Andy McCoy has set a date for the release of his brand new solo album and sets the time and place for the launch show –  Facebook. The Album titled ’21st Century Rocks’ is coming out on Ainoa Productions and can be pre ordered Here

New Andy McCoy single ‘Seven Seas’ was released on August 15th, 2019 (digital) and full album (CD and digital) September 25th, 2019. Vinyl release later in November. The Tracklist is ’21st Century Rocks’, ‘Undertow’, ‘Seven Seas’, ‘Batteram’, ‘Maria Maria’, ‘Bible And A Gun’, ‘The Hunger’, ‘Give A Minute Steal A Year’, ‘Love It Loud’ and ‘This Is Rock And Roll’.

Hot Breath delivers a six track K.O that is set for release the 18th of October on The Sign Records. Blending immortalized classic rock with pure attitude, add a bit of just all those influences that you like and you get Hot Breath’s self-titled debut.

Guitar solos, side by side with Jennifer Israelssons (previously seen fronting Honeymoon Disease) cocky vocals and a brilliant rhythm section in Jimi Karlsson (ex Honeymoon Disease) and Anton Frick Kallmin (Hypnos). Its no doubt that Hot Breath is a guitar-based rock band, but Karl Edfeldt (Grand) and Jennifer’s guitar works are mostly a tease, that makes you want more. Hot Breath provides the soundtrack to the last drink sip that never ends. 

Recorded and mixed by Jamie Elton (ex Amulet) in Stockholm during the summer of 2019. Axel Söderberg (Horisont) have helped out on keys on the recording. Mastered by Hans Olsson Brookes at Svenska Grammofon Studion. Artwork by Jimi Karlsson. Cover photo by Marcus Eriksson. The release will be available on CD in Digipack, 180g Vinyl and Digital formats. Hot Breath is touring and kicks of their first Swedish tour joining a four date The Sign Fest making four stops in Sweden.

 

Pre-Order Physical Album
Pre-Save Album on Spotify/Apple
Hot Breath at Bandcamp

Live:
26th September – Gothenburg (With The Obsessed)
18 October – The Sign Fest Linköping (Festival/Tour)
19 October – The Sign Fest Stockholm (Festival/Tour)
25/26 Oktober – Skövde In Rock (Festival)
8 November – The Sign Fest Gothenburg (Festival/Tour)
9 November – The Sign Fest Malmö (Festival/Tour)
more live dates to be announced….

 

Hot Breath on Facebook:
https://www.facebook.com/hotbreathgbg/

The Sign Records on Facebook:
https://www.facebook.com/thesignrecords/

I’ve loved the singles from TV Crimes and waited patiently for a full album from the East Midlands noisemakers and finally here it is ‘Metal Town’ is everything I wanted it to be and more. Punchy, noisy, melodic no bullshit Rock and Roll.  Seems perfect, but once you lock into the groove they’re ‘Jamming out on ‘Neo Waltz’ then you too will find them irresistible. They have elements of a young Elvis Costello in the vocal delivery and plenty of 60 ft Dolls and the likes of S*M*A*S*H and These Animal Men are in there as well in their approach to songwriting and pop music hooks.  Just listen to opener ‘Hooligans’ and tell me differently? When it came out as a single I had to get it – A fantastic opener by anyone’s standard.

‘In The Gutter’ is aggressive like Wellar fronting Buzzcocks on some Diggle numbers. Rolling with a Parkinson’s vibe its got an excellent hook – I love the chorus and can imagine bouncing around in some dingy club as this pounds my eardrums.  Its been too long since the UK had a band that could cross over many genres and draw in punters on the strength of their songs alone. well, I recon TV Crime have got the chops to pull it off.  I remember the NME wetting their collective pants when the Libertines did house calls and Camden was buzzin’ well its been too long since the streets had that going on but there are a few bands around right here right now who could carry it off. The band drag in the punk rock snot of ‘Can’t Remember Your Name’ it’s got an attitude, not unlike Cyanide Pills.

You can tell when you have an album this good on the player because when it’s finished you shove it back on again and a month later your still thinking the same. It’s trashy punk rock ‘n’ roll and these boys do it over and over again.  They make it sound so easy.  The bands last singles B side ‘Clocking Out’ is included next with its fast stomping twelve-bar kicking rhythm.

There’s no reinventing the wheel here and they haven’t gone and discovered some brand new genre of music that will spearhead a brand new youth culture or sweep in some new craze for the 21 century what TV Crime have is a war chest full of top tunes from the slower more purposeful ‘Television Crime’ to the out and out Rock and Roll of ‘Man In The Pub’ or the yobbish ‘Never Been In Love’ its sweaty packed out club night Rock and Roll and you might not know it but you need it – trust me.   Just Buy it its a fuckin’ great time on record loud rock and roll with plenty of punch and the occasional swift kick to the knackers – ‘Ave It!

 

Buy Digital ‘Metal Town’ Here

Physical Vinyl Here

 

“Let’s get the superlatives out of the way right off the bat: holy lord is this ever a fab record. Grade: A” – Goldmine
“I keep wondering if I went back through American Bandstand if I could find The Brothers Steve playing on the show in some weird time travel paradox. These songs are packed with hooks, diversity, and instant accessibility.” – RPM
Years ago, in the magical world of Southern California, five young rockers formed a band called The Brothers Steve. They wrote some songs, played some parties, and promptly broke up, leaving their wonderful original songs unheard by all but a handful of lucky party-goers.
Luckily for us, the legend of The Brothers Steve was not over. The band reformed, triumphantly returning to the stage at this year’s International Pop Overthrow Festival in Los Angeles.
They’ve also recorded their classic songs on a fantastic new album (#1), containing 9 hot rockin’ tracks and one acoustic jam, any of which would sound right at home blasting from the radio of a ’66 Cadillac Coup DeVille.
The band has crafted a heady mix of British Invasion, indie rock, bubblegum, and power pop, which singer Jeff Whalen described thusly: “The Brothers Steve to me is like a ‘60s meets ‘90s kind of record. I don’t think the ‘60s thing here was super-intentional. It’s more like when Os and I get together to sing and write, we very often end up in this early-Bee Gees/Association/Nilsson territory.”
The band is Jeff Whalen (vocals, guitar), Os Tyler (vocals), Dylan Champion (vocals, guitar), Jeff Solomon (bass) and Coulter (drums).
Now that these long-dormant songs have been revived, how do The Brother Steve hope to be remembered?
 
Os: Fondly. 
Jeff:  With people’s brains.
“The album will be released in mid-late September. Produced by Luke Tierney, #1 is now available for pre-order on CD.”
Dig what these cool cats are saying:
 
“…the best thing that I’ve heard this year… #1 is the shot in the arm that Guitar Pop needed so badly.” – I Don’t Hear A Single
“The Brothers Steve debut album #1 is a concentrated dose of poprock goodness. This baby is all killer, no filler, beginning to end.” – Poprock Record
“The Brothers Steve have channelled the spirits of The Banana Splits and The Monkees for this airy fun slice of California pie album.” – Full Blast Music
“3 members of Tsar play in The Brothers Steve, but the music of the band is more influenced by Teenage FanclubGuided By Voices or The Kinks. The 60s powerpop influences perfectly mix with 90s alternative Brit pop…’ – Veglam
 

TRACK LIST:

Angeline / We Got The Hits / She / Carolanne / C’mon Pappy / Songwriter / Carry Me / Good Deal Of Love / Beat Generation Poet Turned Assassin / Sunlight

Read RPMs Fantastic review HERE
UK/Europe CD Orders from Here
USA and Vinyl Here

"Angeline" by The Brothers Steve

"Angeline." The second video from the debut album by The Brothers Steve—available on vinyl July 27, 2019, at thebrotherssteve.com. #pterodactyl

Posted by The Brothers Steve on Monday, 15 July 2019

South Wales Rock and Rollers Buzzard Buzzard Buzzard release a brand new video for ‘Love Forever’.  On what seems like a steep upwards trajectory the double denim fourpiece the band can be found hitting the stage at Bristol on Sept 14th, Swansea Fringe on October 6th, Newcastle with Otherkin on 21st.  they play Swansea Fringe on Oct 3rd then The Priory Centre with fellow WElsh rockers Henrys Funeral Shoe Before moving onto Shimmer Sounds in November 16th and 17th in Cardiff and Birmingham. Tickets Here

Tom, Shred, Zac and Ethan, based in Cardiff but currently making the rounds supporting the likes of Noel Gallagher and those High Flying Birds of his, as well as destroying the Soccer AM​ set! High energy, frock-wearing, high-kicking, Rock ‘n’ Roll’ing, Indie mayhem click the link and get down and get with them

Website

Facebook

You can stream the track Here

 

Released to coincide with their recent appearance on the Pavilion stage at Rebellion 2019 ‘Singing Our Souls’ is the second EP from Kid Klumsy the Coalville based five-piece who like to mix metal with punk and feature Weab ex-singer with Dirtbox Disco on lead vocals.

It still doesn’t feel quite right writing “ex singer with Dirtbox Disco” after Weab’s name but having seemingly not been happy fronting the band for quite some time at least here on the six tracks that make up ‘Singing Our Souls’ he sounds much more comfortable singing songs he’s written with his new bandmates.

I’d actually only heard a few older tracks by Kid Klumsy ahead of the recent Rebellion show and to be honest live they seemed to be much more metal than punk, but here on ‘Singing Our Souls’ the balance does switch back more in favour of the punky side of the street.

Lead track ‘Mr. Right Man’ is built on the type of thunderous uptempo guitar riff Dirtbox made their trademark and rumour has it is apparently autobiographical with Weab telling the story of how his larger than life clown figure became something he grew to hate, and true to that ethos Kid Klumsy are very much a jeans and T-Shirt band.

‘Slob’ is up next and this track is much more metal tinged especially on the double bass drum driven chorus breakdowns. ‘Dislexic Monkyz’ meanwhile is perhaps the most Dirtbox sounding track of the six on offer, largely because of Weab’s singing and even given the wacky subject matter it still manages to contain a really catchy hook.

‘Love Is a Battery Field’ is another tune that sticks in the head this time due to the infectious gang backing vocal whilst ‘She’s A Fuck’ is ostensibly a song about a stalker that is built on a thumping Krist Novoselic bass foundation which then adds huge slabs of 90s metal guitar to build its overall structure. Weab is also pushing himself into new areas vocally on this track and I for one certainly like this almost Ricky Warwick meets Dave Gahan style he has developed.

‘Singing Our Souls’ closes up with ‘Maisey’s Song’ a mid-tempo rocker that doesn’t really go anywhere and for me it’s the weakest track here.

Having been a fan of Dirtbox Disco since the days of their first EP at first I wasn’t exactly sure what to make of Kid Klumsy, in fact even after a good few plays of ‘Singing Our Souls’ I’m still not entirely sure. The EP does have the odd flash of brilliance and it certainly is great to hear Weab singing in styles he wants to sing in; it’s just I can’t help but miss that larger than life clown of old you know.

However, with extensive tours already booked both here in the UK and internationally and Kid Klumsy seemingly growing as songwriters the more they are together, I think I’ll reserve full judgement for when the debut album drops, in the meantime though ‘Singing Our Souls’ is certainly an interesting appetiser if you don’t mind a bit of metal mixed in with your punk that is.

Author: Johnny Hayward

Facebook

 

Many years ago my love for Queensryche forced me into getting my first tattoo, the Pushead Empire Tri-ryche, which I had etched across my back after witnessing the band play another spectacular show on the Promised Land tour. Strangely after that things started to go slowly wrong. The band soon lost an integral part in guitarist-songwriter Chris DeGarmo and while several of the albums still had some great songs, they seemed to get into a rut of plodding repetition, that despite us being told were new and exciting, were often just dull and sometimes nothing short of terrible. Then the unthinkable happened and vocalist Geoff Tate was ousted from the band. That voice, gone.

While this would have been the final nail in the coffin for most bands, Queensryche aren’t most bands, and soon they were back with a new enthusiasm and with a new vocalist, Todd La Torre formally of Crimson Glory, who was more than man enough for the job. After the band’s third release with La Torre (the frankly magnificent ‘The Verdict’), I found myself snapping up tickets for their London show excited to see the band for the first time since 2010 when I left that show unsure if I would ever bother again. Luckily I did.

Kicking off with the opening track from ‘The Verdict’, Blood of Levant, it soon became apparent that the fire was back and despite now having only two original members, the soul of the band was still intact. With a setlist that spanned the years new material such as personal favourite ‘Light Years’ sat very comfortably between tracks as strong as ‘Jet City Woman’ and ‘Eyes of a Stranger’, and more tellingly even had fans singing it back word for word as well. This became more and more apparent throughout the gig with new material like Condition Human, Man the Machine and Propaganda Fashion being received as old favourites and seeing the busy venue head-banging along throughout.

While perhaps not the most active band on stage that you will ever see, Queensryche make up for it in sheer musicianship and Todd La Torre himself is something of a revelation, nailing everything with ease and also coming across warm, friendly and very humble. I found myself pretty much memorised by his performance, so much so when he hit “that note” at the opening of ‘Take hold of The Flame’, not only did I get goosebumps, I had a full lump in the throat and found myself welling up as I never thought I would experience that again.

Finishing with a sixteen song set with a rapturously received ‘Empire’, smiles were plastered across the faces of both band and crowd, and the newly announced UK dates later this year has left me checking to see who doesn’t deserve a Christmas present this year so I can afford another road trip to go and see a band that I can once again call one of my favourites!

Author: Nigel Taylor

Råttanson LP “I’d Much Rather Be with the Noise” (Open Mind Records) is now available for streaming and download on various platforms. On the menu, this time is a delicious Spectoresque garage pop tune, a mouth-watering musical dish that will take you through the late summer and beyond.

Facebook

Råttanson is a Swedish garage rock/power pop/rock’n’roll DIY solo project that has been searching for that god damn rock’n’roll and supreme shakes since 2013. It’s all about three chords, guitars and self-penned tunes. On the fabulous self-produced debut album “Full-scale Shakeability”, released in 2017, Råttanson sang and played all instruments himself, but on the upcoming second album, he’s brought in the drummer extraordinaire Anders from the Turpentines/the HiJackers. The debut album was described as: “It’s like The Monkees on acid at rush hour, sucking in some Barracudas along the way and spitting it all out in the name of garage, beat and rock’n’roll” and the 14 new original songs follow the same explosive and guitar-saturated recipe.

LuxNoise is proud to announce the next “Bitch Queens” album “City Of Class”. Will be out 27th of September on vinyl, CD & on all digital platforms. It contains 11 straight death-punk songs and shows the band from their most energetic side so far!  Coming out on LuxNoise in Europe and spaghettytown in the USA.

 

Mel, Harry, Marcel & Danny have written Ten new tracks and have also included a cover of ‘Paso (The Nini Anthem)’ by Spanish DJ Sak Noel that needs to be heard. A review on RPM will be out nearer the release but needless to say, this is one hell of a loud record.  Fans will be pleased.

 

Christian Martucci, a name I wasn’t familiar with (other than playing in Stone Sour).  I recently discovered that he was the new guitarist in one of my fav bands the Black Star Riders. So I was excited to find out that he has a solo ep out titled ‘Negative Balance’.                                                                

Now anyone who knows me knows I love loud guitars with a punk edge and boy does the first track of this storming E.P. not just tick those boxes but blasts them wide open with the track ‘Black Dust’.   ‘Black Dust’ kicks us off with a hardcore sounding guitar riff but also with a melodic edge. Christian’s vocal is also impressive with plenty of melody and power in evidence.

Next up is the glorious ‘Printers Devil’ and the pace does not let up and this track bounces along with great intensity the running order is well-chosen as ‘Sounds and Silence’  has a slightly slower pace but plenty of melody in both the riff and Christian’s vocal. Yet again it’s very impressive.

‘Nothing In The Dark’ is a number with a great personal lyric and just oozes class but then you’d expect that from Acey Slade, Karl Rockfist and Christian Martucci.  ‘Bad Ghosts’ is up next and this track mixes acoustic and electric guitars with a great bouncy sing-along riff that will have you humming the tune and tapping your feet immediately and yet again I love the great lyrics.

‘Give Me Fire’ finishes off this E.P, in style and is a cover of the GBH track and is every bit as good as the original. This E.P. is a work of art and will appeal to fans of loud guitars as well as the other works this trio has been involved with. They’re seasoned Rockers who have got the chops and know-how to deliver. Trust me you need this E.P. in your collection as it just gets better on every listen.  pity, it is not a full album as it really is that good. Right I’m off to blast this again.

Author: Gareth ‘Hotshot’ Hooper

Check it out Here or on streaming services everywhere

Facebook