Johnny Hayward.
Every now and then a record comes along that makes you feel so alive and excited that you just want to tell everyone how amazing it is. ‘You Say I’m Too Much, I Say You’re Not Enough’ the debut album from Welsh rockers Estrons is just such a record.
Released back at the start of October, (I’m guessing) to tie in with the band having just supported Garbage here in the UK. Shirley Manson and gang are as good a place as any to start when trying to describe what Estrons do, because just like when that late ‘90s grunge supergroup got it bang on the button with their particular brand of spiky agitpop Estrons do pretty much the same, albeit with a new Millennium twist all of their own.
Take lead track (and debut single) ‘Lilac’ for example, this track kicks off with the type of off-kilter guitar intro that Franz Ferdinand used to maximum effect to make them enormodome headliners before singer Tali enters proceedings and the track literally explodes into 2 minutes and 37 seconds of youthful vigour, and watch out because this track cuts – it’s that sharp. It actually reminds me of the first time I played ‘Nevermind’ whilst working in Our Price, and a punter stormed up to the counter barely seconds into ‘Smells Like Teen Spirit’ and asked me to turn it down. After I refused, he walked out yelling at me that it was a racket and the band would never be heard of again.
Just like that now infamous album ‘You Say I’m Too Much, I Say You’re Not Enough’ is also chock full of “go fuck yourself” moments for you to use and abuse at your pleasure, with the pulsating ‘Make A Man’ and the infectious ‘Body’ having the potential to be huge global hits, if those things actually still existed or mattered in an industry that seems only too happy to replicate the human centipede by regurgitating the same shit over and over again.
Whilst I’m getting all anal it has to be said that ex-Fudge Tunnel man Alex Newport (who co-produces here with Steffan Pringle) really has managed to capture a clarity of both vision and sound within the grooves of the album’s ever so subtler moments, and on the likes of ‘Aliens’, ‘Cameras’ and ‘Strangers’ the music kind of takes the back seat to the hugely impressive vocals of the enigmatic Tali who whisks you off on a Debbie Harry meets Aimee Echo masterclass in how to effortlessly deliver a pop tune brimming with attitude.
That Estrons don’t really sound like anything else out there right now is hugely commendable in my book and coupled with the fact that they have also just added to their line up man-machine Adam Thomas (ex-Exit_International) on drums makes for the prospect of this record being turned into a total sonic attack on the senses if you are lucky enough to actually get a ticket to see them live.
Gimme gimme gimme gimme more Estrons – these guys deserve to be bloody huge!!!!
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