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Pauline Murray (Penetration) – new single ‘Secrets’ and new solo album ‘Elemental’ out September 25th

Pauline Murray (Penetration) – new single ‘Secrets’ and new solo album ‘Elemental’ out September 25th

You can order the album: Here

Pauline Murray, singer, songwriter and performer with iconic first-wave punks Penetration and 80s pop ensemble the Invisible Girls with infamous Mancunian producer Martin Hannett, releases her third solo album ‘Elemental’ on 25th September.

 

Recorded in France during October 2016 and completed at their own Polestar Studios, Newcastle-Upon-Tyne in 2019, the album continues her long-term partnership with Robert Blamire. Additional musicians, including Penetration’s Paul Harvey, Steve Wallace and Ken Goodinson are augmented by the keyboards of Steve Hopkins from the Invisible Girls and Roxy Music’s Paul Thompson on drums.

 

The ten songs on ‘Elemental’, all in minor keys were written by Pauline Murray, originated on acoustic guitar and electronically, with full production by Robert Blamire. Their subject matter includes topics such as the power of nature, emotional ties, reflections, depression, missing persons and ancestors.

 

Pauline Murray’s distinctive vocals, lyrics and melodies are matched musically to create an original work of high quality and you can hear the first results today on the new single ‘Secrets’. Originally written and recorded on a 4 track Teac tape machine in the late 1980’s, the only version that existed was a copy on cassette as the original tape was long lost.

 

“It was mixed to a cassette and left in a box for years,” explains Pauline. “When we were recording the new album, we remembered this track, found the cassette but couldn’t find the original master tape. All the parts were there, and it sounded really good, but the recording was unusable. We decided to re-record it and tried to replicate the original arrangements, keyboard parts and sounds whilst maintaining the original atmosphere. It’s amazing that something hidden away for so long can assert itself fully into the here and now. Like a secret being revealed.”

“Lyrically, it’s about the pressure to conform to social perceptions and expectations,” she continues. “having to rely on body language and energy exchange to see what’s really going on.”

 

“The idea for the video ties in with my four paintings featured on the album sleeve. It reflects the lyrics – I’m putting on a face to hide. A single camera was set up in a dark room lit only with a make-up mirror. I mixed the paints beforehand and did the face painting in a single take. The Volvo footage was shot around the same time that the song was written. We only found it recently whilst digitising some old VHS tapes. The performance video was shot earlier this year at Polestar Studios. Rob (Blamire) edited it all together.”

‘Secrets’ perfectly sets the scene for the classic synth-led pop displayed on ‘Elemental’, yet tracks like ‘Dark Clouds’, ‘When We Were Young’ and ‘Unbroken Line’ reflect a much gentler side. A shift away from the guitar driven Penetration sound, this new set of songs is more in tune with Pauline’s Invisible Girls album and working with Steve Hopkins again on keyboards, adds continuity to the project. ‘Elemental’ also features the renowned rhythmic talents of Roxy Music drummer Paul Thompson.

“As a 15-year-old, I was a big Roxy Music fan,” enthuses Pauline. “I would never have thought that their drummer Paul Thompson who played on all those fantastic records would be playing on my album all those years later. As a 15-year-old fan, I wouldn’t even have envisaged making music myself! Paul came into our studios with Lindisfarne and we plucked up the courage to ask him to play on some of the tracks. It was really exciting when he agreed and an absolute buzz to hear him playing on the songs.”

‘Elemental’ is released 25th September via Polestar Records.

The Speedways – ‘Radio Sounds’ (Alien Snatch Records, Snap!! Records/Hurrah Musica and Beluga Records)

The Speedways – ‘Radio Sounds’ (Alien Snatch Records, Snap!! Records/Hurrah Musica and Beluga Records)

Is this Power Pop?

A question that is often all caps shouted across screens by keyboard warriors defending their record collection decisions.

Power Pop. A holy grail whose contents are loudly proclaimed obvious (depending who ya ask) and essential.  Apparently sacred (yet neverendingly argued) since the storied days of Peter Case losing his Nerves to then lace up his Plimsouls. Somehow important yet almost impossible to achieve… one wrong move, a drink too far, a chord eschewing a jangle and you’re “just rock n roll”.

Or so it seems…

The Speedways. The members languidly lean on the bars of darkened London pubs or float like spectres in corners of Some Weird Sin and Garageland gigs. Striped shirts and leather jackets. Dirty street-tamed Chucks and scuffed Thunders boots carry them from one late night heartache to another.

They are true believers who take their turn on stage with hearts outshining the Cheap Trick badges.

Heart.

How do you capture it? How do you?

This album is a stellar example of doing just that. It is the emotion, the essence of love (lost and yearned for) that makes special songs, damn the torpedoes and neat classifications.

This is their second full-length album and the growth since ‘Just Another Regular Summer’ is apparent right off the opening track. ‘This Ain’t A Radio Sound’ opens with a playful ‘80’s Cars ‘Heartbeat City’ keyboard that is somehow right at home alongside the dirty street jangle of Mauro Venegas’ guitars. Then Matthew Julian saunters in, his vocals accomplishing a feat in common with that of my favourite singers. It is instantly recognisable. Equal parts world-weary and up to the fight. Like how Phil Lynott would somehow whisper your thoughts back to you. At once like a friend and someone you wish you had the nerve to approach. A very rare and special dichotomy that gains trust from the listener. People will say you’re born with that. I can see here that you can earn it.

‘The Day I Call You Mine’ shakes off the skinny tie and gets tough. And sweet. The rhythm section of Kris Hood and Adrian Alfonso are like a modern day Mike Joyce and Andy Rourke of The Smiths. Taking the gorgeous songcraft and walking it home like schoolyard best friend bodyguards. In fact, every melody and arpeggiated chord on this long-player is kept safe in their scrappy hands.

“Daydreaming’ opens with razor-sharp back alley chords and a streetwise snarl that has me all of a sudden thinking, “Is this ROCK N ROLL???”

Speaking of that… ‘Your Brown Eyes Look So Blue’ comes dangerously close to sounding like a forgotten outtake from the soundtrack to “Grease”. High School dancing itself right to the edge of the parking lot of kitsch to puke, but teetering there and miraculously feeling much better, thank you! It was a close one boys, but then again, some imminent peril makes albums and nights out exciting.

The track order on this album has a great arch to it. The way it builds to a cinematic centrepiece starting from the dreamy fade into focus intro of ‘This Is About A Girl Who Loves The Sun’. It builds wonderfully into widescreen guitar pop. The song takes you off the dusty and noisy summer city streets and into the cinema to catch your breath and “to stop taking it out on yourself” as Matthew reminds you in the lyrics.

The exuberance of ‘Number Seven’ kicks the cinema doors wide open and the sunlight comes streaming through. We’re in The Speedways’ neighbourhood now, and there’s a place they know that’s perfect for an afternoon drink. Matthew puts his arm around you on the walk and lets ya know that you’ll get by… it doesn’t matter who believes you.

Another standout track is the band next door sound of ‘Empty Pages’. Effortlessly cool and just the right riff for just the right lyrics (“On Halloween I couldn’t hide”… who hasn’t felt that way? Vulnerable and surrounded by Pound Shop devils and clowns) The song is the sound of hanging out. Pure and simple.

The whole set does an excellent job of establishing a recognisable sound while crossing gang lines into territories that may feel like defection. The early Petty and almost ‘50s stomp intro of ‘Had Enough This Time’ giving way to a sun shower of cascading guitar shimmer and a riff that steps right off a beach to join in? Really? It works. Really well.

The album closer, the rather magnificently titled ‘In A World Without Love It’s Hard To Stay Young’, is a perfect bookend. A pocket symphony of guitars that shine like the afternoon sun reflected off a Camaro’s dashboard. Its harmonies sonically answer Julian’s proclamation, “I thought I was the only one to feel this way, until…” with the easy embrace of a close pal.

No. You’re not the only one who does, Matthew. You just have a timeless way of expressing it. Your band is right there with you bringing these songs into brilliant focus as well.

Pretty happy that a band like this exists, making albums to this calibre.

It sounds awfully good with a cold one or a double too!

OH! Power Pop?

I ain’t getting’ into that! Whaddya think, I’m crazy?

 

Buy Beluga Records Here / Speedways Bandcamp Vinyl Here

Author: Rich Ragany

Richard Davies & The Dissidents – ‘Human Traffic’ – (Bucketfull Of Brains Records)

Richard Davies & The Dissidents – ‘Human Traffic’ – (Bucketfull Of Brains Records)

Former Tiny Monroe and The Snakes guitar slinger Richard Davies takes centre stage for the first time as principal songwriter and singer with the Dissidents, a band who include Mega City Four/The Snakes drummer Chris Cannon and Last Great Dreamers bassist Tim Emery.

As well as playing guitar for indie band Tiny Monroe in the 90’s, and recording 3 albums with alt country collective The Snakes, Richard Davies has also worked with the likes of Glen Matlock and Peter Perritt as a hired gun, which sure ain’t a bad place to be.

An album that has been a long time coming, ‘Human Traffic’ was recorded last year and deals in retrospective songs of life, love and human nature.

 

If you like your rock ‘n’ roll from the shady side of town, where the nights are so long and starry-eyed girls have that certain shake appeal, then ‘Human Traffic’ will be right up your ally.

The title track gets things off to a power pop start. This is high energy rock ‘n’ roll, with guitars slung low and lyrics from the heart. A stripped-back, ramshackle sound can’t hide Davies’ knack for a catchy melody and ‘Human Traffic’ is first of several tunes to channel Ian Hunter in his prime.

The material is mostly originals from the heart and soul of the main man, with a few choice covers thrown in for good measure. ‘Lay Me Low’ is a traditional Shaker hymn re-worked with ‘Dissident’ style to sound like an outtake from Michael Monroe’s first solo offering. ‘Heartbeat Smile’ is a cover of an Alejandro Escovedo tune, and in the hands of The Dissidents, it’s a rollicking, Stonesy ride with solid beats, Keef style riffs and Mick-like hollerin’. Richard Davies also recalls his past with a new take on the Tiny Monroe song ‘Under The Skin’.

Of the originals on offer, it is hard to pick a favourite, as they are all pretty strong to be fair. Latest single ‘21st Century Man’ is power pop perfection to the max. With hooks you’ll swear you’ve heard before, the chorus is as catchy as the verses are cool. Think Elvis Costello meets The Replacements here, tinny guitars and cowbell give that added retro 80’s alternative feel. It’s a theme that reappears throughout the album. A tinkling of the ivories and spaghetti western guitar twang give ‘Way Of The Wild’ a certain anthemic feel, like The Alarm meets The Psychedelic Furs. A memorable, driving chorus only adds to the appeal for me. And is that Rick Richards jamming with Tom Petty on the ‘(Long Road) To Your Heart’? No, it’s only Richard Davies & The Dissidents jamming it out and putting their heart and soul into their rock ‘n’ roll music. What a tune! It has classic stamped all over it, as guitars riff loosely over a ramshackle beat that builds to a killer chorus.

 

In cool hat, dark shades and brandishing a guitar, Richard Davies emerges from the shadows with an accomplished debut album, choc-a-bloc with rootsy rock ‘n’ roll to soothe the soul.

Why it’s taken him so long to get an album out is anyone’s guess. But hopefully, this is the start of something long and productive, as Richard Davies & The Dissidents have released an album that harks back to simpler times, but still has the tunes and the staying power to match any of the other great rock records released so far this year.

 

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Author: Ben Hughes

 

 

 

 

 

 

 

 

 

 

 

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IDLES DETAIL FORTHCOMING LP3 – ‘ULTRA MONO’ – OUT SEPTEMBER 25

IDLES DETAIL FORTHCOMING LP3 – ‘ULTRA MONO’ – OUT SEPTEMBER 25

On September 25th, IDLES will release their anticipated third album – ‘Ultra Mono’ – via Partisan Records. Accompanying this announcement, the band have shared album highlight and thunderous call-to-action – “Grounds” – alongside a music video (dir. by Rob French).

Frontman Joe Talbot says of “Grounds”: “We wanted to write a song that embodied self-belief, and gave us self-belief – a counter-punch to all the doubt we build up from all the noise we so easily let in. We wanted to make the sound of our own hearts’ marching band, armed with a jack hammer and a smile. We wanted to make the sound of our engine starting. So we did. Thank you.”

Ahead of release, IDLES will also host a series of three live performances from an iconic studio on Aug 29-30, which will be professionally recorded, filmed, and livestreamed. Upon purchase of a ticket, attendees will receive a unique link to access the performance live. Tickets on sale now, more info and link to purchase HERE.

Recorded in Paris and produced by Nick Launay (Nick Cave, Yeah Yeah Yeahs, Arcade Fire) and Adam ‘Atom’ Greenspan (Anna Calvi, Cut Copy), with Kenny Beats (FKA Twigs, DaBaby, Vince Staples) providing additional programming, ‘Ultra Mono’ was sonically constructed to capture the feeling of a hip-hop record. Across all twelve brutally relevant tracks, the band double down on the vitriolic sneer and blunt social commentary of their past work, with themes of active presence, inclusivity, class, gender inequality, nationalism, community, and toxic masculinity remaining ever-present. ‘Ultra Mono’ also features guest vocals from Jehnny Beth (Savages), and additional guest contributions from Warren Ellis (Nick Cave and the Bad Seeds), David Yow, and Jamie Cullum.

If their last record – 2018’s ‘Joy As An Act Of Resistance’ – was meant to detail IDLES’ manifesto, then ‘Ultra Mono’ is the sound of the band heading into battle, battering ram in hand, for those tenets. The phrase “momentary acceptance of the self” serves as spiritual guide and mantra throughout, as Talbot elaborates on further in an essay printed inside the album’s physical packaging.

In addition to sharing the tracklist for ‘Ultra Mono,’ the band have also made available the dates on which all upcoming album tracks + videos will be released (see below).

‘Joy As An Act Of Resistance’ was one of the best reviewed rock records of 2018, debuting top 5 on the official UK album charts. ‘Joy’ earned the band instantly legendary performances at Glastonbury, Jools Holland, NPR’s Tiny Desk, and sold out tours across the world. They were profiled by the NY Times and PBS NewsHour as part of a group of new bands tearing down outdated perceptions of masculinity, won the coveted Ivor Novello Award for Best Album, and were nominated for the Mercury Prize and a Brit Award last year. All 10,000 tickets to the band’s Dec 2019 headline performance at London’s Alexandra Palace sold out in under 24 hours.

 

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Slim Jim, Captain Sensible & Chris Cheney Join the Peters for this weekends Big Night In

Slim Jim, Captain Sensible & Chris Cheney Join the Peters for this weekends Big Night In

This Saturday, The BIG NIGHT IN is proud to welcome The Jack Tars aka Slim Jim Phantom (Stray Cats), Captain Sensible (The Damned), Chris Cheney (The Living End) and Mike Peters (The Alarm) as very special guests for the Big Night In Episode 14 this Saturday night (9pm UK time).

These legendary globe-trotting musicians have an incredible rock and roll story to tell. They don’t need any introduction around these parts.

Mike Peters, will also be performing and presenting the show alongside Jules who will be hosting all the usual chat, shout-outs, requests and acoustic performances. There will be screenings of never before seen footage and some amazing on screen appearances.

So set your Alarm clocks and tune in Here

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The Speedways ‘Radio Sounds’ pre release goes live

The Speedways ‘Radio Sounds’ pre release goes live

Bandcamp is the place to go to pre-order your very own copy of the brand new Speedways album ‘Radio Sounds’.  Look out over this weekend as we have the one and only Rich Ragany taking care of the review for RPM of one of this summers best, most hotly anticipated albums.  You don’t even need to put on your PPE to venture out to pre-order just do it from your house.  You can also pre-order a digital copy from Beluga in Sweden

Radio Sounds LP promo clip

Radio Sounds streams on various streams tomorrow.. and you'll also be able to pre-order your copy of the album from our bandcamp page..Here's a teaser

Posted by The Speedways on Thursday, 18 June 2020

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Isolation Society – ‘Dead Cat Bounce’ (Burger Records)

Isolation Society – ‘Dead Cat Bounce’ (Burger Records)

 

ISOLATION SOCIETY is a three piece band from New York, made up of Julie Hair (3 Teens Kill 4): bass, samples and voice, Richard Hutchins (Live Skull, Art Gray Noizz Quintet, Shilpa Ray): drums, and Ian Wilson (Star Spangles): guitar and voice.
‘Dead Cat Bounce’ is their second offering and whilst mainlining NYC into the veins of Isolation Society it sounds from the streets of an age long gone, painting songs with broad brush strokes using samples that jar the listener and peeking around darkened corners for sure there are moments where the influences are laid bare ‘Saturation’ is an off kilt early Blondie vibe if they were jamming obscure Bauhaus songs rather than trying to be pop.

The band use samples that are everyday street sounds of obscenities and everyday urban sounds which adds to the darkness and in a strange way the beauty of the songs. the tribal drums of ‘Amusement’ along with the gothic chants and cold guitar work are fascinating and rather enjoyable it has to be said.

utilizing samples drawn from popular culture and up to the minute moronic spoken samples from potus amidst howling feedback and sampled noise ‘Foot Fetish’ is as cold as el president’s heart and head I’d wager. Fuck me ‘Family’ is dark but once you’re in, you’re in and twisted bleak lyrics are appealing what does that say about me? Other than I know a good record when it lands on my turntable or email. ‘Drug Store’ has an early ’80s feel about it I guess dark times call for dark music and Isolation Society are dark. Saying that I’m about to contradict myself as the former Star Spangles man Ian Wilson pulls out a sparkling Johnny Marr like guitar lead on ‘Out Doors’ and its good no it’s very good.

As the record grinds to a halt ‘Moisture’ reminds me of The Cult around the time of ‘Resurrection Joe’ or even earlier incarnations of Asbury’s dream of a Death Cult. with a thick bass line courtesy of Julie Hair holding down that tempo like all those great Sisters Of Mercy songs had its a great way to see off any record. Man what a trip I thoroughly enjoyed. If you’ve ever had a hankering for a band that absorbed all the great bands from the ones I’ve referenced through my review to the Banshees and beyond then this is a record you will love a little more after every play and bringing the early ’80s right into the lockdown times of the roaring 2020s then Isolation Society is for you.  Hit em up and check this out you won’t be disappointed at all.

 

Buy Dead Cat Bounce Here

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Author: Dom Daley

 

 

Matty James Cassidy – ‘The Isolation Tapes’ (Pirate Heart Records)

Matty James Cassidy – ‘The Isolation Tapes’ (Pirate Heart Records)
In a bid to stay sane, entertain and hopefully stay afloat in these uncertain times Matty James decided to make a brand new 10 track acoustic CD avaialble.
Obviously, Matty James being the good guy we all know he is and how the current situation is affecting us all he has decided to not leave anyone behind here so you can simply ‘pay what you like’ for the digital download pre-order and everyone will receive email updates on how the project is coming along and evolving if you sign up to the mailing list.  A bit Like a Pledge campaign Should have run its operation but without anyone stealing the money and Matty keeping it in house. There will be CDs available, plus exclusive Lyric Art (just one of each song).
Matty also wants to clarify, this is Not the new ‘album proper’ he’s been working on. He will now wait until the pandemic is in the rearview mirror before that gets done.
The songs are flowing and if you are in a position to get involved then Matty James is looking forward to seeing where it goes. To run along with this he will also do a celebratory live stream online gig.  So whats going on with these here Isolation #tape recordings then I hear you ask? Well, Matt being the multi-instrumentalist and all-round one-man-band we know and love has also got his fellow Dogs partner Gary Pennick in to play some Guitars and add another flavour to the backing vocals.  Whilst its a snapshot into how a guy works when writing this is well above what one might call a bedroom demo there’s no Tascam four-track going on here as ‘Dangerous To Myself’ displays as the opener in a really upbeat talk of the times with big acoustic open chords boxcar style drums and a howling harmonica.
There’s a change of pace for the Americana and gentle almost balladry of ‘Stop Cryin’ (It’s Only The End Of The World)’ which has a really good chorus that leads to Mr Pennicks (cough cough) soulful guitar picking (great arrangement).
Of course, this will appeal to Dogs fans and people who have a passing interest in the likes of Classic Quireboys as ‘Uncertain Times’ borrows of the good and the greats that have paved this path long before Matty  His fellow Irish roots rocker Ricky Warwick did his best work when he picked up the acoustic guitar and did his thing and there is some of that here.  Matty doesn’t just lean on the past he just pours a touch in his own mix and no doubt appreciated their offerings and learnt from those great records if it’s in yer DNA its in yer DNA. Love the simplicity of just writing a good bloody tune and ‘Say Nothing’ is just that.
‘Top Of The Hill’ heads down to the delta for some cotton picking Stonesy blues Americana. It’s a great mix of styles but ultimately the fit is totally cohesive and the songs flow really nicely with songs like ‘Someone’ reminding me of when Rod the Mod used to be able to play Rock and Roll in the late 70s when he was Atlantic crossing its got that vibe and Matty has nailed those Bass guitar fills and runs.  But to wrap it all up its a return to the ’50s and ’60s and just writing a simple song but making it as good as it can be just like the Everleys or Buddy Holly did.  Great work Mr Cassidy these songs are some of the best you’ve done ever and I can’t wait to hear the album proper.  Top songwriter, top performer and Topman.  Go check it out!
Pre-order ‘The Isolation Tapes’ and join the fun here – Here
Author: Dom Daley

It’s  Karma its Kool- ‘Woke Up in Hollywood’ (Kool Kat)

It’s  Karma its Kool- ‘Woke Up in Hollywood’ (Kool Kat)

As we spend our days playing through our LP collections, looking back at stuff we haven’t played in a while, how about looking at things in a different way? How about exploring a style previously unheard? How about diving in and just trying something different? Well for yours truly this really rips up the rule book, “It’s Karma it’s Kool.”

 

Now this baby appeared in my inbox after one of those do you fancy giving our band a listen conversations that you have over the inter-web and whatever Social Media platform you choose to frequent. As the opening intro to “Our love is an amplifier” eases its way out of the speakers you are instantly drawn to the pop sensibilities that permeate throughout, this is undeniably catchy as Fuck, and you find yourself tapping along to it as the lyrics bounce around your brain. Now as I listen I keep thinking it’s treading a path that another band I reviewed took me down, that Band was a Brighton band called World Secret. I mean when you introduce the phrase “pop” you are looking across all sorts of era’s and all sorts of styles, this LP is very much a pop LP for now, lets not go down Brit pop or power pop or indie pop route, lets call it well crafted music that’s going to appeal across the board.

 

As I sit listening I’m drawn back to the sixties at times, I feel the ghost of Syd Barrett will be up there smiling, there’s definitely more than a hint of psychedelia, maybe a hint of Alternative country (especially on “I woke up in Hollywood” the title track that contains some gorgeous harmonies) definitely the seventies with an updated version of the Byrds sound, that can be pulled out right the way through. We have a band I feel that have their influences grounded in the past but not afraid to play around with it, update it, while at the same time creating something that is defiantly different.

 

James Styring on vocals at time’s hit’s that classic Michael Stipe sound without copying, at times moving into Counting Crows arena size sound. This LP is an LP that washes over you, hints at lots of times spent immersed in music, crossing genres but at all times keeping your interest.

 

There’s some gorgeous guitar work on “The girl who gave you everything”, it weaves it way throughout, drawing in your focus. There’s a real homage to the previously hinted at 60’s psychedelia in “New Age Eve” but not from where you expect, the almost early ska type guitar run sets the scene before the vocals lead you into a brass section led element that twists and turns the music into all sorts of directions.

 

If your not smiling by this point as you listen your way through, there’s something seriously wrong, you really need to be sat in the sunshine, preferably with mates (remember guys no more than 6 at this time) with this LP setting the scene and creating the environment.

 

There’s a return to that alt country feel with “Ghosts of Rome” before probably my favourite track on the LP “Battle of Burnt out Bliss”, it just holds you, and draws you in the flamenco guitar giving some real colour to the sound.

 

AS the band themselves say “IT’S KARMA IT’S COOL throws away the rulebook, scribbles all over the blueprints, and forges their own path. Deliciously deceiving, their melodies will wiggle their way into the empty crevices in your brain and never leave.”

 

Too quickly we’re into the final track “Sunflowers” This is an LP that could form the soundtrack to your summer, its meant to be played with friends, outside and I’m sure the band would sound fantastic on a festival stage (maybe next year) let yourself get drawn into the band, remember “It’s Karma it’s Kool”.

 

Dare to be different, don’t follow the masses!!!!

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Buy ‘Woke Up In Hollywood’ – Here

Author: Nev Brooks

 

 

 

 

 

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Rum Bar Records give away 33 track album For Free!

Rum Bar Records give away 33 track album For Free!

FREE Bandcamp Download!!

Garage, Punk, Glam, Greaser, Power-Pop, Paisley Rock, Heartland-Punk, Blue Collar Pub Rock, Twang, Dirty Blues, Cow Punk, Surf’s Up!!

Rum Bar Records presents the soundtrack of Summer.  Just click the link, stream, download, share, crank to your hearts and ears content, all songs available in one easy download for Social Distanced Beach Blanket Bingos, Surf Parties, BBQ’s, Tiki Bars, Dive Bars, Radio Play, Reviews, Podcasts, Streamers, Bloggers and Screamers, we hope you enjoy as much as we have working with all of these awesome and amazing bands & artists.

Somebody Out There Is Having a Party Vol 2 ‘FREE Download‘ Summer 2020 Sampler from the Rum Bar Records Family including: new releases, unreleased material, catalogue, upcoming projects, and more.