Trampolene frontman takes on a second job away from the indie rock of his band and puts his guitar away and embraces a genre removed from the trad set up of a rock n roll record. After seeing a modern musician (if you call a laptop a musical instrument) make music that causes you to feel something can be a beautiful thing. Music causes many different emotions be it strong or something that just washes over you causing nothing more than a sigh. Some performers need to keep evolving and trying new routes to push themselves as creators within their chosen wheel house be them musicians or actors or painters – whatever challenging oneself is not for everyone and often doesn’t even work but hell we’re only here once and it’s a relatively short time so why not have a good time. Jack Jones has always done poetry and never shied away from including it live at his band’s rock show and to be fair the audience has always embraced it and often loved it repeating every word and it always makes people happy and the rooms are full of big shit eating grins so why not hang up the guitar embrace modern recording techniques and sounds and use it as the back up to your poetry. To be fair I was quite sceptical when I first heard the MO for this record but having lived with it for a couple of weeks and had the pleasure of playing it on headphones in Jack’s hometown of Swansea where a lot of these songs come to life and the searing heat of inner city Barcelona on a break it made me smile often and at time certain lyrics had me laugh out loud and the cheeky turn of phrase from Jacks mischievous brain.

The record drifts from soundscape to soundscape as Jack indulges in his poetry and you don’t have to know the ins and outs of where his words are coming from just enjoy it for what it is and what it might mean to you it’s pure escapism and for Jack it really works well.

The first pair of videos from the album were quite different from what I was expecting and the opener ‘Make It So’ begins with hushed tones growing into a trippy dreamy journey like a Portishead meets beat poet sound and I like it is a grower for sure and that’s the beauty here. Give in to it and step outside yourself and you might really enjoy it, I did.

‘Breathe’ was the first single I heard and its alternative dark pop and a brave song off a brave record and something which I think has paid off for the young man.

There is a darkness to the words but its always pierced with humour and a cheeky wink and that’s always part of Jack’s charm and it’s a winning formula. Theres an 80s feel to some of it reminding me of when synths became a real deal in the early 80s from the likes of Depeche Mode and Human League. The lyrics to ‘Gladys’ made me laugh.

‘Peaches Out Of Reach’ is an insight into this fella’s head and tells stories of growing up in a small city with its crazy characters. ‘Who Let The Bass Pump Through The Floor’ is an earworm that could fill an Ibiza foam party with bucket hats and glow sticks with Kevin and Perry on the decks and Jack prowling the floor like a Welsh Ian Brown pumping his fist in the air regaling his story of house parties. ‘MDMA Day’ had me chuckling along and I’m sure Jacks pouring his heart out in this poetry and maybe that honesty is why it works so well.

Some memories of days gone by and mad nights out might have inspired this record and I’m sure it’s one Jack is immensely proud of it’s a curve ball for sure but a welcome day trip from Trampolene and a great accompaniment to his books and day job. Get involved kids and give yourself over to it. Live it, Experience it and enjoy it, it’s only Rock n Roll but not quite as we know it but all the same it’s a lad expressing himself and doing it with style and I like it it’s warm and fuzzy and fuckin with my head and that’s good innit butt.

Buy Here

With this being my second time in this magnificent city in the last eighteen months and my second time in club Razzmatazz and by coincidence my second time seeing The Mission here anyone would have thought I’d planned it.

As part of this year’s D-Tour tour, the club is less crowded than last time (thankfully I might add today it was 29 degrees and we all know Wayne isn’t keen on AC) but maybe Barcelona playing at home and kicking off roughly the same time has something to do with that as well as two other bands headlining different rooms in this complex on a Wednesday night always warms my heart but can be a bit chaotic.  The last few years have turned up some pretty amazing Mission performances post Simon, Wayne, Craig and Alex being The Mission. I think the first I saw was a warm-up in Cardiff which set the bar pretty high and then they just got better and better. Hoping tonight will be another in this glorious run. There are songs I wish they’d still have in the set from the first time I saw them when they played the New Ocean Club in Cardiff right up to the post covid reset but regardless of what’s in the setlist, I’m always a happy chappy when I see them.


Taking the stage and kicking off with a full on ‘Wastelands’ is a majestic thing and one of those goosebumps moments for me and looking back I’m so lucky to still feel like that all these decades after that first time. As the ticker tape fills the air it’s an opening salvo of ‘Wasteland’, ‘Beyond The Pale’ and ‘Into The Blue’, the band sounds tight and right on it despite Wayne on the tea and full of cold, the venue is cooking and the crowd is in fine voice. The band peeling back the years, Alex has given them a most welcome injection of power and a finesse on the lighter moments as well as kicking their collective backsides when needed.

We we treated to a new song that was really well received, ‘Kindness Is A Weapon’ which is hopefully the sign of a new record for the not-to-distant future. They weave their magic as ‘Raisin Cain’, ‘Dance On Glass’ and ‘Hungry as the Hunter’ touch with the early albums but the atmosphere is once again raising the bar and my decision to once again return to Catalonia to see The Mission looks like being a fantastic choice.

Tonight’s main set is drawn to a close with ‘Afterglow’, ‘Kingdom Come’ and a brilliant ‘Deliverance’. Tonight’s set flew by as the band eased through the gears sounding like a well oiled machine and looking like they were having the best of times as well and enjoying tonights crowd interaction.

We reached the encore beginning with ‘Wake’ followed by the Neil Young cover ‘Like A Hurricane’ which was stonking and a song I always forget how well the band deliver it. I always thought it was one of the best covers they did along with ‘Dancing Barefoot’ especially from the early days the encore was brought to an end with the brooding ‘Swan Song’ that enabled everyone to get even more energy into themselves for the inevitable second encore.

With just enough time for a much-deserved second encore, it’s ‘Butterfly On A Wheel’ and the audience was bloody loud before they threw in a very impressive ‘Never Let Me Down Again’ from the Depeche Mode songbook and Wayne declaring that we weren’t expecting that, well, he was right but it sounded superb. The curtain was finally brought down with a memorable and powerful ‘Tower Of Strength’ complete with Craig giving the security a piece of his mind when they intervened with the human tower, Thankfully it was all sorted and didn’t sour the evening and we all left with shit eating grins having witnessed another unbelievably good Mission performance Did I mention it was a balmy night outside with almost thirty-degree temperatures God knows how hot it was in Razzmataz but I do know I’d like to do this again next year please if that’s ok seeing as the UK weather is so…Well, shit this made a great break and a new tour and album would be just the medicine, Gods Own Medicine if you like. Gracias amegos same time same place next year if you please.

Quality 

Author: Dom Daley

QUIREBOYS RETURN WITH NEW ALBUM ‘WARDOUR STREET’

RELEASED OCTOBER 11TH VIA CADIZ MUSIC

Pic Rita D’Albert

ORDER HERE:

UK TOUR CONFIRMED FOR NOVEMBER

PRE-ORDER ‘WARDOUR STREET’ HERE:

Formed in the mid ‘80s in London, the Quireboys quickly established themselves on the thriving rock’n’roll scene of Soho, Camden and beyond. Always a great live band, they perfected their style and sold out the legendary Marquee Club and many other venues around the country, long before they made their first record.

When Parlophone/EMI Records released their debut album ‘A Bit Of What You Fancy’ on January 29th 1990 it went on to climb to the dizzy heights of number 2 on the UK National chart. The album featured many of the songs they had been performing live for some time. ‘A Bit Of What You Fancy’ is revered to this day. The second album ‘Bitter, Sweet And Twisted’ followed in 1993, after which the band entered a hiatus. 

Now in 2024, the Quireboys the band have come full circle with their highly anticipated new album ‘Wardour Street’ and original members Spike, Nigel, Chris and Rudy (augmented by old friend and multi-instrumentalist Willie Dowling) have kept true to their promise of making new Quireboys music after the sad passing of their best mate Guy Bailey. 

Stepping in on guitar is another of their oldest friends, the legendary Luke Morley from Thunder. Luke also produced the album.

The album consists of 11 new original songs that hark back to that famous Quireboys rock’n’roll sound. The album features the singles ‘Jeeze Louise’, ‘Raining Whiskey’ featuring Frankie Miller and the brand new single ‘I Think I Got It Wrong Again’, which is set for release on September 27th.

“The new single ‘I Think I Got It Wrong Again’ is Quireboys at their very best with our classic backing vocals, rock ‘n roll guitar and honky tonk piano. Just wait for it to kick in!” says singer Spike.

This is indeed timeless Quireboys getting back to their sing-along, rock ‘n roll best.

A message from Spike; “To our friends and fans, old and new, thanks for your amazing support. See you on tour and at the bar in a town near you!”

‘Wardour Street’ will be released October 11th via Cadiz Music. Pre-order HERE

OUT SEPTEMBER 27TH PRE-ORDER HERE:

‘SUBLIME DESTRUCTION’ IS OUT NOW VIA CADIZ MUSICORDER THE ALBUM HERE:

“A level of skilled musicianship far exceeding the Fisher-Price punk of your average contemporary outfits.” Classic Rock 8/10

“Furious punk-infused rock ‘n’ roll with huge choruses. 12 tracks that prove the sulphate spirit never dies.” Daily Mirror Newspaper

Fresh from a UK tour with Australian punk legends the Cosmic Pyschos, and two sold out shows in Finland, New Zealand/London punk ‘n’ rollers Desperate Measures are primed to release a fifth single from their acclaimed ‘Sublime Destruction’ album, released via Cadiz Music earlier this year.

Titled ‘Untouchable’, the song finds Desperate Measures easing their feet a little off the accelerator pedals for a track that loses none of its intensity, despite its slower pace.

“‘Untouchable’ is a bit different for us. It was the last song we wrote for the album, and I guess it has shades of the Psychedelic Furs or Lords Of The New Church about it. Basically, it’s a ballsy, dark love song,” says singer Eugene.

Desperate Measures are busy working on new material for an EP release later this year and will be ripping up stages up and down the country for the rest of 2024. Look out!

Order ‘Sublime Destruction’ HERE:

Desperate Measures are: Eugene Butcher (vocals), James Sherry (drums), Michael Gaffney (guitar/vocals) and Phil Roadkill (bass/vocals).

CATCH DESPERATE MEASURES LIVE AT THE FOLLOWING DATES IN 2024.

October:

4th London, 100 Club (with Menace and The Outcasts)

13th London, 100 Club (matinee with Head South film screening)

November:

6th London, Water Rats (with Split Dogs and Dead Fun) UNTOUCHABLE SINGLE LAUNCH SHOW

9th Reading, Facebar (with Balaam & The Angel)

15th Peterborough, The Parkway (with UK Subs)

16th Corby, Steel House (with Wrathchild and Syteria)

22 Brighton, Daltons

December:

29th London, 100 Club

30th London, 100 Club

4th London, Water Rats (Vive Le Rock X-Mess party)

15th London, Dublin Castle (acoustic show)

Find Desperate Measures online at:FACEBOOK / BANDCAMP

Hands up who’s ever seen Terrorvision do a bad show? Didn’t think so, but can anyone tell me the last time they gave less than 100% live? I’m waiting….

Bradford’s finest export are the only band I’ve seen share a stage with The Wildhearts and come off the better band on the night, and I’m a big Wildhearts fan. Well, the Brit Rock survivors are back with their first album in a decade, it’s called ‘We Are Not Robots’, and it’s a bit of a banger. The band are rolling into Leeds for a (sort of) hometown show in celebration. Did I fancy it? Well, it’s certainly worth braving the shitty Leeds traffic on a damp and dreary Tuesday evening that’s for sure.

I’ve never been to Project House before. Run by the guys of The Brudenell apparently, it’s a bigger venue to cater for bigger bands, I guess. A 1000-capacity venue that has the feel of a warehouse gig. It’s spacious and has a cool vibe, perfect for RPM faves The Bar Stool Preachers to warm things up. Opening with a killer one-two of ‘Call Me On The Way Home’ and ‘All Turned Blue’ from last year’s ‘Above The Static’ album is a masterstroke, and frontman Tom McFaul has the Terrorvision crowd eating out of the palm of his hand from the off. The whole band are energetic from the first note until the last chord rings out. Tim especially, makes full use of the stage space and gets the crowd involved as much as possible. The room is pretty full by the time they hit ‘Flatlined’, and getting the crowd to chant the “woah woah” refrain is the perfect way to win over those who are not yet converted.

An exceptional live band flying the flag high and defiantly for British live rock music, proving that there is more to live music in the UK than Oasis and Coldplay stadium shows.

The last time I saw these two bands together was at Bradford St George’s Hall last year. That night I was in the rafters, tonight I’m four rows deep from the front of the stage. For me it makes such a difference to the feel of a gig. To be ‘in it’, to see the smiles on the band’s faces as they play, to see the sweat drip from their skin and just witness how they interact with each other on stage, this is my happy place.

Terrorvision have a strong greatest hits set that flows into double figures and they play them all and more tonight. As guitarist Mark Yates plays that opening riff to ‘Discotheque Wreck’ the place prepares to erupt, and erupt we do. Frontman Tony Wright, is all over the stage like a ball of energy, to his left bassist Leigh Marklew sports sportwear & shades and gurns like a loon for the entire set, to his right the effortlessly cool Mark flexes his tattooed and toned frame as he pulls all the cool guitar hero poses. With the addition of Milly Evans on keys, Chris Bussey on drums and a 2-piece horn section, the band are now bolstered to a 7-piece. Last time out they were all dressed in pink and black, tonight the theme is powder blue and white to match the album art.

Talking of the new album, there are new songs to be played, and punked-up single ‘The Night That Lemmy Died’ is next up, while a bit of a departure for the band it fits nicely and goes down well, not as well as the following ‘Alice. What’s The Matter?’ though, which sounds phenomenal. They then take us right back in time with ‘My House’, to great cheers. I remember first hearing this song in a club in Swansea when it was released, not knowing who the band was, and it always takes me back to that night when I hear it, that’s the power of music folks! Four high energy songs in, and Tony is sweating like a smackhead with a giro, you wonder whether he’ll make it through the set, but the boys only getting started.

You would be forgiven if you forgot how good ‘Still The Rhythm’ and ‘New Policy One’ are, or how ‘Josephine’, with its killer spaghetti western riff shoulda been the big hit off of ‘Shaving Peaches’, but the Terrorvision massive haven’t and show their appreciation in spades.

Newbies ‘Baby Blue’ and ‘You Gotta Want To Be Happy’ prove the band still have a knack for penning a catchy tune or two and they stand up well against the likes of ‘Middleman’, ‘Perserverance’ and ‘Celebrity Hit List’ tonight.

Set closer ‘Pretend Best Friend’ has the trumpets to the fore, the guitars to 11 and the energy levels off the scale, the band then return for a one song encore. It’s here where I’m thinking wtf haven’t they played? They’ve surely played all their aces, but then that iconic “doo-wop” refrain leads us into rock n’ roll ‘Oblivion ‘one more time, and those who feel they haven’t quite sweated enough get to do it one more time before the band bid farewell to Carly Simon’s ‘Nobody Does It Better’. And that is quite a fitting exit.

Author: Ben Hughes

A band I first became aware of when I worked in London in the ’90s I heard a single that mixed up some abrasive flavours full of easter rhythms and much heavier Western rock, these East London upstarts were making music on their own terms and were forging a brave and interesting path all of their own and with lyrics that made you take notice of what they had to say. The last I heard was via their ‘Tank’ album and they were still kicking up a Shit storm being unpredictable and powerful.

Fast forward a couple of decades and once again they appear on my radar and to be fair they’ve lost none of the youthful energy perhaps stinging it with a more mature and measured accents. They’ve most notably roped in some big hitters here to help achieve a wide-ranging melting pot of alternative music most notably Iggy for a full-on take of ‘No Fun’, this isn’t the only helping hand but for me, it’s the most enjoyable but not the most diverse. That goes to Stewart Lee whose spoken words get chopped for yet more heavy content, Sinéad O’Connor singing on ‘1000 Mirrors’ its a heavy dub tinged with a sense of sadness but played with volume its a powerful tune. 

You also get Radiohead, Nusrat Fateh Ali Khan, Primal Scream playing with your senses, and Chuck D and his public enemy chop shop of ‘Black Steel’, a tune I’ve not played for a while. Although it might not hit as hard as the original, it’s still an awesome version.

It all fits perfectly well in true ADF style not playing by anyone else’s rules besides their own, decades on they’re still going strong and mixing it up into the 21st century. Sure there are artists outside my comfort zone and who I’ve never heard of contributing but that’s the beauty of records like this from one track to the next you won’t have a clue and if a song doesn’t float your boat the next will.

Expand your mind and dive into some alternative, subversive mash-ups musically, but remember to always play ADF loud. You have been warned.

Buy Here

New single / video “Bad Idea”

New album Synthesizer out October 4th via Dedstrange

 New-York based band A Place To Bury Strangers release their new single/video, “Bad Idea,” from their forthcoming album, Synthesizer, out October 4th via Dedstrange. Following lead single “Disgust,” described as “one hell of a feedback-ridden ride” (Consequence), and the “addictive” (New Noise) single “You Got Me,” “Bad Idea” showcases the raw creativity of bassist John Fedowitz. “He came to the studio with a simple looping drum beat, thinking he didn’t have any good ideas—thus, the song was his ‘bad idea,’” says frontman Oliver Ackermann. “We each penned some lines on paper, and he sang the ones that resonated. After a few instrumental passes, the recording was complete. The result is an innovative track born from spontaneous collaboration and a touch of self-doubt, turned into something uniquely captivating.”

The video director for “Bad Idea,” Nick Kulp says, “While touring with the band doing visuals and lighting since 2022,  I’ve been lucky enough to experience the band perform new songs and see the development of Synthesizer. In 2023, they started performing ‘Bad Idea’ and I was immediately hooked. It’s one of those live songs that really just takes you along for the ride and is really fun to do visuals and lights for. As the year went on we started talking about videos and elements for the new album and I was approached to do a video for this song and was immediately happy and grateful. I’ve been filming the band on tour and in their practice studio since December of 2023 and have been taking my Hi8 camera on the road and filming the shows. I tried my best to capture as much of the chaos of seeing the band live that I could — it’s an intense journey!


Synthesizer is the title of A Place to Bury Strangers’ seventh album. It is also a physical entity, a synthesizer made specifically for you to own, too, if you buy the record on vinyl. You can watch Ackermann demonstrate how to play the circuit board and functional synth album cover here. In an era of making music where so little is DIY and so much is left up to AI, to never setting foot in a practice room or a home studio, making something that feels deliberately chaotic, messy, and human, is entirely the point.

The writing sessions for Synthesizer started in 2022 in the band’s Queens studio, shortly after the release of See Through You. A Place to Bury Strangers re-formed with a new lineup, Oliver Ackermann still at the helm, now featuring friends John and Sandra FedowitzSynthesizer very much feels like a record of reinvention. And of course, to ever so slightly reinvent one’s sound, one must also build a new instrument, thus again the synth in question.

The resulting record is one that is romantic, colourful, loud as hell. This is a band that is meant to be witnessed in a live setting, where the songs take on a new energy in the presence of a crowd. Ackermann founded the storied DIY space (and now effects pedal factory) Death By Audio. DBA, as a venue, had a collaborative, creative spirit of chaos and collectivity. That essence appears all over the band’s work, and Synthesizer is a raw collection of songs, wild and loud and fucked up just like the instrument itself.

Pre-order Synthesizer

A Place To Bury Strangers Tour Dates:
Sat. Sep. 21 – Groningen, NL @ – Vicefest
Mon. Sep. 23 – London, UK @ The Shacklewell Arms
Tue. Sep. 24 – Wed. Sep. 25 – London, UK @ No90 Live Hackney Wick
Thu. Sep. 26 – Manchester, UK @ Deaf Institute %
Fri. Sep. 27 – Dublin, IE @ The Grand Social %
Sat. Sep. 28 – Belfast, IE @ Oh Yeah %
Sun. Sep. 29 – Glasgow, UK @ Stereo %
Mon. Sep. 30 – Bedford UK @ Esquire %
Thu. Oct. 3 – Berlin, DE @ Berlin Metropol [Record Release Show] %
Fri. Oct. 4 – Copenhagen, DK @ Loppen %
Sat. Oct. 5 – Oslo, NO @ Goldie %
Sun. Oct. 6 – Gothenburg, SE @ Fangelset %
Mon. Oct. 7 – Stockholm, SE @ Slaktkyrkan %
Wed. Oct 9 – Wroclaw, PL @ Lacznik %
Thu. Oct. 10 – Warsaw, PL @ Hybrydy %
Fri. Oct. 11 – Poznan, PL @ 2progi %
Sat. Oct. 12 – Bmo, CZ @ Kabinet Muz %
Sun. Oct 13 – Jena, DE KuBa Jena %
Fri. Oct. 25 – Washington, DC @ Black Cat &
Sat. Oct. 26 – Raleigh, NC @ Kings &
Sun. Oct. 27 – Asheville, NC @ Grey Eagle &
Mon. Oct. 28 – Atlanta, GA @ The Earl &
Wed. Oct. 30 – Houston, TX @ White Oak &
Thu. Oct. 31 – Austin, TX @ Levitation &
Sat. Nov. 2 – Phoenix, AZ @ Valley Bar #
Sun. Nov. 3 – Los Angeles, CA @ Teragram Ballroom #
Mon. Nov. 4 – San Francisco, CA @ GAMH Psyched Fest #
Thu. Nov. 7 – Portland, OR @ Mississippi Studios #
Fr. Nov. 8 – Seattle, WA @ Freakout Festival ^
Sat. Nov. 9 – Vancouver, BC @ The Pearl

% w/ Stella Rose
& w/ YHWH Nailgun
# w/ Pop Music Fever Dream
^ w/ The Black Angels, Martin Rev, The Black Lips & Shabazz Palaces

I think it was a certain Ginger Wildheart who first bought The Lemon Twigs to my attention, and it was not long before their 3rd studio album ‘Songs For The General Public’ was in my hands and on my turntable. There’s been two more studio albums since then and the Long Island power pop band, led by brothers Michael and Brian D’Addario have been top of my “bands I wanna see live” list for quite some time.

On the road promoting their latest long player ‘A Dream Is All We Know’, tickets were purchased the minute I spied a Leeds date at my favourite venue.

The Brudenell date has been long sold out, and it is already busy as the unpronounceable Tchotchke take to the stage. A 3 piece, all girl band with a drummer who happens to be the lead singer. With their 3-part harmonies, pop sensibilities and cool song dynamics they fit the bill like a glove. I’m sold after just a couple of tunes to be honest.

Thye have one album out, it happens to be produced by the D’Addario brothers and their melancholy and dreamy pop music comes across like a mix of The Shangri-Las meets Sleeper. Yep, 60’s girl group meets Brit Pop, its all jangly guitars, lush vocals and laid-back melodies that stick in your brain.

I don’t know any of their songs but I’ll tell you one thing, I don’t think a support band has ever left such an impression on me before. Their album has got to be my next purchase.

I’ve been looking forward to seeing The Lemon Twigs for what seems like an age. They open with ‘Golden Years’ and it’s all jangly guitars, lush vocals and smiles from the off. With skinny t shirts, perfect hair and even more perfect harmonies, the D’Addario brothers are on it from the word go. Leaning heavily on the latest album and its predecessor ‘Everything Harmony’, it’s pretty much a dream set with a few obscure covers thrown in for good measure. The first highlight follows a version of ‘Transparent Day’ by The West Coast Pop Art Experimental Band. My two favourite tunes from the new album are played together: ‘Church Bells’ is a glorious power pop ode that could’ve been penned by McCartney in the early 70’s, and the following ‘If You And I Are Not Wise’ sounds more like the Byrds than anything in recent history. Emotive, transcendent and fulfilling, I could go home happy right now, but there’s more to come.

The boys switch instruments throughout the set and take lead vocals on the songs they have written. ‘I Wanna Prove To You’ is another highlight, with Brian playing bass and Michael bashing the kit like Keith Moon, drummer Reza Matin takes on guitar duties and bassist Danny Ayala plays keyboards. It just goes a long way to show what accomplished musicians this whole band are.

The atmosphere is electric in the room tonight as we witness magic on the stage. ‘They  Don’t Know How To Fall In Place’ is killer and ‘Peppermint Roses’ is a new album favourite that is just as good live. The main set ends with the Beach Boys-esque ‘How Can I Love Her More’ before Brian returns with just an acoustic guitar to play 3 songs solo. His beautiful rendition of ‘Corner Of My Eye’ captivates the whole room, did I actually hear a pin drop? New song ‘Joy’ gets an airing, and ‘When Winter Comes Around’ is as emotive and possibly even more beautiful than the album version.

The full band return for a run through of The Beach Boys ‘You’re So Good To Me’ before ending on a high with a rocker. ‘Rock On Over and Over’ is as 70’s glam rock as you can get, T Rex meets Elton John for the win! What a finale.

I knew The Lemon Twigs were going to be good, but I wasn’t expecting them to be this good. The combination of perfectly executed pop songs delivered with an energetic performance, mixed with great sound and lights, by a band who are tight and look like they are really enjoying themselves. The benchmark gig of the year by far.

Author: Ben Hughes

South Wales songwriter/wordsmith Jack Jones releases a beautiful new single The Mountains (You & I) through Strap Originals today. The Mountains (You & I), a sticky tune anthem about overcoming the trials and tribulations of everyday life, is the fifth track to be lifted from Jack’s much anticipated debut solo album ‘Jack Jones’.

Jack’s previous singles Breathe , Peaches Out Of Reach ,  Who Let The Bass Pump Though The Floor and Gladysall picked up multiple plays on BBC6 Music, BBC Wales and Radio X.

Jack Jones says of The Mountains (You & I)“I went to live in a silent Buddhist monastery near Newcastle, trying to live a healthier lifestyle.  There’s so much of life where you’re expected to talk, but then if all of a sudden you decide not to for a bit, it really calms you, chopping wood for the monks, carrying stuff around and fixing the monastery, doing gardening and living together with other people in this hall. We’d listen to the monks singing in the morning, which was beautiful, and watch them living out their lives. In the past, I’ve struggled so much to meditate –  by the time I got out of the monastery I did feel like that normal anxiety that lives in me  felt less tight when I got back.”

The one-take video for Mountains (You & I) starring Jack and directed by Jack, was filmed by Jack on the emergency stairs at Covent Garden Tube station, using every single one of its 193 steps – the equivalent of a 15 storey building. Watch the video here:  The Mountains (You & I) .

Jack’s album ‘Jack Jones’ is available on vinyl in multiple colour formats, CD and digital download and was co-written, produced and mixed by Adam French. Also available will be Jack Jones’s new book ‘Tour Diaries’ Volume 1 featuring Jack’s time with Trampolene, The Libertines and Peter Doherty & The Puta Madres. They album and book are available here:  https://found.ee/JackJonesALBUM

Jack Jones is a compulsive wordsmith, an obsessive jotter-down of phrases, and weird things that people say. Across three studio albums and a hatful of singles and EPs since 2013, his work with TRAMPOLENE has always drawn from this humungous, ever-accumulating verbal resource. On his own, he has also published a novel (2023’s ‘Swansea to Hornsey’) and recited poems and delivered spoken-word onstage.

For this album Jack Jones has put away his guitar and embraced a fresh and highly contemporary sound in which to couch his hard-hitting state of the nation poems of existential fear and loathing.  His lyrics tackle many of today’s burning issues: mental health, drug addiction, mortality, and the tortuous demands of technology. There’s also joy and hope in there. The new direction arose out of an introduction to Mancunian artist/producer/songwriter/laptop warrior Adam French. For Jones, French’s way of composing and recording was like being teleported into a parallel dimension. 

Jack Jones will be  playing the following headline shows in November:

NOVEMBER

2nd SAT  Glasgow – The Poetry Club SWG3

3rd SUN Liverpool – Jacaranda

6th WED North Shields – Three Tanners Bank

7th THU  Manchester – YES Basement

8th FRI  Cambridge – The Six Six Bar

9th SAT Shrewsbury – Albert & Co Frankville

13th WED Bristol – The Exchange

14th  THU London – Old Blue Last 

15th FRI Swansea – Bunkhouse 

16th SAT Cardiff – The Moon 

Jack Jones alsoplays the following show with TRAMPOLENE: Salt Market Social – North Shields (28th September).Jack will be performing and signing at the following in-stores this week:

24 Tuesday Leeds Crash Records 5pm Doors 

25 WednesdaySouthampton Vinilo 7PM Doors

26 Thursday Kingston Banquet Records 6pm on stage, 6:45pm signing

Jack Jones has enjoyed Top 10 success with TRAMPOLENE on the Independent Album Charts with three Top 10 Albums, hit the road as special guest to Liam Gallagher at the personal request of the iconic frontman, supported The Libertines on an Arena Tour as ‘Tour Poet’ and had the honour of being the first act to headline Swansea Arena.

SPOTIFY INSTAGRAM TIKTOK FACEBOOK YOUTUBE THREADS APPLE MUSIC X

Celebrated alternative rockers release first new material in over 30 years with ‘Forces Of Evil’ EP to be released October 25th via Darklands Recordings

Pre-order the EP HERE on 12-inch vinyl 

Balaam And The Angel are three brothers who were born in Scotland and grew up on a council estate in Cannock in Staffordshire. They played music together as teenagers but finally formed Balaam And The Angel in the early 80’s inspired at that time by the new scene that was developing around Bauhaus, The Sisters Of Mercy, Southern Death Cult, Theatre Of Hate etc. and a collective experience at the Futurama Festival in Bingley Hall, Stafford in 1981. The band achieved great success in the 80s alternative and rock scenes, signing to Virgin Records for their debut album ‘The Greatest Story Ever Told’, and touring the world with the likes of The Mission, Kiss, The Cult, Aerosmith and Iggy Pop until the release of their last album ‘Prime Time’ in 1993.

That period up to the present day has seen some intermittent activity from the band. All three of the brothers have taken time out to explore and develop successful careers outside of the music industry, have families etc, whilst at the same time maintaining some visibility with their very loyal UK fan base through social media and carefully selected performances and tours. The level of interest in Balaam And The Angel (and the early 80s alternative scene) has increased considerably in the last decade making the purpose of a new release seem much more relevant.

On Friday 25th October, Balaam And The Angel will release ‘Forces Of Evil’, a collection of recently recorded songs to celebrate the 40th anniversary of the band’s first 4-track EP World Of Light (released in Nov 1984). It is the first release of new material for over 30 years.

The EP will be released in the same format as its predecessor as a 4-track 12-inch single. There will be an option of a coloured vinyl or a vinyl picture disc. This will be the only physical format that will be released (there will be no CD or cassette). Fans will not be able to access a digital version until Friday 1st November when the songs will be released onto all the usual digital and streaming platforms.

The record will be released on the band’s newly created Darklands Recordings label (Darklands being one of the tracks that appeared on the 1984 EP).

The material was recorded in Oxygene studios Manchester with Christoph Bride (who has recently worked on albums by The Chameleons and Kirk Brandon/Theatre Of Hate/ Spear Of Destiny). The sound of the record marries the feel of the bands darker past with the punchier edge of their later releases.

The four tracks on the EP have been written by the band and demonstrate a more developed approach to the lyrical content which embraces some of the bands more common themes about how we navigate our daily lives alongside some more provocative themes such as mental health and the contradiction between religious belief vs religious intolerance and the way in which this are used as one of the reasons for the persecution of others.

“The process of creating this collection of songs has been incredibly unique and has prompted us to revisit some previously overlooked ideas. The track ‘Forces Of Evil’ had its origins way back in the start of our musical journey. It was a song that we had set aside because the lyrics seemed too naïve and simplistic however fast forward four decades and we have a set of lyrics and sentiment that could not be more current and universally appropriate,” says guitarist Jim Morris.

Watch the video for the opening track of the EP ‘Dancing Senseless’ HERE:

The band will go on tour in November to support the release of the EP taking in 8 cities throughout the UK (see below for tour dates). It is the first major outing since the “1984 – 1988 Singles And More” tour in April 2018.

The band have continued to perform intermittently since then choosing to play carefully selected headline shows and special events such as Tomorrows Ghosts Festival, Kirk Brandon Westworld Weekend, The Mission Shindig and most recently as special guest on the sold-out Almighty shows (Nov 2023).

Balaam And The Angel are one of the very few bands who can still claim to have maintained their original line up. They are three brothers born in Scotland and raised in the West Midlands.

Forces Of Evil track-listing:

1.Dancing Senseless

2. Forces Of Evil

3. Feel The Silence

4. Afterlife  

Pre-order ‘Forces Of Evil’ HERE:

Catch Balaam And The Angel live at the following dates:

Fri 8th Nov: Leamington Spa Assembly Hall

Sat 9th Nov: Reading Face Bar

Thurs 14th Nov: London Islington The Garage

Thurs 21st Nov: Glasgow Room 2

Fri 22nd Nov: Sheffield Network

Sat 23rd Nov: Hull The New Adelphi

Thurs 28th Nov: Birmingham Castle And Falcon

Fri 29th Nov: Bedford Esquires

Ticket links for all shows can be found via the band’s website: www.balaamandtheangel.co.uk

Balaam And The Angel are:

Mark Morris – bass/vocals

Jim Morris – guitar/keyboards

Des Morris – drums