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The Short Fuses – Dawn Of The Deaf (Ramo Records)

The Short Fuses – Dawn Of The Deaf (Ramo Records)

Born way back in ’97 this three-piece of Rock and Roll energy took pieces from the good and the great to carve their own little niche.  Imagine Motorhead jamming with Mc5 with the a dash of boogie from early AC/DC rocking up with Nashville Pussy. Well, then turn it all up because that’s a part of what The Short Fuse are about.
Seems people like to label their music (which is fine we all do it) and Action Rock is a thing so I guess it would be fair to say The Short Fuse are indeed Action Fuckin’ Rock! They’re Fronted by Miss Georgia Peach on Vocals and  Bass duties and she has that bluesy soulful quality much like Lisa Kekaula of the Bellrays parish.
The band released a few records at the tail end of the ’90s and early naughties and then went their separate ways doing a whole bunch of things from acting to video directing but the call of the wild saw them reunite a couple of years ago with a little help from the legend that is Daniel Rey and that kinda leads us to where we are today with ‘Dawn Of The Deaf’ finally coming out in 2019 (Some Journey).
Loud guitars pounding bass with plenty of grunt and rolling drums that pound away with the best of em as those guitars pour petrol onto the engine that makes up this record as songs like ‘Galloping Ghost’ are ablaze as they just thrash and howl from start to end.  Marrying the Motorhead rhythm to some excellent guitar licks and some soulful vocals trying to contain this beast of a record that is ‘Rock Yo Self (until You Wreck Yo self)’ Catch your breath boys n girls because the rocking only gets harder and faster and louder than the last tune that hit the speakers with a cheeky bump. ‘Furiosa’ is its name and Rocking loudly is its game Never mind recording levels this just goes at it hard and fast much like The Bellrays as they head to encore time this is exceptional stuff it has the X Factor that was ‘Supershitty to the Max’ and such gems but wait, go nowhere ‘You Ain’t shit’ just turned the dial up a notch. Record of the week? Record of the month I reckon.  If I hear a song better than this in the next thirty days I might just spontaneously combust!
It’s fair to say this album starts off well but as it warms up it just gets better and better and ‘No’ might be a smidgeon more restrained than the last few tracks but it still rules. It’s like Debbie Harry had joined Wayne Kramers mob. If you’re raising an eyebrow then I suggest you go source it on a streaming service or wherever you get your downloads and put my words to the test, Rock and Roll isn’t dead its not even in the ER room – The Short Fuses are flying the flag for loud as fuck guitars and its in your face anyone who doesn’t believe. I won’t even mention ‘High Score’ they can have that one 😉

Buy ‘Dawn Of The Deaf’ Here

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Author: Dom Daley

Frank Carter & The Rattlesnakes – Leeds, Brudenell Social Club – 5th May 2019

Frank Carter & The Rattlesnakes – Leeds, Brudenell Social Club – 5th May 2019

There seems to be a growing trend of bands offering album/ticket bundles right now and I’m all for it. As part of the promotion for new album ‘End Of Suffering’, Frank Carter & The Rattlesnakes announced a run of intimate, low key shows at record stores and small venues.

Billed as an album release show, the only way to gain entry to either of this evening’s 2 shows (an earlier acoustic set and a later full band electric set) was to buy an album/ticket bundle from Crash Records in Leeds. £24.99 for a splatter vinyl and a ticket to see one of the hottest live acts in the country play at my favourite venue? I only had 3 words…take my money!!

“I’ve been waiting 15 fuckin’ years to play this room…don’t let me down!” says a bare-chested and sweating Frank Carter before launching himself into the baying crowd during ‘Lullaby’…or was it ‘Juggernaut’? I don’t remember, as you see a Frank Carter show is chaos, fucking chaos! I knew this, I’ve seen him a few times now, that’s why I’m standing on the steps to get a good view, far away from the rabid crowd, who want a piece of this enigmatic frontman. A man who causes manic young men and women to lose their shit for the majority of a high energy hour or so show.

It started way more chilled than I expected, especially as the last time I saw them (earlier this year at Fibbers in York) it was the excellent  ‘Crowbar’ that got things off to a frantic start. The acoustic, uncredited final track on the vinyl version of ‘End Of Suffering’ lends itself well as an intro tape before the band open with ‘Why A Spider Can’t Love A Butterfly’. The atmosphere is electric as the song builds and builds to a crescendo, Frank seemingly relishing the chance to get emotional from the off.

It’s not until the following ‘Tyrant Lizard King’ that the chaos begins. The crowd are off and bouncing as one unit, already singing the words to a seemingly new crowd favourite. An old crowd favourite follows. ‘Vampires’ makes the crowd truly react as the frontman desires, a smile across his face as the darkened room becomes an animated sea of flailing arms and legs.

For the next 50 minutes or so the onstage roadie earns his crust pulling crowd surfers from the crest of a human wave and guiding them stage left. If anyone outstays their welcome, Frank grabs them by the shirt and throws them back into the chaos, with a smile.

In this claustrophobic club environment, this band truly thrives. A young blonde haired lass makes it to the stage maybe five or six times, she’s all over the frontman, much to his amusement. Elsewhere a scrawny Frank doppelganger, with dodgy tattoos and an even dodgier mustache, is having the time of his life, on his back sailing a sea of hands.

The new songs fit the set well. The regimental ‘Heartbreaker’ has the crowd fist-pumping, as guitarist Dean Richardson thrashes the riff out on his battered Telecaster. ‘Kitty Sucker’ was always going to be a highlight, and while the beautiful ‘Angel Wings’ and crowd favourite ‘Anxiety’ offers a respite from the high energy show, the intensity of ‘Devil Inside Of Me’ was always going to get the crowd going again. And if anyone was still needing more, if there was just one person who felt they didn’t get their money’s worth yet, we get ‘Crowbar’, not just once…but twice in succession.

Those who are now spent gather themselves together with just enough strength to sing the band’s ultimate hate anthem ‘I Hate You’.

It’s no fluke that Frank Carter & The Rattlesnakes will play third down on the main stage below Foo Fighters at Reading/Leeds festival this year. They are one of the most exciting live bands in the country right now, with a fierce reputation. They also happen to have recorded one of the best albums of the year in my humble opinion.

The band stay true to their beliefs, they sweat and bleed to deliver for their growing fanbase night after night, and I sure hope they continue to play these intimate club shows. Tonight’s show was a one off experience. Heavy, hot and totally exciting from beginning to end… everything you desire from a live rock band and more. If you missed it, then you missed out.

 

Buy End Of Suffering Here

Author: Ben Hughes

Mick ‘Two Fingers’ Simpson – Grindhouse interview

Mick ‘Two Fingers’ Simpson – Grindhouse interview

We got in touch with Mick from Grindhouse when we saw they were going to go on an overseas excursion and we wanted to get up to speed with what they had planned and for the uninitiated, it was a chance for Mick to set out the Grindhouse stall so to speak.  Here with the chatter that matters about all things down under and Grindhouse is Mick ‘Two Fingers’ Simpson. 

Its always been a hotbed of Punk Rock and Roll down under – sure it might have taken a while for us snobs in the Northern Hemisphere to cotton on to some of the bands but the UK can’t get enough of Australian bands at the moment and the trail blazed by the likes of Radio Birdman, The Saints, Cosmic Psycos and Rose Tattoo has recently been reignited by the likes of Amyl & The Sniffers, Grindhouse, The Chats (to name just a few – I Could go on) all making a dent in the scene halfway around the world.  We wanted to get a hold of Grindhouse and see what’s up so we contacted Mick to get the inside track on all things Grindhouse.

G’day Mick. You say you were listening to bootleg albums of your rock and roll heroes hoping one day to imitate them. who and what albums were Grindhouse listening to in the back of that XD?

Ah I see you have done your homework, yeah I grew up on a lot of Australian independent rock kind of by accident. Not that I’m an old fucker but we didn’t have the internet back then so it was a case of finding bands by word of mouth or stumbling across them on peoples stereos at parties or riding around in cars looking for cheap booze and good times. That’s where I discovered Radio Birdman( Radios appear), The Saints, Tumbleweed( Galactaphonic) and Aasteriod B6182. Then wed go out on a Saturday night with a fake ID and watching these bands in the flesh. Ok now I feel a little older ha, ha

 

Tell us a brief history of the band where did you guys meet?

We all grew up in a seaside city called Wollongong but ended up in Melbourne, our drummer had unprotected sex and had to leave the band. We all warned him but he didn’t listen.

The nucleus of the band came from another garage band called the Wardens but I wanted an avenue to really play punk rock, sing about dirty shit and not give a fuck, that’s how Grindhouse came about.

 


You say you’re interested in vintage porn and Mosrite guitars. when you say vintage porn what are we talking here? John Holmes? and the guitars why the Mosrites?

Fuck me I probably wrote that when I first started the band and totally forgot to be honest. Pony plays a 64 Mosrite Ventures that sounds nasty as cat shit but very cool and I used to have a great vintage 70,s porn mag collection in the 90,s so maybe its art imitating life.

 


What does Melbourne make of Grindhouse? will you be welcomed back after your European excursion like prodigal sons or will they close the borders and pretend they’re out so you cant get back in?

We have a loyal bunch of misfits, part-time alcoholics, fare evaders, bum sniffers, serial masturbaters, Lube lovers, weed smokers, vintage porn collectors, speed creeps, and sex freaks we lovingly call Grindhouse fans and that’s just the members of the band.

Hopefully we just clear customs without a strip search( happy for a pat-down), other than that anything else is a bonus.


I’ve always loved me some Australian rock and roll but at the moment there seems to be a real demand for it over here in the UK. We recently had the Chats over as well as Cosmic Psycos and Amyl And The Sniffers and Radio Birdman always manage to play London or at least for the past few years. You guys are coming so what can or should we expect?

Its definitely taken off in the UK lately which is great, I think mainland Europe has always been the main staple of o/s touring for Australian bands so its great for bands to have the UK as another option. Historically the UK has always had a strong connection with Australian music from The Saints to The Birthday Party so its no real surprise. As for the mentioned bands, Birdman will always be Birdman but the next generation of younger bands coming through is great even for us as it creates interest in Aussie Independent bands. Amyl and the sniffers are a great live show, the Psychos seem to just find another gear and get better with age and The Chats just supported Iggy Pop in Melbourne so am I jealous? You better fucking believe it.

 


Any other recommendations you could tip us off with. Who would Grindhouse like to drag around Australia with them?

I love a band from Melbourne called Stiff Richards who id call the best garage band in Australia at the moment other than Grindhouse, there,s also a great Ramones inspired garage doo-wop band from Adelaide called Jullitte seizure and the tremor dolls who we love too.



Its been a year since ‘Can I Drive Your Commodore?’ came out. Are we near a follow-up? Tell us about any new music?

We have a plan to record a new album later this year with a working title of “ Sex, Punk, Power” and well be testing some of the new songs on the road which will be cool.

 


The titles on the record made me instantly smile and from those titles, I was buzzin’ to hear the songs and I knew exactly how they were going to sound. What’s the best title you’ve come up with so far? and why don’t more bands sing about Cheese and their love for friends like Gary? Isn’t shit cocaine dangerous? and is the Australian Car industry really dead?

I’ve always loved ‘Wild sex and machine guns” on our first album as its about a woman I worked with who loved those two things which cracked me up. Our titles are inspired by growing up in the suburbs of 80,s Australia so a lot of people connect to the songs. We don’t make cars in Australia anymore and we also have a lot of shit cocaine in this country so I’ve been told.

As for Peter Russel Clarkle, every band should have a song about a celebrity chef who loves tasty cheese.



Are you guys in shape now ready for a hot and sweaty tour of Europe? Can we have a bunch of shows in the UK, please

I don’t know if were hot but were sweaty and ready, id love to do the Uk so fingers crossed we can get there sooner than later. We have a band we love from Nottingham called The Hip Priests who wed love to do it with plus the beer in the UK is always ice cold.(it’s actually fucken very tasty).

Mick did say that they were looking to coming to Shit Island sometime next year hopefully with a brand new album under the hood so its our (and your) duty to demand it and make it happen by showing bands like Grindhouse that the UK loves them and wants to bring them here for some live dates.

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Duff McKagan tour dates and new album pre orders

Duff McKagan tour dates and new album pre orders

Ahead of the release of his new solo album Duff has announced a string of tour dates in support of ‘Tenderness’.

GUNS N’ ROSES’ DUFF McKAGAN ANNOUNCES EUROPEAN TOUR

AUGUST / SEPTEMBER 2019

Thursday 30th May 2019​​TLA, Philadelphia, PA USA

Friday 31st May 2019​​​City Winery, Washington, DC USA

Saturday 1st June 2019​​City Winery, Boston, MA USA

Monday 3rd June 2019​​Irving Plaza, New York, NY

Thursday 6th June 2019​​Thalia Hall, Chicago, IL USA

Saturday 8th June 2019​​Cannery Ballroom, Nashville, TN USA

Monday 10th June 2019​​Historic Scoot Inn, Austin, TX USA

Thursday 13th June 2019​​El Rey, Los Angeles, CA USA

Friday 14th June 2019​​​Great American Music Hall, San Francisco, CA USA

Saturday 15th June 2019​​Aladdin Theater, Portland, OR USA

Sunday 16th June 2019​​Showbox Presents, Seattle, WA USA

Thursday 22nd August 2019​​Stodola, Warsaw POLAND

Friday 23rd August 2019​​Astra, Berlin GERMANY

Saturday 24th August 2019​​Blue Moon Festival, Amsterdam HOLLAND

Monday 26th August 2019​​Gloria, Cologne GERMANY

Tuesday 27th August 2019​​Alte Feurwache, Mannheim GERMANY

Thursday 29th August 2019​​Islington Assembly Hall, London UK

Saturday 31st August 2019​​Electric Picnic Festival, Dublin EIRE

Sunday 1st September 2019​​Manchester Academy3, Manchester UK

Tuesday 3rd September 2019​​Le Trabendo, Paris FRANCE

Wednesday 4th September 2019​Ancienne Belgique, Brussels BELGIUM

Friday 6th September 2019​​Dynamo, Zurich SWITZERLAND

Sunday 8th September 2019​​Santeria Club, Milan ITALY

European headline dates go onsale at 9am GMT Friday 26thApril, 2019.

For tickets please see www.livenation.co.uk

TOUR WILL SEE McKAGAN BACKED BY SHOOTER JENNINGS + BAND

Pre Order Duff McKagan ‘Tenderness’ Here

Duff McKagan is giving fans another sneak peek launching “Don’t Look Behind You” – click HERE to listen.

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Towers Of London – Cardiff, Tramshed – 6th May 2019

Towers Of London – Cardiff, Tramshed – 6th May 2019

20th March 2007 was the last time I saw the “classic” line up of Towers of London live, in of all places London. It was also to be one of their last headline gigs together. Fast forward 12 years and the prospect of seeing Donny, Dirk, Rev, Snell and Tommy back together on stage really is getting me all nervous. Not least because I’m due to meet up with the guys beforehand to hand over some much sought-after film footage that has been in possession all these years that the guys now need for an upcoming documentary. A film, as I was soon to find out, they want to be a true reflection of their time together back in the mid-noughties, not some cheap expose piece only looking to create headlines.  

That reckless sense of irresponsibility that drove the band first time around has very much been replaced by a more focussed and mature set of heads all looking to finally set the record straight both off and on stage, and what better way to start than by heading off on an eight date UK tour supporting The Wildhearts with Massive Wagons also along for this rock ‘n’ roll rollercoaster ride too.

Unfortunately tonight I can only stick around to witness the return of  Towers Of London so I’ll leave the full gig reviews to my RPM colleagues to pick up at subsequent dates, but this is a very well-attended tour that’s for sure, with two dates sold out in advance and quite a few of the others close to capacity . This, in turn, means Towers of London get to play to full rooms and most importantly to a largely new audience, so come 7:30 sharp I’m stood a couple of rows from the barrier waiting for that infamous air raid siren intro tape to go up, before the 5 black boiler-suited Towers guys open fire with ‘I’m A Rat’ and suddenly all the years they’ve been away just seem…well….insignificant.   This is the band who I thought could be the UK’s answer to Guns N’ Roses and save for a few, ahem, “misplaced” career decisions along the way what this line up did leave us with was one of the finest debut albums of the last 40 years.

Tonight then their nine-song set is split 60/40 in favour of that ‘Blood Sweat and Towers’ album and along with the likes of ‘Beaujolais’ and ‘Air Guitar’ the newer tracks (all set to be included on their as yet untitled third album) like the stadium rocker ‘Shot In The Dark’ complete with Snell thumping the kit and Rev adding the guitar chops now come over as with much more sneer and a lot less veneer, and the more polished sound that had been creeping into the band’s musical direction really has been toughened up with the return of the old guard. ‘Kill The Popscene’ indeed, but sadly that anthem is nowhere to be seen tonight.

Finishing their 30-minute set with Donny face to face with the front rows for a stinging ‘Fuck It Up’, it’s his comment “we’ve all fucked something up” just as he lets the microphone fall to the floor that perhaps best sums up this new/old version of Towers Of London. It’s that old Drink Fight Fuck spirit but without any of that “baggage” getting in the way of you finally realising that Towers of London were never really a guilty pleasure they were always a fucking great rock ‘n’ roll band. 

Now, let’s have album number three and the highly anticipated documentary and perhaps finally we’ll get see Towers of London make it big. Who’s with me?

Author: Johnny Hayward

Grindhouse – Live At Goatsound (Self Released)

Grindhouse – Live At Goatsound (Self Released)
8 sticky tracks of moist sexual punk rock action.  Not my words, of course, the work of Micky ‘Two Fingers’ Simpson the guitar and voice of Australias Grindhouse who just happen to have snuck out a mini album recorded live and in the raw. There is no studio trickery or pro tools involved nor is autotune a feature of Grindhouse live.
Literally kicking things off with ‘Sleeping At The Peeps’, ‘You say so’ this lethal concoction of human flesh and bones gathers momentum and by the time they hit the ramshackle breakdown and solo things are cooking and that’s continued with a frantic ‘Wild Sex And Machine Guns’.
‘Throbbing Eye’ is pure filth and the riff is even faster live as the boys in the band channel their inner MC5 and Stooges mojo and just piss out rock n roll excellence.  I’m not sure there is a finer Australian band out there at the moment sure Amyl & The Sniffers are about to unleash a mighty fine long player and Cosmic Psycos are back in the saddle but these big boys have got the chops and are just kicking out the jams at every turn.  Seems like they can do no wrong. Whether it’s Shit Cocaine’ or calling out a ‘Demolition Dirtbag’ they are having it.
Over the course of this mini album, you get treated to songs from all three long players included a false start to ‘Can I Drive Your Commodore’ before it goes off like a brawling mob hocked up on cheap whiskey and even cheaper speed. but boy does their racket sound pretty. Hell yeah! Micky, Rick, Neil, and Adrian have donned their shit kickers and aren’t content with kicking the shit they are dancing on its grave – digging it up and going again. by the time ‘SLR 5000’ Comes to its abrupt end I’m a bit gutted there aren’t more songs because even us big bones guys can throw ourselves around when the mood takes us and the filthy fuckers in Grindhouse have the chops to get us on our dancing feet and throwing some shapes to the steady beat they are throwing out.
Eight songs in twenty minutes is about spot on and a snack-sized portion of filthy Garage Rock n Roll that contains enough meat for everyone sure I’d have loved to hear ‘Peter Brock’ or ‘Eric Estrada’, Hell I’d have taken ‘I Fucking Love You Gary’ Christ I wouldn’t know where to stop so I guess eight is as good a place as any.  Now for five Australian $$ you can own this digital wet dream and impress your friends and repulse your neighbours.
Come and join the cool kids and fill yer boots with Grindhouse ya filthy punks! It’s like the best bits of Turbonegro, The Stooges, The Hip Priests and Radio Birdman rolled into one giant ball of Rock and Roll fun.  Get it, don’t think about it just do it!
Live At Goatsound is available Here 
Author: Dom Daley

Ryan Hamilton & the Harlequin Ghosts – ‘This Is The Sound’ (Wicked Cool Records)

Ryan Hamilton & the Harlequin Ghosts – ‘This Is The Sound’ (Wicked Cool Records)

Texan singer/songwriter Ryan Hamilton has been on our rock ‘n’ roll radar for a good few years now. We at RPM have been following his power pop goodness since the days of People On Vacation and ‘Hell Of A Day’. So, we were pleasantly surprised and overly pleased when the artists formally known as Ryan Hamilton & the Traitors only went and bagged a record deal with the uber cool garage rock label Wicked Cool Records, owned by the legendary Little Steven.

Joining a label that has released albums by RPM faves such as Prima Donna, Kurt Baker and Wyldlife probably excites us as much as it does them, and being mentored by a NY legend who champions so many cool underground artists can only be good news for Ryan Hamilton & the Harlequin Ghosts.

 

So, a name change, an image upgrade and a debut album usher in exciting times for Ryan and his UK based band of bruthas (and 1 sista). Following the most excellent ‘Bottoms Up/Straight Up’ pink vinyl 7 incher, the band now release their highly anticipated debut long player.

‘This Is The Sound’ follows on where the ‘Traitors Club: Year 1’ EP left us in 2018. And what is clearly evident is that the fine art of a catchy chorus is never lost on Ryan Hamilton. Yep, this album, like his past work, is littered with power pop goodness, quirky vocals, positive energy and an overall message of hope, something that is hard to come by in 2019.

 

The band starts strong with opening single ‘Mamacita’. With a Little Steven penned chorus, this is a classic sounding earworm that will have you singing the chorus on first listen and long into the night. Gloriously addictive and happy go lucky; you would be forgiven for thinking the band has shot their proverbial load prematurely with their strongest effort. But fear not power pop pickers, as ‘Mamacita’ is just a taster and not even close to being the best song on this album.

Like I said, this album has a very positive energy and you can bet your bottom dollar that in these trying times, Ryan will be there for you to raise your hopes. Whether he’s urging you, in pure David Lee Roth style, to “raise a glass and then kiss my ass”, or professing to “bustin’ through ceilings and love you like a superhero” on the brilliant and bouncy ‘Let You Go’, Ryan Hamilton & the Harlequin Ghosts will be with you every step of the way.

‘Bottoms Up (Here’s To Goodbye)’ is a high energy toast to going down with the ship. Full of 90’s Brit Rock vibes and Silver Sun soaked melodies. The band is firing on all cylinders in an effort to remind you all of the good times and promise more of the same ahead. A killer hook and summery vibes, this is a song to wear shades and down cocktails to.

The anthemic title track delivers the kind of euphoric, turn of the Century pop punk goodness the likes of American Hi-Fi gave us. Mickey’s urgent beats help bring the message to the fore, as it builds to a sublime chorus. The feel good themes of the album summed up in 3 minutes and 15 seconds.

 

You can take the boy out of Texas, but you can’t take Texas out of the boy! Fort Worth resident Ryan Hamilton’s roots are still all over this album. The goodtime rock ‘n’ roll of ‘Get Down’ is a bar room boogie that will have you shakin’ and a groovin’ and downing them beers. While ‘All Fall Down’ has shades of Tom Petty storytelling, while ‘Girl vs Monster’, with its mournful slide guitar and tinkling of the ivories, is full of country twang.

There’s a very fine line between cheesy and genius when it comes to radio-friendly sentimental balladry, but these guys have it nailed, hands down. The beautiful chorus in ‘So Gone’ really hits in the feels.  A mixtape worthy song that will urge you to tightly squeeze the hand of the one you love and never let go. And ‘Feels Like Falling In Love’ has hit single stamped all over it, with Donnie Vie like vibes and hazy, lazy backing vocals, for me, its one of the strongest songs on offer.

The album closes on a reflective note with the piano led ‘Won’t Stop Now’. A heartfelt, haunting dittie, full of church hall echo, soaring vocal harmonies and strings that take it up to an ethereal plane.

 

If you are the sort of person that relies on music to get you through the day, let me introduce you to Ryan Hamilton & The Harlequin Ghosts. They have crafted an album of masterful songs that are guaranteed to lift your spirits, make you smile and reach for the play button the second the disc stops spinning.

‘This Is The Sound’ is a very strong album and expect to see it riding high on End of the Year lists six months down the line and with the backing of Wicked Cool Records who knows what the future holds.

Buy This Is The Sound Here

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Author: Ben Hughes

 

 

 

 

 

Giuda, Thee Dagger Debs – The 100 Club, Sat 4th May 2019

Giuda, Thee Dagger Debs – The 100 Club, Sat 4th May 2019

 

In support of their fourth album, Giuda returned to rock London. Having seen them twice before, I knew that this was going to be an unmissable gig. Last time around, they had White Trash and Cyanide Pills on the bill; one of the best line ups I’ve ever seen. Tonight, it’s the turn of Suicide Generation to open proceedings. You can’t fault their energy, though their set seems blighted by guitar/amp issues, and they are a little light on tunes, but they reminded me of the great Ray Zell’s Marionette, so I warmed to them.

 

Thee Dagger Debs were more to my tastes. Indeed, so fine was their performance that I bought their vinyl album at the end of the night, and risked it on a packed tube train. To some, ‘pub rock’ may be faint praise, but they recognise its value; there’s a whiff of good, old Canvey about them. More rhythm than solos, punchy bass lines, and tunes to get the feet moving, I hope to see them again soon.

 

So, what can be said about Giuda that hasn’t been said before? After tonight’s show, I’m running out of superlatives. You are guaranteed a great night out at a Giuda gig. While their records are fabulous, they are even better live. From the first chord, they are in control. Tenderer embodies the joy of their music, a frontman immersed in every song, urging the crowd on. And the choruses keep on coming, new songs like ‘Space Walk’ and ‘Overdrive’ fitting seamlessly into older classics.

 

As ever, they keep the gaps between songs to a minimum. If like me, you’re singing along, you barely have time to catch your breath before the next chorus hits. And, most of us were singing; it’s a celebratory atmosphere. We’re all here to forget the world and have a good time, and Giuda are built to deliver. I can’t give you a set list, as my feet were moving all night. This is music to lose yourself in. We danced, we sang, we smiled. Some of the most important things in life. What more do you want? Tonight belongs to Giuda. They were glorious. Thank you.

Author: Martin Chamarette

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Review Of Giuda album ‘E.V.A’ Here

 

 

SKID ROW – Sign Global Deal With Australia’s Golden Robot Records

SKID ROW – Sign Global Deal With Australia’s Golden Robot Records
SKID ROW
Sign Global Deal With Australia’s Golden Robot Records
New Music To Be Released Late 2019


The world’s fastest growing independent rock label, Golden Robot Records, continues its upward trajectory into 2019. Starting the year off with a bang, the label recently welcomed guitar icons John Sykes and Gilby Clarke to the family as well as Alt-Rockers, Trope, and is now thrilled to announce their latest signing!

Golden Robot Records is pleased to welcome hard rock legends Skid Row to their already impressive roster of artists!  The band recently signed a worldwide deal with Golden Robot Records, which will see their long-anticipated forthcoming new album and first with new frontman ZP Theart released later this year.

‘We are beyond excited to announce that we have signed with Golden Robot Records. The label is the perfect balance between old-school way of thinking with digital age sensibilities. We can think of no better company to release our third chapter of United World Rebellion and our first record with ZP” says Skid Row bassist, Rachel Bolan.

‘We are honoured to welcome Skid Row to the GRR family they have always remained true to their fans with authenticity and passion. We are more than excited to be part of their next chapter and journey with a brand new album!’
Mark Alexander-Erber, Golden Robot Entertainment Group Founder and President. 

Skid Row burst onto the scene with their iconic self titled debut album in 1988. Fuelled with enough punk and metal attitude to take down any band on the West Coast but enough melody to battle them for airplay dominance.  Top Ten singles, Gold and Platinum sales in too many countries to count and a #1 album on the Billboard chart! They ruled the world for the next 8 years until an ill-advised South American tour in 1996 brought the party to an end. The band was finished, but the core camaraderie never died.

In 2000 Skid Row returned to the big stage. Opening for Kiss, they were reinvigorated. Supercharged underdogs who needed to come out fighting to prove themselves once more. With a new frontman, the renewed Skid Row played hundreds of shows, with every night being a hard fought battle to win new fans and convince the old ones they still had it. Two albums and two EP’s later, the war was won, Skid Row have reestablished their position as one of rocks finest acts with authenticity and the fact they have stayed totally true to themselves and their fans.

With the current musical climate the way it is, Skid Row will continue down the EP path. “The idea really appealed to me,” says Bolan, “especially with the constantly changing musical climate.  I like the idea of a steady flow of new music, as opposed to releasing a full-length album then riding it for the next two years.”

Armed with powerhouse vocalist ZP Theart, Skid Row in 2019 is as potent as ever. The twin guitar attack of Dave ’Snake Sabo and Scotti Hill is as legendary as any other classic duo and they are cemented in place by the massive driving force of Rachel Bolan on bass and Rob Hammersmith at the back on drums.

The band are currently in the studio recording the third in their United World Rebellion EP series and it will be released via Golden Robot Records in late 2019.

Skid Row will be playing in Europe throughout June and July appearing on festivals including Bang Your Head and Rockhard in Germany, Download UK, Norway Rock, Sweden Rock and more!

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One Man Gang – Michael Monroe announces European Tour dates

One Man Gang – Michael Monroe announces European Tour dates

 

 

Let’s not muck about here folks these are the dates already announced –

The tour gets underway in Oslo on 22 October and features UK dates as well as a headline performance at the Hard Rock Hell festival in Great Yarmouth on 9 November. Full dates are…

Oct 22: Oslo, NO John Dee
Oct 23: Gothenburg, SE Pustervik
Oct 24: Stockholm, SE Fryhuset Klubben
Oct 25: Copenhagen, DK High Voltage
Oct 26: Hamburg, DE Headcrash
Oct 27: Berlin, DE Frannz
Oct 29: Paris, FR La Maroquinerie
Oct 30: London, UK O2 Academy Islington
Nov 01: Leeds, UK Brudenell Social Club
Nov 02: Milton Keynes, UK Crawford Arms
Nov 03: Southampton, UK Engine Room
Nov 04: Birmingham, UK The Mill
Nov 05: Glasgow, UK Garage
Nov 06: Manchester UK, Club Academy
Nov 07: Bristol, UK Fleece
Nov 08: Stoke, UK Sugarmill
Nov 09: Great Yarmouth, UK, Hard Rock Hell Festival

More shows are likely to be added. Tickets are available here.