In celebration of their 40th anniversary, we’re pleased to announce the reissue of our third album, ‘A Different Kind of Tension’, and the ‘Singles Going Steady’ compilation on Friday 14th June.
Restored from their original tapes for the first time, both titles feature newly curated booklets and unseen images, with Jon Savage contributing the liner notes for ‘A Different Kind of Tension’ and Clinton Heylin for ‘Singles Going Steady’.
Pre-order on deluxe edition coloured vinyl and CD:Here

Hear the newly re-mastered versions of ‘Love You More’ and ‘You Say You Don’t Love Me’: Here

In other Buzzcocks news –
We can confirm the contemporary line up of Steve, Chris & Danny, original band members and guest vocalists will be performing at London’s Royal Albert Hall on June 21st 2019 for our Celebration of the Life of Pete Shelley performance.
We expect to start announcing our guest vocalists in the next two weeks.
Please join us for what will be a very special and unique evening.
tickets:  Here.

Another new album from Pup and another new album that’s a must-have. Canadian punks Pup have been causing a stir for the best part of a decade now and this is album number three.  Not too shabby on the recording front to be fair.

A wall of pop-sensible punk rock with lyrics out of the teenage bedroom scrapbook raging against growing up its the modern progression of kids who grew up listening to Green Day and Weezer.  The songs have an edge of the underground but I don’t know how long they’ll be able to hang out with the cool kids in the underbelly of entertainment because this is going to push these cats overground (I’m confident of that). I haven’t got a clue what they’re going to shout and scream about then. Whatever it might be I’m sure it’ll sound great as this does.

 

The title track is an excellent warmer upper with a smattering of angst profanities about not fitting in and being bored and a tad pissed off. It’s catchy and pissed off all at the same time – you get some lush gang vocals on ‘Free At Last’ and the chance to thrash around a bit as the song soars towards its abrupt ending.  ‘See You At Your Funeral’ sounds like its Weezer meets My Chemical Romance and downs a vat of beer at the frat house then fucks off to act the nuisance and I like that – a lot.

‘Scorpion Hill’ begins with some piano and guitar all melancholy and a cotton picking cats choir before the inevitable take off. for a five minute song, you sort of knew it was coming but when it arrives it’s decent and that’s all you can ask for as it meanders its corse to the end. Are you real or Fake’ is the question they ask on ‘Bloody Mary, Kate And Ashley’ a real high point of the record with great vocals from all the gang as the noise builds. ‘Sibling Rivalry’ is a wall of noise on the intro but you’re almost lulled into a false sense of security as we reach the chorus and again you can’t help but move to the rhythm.

‘Full Blown Meltdown’ is just that, They knock out a perfectly acceptable slice of raging punk rock with everything turned up to 11 and sounding like a Bronx song (but they’re not Bronx I know but this is in that universe and that’s always a cool place to be).  With only a couple of tracks left I felt the record flew by only noticing where I was because I had to flip the record over which is a compliment that this almost forty-minute album has flown by. Ending the record with ‘City’ their most diverse song to date with its melancholy first half then a feedback-laden middle while the bass turns up the noise before everything distorts and kicks the jams right out and fucking with the sound engineers headphones the band sign off in style and I can declare that indeed ‘Morbid Stuff’ is a roaring success make the most of this band because before long there will be an avalanche of fans demanding their attention and on the strength of this new record it will be thoroughly deserved.

Buy Morbid Stuff Here

Author: Dom Daley

Rock legends KING’S X are thrilled to announce that they are entering the studio to record their highly-anticipated new album – the first to be released in over a decade – scheduled to drop this year via Australia’s leading international independent record label, Golden Robot Records.
The label announced their global signing of KING’S X in December.
Today, KING’S X enters Blacksound Studio in Pasadena, California with renowned producer Michael Parnin – recognized for his work with a varied range of artists, from Rage Against the Machine and Missy Elliott, to Andrew Lloyd Webber and Barbara Streisand.
Commenting on how it feels to be returning to the studio after 10 years, dUg Pinnick says, “Good question! I haven’t thought about it much, been super busy. But got a ton of tunes to submit. I never know what to expect. I’m always surprised when it’s done and can see it as a whole picture. And we’re making a record after how long?! I’ve been waiting for this to happen for a very long time, and I’m totally looking forward to it.”
Jerry Gaskill adds, “It’s been a while since we’ve made a record together. I go back and forth between excitement and fear. But when it gets right down to it, I think excitement wins. I look forward to sharing all of our ideas together and seeing what comes of it all. If nothing else, it will be the next KING’S X record.”
Ty Tabor says, “I’m excited to see where we are at these days. We’re all bringing ideas in.” 
Michael Parnin adds about recording the new album with KING’S X“A great story in the making… As a huge fan of the band from the beginning, I am unbelievably excited to work on the next long-awaited chapter. Some of my favorite and most artistically rewarding projects have been working with dUg over the past 10 years, namely “Strum Sum Up” and the fun Hendrix Tribute Album we did together… Likewise, I’m honored and looking forward to working with Jerry and Ty who are each masters of their craft.”
Derek Shulman, Executive Chairman of Worldwide Expansion for Golden Robot Records adds, “I am delighted to finally be able to work with one of the most respected, creative rock bands of the past 30+ years. KING’S X is not only a superb rock band with an ardent fan base, but are also a ‘musician musicians’ band. Golden Robot Records is determined to finally help KING’S X receive the worldwide recognition it fully deserves.”
Since the release of their debut record, Out Of The Silent Planet, in 1988, KING’S X released over a dozen albums that have seen them rightfully earn their place on the rock royalty family tree. Fusing progressive metal, funk and soul grooves with vocal arrangements rooted in blues, gospel and even the British Invasion era influences, KING’S X created a style all their own which continues to be an inspiration for bands to this day.
Featuring vocalist and bassist Doug Pinnick, guitarist Ty Tabor and drummer Jerry Gaskill, KING’S X have never changed their line-up, a rarity in the music world and a testament to the band and musicians and friends.
Critically acclaimed from the start, KING’S X are musician’s musicians, name-dropped by everyone from Anthrax and Suicidal Tendencies to Iron Maiden and Blue Murder for their instrumental prowess. Pearl Jam’s bassist Jeff Ament even declared that “KING’S X invented grunge”. They also enjoyed a long life via the David Letterman Show with their track, “We Were Born To Be Loved” (from 1990’s Faith Hope Love), also a favorite of the Paul Shaffer’s CBS Orchestra to play during commercial breaks.
In 1992, KING’S X signed to Atlantic Records/Megaforce Records, released three albums and toured with bands as diverse as ScorpionsType O Negative and Pearl Jam. In the early 2000’s, KING’S X released three studio albums and their first official live album via Metal Blade Records. In 2005, the band signed to German-based progressive music specialty label, InsideOut Music, and released Ogre Tones, an album described as a return to the bands classic sound. KING’S X forged ahead with new albums, DVD’s and tours up until 2012, when drummer Jerry Gaskill suffered a major heart attack. The band then quickly compiled an exclusive live release from their archives entitled, Burning Down Boston. The proceeds of which went directly to assisting Gaskill with his medical expenses. They rolled on for two more years until Jerry suffered another heart attack, which resulted in him having a double bypass operation and ultimately led to the band taking an indefinite hiatus.
This break didn’t last long, as they were back on the road in mid-2015, shortly afterward announcing they would begin work on a new studio album. This would be the band’s first since 2008’s XVKING’S X began meetings with Golden Robot Records management in Los Angeles in early 2017, eventually signing a global deal in October 2018.
While it’s been a decade since KING’S X have released a new record, the wait has definitely been worth it! Watch this space for news on the forthcoming album in the very near future.
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A ringing 12-string guitar introduction. A dreamlike lyric that seems to hold the cosmos in its hands. It’s still the most recognisable, covered and widely beloved song in the catalogue of a band that’s released a remarkable 26 albums. And it’s 30 years old this year. The song is ‘Under The Milky Way’, from The Church’s most successful album, the undisputed classic ‘Starfish’.

In 2019, the Australian paisley underground pioneers are still enjoying the unique celebrations, which started with a sold-out appearance at the Meltdown Festival in London on the personal invitation of curator, The Cure’s Robert Smith.

They return to British shores with the following tour dates in order to mark another remarkable anniversary:

Sat 8th/Sun 9th June – ‘Of Seance and Starfish’ – The Church Weekend, Bush Hall, London

Mon 10th June – Manchester Club Academy

Tues 11th June – La Belle Angele, Edinburgh

For these shows, ‘Starfish’ will be performed in its entirety, along with a selection of other gems from the band’s career, which now spans an incredible 38 years.

Starfish remains best known for its iconic singles ‘Under The Milky Way’ and ‘Reptile’. But like all classic albums, it’s a journey – and it starts with ‘Destination’, the six-minute opus which opens the album.

From there, the list of hits, band and fan favourites is long. ‘Myrhh’, which leader Steve Kilbey described in his memoir ‘Something Quite Peculiar’ as the definitive Church song. ‘Ripple’, from the masterful ‘Priest=Aura’. Almost anything from 1982’s ‘The Blurred Crusade’. Expect songs from ‘Hologram of Baal’, itself celebrating its 20thanniversary. And, of course, there’s ‘The Unguarded Moment’, the single that launched the band onto world stages on its release in 1981.

But this is not just a nostalgia trip. The Church have been revitalised since 2014 with the addition of guitarist Ian Haug, formerly of another iconic Australian band, Powderfinger. “Ian is a big part of the band now,” Fellow guitarist Peter Koppes says. “He’s a consummate, intuitive musician with fantastic tones.”

Koppes goes on to sum up the band. “Music is like inner space and we’re astronauts,” he says. It’s a spellbinding thing, it’s hypnotising. That’s why people like it. It takes them into another world and we’re here to open those doors.”

The Church’s strange journey remains an endless sea of possibilities.  it’s time for the band to celebrate one of their crowning glories, not to be missed.

For more information visit www.thechurchband.net

Jeffrey Ross Hyman better known as Joey Ramone passed away at the age of 49.  His fight against lymphatic cancer ended on this day after a long a widely reported battle.  Hyman was born in Queens on the 19th of May 1951. Joey was born with a parasitic twin, the twin was surgically removed however he did have a sibling, brother Mickey Leigh.

 

His musical journey began when he played the drums from the age of 13 before picking up an acoustic guitar and then moving onto vocals and the rest, as they say, is history as he performed all over the world playing thousands of shows to millions of people.  He loved the Beatles, The Who, and the stones as much as he loved 50’s girl groups and The Ramones managed to do a fine job of mashing up all those influences throughout their iconic career.

 

Joey has a street named after him in NYC but the band managed to play their farewell show in California.  His iconic hunched form with tinted shades ripped jeans converse shoes and the black leather jacket has been copied a million times over as has his band’s music. He will forever be remembered in connection with CBGB and leaves behind a wonderful legacy of Ramones records as well as two solo albums before he passed away as well as being immortalised in the Simpsons and even got a speaking part as well as singing the Spiderman theme song doesn’t get cooler than that folks.  Rest In Peace Joey Ramone one of the finest frontmen ever in music – period. King of the outsiders

The last song Joey heard was a U2 tune, not a band I usually like to share but hey it’s about Joey so it’ll do and the Ramones did support U2 at the Longest day way back in the 80’s so kudos to them for doing that at least besides where else was a kid going to see The Ramones?

anyone who ever saw the band can testify as to how good they were and even when they weren’t good they were still good – yeah? Iconic punk rockers amazing image – even more amazing catalogue of songs and albums – incredible characters – dysfunctional, goofy, awkward, enigmatic, influential.  Lucky for us there has been something of an avalanche of reissues, bonus material, box sets, books, DVD’s. The Ramones will forever be remembered and rightly so. Rest In Peace Joey you ruled!

 

Morning rockers get an earful of some fine Welsh double Denim this Monday morning.  Buzzard Buzzard Buzzard is their name and rock n roll is their game check em out.

That’s something new how about this olden but golden slice of rock from the valleys of South Wales care of 60 ft Dolls

and to wrap it up for this week keeping things Welsh here’s our favourite misfits those loveable Sick Livers with their Cocain Jeans.   Chow for now as they say in Llandow.  Next week its aJesuss three just for Easter 😉

Debut EP from Georgian garage rocker Rod Hamdallah has been around for a while fine tuning his craft in the dark arts of Garage rock and blues but imagine turning those amps up a little then a little better that’s where Rod is shooting from. ‘Think About It’ kicks off with the title track that is the sound of all guns blazing as the touch paper is lit and off he goes.  A wild and simple ditty ‘Think About It’ has a vibrant – loud – simple set up of guitar – bass and drums before the vocals kick in and just tear it up. to accompany that and sew the seeds of variety ‘Carry You Home’ is a twist with a darker bluesy sound adding a Whurlizer for texture and some rhythmic floor tom thumping its a great side step.  It also features Colonel J.D Wilkes from Legendary Shack Shakers who brings added soul to the party.

‘I Don’t Mind’ turns those guitars into fuzzed up overdrive heaven as the band gets their groove on as the buzz of the amps fills the speakers ‘I Don’t Mind’ brings some welcome attitude.

Flip it over side one is done. Fans of The Urban Voodoo Machine need to pay some attention right here as we get some swamp gypsy rock n soul going on with an epic widescreen western tune that is ‘Heartbeat’ it conjures up all the imagery of a tobacco chewing guy sat on the porch looking out over the savanna at the cotton fields between slugs of moonshine.  Take nothing away from Rod here because his vocal is outstanding to be fair as he sings for his supper.

To take this sucker home the amps are turned back up for some bluesy soul straight out of the garage with the records most commercial number ‘Take Me Back’ ends this brief encounter on a high as it breaks out on the chorus into some loud Rock and Roll.  Maybe a bonus tune or two wouldn’t have gone amiss but maybe not this EP is exceptionally well crafted and contains some excellent songs that cross several genres comfortably but it ebbs and flows really well.  Check it out would be my advice not to sit there and ‘Think About It’ for too long.

Buy ‘Think About It’ Here

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Hound Gawd!

Author: Dom Daley

So this once amazing solo record from Keif Richards hit the streets like a stick of dynamite and exploded on stereos and record players across the globe.  The Stones had stopped communicating and it looked like it might be terminal as Richards, Wood, Watts, and Jagger were reportedly busy doing their own things.  Now Stones aficionados were sad but not I for I was quite excited as to what they might come up with on their own without having to fit into the tight Stones regime and to be fair whilst Jaggers ‘Wandering Spirit’ was a real diamond of a record it was ‘Talk Is Cheap’ that blew me away and I’ve since owned a couple of copies on Vinyl and CD over the years that it came out.  I can remember when the needle hit the grooves and Richards familiar telecaster tone hits the speakers it was a total mind fuck and blew me away. ‘Struggle’ had the funk and from the choppin’ riff it was cool as and the sax was just so cool but it was Keith’s vocal delivery that is warm and absolutely on point and nothing like he’d really done before but still totally Keith -most of all it was exciting and the band he’d assembled was amazing the spirit and vibe they were cutting up was amazing.  ‘Take It So Hard’ was a riff-a-rama as Keith traded with waddy wactel as the rhythm section just laid back and drove the song on to something special and again the vocal delivered by Richards is still stunning.

to be fair the whole record is still pretty mind-blowing and fresh as even now all there years later.  Had Richards day job gotten a hold of songs like ‘Struggle’ and ‘How I Wish’ it would have been stunning but we’ll never know if these were ever attempted by a Jagger Richards combo. The record still makes regular trips to my record player and throwing shapes along to ‘You Don’t Move Me’ is a joy.  Easily some of the latter-day Stones camp finest tunes and a more complete solo album from any single member of the band ever and that’s a fact!

I’m always a little skeptical about deluxe and super deluxe reissues of classic albums especially when it comes to bands like the Stones as I certainly wondered how hands-on Mr Richards was and did he really moot the idea about giving this a makeover and including all the extra bits n bobs?  Anyway, it’s here there’s no point in moaning about it but I peek through my fingers at the screen to see how much the company wants for the deluxe version and then the super duper version and I did chuckle when it was explained that it was made out of the same wood that Telecasters are lovingly manufactured.  righto, I thought just under £600 that’s hilarious.  

So the Deluxe edition clocking in at anything from £100 to £140 you get the two records on 180g one the remastered original and the bonus material (to be honest what a load of cobblers) Blues Jam with no lyrics exactly what you might think it’s going to sound like a few covers bla bla bla.  Inside a wallet, you get a load of stuff like the singles a laminate tour pass replica and a bunch of other guff like postcards, etc there is also a cool poster but not a lot of quality as the CDs are exactly the same as the records it could have had a vastly different version or mix maybe a couple of live shows or DVD even they’re not busting a gut here on content other than a plectrum and some paper lyric sheets its pretty cheap stuff not really justifying the cost of a box set and I don’t believe its super limited either so maybe wait a few months and pick it up for half the price somewhere which happened for the Guns N Roses box set.  The Book at the back of the set is half decent but still doesn’t in any way justify the outlay.  My advice would e to pick up the CD version as its a mini Telecaster case replica with some pics from the book and the album plus bonus disc of the extra material that doesn’t hold any hidden gems the only thing that crossed my mind when playing it was how most things always surface in time yet I’d never heard these songs the ones that have been bootlegged to death from the ’70s are much more interesting but being a stones completist is a tough job with something cropping up all the time – you need deep pockets and be able to turn a blind eye to quality at times and whilst there are aspects of this that are cool. The version you want is so overpriced its a real shame because something as good as ‘Talk Is Cheap’ deserves so much better than what it gets.  the recent Strummer box set was a lot cheaper and the value for money was so much greater.  Shame really but them is the choices innit? what remains a fact is the album ‘Talk Is Cheap’ is still the best solo record by any member of the Rolling Stones ever and that’s a fact! Maybe a reissue of ‘Main Offender’ will put all the faults of this to bed and will have a lot more content – we’ll wait and see.

Author: Dom Daley

Buy Talk Is Cheap Here

Wow just wow.  As far as tribute albums go there have been plenty of duds and a few decent ones but when I saw the track list for this one I couldn’t believe how amazing this compilation is and how in times of need the Rock and Roll world can pull together and help out a brother when hard times come a knocking.

IF you don’t know the background to this one then you simply have to click on the links to read Sonny’s story and then you can see just why we need to pick up a copy of this and if you can’t buy one then why not share this review and post it on your facebook page or other social media so it gets maximum exposure and maybe your friends will pick up a copy because this compilation is three discs deep and choc-o-bloc with amazing bands offering up songs to help Sonny and his family.  Coming from the UK I can’t quite get my head around a country that doesn’t want to help its people when they most need it but like I said I’m not here to give my view I’m here to play this CD and give a convincing load of words as to why you should invest in your copy.

Seventy-Six songs over three CD’s Yup I did say 76 you’ve not misread that and all for the price of a few drinks or corporate coffees it might go a long way to help Sonny out. There are a bunch of no brainers going on here like the Amazing Jeff Dahl, James Williamson, Flaming Groovies, The Boys, Corpse Grinders, Pagans, Streetwalkin Cheetahs, RFTC and a whole load more besides.  These legends are pitted next to lesser known bands and singers but not lesser in quality there are plenty of bands I’ve obviously heard of whilst there were more than a few I’m hearing for the first time and I’m blown away by the sheer quality of it all.

Rough Kids ‘Lights Out’ bookends the fantastic The Dogs Riff-a-rama of ‘Call My Name’ with the other side being Richard Duguay with the sublime ‘Fuck You Fame Whore’.  Damn The Viletones ‘Screaming Fist’ makes way for The Candy Snatchers for god’s sake how good do you want this to be? If it was just the one CD it would be mightily impressive but three CD’s is almost overwhelming.  I’m almost embarrassed handing over my $35 and that includes shipping Europe folk seriously!

 

This could go down as the longest review in history if I were too big up everyone who contributed and I’m still looking for my favourite songs that I wasn’t already familiar with. Some much kudos to the bands from across the globe who’ve given up tracks for this it must be humbling to know that so many want to support Cayden and his continued recovery.  Sonny, you should get a cut off each new sale these bands pick up my discogs finger is getting twitchy. The B Girls ‘Mystery’ is such a cool song and its great to hear bands like the Kopek Millionaires next to the Carbonas next to the Testors next to the Barracudas  I love it all!  there are exclusives and some from long since deleted records or not available on CD its a breathtaking project and done to such an amazing standard.

I can’t stress enough why you should support this CD release lets give a family a break and to get something in return is super cool.  Let’s do this for one courageous kid and his family do it because it’s the right thing to do.

Author: Dom Daley

To order the Digital version send $15 via PayPal to –
sonnyvincentpersonalmail@gmail.com 

Or the link-

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76 amazing bands support Sonny to help support Cayden’s recovery. Including James Williamson (Stooges), Refused, Black Lips, The Dogs, Flamin’ Groovies and many more.  Please share

* Important note- When sending through pay pal please send as “gift for family/friend” and include your email and postal address in the ‘note’!
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Or this link-

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To order the 3xCD pack send $25 for USA.

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Please include your mailing address in the Paypal message. send as gift for family/ friend
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$35 outside USA.
Includes all shipping costs
Send via PayPal as ‘gift for family/friend’

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Despite last minute prep to travel across China, maybe I’ll catch some new music, maybe not, I opened up my email from RPM and paused to give this a listen before going. I’d never heard Damien Jurado before, never even read any background but what drifted out of the speakers made me scurry around the interweb, to do a little bit of background.

 

Now everything I’m reading tells me that Damien Jurado is a bit of a quick worker, but if the blurb is right In the Shape of a Storm came together with unprecedented speed. I mean recorded over the course of two hours one California afternoon? Guns and Roses it most definitely isn’t.

 

There’s a haunting fragility to the vocals backed with only acoustic guitar, both sparse and atmospheric in equal doses. Reading backwards I’m hearing about a trilogy of concept albums, heavily psychedelic and researching back further I’m hearing links to Sub Pop!!!! In fact there were four LP’s released on Sub Pop Waters Ave s. in 1997 followed by Rehearsals for departure produced by Ken Stringfellow (the Posies/Big Star/REM), then onwards to Ghost of David (2000) and I break Chairs (2002). This is another artist I need to take some time out and back track through a huge back catalogue and Sub Pop seems to be the place to start

 

If I had to categorise this I would definitely link towards Folk, but its not quite, it reminds me a little bit of Tom Baxter, the guitar work is a little bit more than something being strummed in accompaniment to whatever protest song is being espoused, the vocals weave around the accompaniment, ebbing and flowing painting a journey within each song.

 

This is often quite dark stuff, thought provoking and with a real edge but washes over you giving you time to drift with the music.

 

Stand out tracks for me opener “Lincoln” grabs your attention as does “South” possibly my favourite on the LP, closely followed by “Silver Ball” but the reality is this is a really powerful set of tunes and I think the crossover genre potential for this LP are huge.

 

I would love to catch this set in the live setting, in the right venue without the arseholes who turn up to gigs to talk I can imagine hearing the proverbial pin drop.

 

Great stuff.

Buy ‘In The Shape Of A Storm’ Here

Author: Nev Brooks