Seb Byford (guitar/vocals) and Tom Witts (drums) formed Naked Six while still at school to a backdrop of fog and mist on the North Yorkshire moors. The self-proclaimed grunge/schizoid blues band have been on our rock ‘n’ roll radar for a number of years following gigs with the likes of The Virginmarys and The Temperance Movement. Originally a York based band they recently relocated to Manchester, following the release of their debut EP ‘No Compromise’. They then roped in Tom’s cousin Callum to play bass, and now the three piece band are ready to take on the world with their debut album ‘Lost Art Of Conversation’.
They may be a long way from Seattle and a generation after the Grunge movement, but that same feeling of isolation, working class struggle and small town angst is omnipresent in their sound and high energy live performance.
Naked Six specialise in 2 chord/2 minute blasts of high energy angst, delivered with the passion of newbies who have something to prove and yet the confidence of seasoned pros. A top notch production job courtesy of Thomas Mitchener (Gallows/Frank Carter & The Rattlesnakes ) only helps to capture their live energy. Urgent beats, buzzsaw guitars and vocals are spat with the aggro nonchalance of young punks who have something to say. And yeah, Naked Six do have something to say, lyrically they touch on highly topical subjects; our reliance on social media and mental health for starters.
The likes of ‘Song Of The City’, ‘Split’ and ‘Sticky Gum’ are their bread and butter. Coming on like The Vines meets The Virginmarys, this is the sound of a Naked Six gig captured on wax for all to experience. Elsewhere, if you had told me ‘Poison Apple’ was a lost Nirvana outtake, I would’ve tipped my hat in agreement. From the erratic spiky guitars to the spooky Cobain/Grohl style vocal harmonies, its quality stuff.
They take things down for a more 90s art rock, tripped-out vibe with ‘The Change’. Offbeat drums and effect-ridden guitars bring to mind the sonic sound of Perry Farrell’s side project Porno For Pyros, as the band take the listener on a trip to another plane.
Bouncy, distorted bass and jagged guitars introduce first single ‘Gimme Something’, a song that confirms the Foo Fighters meets Royal Blood comparisons I have used in the past. A confident and cocksure sound, and one that’s tried and tested.
While Naked Six promote a grungy, garage rock sound, there are hints that this band has the potential to be so much more when they think outside the box (or garage in this case!). The album is bookended by a couple of surprise tracks that confirm this for me. Album opener ‘21st Century Brawl’ is an atmospheric art piece, coming on like Jane’s Addiction in their prime, as Seb reels off descriptive lyrics, almost spoken word, over an alt rock backdrop of groovy bass and guitar harmonics. In complete contrast the introspective album closer ‘Outside Looking In’ showcases what this band is truly capable of. As they have proven in the past with ‘Broken Fairytale’, Seb Byford has a knack for penning heartfelt balladry as much as he does angst driven rock. The sentiment is real, as he delivers his most fragile, yet strongest vocal of the album over understated piano chords and atmospheric saxophone breaks. A winning combination that only helps accentuate the overall emotion of the song.
With lyrics that deal in social commentary, questioning our attachment to our screens, our actions and motives, and music that harks back to a time when the alternative was mainstream, edgy and downright essential, Naked Six seem to be on to a winner. ‘Lost Art Of Conversation’ is a modern rock record that is exciting, authentic and comes at the perfect time.
Times they are a changing, and while this album was of course written pre-lockdown, I can’t help but think the lost art of conversation is something a great deal of us are re-learning right now due to isolation and social media being our only form of communication.
“This is the dawn of a new age…” announces the singer in the title track. I wonder, did Seb Byford know how true those words would ring just a few months later?
I have to admit to knowing bugger all about Dictator Ship apart from they’re Swedish (of course) and they play Action Rock. But this ain’t you’re usual foot-to-the-floor “Super Shitty…..” stuff, this is an altogether more soulful proposition with a cool 70’s Paul Rodgers meets David Coverdale (proper 70’s / early 80’s Cov) vocal vibe. Turned on? I am!
“Your Favourites” has a vintage lo-fi feel, just like the proper albums that you nicked out of your cool uncle’s stash of vinyl when you were a kid. So let me grab you by the hand and take you through “Your Favourites” and see if it does exactly what it says on the tin.
Kicking off with “ In the Heat of the Night”. As you listen, you can imagine the band huddled around a couple of live mikes in a secluded Swedish cabin blasting out their own brand of gutter-level Action-soul. The lead vocals sound shared across the band and together they produce one hell of a sweet sound. This bad boy has groove to spare.
Next up is “Savage”, which boasts a video all of its own. The music is frantic, but the cool vocals pull it all together sweetly. It’s MC5 meets Jesus Christ Superstar!
“Good Thing Gone Bad” is early Purple without the screaming and throbbing organ, while “ Just for Fun” has a fast and frantic hook that demands repeated plays. The guitar sounds proper live…. and it probably was.
“Eat the Poor” justifiably also gets a video of its own, all be it a static “picture of the cover” affair. Never the less, it’s a cool tune with an even cooler title. There’s a kind of familiarity to the hook, it swaggers along in an early ‘Snake kind of way. Your gonna tell me it’s a cover, aren’t you? It’s that good!
“Gunner Man” has its feet planted firmly in the twilight of the ’60s. Musically frantic but with a laid back verse vocal holding it down before an explosive chorus.
Closing out this seven-track soul sensation is “From the Womb to the Tomb” and it doesn’t let up or disappoint. Full on and butt-kicking. Your head can’t help but put a Hammond over the top of this bad boy and suddenly you’re mentally jamming with the band. Fuck this is good !!
I’d like to tell you to go out and buy this bad boy now but given the current circumstances, we find ourselves in, order it from one of these lovely internet fellas and let your brave postie do all the hard work.
RELEASED 10TH APRIL (PROPHESY PRODUCTIONS) / LISTEN TO ’SULPHUR & STARLIGHT’
“Sulphur & Starlight” is a song about dualism. The reflection and the reflected, two sides of the same mirror. What is left of one Self in the eye of the Other and vice versa? It is the opening track of “Summerland” and makes a great starting point for the journey through the album’s theme.’ – Ryanne van Dorst (singer, guitarist, songwriter, lyricist)
Founded in 2015 in Rotterdam, the Netherlands, with a name derived from the Dutch word for “wandering,” dark rockers Dool embarked on an ongoing spiritual and musical journey that took them far within a short amount of time on the strength of just one album. However, hearing the sophomore “Summerland,” you can’t help but think its successful predecessor (ranked #13 among the “Best 100 Albums Of The New Millennium” by German magazine Rock Hard) was just a warm-up.
“Our debut ‘Here Now, There Then’ was a big experiment because we could not foresee at all how the band would sound,” reveals singer, guitarist and overall powerhouse Ryanne van Dorst. “I took the skeletons of songs I had written to the other members, and we just started to jam, seeing what would happen. That was what we recorded, but we only found our own style while playing gigs during the last few years. The material kept growing on stage, so on the “Love Like Blood” EP, you could already hear that we had become more confident.”
“Summerland” encapsulates the meaning behind the quintet’s monicker. Expansive and more varied on all fronts, it represents the constant evolution that goes along with the soul’s quest for ascension, resulting in a bedazzling mix of classic and post rock, Midde Eastern flourishes, psychedelia and metal. Each track displays its own identity within a loose thematic frame as summarized in the climactic title track: the struggle to find a place in this world, reaching some ultimate state mind, ecstatic pleasure and reincarnation, also inspired by Richard Matheson’s novel “What Dreams May Come” as a modern take on the Biblical cycles of hell.
“The term ‘summerland’ comes from paganism and refers to heaven, nirvana or whatever else you’d like to call it,” the lyricist explains. “Since I usually write from experience and about what keeps me awake at night, I was asking myself what makes me happy on this existential plane and how the ideal afterlife would look like. This became a recurring motif throughout the lyrics in the shapes of sex, magic, psychedelics and many other means to invoke this ‘summerland’ in the here and now.”
The group recorded “Summerland” at DAFT Studios in Malmédy, Belgium, and Studio Cobra in Stockholm, Sweden, with Martin Ehrencrona (Tribulation, In Solitude). Mix and mastering were handled by Cult Of Luna’s drummer Magnus Lindberg in Redmount Studio Stockholm. As guests, Dool invited Per Wiberg (Opeth, Spiritual Beggars, Candlemass) on Hammond organ, backing vocalist Farida Lemouchi (The Devil’s Blood) and Okoi Jones (Bölzer), who contributed spoken words to ‘The Well’s Run Dry’.
After taking Europe by storm, Dool keep following their path to world domination with seven-mile boots, doing what they do best – devastating venues with their energetic performance, which, as Ryanne promises, “will look a bit bigger in every respect …”
“Summerland” is available as Digipak CD, 2CD artbook (hardcover with golden hotfoil embossment, 30x30cm, with expanded artwork and two bonus tracks; 1.000 copies available), gatefold 2LP (180g, black and ltd. coloured vinyl) and complete box set (incl. 2CD artbook, gatefold 2LP with exclusive colour, bonus 12″, music box and two posters; 1.000 copies available).
The Quireboys set to release a Limited Run of a totally new Re-Recorded version of A Bit Of What You Fancy to mark the albums 30th Anniversary
We may be at home, it may be dark times, but that hard-working quartet are back in the studio re-recording their iconic first album with the current Gypsy Rock n Roll sound of The Quireboys. The new recording will prove to be powerful, inspirational and full of all the quality a modern-day recording can anticipate.
This is a must for all Quireboys fans worldwide and while this will be available on CD & Vinyl, both will be on limited runs, with a new modern cover and a couple of live bonus tracks on the CD.
The CD will feature 2 Live Bonus Tracks, “Man on the Loose” and “Mayfair” while the Vinyl Collector’s item will be restricted to a run of 750 copies only, in Blue Vinyl.
Both 30th Anniversary Collector’s items are on sale now Here…
The Quireboys will tour the UK and Europe Dec 20 / April 21 performing the whole album in its entirety. Dates will be announced soon.
Quireboys frontman Spike commented, “It’s where it all began, it was an incredible album that launched our careers, but the way we sound n play now doesn’t give it the justice it needs. Henceforth, it’s been a pleasure updating it to our modern day Gypsy Rock n Roll Sound. I’m sure everyone will enjoy this new version in all its glory, marking its 30th Anniversary.”
The self-titled album from Lusitanian Ghosts is a rock ‘n’ roll experience of a different kind. The Deluxe Edition was released late last year and has just made its way to my door. This musical collective features Neil Leyton, who will be well known to many of the readers here, having previously worked with a wide range of rockers from The Dogs D’amour to Ginger. He also, of course, has his own glittering career, which has also seen contributions from rock royalty such as the Backyard Babies. Leyton is a man of many talents, and I personally remember him from the much-missed Changes One record label days, where we used to have the odd chat over email. A lot of time has passed since then and I must admit to having fallen out of the loop for a while. And from what I can gather this is his first full album of original material since 2010’s The Betrayal of the Self. As I have said, however, this is a collective and more than the work of one man – and with it comes an entirely new sound, interestingly making use of traditional chordophone instruments: guitar-like, stringed instruments which also includes the lutes or lyres that we may often see accompanying Shakespeare plays. The group includes Micke Ghost, João Sousa, Omiri, O Gajo, members of Primitive Reason and other artists.
This new Portuguese musical project utilises these instruments in a more modern way, mixing a blend of traditional and rock ‘n’ roll sounds. It’s an inspiring, folk/rock mix which needs to be heard to be understood. The album kicks off with a short acoustic folk affair, with the breezy ‘A Long Time Ago…’, which sets out the attitude of the album before heading into the more rocking ‘The World’. While I’m hesitant to draw a lazy comparison to Santana, this opening of this song certainly bears that resemblance, particularly with the fat, smooth tone of the electric guitar over the acoustic arrangement. The album itself doesn’t bear out the comparison. Being such a creative project, the Lusitanian Ghosts album takes many twists and turns while always maintaining a very singular thread throughout – a constant traditional sound underlying it. The light indie sounds of the flowing ‘Trailer Park Memories’, or the rousing chorus of ‘Past Laurels’ with its singalong of ‘we are the truth to power’, mark for an exciting and thoroughly enjoyable album. While personally other highlights include ‘Godspeed to You’, the Bowie-esque ‘Memories of a Once Familiar Future’ or the great ‘Our Own Light’, there is no filler here, as every song serves to support the next. Interestingly, alongside the album is a release of a documentary which explores the history of these wonderful traditional instruments which are used to craft this most interesting of records. Watching that is the next thing on my to-do list. Meanwhile, listening to this, it is certainly good to have Leyton back recording, and with such strong material.
Picture the scene; You’re the guitar player in a cool punk n roll band with a member of The Wildhearts, you release a well-received mini-album, a couple of singles, do a bunch of great support gigs with cool bands, even some great headline shows of your own. Things are looking up. Then The Wildhearts reform, your singer/bass player goes back to said band (quite rightly) to take on the world and record one of the greatest rock albums of the last decade, leaving your little band in hiatus. The drummer and guitar player form a cool as fuck pop-punk band called The Spangles and you’re left twiddling your bleedin’ thumbs until they’ve got it all out of their system.
Well, we may not have The Main Grains anymore, but that loveable rogue JJ Watt is back from the ashes with a new band and he’s only gone and roped in the likes of Kory Clarke and Tracii Guns to guest on his new project The City Kids (no, not the long gone, Cardiff based glam legends, how many times do I have to tell ya?!)
Joining JJ are guitarist Dennis Post (Warrior Soul/Flush The Fashion), Berty Burton (Tigertailz) and Dave Sanders (Falling Red). The City Kids follow the recent single release ‘Best Of You’ with their debut album ‘Things That Never Were’. Self-produced and mastered by the legend that is Dave Draper, ‘Things That Never Were’ is a collection of songs and ideas penned by the guitar player when he was still in The Main Grains. In fact, the overly catchy ‘You Get Nothing’ was a live favourite in their set.
You could say The City Kids sound is no real departure from JJ’s previous band. If anything the sound is rawer, the vocals dirtier, but the melody is still prevalent throughout. This is gritty rock ‘n’ roll with a sound that sits somewhere between Social Distortion and The Yo-Yos.
‘Best Of You’ opens the album in style with a Ramones style “one-two-free-four” count in and a blistering guitar lick. Dirty biker rock is the order of the day, JJ’s vocals as gritty as the guitars are dirty. Fat, ringing power chords fill the verse as it powers to an anthemic and upbeat chorus. A sonic guitar solo that would make Dregen proud and a Wildhearts styled mid-song breakdown gives you a hint where these guys are coming from and where the rest of the album will be taking us.
It’s no surprise the aforementioned ‘You Get Nothing’ was a Main Grains live staple. That chorus refrain is a banger, and hearing a recorded version finally does it justice. At 2 minutes 30 seconds, it’s over in a flash leaving the listener crying out for more.
And much more they give us. Mid-paced rockers such as ‘Before You Fall’ and ‘All I Want’ are all well and good, the latter taken to another level with some blistering fretwork courtesy of LA Guns guitar slinger Tracii Guns. Elsewhere, ‘No More Heroes’ is a catchy, radio-friendly slice of power pop with a punky edge, think The Replacements meets Social Distortion for reference here.
There are a couple of true standout tracks. ‘Rats’ is a killer, trashy ride featuring Billy Tee and Alex Holmes from The Suicide Notes. Their delivery adds a certain sleaziness that gives an edgy, Faster Pussycat meets Backyard Babies feel. The guitars are slung around the knees, the gang vocals spat with venom. This one is a whole lotta fun, as is album closer ‘Round And (A) Round’. A song that was co-written with Warrior Soul legend Kory Clarke and features the man himself sharing lead vocals with JJ, along with those The Suicide Notes dudes, yet again adding gang vocal goodness for the chorus. This is a killer, no-frills anthem. Upbeat, punk and belligerent just as you would expect. Kory’s unmistakable raspy vocals are on fine form and it pretty much sums up the whole feel of the album.
If you like your music, loud, proud and raw as fuck, if you like your rock with some dirt under the fingernails and extra power under the hood, then you could do no better than check out this new long-player from The City Kids.
The limited-edition 2 CD version of ‘Things That Never Were’ sold out in just 5 hours, but you can pre-order the extremely unlimited standard CD from the link below right now.
In these strange times you can always rely on the RPM singles club to come up with a full basket of tasty Easter treats from the 7″ department of some of the best independent labels (and some major ones too) We have a slimmed download this month for obvious reasons but a pandemic won’t stop the rock, no sir. Let me introduce some of our picks from recent releases and ones about to come out from New York to Europe and everywhere in between check out these pretty pieces of plastic that came our way…
Watts – ‘Seventeen’ (Rum Bar Records) You want Rock and Roll in these tough times? sure you do what about FREE Rock and Roll? Hell Yeah! Well, hit up the link and download yourself some stonking foot-stomping bullshit-free Rock and Roll courtesy of those dudes Watts and rum Bar Records. It’s got keif Richards riff-a-rama on the guitar and those rasping hard-living vocals wrapped around a shitgrinning rocker get on it already. ‘When The Party Ends’ is a more ‘morning after’ feel but it’s an absolute belter oozing Rock n Roll. Hit the link and grab it now and let the good times enter your life Here Record of the week? Hell Yeah! not because it’s free but because it’s so damn good. Watts and Rum Bar are a match made in heaven and this is as good as it gets, timeless and class.
Sin City – Hold On (self Release) Holed up in Alicante Spain Two Cavemen recorded a couple of bluesy American classics in the shape of ‘Hold On’ and ‘Broken Hearted Man’ obviously being quarantined has seen them open their beat-up soul. Recorded with one mic, an acoustic guitar, an electric piano, a tambourine and whatever else they could find lying around the house. So plug it in, turn it up and let Sin City and their Mojo Machine get to work on ya! hit the link for the Bandcamp page Here Hell they’ve even worked out how to press record on their phone to shoot a video. It’s taken from a download album that’s rather tasty to be fair showing their not just drunken marauding animals who like fast n loose they can chill out and plonk da blues. Check it out Here
The Dollyrots – ‘Make Me Hot’ (Wicked Cool Records) With a cracking chorus The Dollyrots have got themselves a banger of a seven inch single. ‘Make Me Hot’ is a blast of power pop that should be heard across the globe this summer blazing from radios everywhere. flip it over for a rip ride cover of Lisa Loeb ‘Stay (I Miss You)’ in all its unashamed glory pop music rocked up. This will sell out no doubt as the band go from strength to strength with a hugely confident single. Buy Here
Mickey Leigh – ‘It Felt Like Love’ (Wicked Cool Records) If you want a distraction from the global pandemic it seems Wicked Cool has happened upon one antidote for the self-isolation blues and that’s by releasing a bunch of wicked cool singles. Mickey Leigh being one such 45. If your wondering who is he well, let me introduce you to Joey Ramones brother who has a wonderful slice of rock and roll with the A-side that reminds me of Stiv Bators solo era. A wonderful track that has a great hook on the chorus as the song just chugs along effortlessly. Keep digging though because the B Side is a real vibrant cracker ‘Trouble Man’ motors along. His brother would be proud of these tunes and the playing is fitting and really impressive, I like this a lot. Buy Here
Primo! – ‘Machine’ (Anti-Fade & Upset The Rhythm) Jangly Power Pop courtesy of Melbournes Primo! lifted off their album ‘Songi’ which will be released later this month. Check out their hotrod video now
Electric Frankenstein / Scumbag Millionaire (Ghost Highway Records) If ever there were two bands best suited to do a split single then these two would certainly be contenders. USA v Europe yet bonded by a love of loud guitars and some Garage Punk Rock n Roll attitude. EF contribute the riff-a-rama of ‘One Step Away’ with its bruising riff its classic EF then on the flipside you have the brutal and rapid riffs of Scumbag Millionaire ‘Strike Me Down’ its reminiscent of when Hellacopters broke onto the scene with the same vocal style and crash bang wallop of the verses colliding with the chorus and then smash – we’re into the soaring solo. Winner by a country mile!
Twisted Wheel – ‘I Am Immune’ (The Orchard Music (on behalf of Independent) Taken from their brand new album ‘Satisfying The Ritual’ Your left in no doubt that this is a right banger folks. Check it out and pre-order the album Here why don’t you?
Bloodshot Bill – ‘Its The Out Of This World Sounds Of…Vol 2’ (Ghost Highway Records) 1950 rockabilly inspired rock and roll just like The Cramps used to mess with your brain and some. ‘It’s A..Aa,a.Aaaggghhh!’ B Movie rock n roll from Bloodshot Bill its certainly out there from another planet ‘Moon Rocketing’ then ’50 Megaton’ sparse and authentic but totally fucked up and wonderful. Then you have the acoustic ‘Be My Satellite’ sounds like it was recorded on moonshine round an old wireless in the woods. Its got whistling n all so whats not to like. this is what makes the wonderful world of Rock and Roll so entertaining. Facebook
The Dahlmanns / Tommy & The Rockets – ‘Scandinavian Affair’ (Beluga Records/Ghost Highway Records) Yes through times of adversity you can always rely on some people to keep the spirits high. Another great team up in splitsville as One side is the Dahlmanns with the power-pop piano lead of ‘Part Girl’ it’s like an early ray of sunshine on a cloudy day. Music that should be on the radio playlists everywhere but isn’t but don’t let that get you down just let this ray of sunshine into your life. Then you have Tommy & his rockts turning the amps up for another slice of power pop but from another angle. ‘you Don’t Know What You Do’ again like The Dahlmanns they just ooze classy power pop and if you ever had a hankering for something pop but with guitars then Tommy & the gang are for you. Pick it up from Beluga or Ghost Highway before they’re all gone. Buy Here
The Cocktail Slippers – Nighttrain (Wicked Cool Records) Oslo Norway isn’t the place I thought would throw up some cool street power pop not a million miles from Blondie rockin out had you said Queens then I’d have assumed it present and correct. Its got the swagger of the lower east side These ladies have got themselves a catchy glam rockin slice of power pop.Buy the track Here / Facebook
Aborted Tortoise – Scale Model Subsistence Vendor (Goodbye Boozy Records)
Their new EP, ‘Scale Model Subsistence Vendor’, is one that backs this up once again. Arriving via cult-adored Italian punk label Goodbye Boozy Records, the EP brings together another four tunes bursting with energy. Moulding rock with heavy punk It’s sharp and succinct, ‘Making A Mint’ is frantic and will get yer blood pumping then ‘Factory’ is more laid back (really? Laid back?) ok, its not so rapid on the verse and sounds like its hanging on by a thread as the guitars chop away its got Pavement meets the Dead Kennedys running through its blood stream but so much more going on besides. Perth Australia has never sounded so inviting. Flip it over for the frantic ‘Violent Consumer’ before ‘Plastic Orgasm’ takes this EP home with its sharp romp to the finish line. Aborted Tortoise make it sound easy but being this good isn’t easy. Cracking EP from the artwork to the noise in the grooves buy it! . Bandcamp
Wyldlife -‘Automatic’ (Wicked Cool Records) I’ve not had the pleasure yet of hearing the new long player but have had a couple of glimpses through the window so to speak and of course I’ve loved what I’ve heard, why wouldn’t I? I’ve always loved Wyldlife and on hearing the new single ‘Automatic’ I can fanboy swoon once again and tell everybody I know that the album is coming. With the loud guitars and understated melody, it’s exactly what I wanted to hear in these dark times. A band who are nailing it every time and this new Wicked Cool Record is going to blow away the opposition – great tune – simple buy it! Inspired by a mutual love of Jesus And Mary Chain with a friend this is Rock and Roll Year of the snake be damned it’s the year of Wyldlife get on it pop pickers it’ll brighten up your social isolation Facebook
The BD3 – ‘Snowfake’ (Dischordia Records) Bradford ner do wells The BD3s have a double-sided single out and with the understated menace ‘Snowfake’ cruises along with a lovely slice of post-punk edge with a rasping buzzsaw guitar and spoken/chanted vocal jarring away its got some of the Fall happening its the audio equivalent of being poked in the chest and told whats what. Much like Greater Manchesters Cabbage The BD3 have carved out their own niche and they sit comfortably in there or should that be uncomfortable? the other tune on offer is the raging ‘Sypharus’ with a wicked riff and jarring lyrics its post punk for the 21st century and on this introduction, it sounds bloody good. Facebook
SHVPES – Lions Den (Spinefarm) Ahead of a decent UK tour and new record these rockers knock out another interesting video for ‘Lions Den’ Keep up to date Here
Tyla’s Dogs D’Amour – ‘Lightnin’ Bar Blues’ (King Outlaw Records) Tough times currently can be made easier by some sweet tunes and Tyla and his Dogs D’Amour have covered the classic Hanoi Rocks ‘Lightnin’ Bar Blues’ Tyla style.
Its all for a good cause don’t you know. Get on over to the Bandcamp page and drop a virtual quid in the box and own this most wonderful take of a wonderful song. Originally Hanoi put the track on their ‘Oriental Beat’ album but this take on a classic is very different but totally Tyla (if you know what I mean). Pour yourself some ripple wine and turn it up. You know it makes sense now what are you waiting for? Fark Orf if you’d be so kind and click Here
L.A. Guns – ‘Crawl’ (Golden Robot Records) Having recently signed to Golden Robot Records part of the Golden Robot Global Entertainment Group, the legendary L.A. Guns are set to release their new single ‘Crawl’ on April 20th. ‘Crawl’Pre-Order / pre-save: https://smarturl.it/LAGuns-Crawl Not to be confused with the other band called L.A. Guns of course. Not really having a clue where I stand on this name game but as far as songs go this one is alright and sounds like you’d expect L.A. Guns to sound but don’t think its the Phil Lewis vocals because it’s not this one is Kurt Frohlich on vocals. With a very 80s sounding track ‘Crawl’ is turning back the clock for all you cock rockers. Facebook / Instagram / Label link
Johny Skullknuckles – This City (Self Release) Free music? Johny Skullknuckles is giving away a tune? Today just got a lot better. We love free music and we love Johny Skullknuckles and we love ‘This City’ as it drifts in on an acoustic strum and meanders toward the chorus with just a bass drum and occasional snare and acoustic (and a voice or two) Skullknuckles opens his heart about his town and how time moves on and places change and not always for the better. Cheer up Johny you’ve still got yer memories and the ability to write proper rock and roll tunes keep it up and we look forward to your next offering already. Get it Here kids you know it makes sense.
Brassick – ‘They Say’ (TNS Records)Brassick seem to have been around for an age and when they used to turn up and play Slugfest they always turned in a thoroughly convincing and passionate set and when I’ve seen them at Rebellion the same. I did wonder what they would be like on record and don’t quite know how I managed to avoid it thus far and to be fair this is a belter. You get taken on a roller coaster of a journey from the bass rumble that will loosen any fillings to the soaring chorus. To the Buy the track Here ahead of the album release later this month.
It’s fair to say that Empty Friend walk you down a well trodden path, but this grunge tour de force are very much more than “tonight Matthew I want to be signed to Sub Pop records”.
With deep cuts such as “Draw The Line” which shows elements of Mother Love Bone and “Neon”, which any hardened Soundgarden fan would been pleased to have happened upon on the last album release.
The band is dabbling in a genre that people can be quick to ridicule, but they are holding their own, showing the virtues of the sound with original takes and being a lot more than a walk down memory lane.
This EP is a solid release with opener “You Are Not The Sun” being the only number verging on pedestrian. I have played the EP several times this week, the band’s divergent alt-rock sound would fit the bill to various stoner rock events such as DesertFest etc and I am looking forward to catching them live at some point.
Originally released as a compilation album featuring five-tracks from New Yorks Electric Frankenstein and the equally wonderful Crash Street Kids alongside The Thing and Kathedral. what you have here is an EP of the Electric Frankenstein tracks plus the addition of ‘EF Theme’ making it a tasty six-track EP. It’s got the same artwork as the original comp but the track running order has been rearranged.
The street-tough Action Rock of ‘Lie To Me’ gets this party started was it really twenty years ago? Wow, time flies when you’re having fun. A year after their classic ‘How To Make A Monster’ and a most fertive period for the band who really were prolific around that period and flying the flag for punk attitude hard rock I’m not even sure we had a name for it back then and split it into sub-genres of a genre of Rock and Roll. Damn, it loud guitared Rock and Roll isn’t it however you want to carve it up. Anyway EF always stayed true to their original sound and blueprint and pushed on regardless of who fell by the wayside or sold out because EF never sold out nor did they stray and go with the trends. the one thing ‘the Dawn..’ sounds is fresh and as vibrant as it ever did.
Electric Frankenstein always kept it simple knocking out high energy guitar-driven songs with snotty attitude steeped in the history of the likes of the Dead Boys and the MC5 and even some early hard rock to create a monster wall of noise. This collection gives a pretty decent introduction to those who might not have crossed paths with the band before, which is fine it’s better late than never. ‘One Last Show’ is as macho as it gets using volume and power like a lightning rod when out looking for trouble. ‘Ruin you’ is my pick of the pops with its dirty riff and snarling lyrics that are barked out sounding like a life choice of gargling razorblades and washing them down with some paint stripper but still managing to do it with style. Top tune.
The final offering on this six of the best is one that goes right back to the heart of EF and from the birth of the band as ‘EF Theme’ originally picked off the debut album ‘The Time Is Now’ back in the midst of time or 1985 to you and me is sewn onto the end of this collection. It’s still a belter of a tune like Alice Cooper band in the backseat with a wasted Wayne Kramer controlling the radio riding shotgun to Kojak whos at the wheel a real Frankenstein party right there but there’s a bit of them all in the DNA of Electric Frankenstein and that’s the beauty of the kings of Action Rock. It’s a great EP to own seeing as a lot of their records are as expensive as hell on the second-hand market and as some get reissued and gobbled up its nice to see places like Ghost Highway respecting the rock and breathing new life into solid gold like this – As if it needs saying but go get it, kids, you won’t regret it.
Seb Byford (guitar/vocals) and Tom Witts (drums) formed Naked Six while still at school to a backdrop of fog and mist on the North Yorkshire moors. The self-proclaimed grunge/schizoid blues band have been on our rock ‘n’ roll radar for a number of years following gigs with the likes of The Virginmarys and The Temperance Movement. Originally a York based band they recently relocated to Manchester, following the release of their debut EP ‘No Compromise’. They then roped in Tom’s cousin Callum to play bass, and now the three piece band are ready to take on the world with their debut album ‘Lost Art Of Conversation’.
Recent Comments