Further adventures in Rock and Roll featuring Darren Birch can be found below
Horse Feathers Review Here
Black Bombers Review Here
Godfathers Review Here
Further adventures in Rock and Roll featuring Darren Birch can be found below
Horse Feathers Review Here
Black Bombers Review Here
Godfathers Review Here
It is with great regret that Australian paisley underground pioneers The Church announce the cancellation of their scheduled ‘Starfish’ 30th Anniversary shows in the UK this June due to unforeseeable circumstances in the form of a major injury to their drummer Tim Powles.
The band had been due to celebrate 30 years of their most successful album, the undisputed classic ‘Starfish’ featuring their iconic track ‘Under The Milky Way’ at the following shows:
Sat 8th/Sun 9th June – ‘Of Seance and Starfish’ – The Church Weekend, Bush Hall, London
Mon 10th June – Manchester Club Academy
Tues 11th June – La Belle Angele, Edinburgh
In a statement released on the band’s social media on 25th May 2019, they said:
“In the last minute of the last song, on the last night of the USA tour last week, our drummer Tim Powles suffered a nasty fall off the front of the stage and fractured his foot. Up until today we had wanted to proceed with the shows with our “miraculous one footed drummer”, but new tests reveal Tim has developed a blood clot in his leg, while awaiting surgery. The high risk of DVT in this condition means that flying is entirely out of the question. After much deliberation today, we sadly have no choice other than to cancel the upcoming June shows in Germany and the UK – Including the 2nd Annual CHURCH WEEKEND event.
Nobody is more disappointed by this than the band.
We sincerely apologise for any inconvenience this may have caused and look forward to making it up to everyone as soon as we can.
We would like to soften that blow by providing you with a free ticket and meet and greet when we are next in your area.
Once again, we are extremely sorry. We usually roll with the motto of – “the show must go on” ….. but in this case …sadly it was just not possible.”
Refunds will be available from your point of purchase. Please contact your ticket vendor directly.
If you have made special arrangements to travel to London for the VIP event that are non-refundable, please contact:contact@thechurchband.net
Hey, Ho Lets Go! Geoff Palmer has got this power pop punk rock off to a tee. He’s nailed the melodic Ramones melodies for that 50’s feel and the playing is street tough, not brawling but tough enough to wear a leather jacket after dark kinda tough.
Sixteen tracks of hard luck no luck tough love boy meets girl falls in love falls outa love has a beer hangs out with his buddies you know the drill. One thing I have to say is this record sounds like it was recorded on a lot of laughs and was such a fun record to make I can’t believe this was a hard job pulling these tunes out of the band at all – Hell I might be way off but that’s what these tunes are singing to me.
‘I Like Murder Too’ (oh that love song) has a touch of The Dwarves about it. I could certainly hear Blag wagging his finger to this one in some flea pit out on the road somewhere. What separates it is the acoustic guitar underneath the buzzing electric guitar riff but those backing vocals are top notch.
‘Got The Skinny’ is time honoured and the loud overdriven guitars sound great doesn’t it. ‘We Can’t Do It’ is way over there in Beach Boys territory on the intro – No seriously but fear not the distortion pedal is pressed and away we go its 16ths on the hi-hat and woohoo! the end.
‘Everything Is Cool’ hell yeah! and so it is. great riff, great fun lets go! When you’re onto a good thing don’t stop don’t try and be cool or be hip just keep rolling and so ‘All The Hits’ scratches that pop-punk itch. When we hit ‘Paper Heart’ Palmer introduces some keys and jolly nice they are too. Adding another colour to the pallet whilst its just a slower pace its a great piece of songwriting sure it won’t see him inducted to the Hall Of Fame but it will put a smile on someones face when they spin this record loudly on their stereo on a Friday night and that’s just the point isn’t it. One piece at a time – we’ll get there in good time.
‘Donut’ is a cool tune and ‘Make It’ is a great way to wind down the record from the arrangement to the melody its borrowed a bit from the 80’s new wave of the Cars and alternative Westerberg in his later Replacements days. Which just leave a couple of tracks with one being ‘Punker Than You’ which is as you’d expect but the finale is acoustic – slide guitar and a rocking horse upbeat stroll like a long lost Exploding Hearts track. Get Geoff Palmer on tour with Shit Islands The Speedways and together they can conquer the world I guarantee it (maybe)
Much Like Brad Marino these talented so and so’s make up the songwriting duo of garage rock faves The Connection or Geoff is also one-third of pop-punk darlings The Guts, punk rockers, power-poppers, and garage rockers this is one you can feast on whenever – it’s like a little ray of East Coast sunshine.
Author: Dom Daley
https://www.youtube.com/watch?time_continue=143&v=KnvchWA9ZVo
Hot Suede are another of those bands that randomly come to my attention and send me scrambling to learn more about them. This time it wasn’t Facebook though, but, instead, it was a compilation CD from a print magazine that made me sit up and take notice. Hot Suede does not want to be put in a box as they bring together a multitude of influences that really establish their own identity. It also perfectly sets the stage for them to continue to explore their sound in the future. If you enjoy rock music (which I gather you do since you are reading this), I suggest you keep reading or pop over to their Bandcamp page and listen while I talk about this one. Hot Suede hail from Kansas City which has possibly worked to their advantage in creating their own sound on their debut album. To be fair, the only other band that immediately comes to mind from the past couple of decades for me is the awesome Paw.
Perhaps the ’70s are the best place to start as Hot Suede clearly pull the foundation of their sound from a time when rock did not have a million subgenres in different puddles of water but was instead one big ocean. They then add in some power and crunch of a band like Queens of the Stone Age to create something new and fresh while also feeling very familiar. ‘Roll a Bone’ features a cool groove that immediately make Brett Southard (drums) and Chad Toney’s (bass) impact felt right at the beginning. Bobby W. Topaz’ vocals are powerful and assertive with a clear tone that has many dimensions. Add in some clever guitar work by Doug Nelson and Scott Reed, you have a song that captures the attention but does not overwhelm you with a chorus. It is instead subtle and insidious as the song will be there in your brain later… trust me. ‘The Otherside’ incorporates a hooky chorus that is again not over the top but extremely effective. The hard rocking beat and guitar riff working perfectly in unison. There is a breakdown in the middle of the song which serves to ram the hook in even deeper. ‘Forget About You’ was the song that made me dig deeper as the band takes a hard-driving beat that lets Topaz propel the song with some nice vocal transitions with a razor sharp hook that reminds me a bit of Brother Cane without the southern influence.
The bluesy hard beat of ‘Get What You Came For’ provides an awesome take on modern rock but would also sound at home on a classic rock station between Led Zeppelin and Deep Purple. There is a great tone to the guitars throughout the album with the band also benefitting from a great mix that really lets everyone be heard. The quiet intro guitar riff of ‘Watch Me Burn’ turns into a rocker that provides some bounce as it picks up steam, but it is made more powerful by working back in the quiet guitar riff again after its first run through the chorus. A jangly riff brings us ‘Make It Harder’ with Topaz trying to entice every female listening with his crooning in full effect. It provides a much different musical slice to end the first half of the record but just as effective at planting hooks in us that we will be humming and singing in no time.
‘Got It Made’ turns up the speed to start the back half of the record with a sound reminiscent of Queens of the Stone Age set against a more traditional rock chorus that is simple and very effective. Next up is ‘Interlude’ which contains some backward vocals and twisting musical notes over its minute long existence. It sets the change for ‘Tell Me’ very well as the song really feels different from the first half of the record. The beat by Southard and Toney is awesome with the guitars embracing something moodier, perhaps a bit of Pink Floyd. I don’t know if the record would have flowed the same without the change that the ‘Interlude’ brings.
‘Occasional Lover’ finds the band bringing forth much more of a Queen influence. The band settles into a great groove and unleashes an outstanding chorus. At six minutes, this one would struggle on traditional radio but is one of my favorites from the album. The breakdown in the middle of the song allows everything to come to a halt before it builds back up for the end where I wish it would have had one more chorus. ‘The Trail’ reminds me a bit more of 90’s rockers like Tonic or Naked who borrowed elements of grunge, college rock, and classic rock to create catchy songs that people could quickly pick up and sing, but they also add some Pearl Jam inspired musical goodness with the instrumental break. Closing out the album, Hot Suede bring forth ‘Good Maroon’ which runs under 2 minutes and serves as a nice acoustic based outro for the album.
Hot Suede make a very favorable debut here that will get plenty of plays from me this year, and I look forward to hearing what they do next. They bring plenty of variety to the table here so they can continue to branch out in the future. Give the album a sample on their Bandcamp page and don’t be surprised if the songs keep pulling you back.
‘Hot Suede’ is available now
Author: Gerald Stansbury
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