“Gonna take a holiday down Trecco Beach. That’s what I’ll do!”
Okay, I might have twisted that lyric slightly, but the charming south Wales seaside town of Porthcawl has been my go-to place for some r’n’r for some time now, only this time around with Michael Monroe in da house I’m here to rock n roll, not rest n relax.
I’m of course not alone as Planet Rock’s excellent Planet Rockstock’s (once again) sold-out festival audience are here too. They are in for the long haul though, with four days of live music and a chance for everyone to let their hair down before Winter (and all that entails) fully descends on the UK. Me I’m just here for the Saturday night headliners, and only just make it in by the skin of my teeth (all thanks to Sir Rich Jones).
After the emotional roller coaster of the ‘Two Steps From The Move’ 40th Anniversary show I’d attended in London just a few days earlier it was going to be interesting to see what the guys would do in a festival headline capacity. Would they dare play the whole of ‘Two Steps From The Move’ record here, or would it be a solo years only show? Well the answer is…a bit of both.
High kicking things off (as only Michael Monroe can) and picking right up where we left proceedings in London, ‘Dead, Jail Or Rock ‘N’ Roll’ is the cocksure opener, immediately followed by ‘I Live Too Fast To Die Young’, ‘Murder The Summer Of Love’ and ‘Last Train To Tokyo’ and everyone in the place is already dripping in sweat.
“Get some oxygen in here, open some doors”, demands the frontman’s frontman as he jumps, jives, and sings his way into everyone’s hearts. There’s no escaping Michael Monroe as he tightrope walks the barrier to clamber on top of the PA before cajoling everyone to go just a little bit crazier because the night is still so young (ouch). He’s not alone in this either as guitarists Rich Jones and Steve Conte effortlessly work their sides of the stage whilst exchanging demon twin lead work and occasionally territories as well, and then there’s the Monroe rhythm section. Right now I honestly don’t think there’s a better bottom-end combo out there in the world of rock ‘n’ roll as drummer Karl Rockfist and bassist Sami Yaffa are rock solid, and that Yaffa bass thump when blended in with Rockfist’s bass drum and snare is a sonic punch to knock you square off your feet.
‘Horns And Halos’ is the first track up not played at the previous Anniversary shows and it slots in perfectly alongside the more recent setlist regulars ‘Young Drunks & Old Alcoholics’, ‘78’ and ‘Ballad of The Lower East Side’. One thing that is obvious tonight whilst up close and personal and not halfway back like in London is just how much fun the guys are having as a band right now. The smiles, the in-jokes, and the chemistry is simply infectious, and whilst Monroe, Yaffa and Conte are all now in their early sixties the energy they generate as a collective could power a small town…like Porthcawl, and they do just that lighting up everyone’s lives for the time they are on stage
Things do finally slow down (albeit briefly) for a run-through of ‘Don’t You Ever Leave Me’, Michael playfully touching up his make-up whilst explaining the back story behind the recent Anniversary shows to the audience, then the pace is back up to double quick time and ‘One Man Gang’ brings to a close the solo years section of the show in deafening fashion.
From here on in its Hanoi and Demolition 23 songs to take us home with ‘Motorvatin’’, ‘Hammersmith Palais’ and the ‘Two Steps’ treats of ‘Underwater World’ and ‘Boiler’ all adding to my rapidly diminishing voice as it’s impossible not to just holler along at the top of my voice (apologies to those around me). ‘Boiler’ proving once again to be a real highlight not just simply because Hanoi never played it live, but also because Rich Jones does such a sterling job filling in for the dearly departed Razzle on the cockerknee chorus sections. I’d joked with him after the London show that he could join Cock Sparrer with an accent like that, and after experiencing a second airing in just a few days, I’m now not even joking when I say it, he really could fit right in.
With the clock fast ticking down to curfew there’s no time for chatter but still plenty of time to clatter us with Demolition 23’s ‘Nothing’s Alright’ and as Dom said in his summation of the London show, what I wouldn’t give to see that band playing live in the UK next year, maybe at Rebellion?
Which just leaves time for what would have been the set closing Hanoi one-two suckerpunch of ‘Taxi Driver’ and ‘Malibu Beach Nightmare’ to lead us into what would have been the encore (but Rockstock has a strict “no encore” policy) of a confetti cannon driven ‘Up Around The Bend’, and then just like that, the party’s over and we are all left beaming from ear to ear, drenched in sweat with love hearts and stars glued to our flesh, and no doubt still finding them in our clothes and underwear for days to follow.
Michael himself probably summed things up best tonight, “the last time we played here we didn’t headline, tonight we are headlining, so we must be doing something right, yes?” Yes, you are indeed guys, and if the rumours I heard here do turn out to be true then the UK will get another chance to see the Monroes doing all the right things all over again come spring 2025, and I for one can’t wait to RLF all over again.
Author: Johnny Hayward
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