Mother Vulture – ‘Doing It Live’ (Self Release)

Mother Vulture – ‘Doing It Live’ (Self Release)

Bristol based four piece Mother Vulture have been making a name for themselves in the pits and dives of the South West music scene with their incendiary live shows over the past couple of years. In packed, claustrophobic venues, music fans watch jaws agape, as they witness guitarist Brodie Maguire and bassist Chris Simpson jerk about the stage like some invisible demon is prodding them with a red hot poker. Centre stage is a diminutive whirlwind of corkscrew hair, armed with just a microphone and the biggest voice this side of Mike Patton or even Rob Halford in his prime. I say centre stage, but take your eyes off him and Georgi Valentine is gone. Into the crowd, on his back on the dance floor singing his lungs out while his bandmates seemingly defy gravity, making a cacophony of noise as intense and brutal as anything you could wish for.

This is the world of Mother Vulture. But all this is inconsequential right now, as Coronavirus has put pay to this band taking off in 2020. So what does a band like Mother Vulture do while they await the go-ahead for their return to live-action? They only go and release a live album on an unsuspecting world!

 

Recorded live at Rockfield Studios in Wales, ‘Doing It Live’ comprises 10 tracks of high octane, rock ‘n’ roll music that captures the chaos and intensity of a Mother Vulture live show.

The singles are present and correct. Album opener ‘Tell Me’, ’Mr Jones’ and latest release ‘Fame Or Shame’ are all delivered with the confidence and bravado of seasoned pros. The musical chops of Rage Against The Machine, the bluesy howl of Wolfmother and the raw, punk intensity of The Stooges combine to create a glorious musical orgasm that leaves you longing to witness them in the flesh.

The between-song banter serves as a reminder that this album was cut in one take, live in the studio. Shit, this band is tighter than a duck’s arse! Tribal beats and big guitars are the order of the day in ‘Habits Die Hard’, Brodie’s inner Ron Asheton comes to the surface as cool lick follows cool lick. The playing is confident, the rhythm section of bassist Chris and powerhouse drummer Matt West deliver with precision throughout. Larger than life beats, a crackle of distortion and feedback lead off ‘Big Teeth’ before retro riffage and screamo vocals take it to another place entirely. In ‘Bleeding Feet Blues’ they take the genre and turn it upside-down. Not so much a blues lament, as a ‘rip your head off and shit down your neck’ kinda vibe!

Epic closer ‘Objectify’ shows a depth and maturity to a band greater than their years. Finger-picked guitar chords and haunting vocals lead the listener into a false sense of security before the band kick in with a wall of distortion and soaring vocals to make your ears bleed one final time before the (virtual) record stops spinning.

 

‘Doing It Live’ is not Mother Vulture’s debut album, they’ve not even got around to recording that yet! This is their career-defining live album, they just decided to release it before their career has been defined!

You want a reminder of the intensity of a hot and sweaty club show? You want a snapshot of a young, crazy and talented new band that are hungry to get back at it? Well, what are you waiting for? Hit the link and order this record. But be quick as there are just 100 copies up for grabs. You snooze, you lose, mofos!

Buy ‘Doing It Live’ Here

Facebook

 

Introducing…Dead Horse

Introducing…Dead Horse

Today’s Introducing happen to be a new down & dirty garage/punk trio from London influenced by the likes of Jay Reatard, The Cramps, 80s Matchbox, etc.

Dead Horse formed in 2019 when former Love Buzzard (Fluffer/1-2-3-4 Records) front man Kevin Lennon (bass/vox) returned to London from Brighton, meeting up with long time bandmates (Rumour Mill/Kids From K Hole) Duncan Clark (drums) and Josh Kemp (guitar) via a mutual interest in garage rock/punk, old and new.

Who are Dead Horse?

Dead Horse are sleaze drippin garage punk trio. Kev Lennon on Bass/Vox, Josh Kemp on guitar and Duncan Clark on Drums.

Where you from?

All currently base in and around London

How did the band come together?
Duncan and Josh already had been in bands together for a few years, Kev joined them when he returned to London from Brighton after a stint as front man to Holy Glam FKA Scab Hand and before that Love Buzzard.
Recordings available? 

We have released one single ‘Flesh Mountain’ prior to the EP release. Kev recorded that one on an old cassette 4 track in our rehearsal studio so a bit rough around the edges in a good way!

Post pandemic what’s the plan?
Getting back into the studio in Bristol towards the end of the year to lay down another EP or possibly an Album depending on what we can squeeze out in 3 days. We are of course  looking forward to getting back to gigging and want to get a UK tour booked in as soon as we now when venues will be opening up again.

Hit them up on Facebook / Instagram and tell em RPM Online sent you!

 

‘The Boys on Safari’ Box set release date revealed

‘The Boys on Safari’ Box set release date revealed

Captain Oi will release a 5 CD Clamshell “The Boys on Safari” Box Set on 25 September 2020. It will comprise:

 71 track 5 CD clamshell box set covering legendary Punk band The Boys’ period with Safari Records between 1979-81.

• Disc 1 is the band’s third studio album “To Hell With The Boys” which reached No.4 in the Independent Chart in early 1980 and features the Indie Chart hit singles ‘Kamikaze’ (No.9) and ‘Terminal Love’ (No.32).

• The second disc is 1981’s “Boys Only” album which features the singles ‘You’d Better Move On’ and ‘Weekend’.

• Disc 3 is a 22 track “Rarities” round-up containing eight previously unreleased studio demos alongside non LP B-sides and rare mixes.

• The fourth disc is the X rated “Christmas Album” issued under the name The Yobs, which now has three added bonus tracks. Long out of print on vinyl or CD and currently an expensive collector’s item.

• The final disc is an “In Concert” recording for the BBC in 1980.

• The 28 page booklet contains detailed track notes by original vocalist Matt Dangerfield and lots of clippings, memorabilia and pictures of all the relevant record sleeves.

• Matt has also supervised the mastering of all the tracks.

· The band are still going to this day, 44 years on! And they will be playing again… just as soon as pandemic conditions allow!

Both “To Hell With The Boys” and “Boys Only” have been remastered directly from the original Safari master tapes so sound far superior to any previous CD releases of the albums.
Full Track Listings:
DISC ONE – TO HELL WITH THE BOYS
1. SABRE DANCE (Trad Arr The Boys)
2. RUE MORGUE (Dangerfield)
3. TERMINAL LOVE (Plain)
4. SEE YA LATER (Steel/Dangerfield)
5. YOU CAN’T HURT A MEMORY (Steel/Dangerfield)
6. KAMIKAZE (Plain)
7. LONELY COWBOY (Dangerfield)
8. WAITING FOR THE LADY (Penfold/Reid)
9. BAD DAY (Steel/Dangerfield)
10. INDEPENDENT GIRL (Steel/Dangerfield)
DISC TWO – BOYS ONLY
1. WEEKEND (Dangerfield)
2. WRONG ARM OF THE LAW (Dangerfield)
3. POOR LITTLE RICH GIRL (Plain/Black)
4. MONOTONY (Plain)
5. NOTHING VENTURED (Dangerfield)
6. WONDERFUL WORLD (Campbell/Adler/Albert)
7. SCRUBBER (Plain)
8. SATISFACTION GUARANTEED (Black)
9. GABRIELLE (Dangerfield)
10. MISS YOU (Plain)
11. LITTLE WHITE LIFELINE (Dangerfield)
12. LET IT RAIN (Steel/Dangerfield)
DISC THREE – RARITIES
1. SCHOOLGIRLS (Steel/Dangerfield/Plain)
2. JAP JUNK [1979 Demo] (Plain)
3. SEE YOU LATER [1978 Demo] (Steel/Dangerfield)
4. CRY TOMORROW [1979 Demo] (Plain)
5. LOVE IN PAIN [1979 Demo] (Steel/Dangerfield)
6. SCHOOLDAYS [1979 Demo] (Steel/Dangerfield)
7. YOU CAN GIVE IT [1979 Demo] (Walker)
8. TERMINAL LOVE [Original Mix] (Plain)
9. RUE MORGUE [Original Mix] (Dangerfield)
10. KAMIKAZE [Single version] (Plain)
11. TERMINAL LOVE [Single version] (Plain)
12. I LOVE ME [Single version] (Steel/Dangerfield)
13. YOU BETTER MOVE ON (Alexander)
14. WALK MY DOG (Dangerfield)
15. JIMMY BROWN (Steel)
16. LITTLE RUNAROUND [1980 Demo] (Dangerfield)
17. WEEKEND [1980 Demo] (Dangerfield)
18. LET IT RAIN [1980 Demo] (Steel/Dangerfield)
19. NOTHING VENTURED [1980 Demo] (Dangerfield)
20. WRONG ARM OF THE LAW [1980 Demo] (Dangerfield)
21. COOL (Dangerfield)
22. LUCY (Steel/Dangerfield)
DISC FOUR – THE YOBS CHRISTMAS ALBUM
1. RUB A DUM DUM (Davis)
2. THE BALLAD OF THE WARRINGTON (Dangerfield/Plain)
3. ANOTHER CHRISTMAS (Dangerfield)
4. DOGGY (Merrill)
5. JINGLE BELLS (Trad Arr The Yobs)
6. AULD LANG SYNE (Trad Arr The Yobs)
7. SILENT NIGHT (Trad Arr The Yobs)
8. SILVER BELLS (Livingston/Evans)
9. C-H-R-I-S-T-M-A-S (Trad Arr The Yobs)
10. GLORIA (Trad Arr The Yobs)
11. TWELVE DAYS OF CHRISTMAS (Trad Arr The Yobs)
12. WHITE CHRISTMAS (Berlin)
13. WE WISH YOU A MERRY CHRISTMAS (Trad Arr The Yobs)
14. MAY THE GOOD LORD BLESS & KEEP YOU (Wilson)
BONUS TRACKS :
15. RUB A DUM DUM [Single version] (Davis)
16. ANOTHER CHRISTMAS [Single version] (Dangerfield)
17. YOBS ON 45 (Trad Arr The Yobs)
DISC FIVE – BBC IN CONCERT 1980
1. FIRST TIME (Plain)
2. RUE MORGUE (Dangerfield)
3. YOU BETTER MOVE ON (Alexander)
4. KAMIKAZE (Plain)
5. COP CARS (Steel/Dangerfield)
6. NEW GUITAR IN TOWN (Plain/Stride)
7. BRICKFIELD NIGHTS (Steel/Dangerfield)
8. WORM SONG (Trad Arr The Boys)
9. TERMINAL LOVE (Plain) 
10. LIVIN’ IN THE CITY (Steel/Dangerfield)

Introducing…The Dirty Denims

Introducing…The Dirty Denims

The Band describes their sound as Happy Hard Rock and their influences are worn as a badge of honour with the likes of Joan Jett, The Donnas, AC/DC, and The Ramones to name but a few.  The band was formed back in the 2000s and has undergone some personnel changes up to this point of the new album coming out. 2020 sees them release their finest bunch of songs to date on ‘Ready, Steady, Go!’

We caught up with lead singer Mirjam and fired some questions at her to find out just Who are The Dirty Denims and can you introduce yourself to RPM Online…

So who are The Dirty Denims?
We are a Happy Hardrock band, a mix of hard rock, rock ‘n roll, power pop and punk rock. We are 2 boys and 2 girls: Suzanne on drums, Marc on bass, Jeroen on guitar and me (Mirjam) on vocals/guitar. Think AC/DC meets Joan Jett meets KISS meets The Ramones.
Where do you call home?
We are from Eindhoven, that’s in the south of The Netherlands. It’s also called Eindhoven Rockcity 😉
How did the band get together?
We started in 2006, Jeroen and Mirjam are in the band from the beginning and since more then 2 years we are very glad to rock with Suzanne and Marc. It’s a too long story how it all came together, but I think the main influence is the all girl American band The Donnas, that’s why I wanted to start an all-girl band too, but I’m glad it turned out to be a 2/2 line-up, the best of both worlds!
Previous recordings available?  
Yes, we have 2 EP’s and 3 full albums now (including the brand new one). If you are curious, you can check out our website, here you can see everything we’ve released: Here
Finally Post pandemic what’s the plan?
Pandemic or not, we really enjoy connecting with likeminded rockers online. We meet them there and get to know them better there. But of course, we like offline even better. So post-pandemic, we plan to play a lot again live. We are glad most of the gigs are postponed to late 2020 or 2021, and it would be great to book some extra shows too. It will also be cool to play outside of The Netherlands, Belgium and Germany for the first time! We get quite often questions from people in France, the UK and Spain to come on over. We hope we can book some mini-tours in the future.
With their latest release ‘Ready, Steady, Go!’  The Dirty Denims bring a versatile album full of Hard Rock, Power Pop and Punk Rock.

Back in November 2019 they released part 1 (including 2 singles) of their latest album on cd and online streaming services. Then on July 3rd the complete album came out on cd, vinyl and online.

In the opening track ‘Ready, Steady, Go!’, you hear how much they enjoyed recording the album with this new line-up (with Suzanne on drums and Marc on bass). ‘Turn Off The Radio’ is about commercial radio stations’ noise pollution and in ‘Too Much Information’ they take you on an annoying public transport trip.

‘Creatures Of The Night’ turns out to be a successful first single for the complete album, with some cool The Cult vibes. The lyrics describe the famous kitchen scene from the 80s movie The Gremlins. ‘Roll The Dice’ is a way of singer Mirjam telling herself and the listeners to take more chances every now and then.

The Dirty Denims played some large festivals like Lowlands, Rockin’ Park, Zwarte Cross and Bospop and supported Slash, Whitesnake, Golden Earring, Extreme, Cheap Trick and Steel Panther. Their song “24-7-365” got them national airplay on the biggest radiostation of The Netherlands 3FM. The song also was featured in 2 international Comedy Central campaigns. So headway is being made on the continent but here in the UK headway is still needed which is where we come in.

 

Website / Facebook

https://www.youtube.com/watch?time_continue=3&v=kl9rlwwJxR4&feature=emb_logo

Band pic – Willem Wouterse

Rainy Days & Mondays

Rainy Days & Mondays

Even a pandemic has a silver lining if you look hard enough and during this lockdown period there has been some really good Rock and Roll records released and today we’d like to bring you some that have come out recently.

first up Richard Davies & The Dissidents with their Lockdown shot ’21st Century Man’ taken from their album ‘Human Traffic’ 

 

Another new album that only got released this past weekend is the awesome Buzzard Buzzard Buzzard with their debut album ‘The Non Stop EP’.  their latest video for ‘Hollywood Actors’ is here.

Finally reviewed last week is the impressive new album from The Blinders ‘Fantasies Of A Stay At Home Psychopath’ and here is the video for ‘Mule Track’

Introducing…The Suicide Notes – ‘Pleasures Of Despair’ Electric (Self Released)

Introducing…The Suicide Notes – ‘Pleasures Of Despair’ Electric (Self Released)
Hailing from Oxfordshire and Berkshire, the Suicide Notes ooze gutter-trash rock n’ roll. With low-slung buzzsaw guitars and raw nicotine-soaked vocals, they play rock ‘n’ roll with a swagger.  The illegitimate sons of punk and sleaze, conceived on a bed of red wine, cigarettes, and back-alley attitude, in their ranks they featuring ex-Black Bullets vocalist Billy Tee and signed up with a management company in 2019 like most things it sort of ground to a halt with the Covid-19 Virus but they did manage to sneak out the very popular Acoustic EP before everything was locked down. But they’d already banked the Electric EP and with the UK currently unlocking humans from the pandemic its time for The Suicide Notes to get back to business and let the world know what they have to offer.  
On the evidence of the response after their acoustic EP came out the future looks very bright for The Suicide Notes. that debut acoustic EP sold out its initial limited art digipak edition in under 36 hours through pre-sale orders alone, and demand was such that a second edition had to be produced hence why we’re here now as they follow up February Acoustic with its more fierce alter ego ‘Pleasures Of Despair (Electric)’ but before that let me introduce the Suicide Notes or rather let Billy Tee Introduce The Suicide Notes…
Who are The Suicide Notes? 
The Suicide Notes are Billy T on lead vocals and harmonica, Holmes on lead and rhythm guitar and vocals, Dame on the four-string and sometimes guitar and vocals and Gav is on drums, pizza, and garlic bread. We play tragic rock n roll in a raw carefree and drink idled haphazard style.
How did the band come together?
I ( Billy ) wanted to form a band that reflected my music roots, the red wine stained shuffle of bands like The Faces, The Stones, The Quireboys and The Dogs D’Amour mixed the raw edge of the Izzy Stradlin GnR and the romantic tragi undertones of people like Nikki Sudden, Neil Leyton, The  Decedents and The Suicide Twins. I new Alex played guitar and Alex had played with Dame for years so they were a tuned to each other’s way of playing already. Getting the restless dynamo that is Gavin Hobbs to drum was the perfect final piece in our dirty little ramshackle outfit.
Where are the band from? 
The boys hail from Witney in Oxfordshire and I’m the posh tart from Berkshire
Whats in the name?
Gore Vidal once said, “Write something, even if it’s just a suicide note”.

So we did, we wrote a bunch of Suicide notes disguised as songs. It’s the only way I tend to write. I’ve spent a long time-fighting depressions and mental health issues, all of the band do, mine was brought on by long term substance abuse. I’ve been clean two years but I’m still one step from falling off the wagon, I can bloody taste it still, but things are looking good I’m keeping my head down and concentrating on the music and my art anyway …

 Recordings so far?

We released our first single ‘Smoke It Like A Cigarette’ for our acoustic four-track EP, ‘Pleasures Of Despair’ (Acoustic Demo’s Vol One) then we released the full EP as our debut (like you mentioned already) We then went into the studio and recorded a full almost live electric set.

Post-Pandemic Plans?

We’ve written a bunch of new tracks while in lockdown, Alex and I throwing stuff at each other via the wondernet. The plan is to pretty much start from scratch again, literally, we’d only managed four gigs before the whole ‘shithouse went up in flames’ but we had a solid year of festival appearances booked, so hopefully we can get back on the horse in 2021, record an acoustic E.P vol 2 from the new songs and try and find our feet and hopefully we ( all the bands and promoters and venues ) all find some kind of normal again.

As the bells chime on the dark ‘Black Dog Howlin’ it sleazy alright. it’s right in that pocket of early LA Guns sleaze but without the American polish this is genuine Sleaze with attitude from the rolling dirty riff to the chorus where the gang joins Billy Tee for the call back its good stuff.  A well-timed guitar solo fits right in the pocket as the three minutes fly by which is exactly as it should be.  Not for a second does it outstay it’s welcome and like a donkey punch you know its happened.
No doubt there will always be comparisons with Billy’s vocals and a certain Bard from the Black Country so it would come as no surprise to hear The Suicide Notes taking on ‘On The Rocks’ by The Dogs D’Amours. To be fair there’s no point messing with classic Dogs tunes so whilst it’s pretty much kept intact they do add their own twist on it and to be fair it holds up very well. I like the tone of Alex’s guitar licks its got bite but it isn’t dumb and has a swagger that doesn’t come over like he’s forcing his tone.
Having praised the band for their short sharp attack I did balk a little when I saw ‘Ragdoll’ was in excess of six minutes but once we got past the intro tape I was able to sit back and let the rock and roll flow over me.  sure its got the obvious comparisons but I like the chorus and the breakdown works really well and I’m always a fan of using a saxophone in my sleazy Rock and Roll. great stuff!
To wrap it up the Electric treatment of ‘Smoke It Like A Cigarette’ is really good and works better than the acoustic which was excellent to be fair. So all in all a four-track EP that gets better as the songs unfold.  The band has energy and style and can and will carve out their own niche as people get to hear them and appreciate what real proper sleaze should and could sound like.  Oh, and we need more cowbell – obviously.
Pick it up pronto if you want to get in on the ground floor before these guys climb that greasy totem pole of Rock and Roll and you miss out on the collectible early stuff. Now put on yer silken scarf slide into them boots n skinny jeans and get yerself involved.
Buy the EP Here

Facebook / Instagram / Twitter

Author: Dom Daley

NHS CHARITY SINGLE: RULE BRITTANIA

NHS CHARITY SINGLE: RULE BRITTANIA

The last few months have been tough on all of us, the key workers in the NHS do so much to help us. One of the bands that we manage “Adam & The Hellcats” wanted to say thank you. So what better way than teaming up with some of the most talented musicians in the punk scene right now and release a charity single. Featuring JACKIE CHAMBERS of GIRLSCHOOL & ADAM THISTLETHWAITE of MASSIVE WAGONS. Plus many more…

 

The Heat Inc. Release ‘Raptors’ for a debut single

The Heat Inc. Release ‘Raptors’ for a debut single
Armed with a venomous swagger The Heat Inc. release their debut single ‘Raptors’, a caustic slice of vitriolic rock’n’roll through Melted Dino Records.
 
On this scorching debut, The Heat Inc. have delivered a visceral thrill, with Alain Johannes (Queens of the Stone Age) hailing ‘Raptors’ as “a perfect rock song.”.
 
Describing themselves as a “Rock and Roll band”, The Heat Inc. recorded ‘Raptors’ in the RYP Recordings Studio in North West London, with Michael Smith (Elvis Costello) producing.

 

“So when I say I know rock ’n’ roll when I hear it, you best believe I know rock ’n’ roll when I hear it—and The Heat Inc. are good old-fashioned rock ’n’ roll, just like mother used to hate. You might have a good idea of how great The Heat Inc. sound—but don’t bother because The Heat Inc. are so cool they defy definition. There’s all kinds of heat. There’s the summer hot heat that’ll drive you crazy. There’s the in-ring heel heat that’ll get a wrestler over. And there’s the relentless hard heat that’ll track you down until you’re trapped. But ain’t none of them can compare to The Heat Inc you’re about to hear—and that’s not hyperbole, that’s a fact. Who you gonna believe, me or your own ears?”  exclaims Jeffrey Morgan – Creem journalist and biographer of Alice Cooper and Iggy & The Stooges.
 
The Heat Inc. is the suavest new band around and enough to make most God-fearing rockin’ rollers believe in miracles.
 
To purchase Raptors go to Bandcamp or Stream ‘Raptors’  Here
Social Media – Facebook

IDLES SHARE NEW SINGLE + VIDEO – “A HYMN”

IDLES SHARE NEW SINGLE + VIDEO – “A HYMN”
Pic: Tom Ham

The emotional centerpiece off the Bristol band’s forthcoming LP, ‘Ultra Mono’ (out Sept 25th via Partisan). The accompanying music video features the band driving with their parents through their hometown streets to the shops, providing a grey window into suburban English life that matches the song’s heavyhearted churn.

 

Frontman Joe Talbot says of the song: “‘A Hymn’ is a hymn that rejoices in the sinister flesh-eating virus of the pedestrian. It sings the tune of normal’s teeth sinking into your neck as you sleep stood up with your eyes open. Amen.”

“A Hymn” follows the release of other ‘Ultra Mono’ highlights “Mr. Motivator” and “Grounds,” the latter of which earned a spotlight in the NY Times (“What’s a British post-punk band to do at a moment of black American protest that has spread worldwide? Slam and declare solidarity.”)

Ahead of release, IDLES will host a series of three live performances from an iconic studio space (to be named later) on Aug 29 & 30, which will be professionally recorded, filmed, and livestreamed. Tickets on sale now, more info and link to purchase HERE.

Talbot also recently launched a new virtual talk show called BALLEY TV, rolling out new episodes every other Friday this summer. Guests have already included Mike Skinner (The Streets), Nadya Tolokonnikova (Pussy Riot), Lauren Mayberry (CHVRCHES), Hak Baker + more. Watch the most recent episode HERE featuring Arlo Parks and Billy Bragg. Subscribe to see more episodes HERE.

Produced by Nick Launay (Nick Cave, Yeah Yeah Yeahs, Arcade Fire) and Adam ‘Atom’ Greenspan (Anna Calvi, Cut Copy), with Kenny Beats (FKA Twigs, DaBaby, Vince Staples) providing additional programming, ‘Ultra Mono’ was sonically constructed to capture the feeling of a hip-hop record. The album also features guest vocals from Jehnny Beth (Savages), and additional guest contributions from Warren Ellis (Nick Cave and the Bad Seeds), David Yow, and Jamie Cullum.

More info:Official / Facebook / Twitter

The Blinders – ‘Fantasies Of A Stay At Home Psychopath’ (Modern Sky)

The Blinders – ‘Fantasies Of A Stay At Home Psychopath’ (Modern Sky)

Here we have the second outing from The Blinders, definitely one of the brighter stars of the modern day Post Punk revival. ‘Fantasies Of The he Stay At Home Psychopath’, the follow up to the fantastic 2018 debut ‘Columbia’.

The band are often compared to contemporaries Idles and more recently Fontaines DC, though this does not do them justice. The band themselves are quite young but certainly have something to say, as a result showing the others on the scene to be almost juvenile and of their time rather than timeless.

For me, the songs on this release give off a rare quality where the listener can already envisage what they’ll be like live. First track ‘Something Wicked This Way Comes’ sends me somewhere mentally akin to being a teenager at a festival experiencing these songs first hand with an ultimate sensory thrill.
If track one was euphoria the next, ‘Forty Days & Forty Nights’ is a call to arms ending it’s barrage as quick as it started. As the album goes on more and more I’m hearing riffs comparable to eighties Cow Punk, differing somewhat from their first album but adding further dimensions to what was already a solid sound.
The trio offers us a brief ‘Interlude’ to catch our breaths. A laid back Cool Jazz number that wouldn’t be out of place alongside Pulp’s ‘This Is Hardcore’. You have very limited time to dust yourself off before you’re back in the throng again with recent single ‘Mule Tracks’. This is certainly the standout song on the record, even with no apparent chorus it grabs the listener with vigor.
The second half of the record continues at this pace, never faltering the listener even for a moment. ‘Black Glass’, another remarkable single with almost ‘Heroin’ esque Velvet Underground guitars hitting you with a desolate psychedelia.
Final track ‘In this Decade’ opens as you have awoken from a surreal dream, entering a beautiful new tomorrow in the form of this early Dylan style number. It leaves you reflective of the fanatical decadence that has preceded it and wondering timidly whether you dare put yourself through it again….. but can you resist?

buy ‘Fantasies Of A  Stay At Home Psycopath’ Here