’ its twelve of the best no doubt about it. If you haven’t let the Berlin Blackouts into your ears then this is a mighty fine place to start and work backwards. Excellent album, excellent band – Buy it!
DUFF MCKAGAN HONORS MENTAL HEALTH AWARENESS MONTH WITH THIS IS THE SONG
THREE-TRACK EP MARKS FIRST NEW SOLO MUSIC IN FOUR YEARSFROM ACCLAIMED ROCK & ROLL HALL OF FAMER.
Duff McKagan is honoring Mental Health Awareness Month with today’s premiere of This Is The Song, a brand new, three-track EP available today at all DSPs and streaming services. Produced by longtime collaborator Martin Feveyear (Mark Lanegan, Brandi Carlile), the EP’s title track is joined by an official companion video premiering today on YouTube.
“THIS IS THE SONG was written in the middle of a panic attack,” Duff McKagan says in a personal statement about the EP. “I couldn’t breathe and couldn’t see straight, and lately, I have thankfully found my acoustic guitar as a refuge. If I just hold on to that guitar, play chords, and hum melodies, I can start to climb my way out of that hole. For those of you who have never experienced something like this, count yourselves blessed. To those of you who recognize what I am talking about: YOU ARE NOT ALONE!”
LISTEN TO THIS IS THE SONG READ DUFF MCKAGAN’S THIS IS THE SONG STATEMENT
McKagan’s first new solo music in close to four years, This Is The Song follows his critically acclaimed sophomore solo album, 2019’s Tenderness, named by Loudwire as one of that year’s “50 Best Rock Albums” and hailed by Rolling Stone in a three-and-a-half (out of four)-starred rave as “an album full of beauty and heart…It’s music of conscience, heavy songs with a light touch.”
In 2019, Duff McKagan moved into his own recording studio, allowing him a long hoped-for opportunity to “finally explore songs that I may have written the night before or some of those old riffs from years ago. This is a big deal for me.” Along with THIS IS THE SONG, the new EP includes the soulful IT CAN’T COME TOO SOON (featuring guest vocals from Seattle, WA-based singer, songwriter, music educator, and community organizer Shaina Sheperd) and PASS ME BY, the latter inspired by distinctly modern confrontation with a gun-toting horsewoman while on a motorcycle trip through the Cascade Mountains.
A founding member of both Guns N’ Roses and Velvet Revolver, Duff McKagan is, at his heart, a songwriter, penning a growing canon of vulnerable, confessional, and authentic material. Produced by 3x GRAMMY® Award-winner Shooter Jennings, Tenderness marked a powerful new chapter for the ever-evolving artist, taking on societal ills and his own personal transgressions against a rich sonic backdrop of Americana-fueled arrangements. Among the album’s many highlights is the volatile rocker, “Chip Away,” which earned extraordinary praise from the Maestro himself, Bob Dylan, who recently declared the song a personal favorite.
“There’s a Duff McKagan song called ‘Chip Away’ that has profound meaning for me,” Dylan told The Wall Street Journal. “It’s a graphic song. Chip away, chip away, like Michelangelo, breaking up solid marble stone to discover the form of King David inside. He didn’t build him from the ground up, he chipped away the stone until he discovered the king. It’s like my own songwriting, I overwrite something, then I chip away lines and phrases until I get to the real thing.”
Along with his prolific musical efforts, McKagan is the New York Times best-selling author of 2011’s It’s So Easy: And Other Lies and 2015’s How to Be a Man: (And Other Illusions), and the co-host (with Susan Holmes McKagan) of Sirius XM’s popular Three Chords & The Truth radio show on Ozzy’s Boneyard (Ch. 38). McKagan currently serves as a core member of a modern day “Wrecking Crew” alongside GRAMMY® Award-winning musician/producer, Andrew Watt, and Red Hot Chili Peppers’ Chad Smith, recording and co-writing on such recent albums as Ozzy Osbourne’s Ordinary Man (2020) and 2x GRAMMY® Award-winning Patient No. 9 (2022) and Iggy Pop’s acclaimed Every Loser (2023). What’s more, McKagan – with Watt, Smith, and Red Hot Chili Peppers’ Josh Klinghoffer – is part of the recently unveiled Iggy Pop & The Losers lineup, who made a high-profile televised debut earlier this year with an electrifying performance of the feverish “Frenzy” on ABC’s Jimmy Kimmel Live! (streaming HERE).
This summer will also see Guns N’ Roses traveling on an epic global tour set to touch down in the Middle East, Europe, and North America beginning June 1 in Abu Dhabi, AE. For complete details and remaining ticket availability, please see www.gunsnroses.com/tour.
ABOUT MENTAL HEALTH AWARENESS MONTH: Since 1949, May has been observed as Mental Health Awareness Month, a time when advocates and activists across the country draw attention to the mental health issues that affect as many as one in four Americans. Today, more people die from suicide in the United States than from traffic accidents or homicides, and we lose 22 veterans to suicide daily. Unfortunately, because of the stigma associated with mental illness, many people are too ashamed or embarrassed to seek the help they need for themselves or their loved ones. Mental Health Awareness Month is a time when we work together to break through that stigma. We express compassion for those who struggle with mental health issues, and we draw attention to the proven methods that can help change their lives for the better.
Ontario’s Juno Award-winning trio is a finely tuned rock machine that is at its best when the members are pursuing their penchant for thrashy riffs, bashed out drums, and levels-to-the-max volume. This one kicks off with some cock rock action as the guitars get rinsed withing an inch of their liives as ‘Celebration’ is a slow grinding rocker make no mistake about that. This their fourth album, ‘Free Rein to Passions’, is a confident ten track blast of Rock.
The Nil’s back-to-basics approach was a direct reaction to their previous record, 2021’s ‘Fuck Art’, a process the band said brought too many industry people whispering in their collective ears, telling them how to do what it is they do. and they admitted they weren’t enjoying the process anymore so back to basics they go.
The Nil got back to having fun and doing what they love. jamming in their practice space for weeks on end, the result is a heaving bristling album full of songs from a band once again in love with Rock and Roll. ‘Nicer Guy’ is next up and clearly you can hear the band is on a roll – knocking out carefree tunes loud and clear.
As the record unfolds a passion for hooks and melodies unfolds. they’ve freed their minds and are heading to the top of the pack whilst Weezer are asleep at the wheel we’re looking for someone to emerge from the pack and that someone can be The Dirty Nil.
It’s not rocket science nor is it reinventing the wheel just damned well rockin out putting on their shit kickers and kicking some shit. ‘Atomize Me’ is a slower beast but hell Luke Bentham sings his lungs out.
The band also turn to longtime collaborative producer John Goodmanson to capture their sound at Jukasa Media on Ontario’s Six Nations Reserve. They also brought in new blood with bassist Sam Tomlinson, who fits right into the groove they’re going for and nails it or is that nils it?
‘Stupid Jobs’ is an ode to just that, with a dirty riff that harks back decades and a melody of defiance but pop hooks in the BV’s that burrow down into the ear canal leaving the listener wanting more. Following that up with the runaway excitement that is ‘1990’ buzzing and fizzing its way through the verse leaving the impression they did indeed have the best time jamming these out before committing them to tape.
The record has a feeling that these songs grew naturally and nothing is forced leaving just the title track to come out swinging before cutting itself loose and away into the real world with the anthemic balladeering of ‘the Light The Void And Everything’ its big but not soppy or forced if anythign quite the opposite. A great way to end a really great record. the Dirty Nil are back in the ring and they’re up for the fight and this time they’re armed with an honest record that begging to be heard pop pickers so go get some, who knows. You might just enjoy it, I certainly am.
Lay down your souls to the Gods Rock and Roll, We recently caught up with Gofid a one man Black Metal wrecking crew from Cymru. We asked about his past, present and future as he builds his following of Black Metal cohorts and champions his country and music Ladies and germs we give you Gofid.
Tell us the background of Iselder and what inspired you to make recordings. What bands did you listen to growing up, and what/who made you pick up the guitar? Why forge ahead as a solo artist and not a band? Finally, what was the master plan for the Welsh song titles yet not necessarily singing the lyrics in Cymraeg?
Growing up I listened to the bands probably every young metalhead does. Bands like Iron Maiden, Judas Priest, Megadeth, stuff like that. I had a friend who introduced me to bands like Slayer and Cannibal Corpse, and that solidified my love for the more extreme side of things. I didn’t know about black metal until I was around 16/17. I knew about bands like Dimmu Borgir and Cradle Of Filth, but didn’t know what you’d catergorise them as. It wasn’t until I found a special issue of Terrorizer on black metal that I discovered bands like Mayhem, Emperor and Darkthrone, and from that point on I was hooked. I didn’t start playing guitar until a few years later, with the initial idea being closer to a traditional heavy metal band than what I do today.
The main reason Iselder is a solo project is simply because I couldn’t find like minded musicians who shared my passion for black metal, so I thought why not do everything myself? I had learned the basics from my time studying music technology in College to know how to go about doing it all. The early demos are.. let’s say awful, and it was an uphill battle of teaching myself how to play this sort of music whilst also having the urge to write/record something. The result would end up being most of the material you hear on my first full length, Dechrau. It’s closer to traditional black metal that what I write now, and whilst rough around the edges it’s something I’m still very proud of.
The lack of Welsh lyrics is simply down to my younger self not bothering to learn it. When I was younger I thought the language was close to dying, and I didn’t see why it was important that it thrived. Obviously my views have changed over the years since, and now I try to use the Welsh language in my music whenever possible.
You’ve released a few CDs and cassette tapes yourself what was the reason to go down that route and not seek out one of the specialist labels? Has there been any interest from any labels that specialise in Darker Metal?
I just didn’t want to wait around for a label to release my music, I thought why not just do it myself? I don’t really like not being in control of my music. With the latest album, Cynefin, I worked with a label to release it. Through all that time I just wasn’t excited to release the album like I had been with past efforts. Being hands off is not for me, and I learned that the hard way rather unfortunately.
On social media, you’ve mentioned putting a band together for some live shows. Has this progressed and have any rehearsals taken place? Other solo projects such as Hellripper have recently put together a band and hit the road is this something you wish to follow?
I’ve been wanting to put together a live band for Iselder for quite some time, but obviously things happen in life (which I’m sure we’ll get to) that you don’t expect. So far no rehearsals have taken place, but I can say that my good friend Neidr of Cwlt Draig fame will be taking up guitar duties. We initially started talking due to his interest in wanting to play live for Iselder some years ago, so it’s nice to come full circle and have him involved in that way.
I feel like it must be rather daunting for a solo project to take to the stage, and the hardest part must be entrusting other people to perform the music you’ve put your heart into. Hopefully all goes well when the time comes, and Iselder plays to audiences far and wide.
Do you think being so patriotic has hindered your reach in any way? Historically I’ve seen Welsh language bands who musically had a chance were held back because people in Wales couldn’t understand the lyrics let alone England, how important is your nationality to your music? Is there any way you’d compromise to reach a wider audience, therefore, enabling you to reach a wider audience?
It’s a funny one when I think about it. When I released “Welsh Nationalist Black Metal” the initial controversy that ensued was almost a complete surprise to me. For some background, the cassette release was limited to 33 copies on a white cassette shell, and for some reason people said that 33 was a reference to Hitler and “of course it’d be on a WHITE shell”. They didn’t like me using the word nationalist, nor did they appreciate my use of the Eryr Wen, ignoring the history of the symbol and instead comparing it to a swastika. So immediately I had people calling me Nazi and all that sort of stuff, whilst on the other hand I discovered I’d been blacklisted from a forum due to being a “traitor/infiltraitor” to the black metal scene for the quote on the inside of the j-card, which reads: “Being Welsh means belonging, feeling that we belong, whatever our language, colour or religion.” So on one hand, I’m apparently too right wing, and on the other I’m too left wing? I even had a guy ask for a refund for this very reason!
My nationality is very important to my music. Whether it be writing about the epic folklore, the history, or simply how I feel about my beloved country, I try to encompass as much of it in my music as I possibly can. Will there be times I sing about something else? Yes, but my primary goal is to promote Wales whenever I can. I would never, under any circumstances reach a compromise just for a wider audience. If being proud of my country disways you from listening to my music, so be it. I will never apologise for it.
What bands inspire you musically I don’t find your songs as extreme as some in the Black Metal genre therefore it’s way more listenable if you know what I mean, is this intentional or do you find you have to hold back to reach more people?
When I started Iselder, I was very much inspired by bands such as Tsjuder, Leviathan, and Xasthur. When writing my past few efforts I usually end up listening to bands outside the black metal sphere such as Crowbar, Acid Bath, and Mogwai. It’s not intentional at all to make more approachable music, it just happens. This could be from my limited ability to play guitar, as I do feel I can’t create as extreme music as I would sometimes like.
What bands are you currently listening to? there is a whole underground scene across the UK that I tapped into but there were only one or two that I found I even liked namely yourself and Hellripper and across Scandinavia the same.
I currently listen mostly to some bands I mentioned previously, but I’m always eager to explore new music. Lately I’ve discovered Nordjevel, who I think are fantastic. The UK underground scene is thriving. Even in Wales there’s more and more black metal bands appearing. I could be hear listing off bands all day, but Marwolaeth Records (my label) and Wulfhere Productions both have several compilations of UK black metal.
Do you find many people are shocked by your stance on Wales or aren’t people even bothered by the politics?
I think people are shocked to find politics in their music, but at the same time I feel people are dishonest when they stop listening to a band due to their political ideology. It’s not that they want to separate the art from the artist, it’s that they can look the other way when it doesn’t concern them. As soon as any band challenges them, they take offence to it and stop listening. This same person will no doubt go on to call someone a snowflake when they won’t tolerate a band’s racist nonsense, no matter how ironic that may be.
You came into some bother with a T-shirt you were selling what’s the story behind that?
The t-shirt was a parody based on the old “Burn Your Local Church” shirts, but instead of a church, it featured a burning cottage with the phrase “Burn Your Local Holiday Home”. Obviously it was a joke, but one morning I hear a knock on my door, only to find several police officers outside. Before I know it I’m placed in handcuffs, told that I’m being arrested for inciting criminal damage and arson, and placed in a unmarked police car on my way to a holding cell to await my interview.
They tried to pin me as some anti-English extremist, citing lyrics to the song Llosgi Bwriadol on of course the shirts. I had to explain the shirts were a parody, that the lyrics were inspired by historical events, and I even had to tell them why I use a stage name and wear face paint!
Fortunately after about five months, all charges were dropped. It was a very stressful time as you can imagine, and I was surprised by how much support I had received over that time, but of course you also had idiots saying I deserved it. Reading some of those comments hurt quite a lot, but luckily they were overshadowed by the support I was getting.
Is there any chance of your previous material being pressed on vinyl separately or as a compilation?
As much as I want to press older Iselder material on vinyl, I just don’t have the money for it right now. If a label came to me and said they wanted to do it, I’d be more than happy to work with them to achieve that goal. This is something I’ve been asked about in the past by people who like my music, but there’s no plans to do it yet.
What if anything are you currently working on?
Currently I’m working on album number four. It’s been a hard process so far, as I don’t know what theme I’m going for. I’ve tried to come up with ideas and write music for them, but they all seem to fall flat. There’s a lot of care going into this album that perhaps I didn’t exercise enough on past releases. Hopefully I’ll be able to share something with everyone before the years ends.
You obviously are inspired by history and we have a rich history here in Wales that is set up for making great lyrics as equal if not better than anything dished up out of places like Norway. What would you say is the best lyric you’ve written to date?
I’m not sure what’s the best lyric I’ve ever written to be honest, and that’s a tough question to answer. I do think one of my best songs is “Fe Godwn Ni Eto”, so maybe that’ll have to be my answer.
And off he rose into the msity night upon a white stalion (although other coloured stallions are obviously available) We wish Gofid well and hope he can find bandmembers to join him in his persuit to play live and spread the work of Iselder. Get intouch with us and we’ll pass it on or go directly to the man himslef if you are interested. Diolch yn Fawr iawn brawd Gofid dymunwn yn dda i chi.
Sweden’s GRANDE ROYALE have unveiled a music video for “Status Doom”, taken from their new album ‘Welcome to Grime Town’ released via The Sign Records.They turn the amps up to 11 and get their boogie on.
‘Status Doom’ is taken from the sixth studio album ‘Welcome to Grime Town’. ‘Status Doom’ perfectly represents the melodic, energetic, guitar driven rock soundscapes always present on the album. The band has a history of collaborating with artists as Nicke Andersson and Dregen and the new album is mixed by Robert Pehrsson.
UK glamsters are back in the ring and firing on all cylinders with a brand new performance video.
‘You Can’t Stop The Rock’ is now available from all the usual digital outlets.
This will be the first new music written by the band since their Blast album in 2016.
Guitarist Jay Pepper says ‘We wanted to put out something fun and entertaining, paying homage to the 80s classic rock era, and this track captures that vibe perfectly’
This fits in with the band’s upcoming special guest appearance on Steel Panther’s Ireland dates later this month, and then a headline show at The Underworld, Camden – June 3rd.
Tigertailz are currently re-recording a selection of their finest tracks from their back catalogue for a ‘Best Of Volume I & II’ Album compilation, due for release end of 2023.
Any interview/track/feature requests to: pinknoisepr@gmail.com
‘You Can’t Stop The Rock’ is now available from all the usual digital outlets.
This will be the first new music written by the band since their Blast album in 2016.
Guitarist Jay Pepper says ‘We wanted to put out something fun and entertaining, paying homage to the 80s classic rock era, and this track captures that vibe perfectly’
This fits in with the band’s upcoming special guest appearance on Steel Panther’s Ireland dates later this month, and then a headline show at The Underworld, Camden – June 3rd.
Tigertailz are currently re-recording a selection of their finest tracks from their back catalogue for a ‘Best Of Volume I & II’ Album compilation, due for release end of 2023.
Available on vinyl for the first time this early naughties release is having its vinyl debut but with four additional songs.
Don’t bother tryign to work out which one is Len because none of these three are called Len (obviously). This trio (luckily they aren’t a four piece or five and there is actually only three of em. Bare-bones guitar, bass and drums; classicly British. they get by on great hooks and vocal harmonies; fifteen songs in total and all done and dusted in half an hour.
Chinese Burn’ is the 2007 debut album from The Len Price 3, of course it is being rereleased by Wicked Cool Records, for the first time ever on vinyl, because Wicked Cool know a good LP when they hear it.
Raw, passionate, two-minute tunes of the Who, the Kinks, and the Clash, is pretty much the MO for The LenPrice 3 and they deliver a high-energy garage rock n roll.
Imagine in the swinging 60s a band like this rolled up to play the Marquee with the melodies and swing but added the punch that this record has it would have been devastating. It’s got the snot of punk and the barroom boogie of Dr Feelgood. It’s not an easy sound to perfect and many have tried and failed along the way. Let’s face it these guys didn’t cross my path for some reason back in the day but one thing fo sure I’m so glad I’ve had the chance to acquaint my ears with these tunes now thanks to Wicked Cool and their pursuit of excellent rock n roll.
Fifteen songs are present here and everyone is an explosion of great songwriting and a fantastic retro yet modern sound that has guts, power and subtlety, not a combination many bands can achieve. It’s like the Kinks and The Who made a supergroup using the Jams equipment from the rapid chops of the title track its got swing and a masterclass in songwriting.
They nail the harmonies like on ‘Viva Viva’ but it’s the cheeky rock that gives it edge kicking and screaming but always being quality. What a great album from top to bottom – ‘Swine Fever’ is a proper earworm but then ‘Amsterdam’ is as well Daltry and Townsend must be cursing these guys for having the chops at a time when Roger is more concerned with shouting his tory bollocks whilst the Len Price 3 are cutting the mustard back home writing top-notch records like this. ‘Chatham Town Spawns Devils’ – I bet it does but they’ll be pleased it’s wrapped up in such a rockin’ tune. Writing a song about ‘Big Daddy’ isn’t something you expected to hear. Cheeky boys. Before they’re done I love ‘Medway Eye’.
Quintessentially a record that could only ever have come out of England and that’s part of its charm and beauty. It’s happy and avin’ it large at the same time. The Len Price 3 dish up a tasty treat now go get yourself some it’s worth it and so are you.
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