THE JACQUES, THE SUKIS AND PISTOL DAISYS GET IN THE VAN FOR ‘THE WHEELS IN MOTION TOUR’ THIS COMING SEPTEMBER

TICKETS ONSALE HERE FROM 10am WEDNESDAY APRIL 22ND

In an ever changing and evolving music industry, whilst the digital age has transformed so many aspects of how artists operate, one thing that will never change is the desire to get in the van and take the music out on the road: live, personal and in your face.

This coming September sees the start of ‘The Wheels In Motion Tour’, a three-band bill that will support indie venues up and down the country, showcasing some of the UKs most thrilling indie rock talent with The Jacques, The Sukis and Pistol Daisys.

Curated by indie live agency Motion Talent, all three bands are part of the emerging artists on their roster, and the tour aims to boost grassroots touring through indie venues with a fan friendly low-ticket price. Motion’s Neil O’Brien says:

“I am incredibly excited to see our first Wheels In Motion tour hit the road in September with three of our homegrown emerging artists playing some of the UK’s best independent venues. As an independent live agency booking tours and festivals worldwide Motion Talent is committed to investing in artists by creating high quality touring and being involved at the beginning with marketing, PR, transport, accommodation and technical support unlike anyone else. I see it as our responsibility not only to represent established artists but also to actively create tomorrow’s talent – Wheels In Motion is just that and hopefully will be the first of many great tours in the future.”

First up, London via Bristol trio The Jacques have been carving their way up and down the country and the EU with post punk legends Public Image Limited in recent times, and since first forming as young teenagers, they’ve supported The Libertines at Hyde Park and played Glastonbury, Reading and Leeds. Their story has been fraught with as many ups as downs, but The Jacques have proved themselves to be true road warriors and survivors. Their genre-smashing fusion of mutant punk, psychedelic grunge and joyous indie rock never fails to hit the spot.

“Being on the road is the best,” state the band. “We spent most of last year on tour in endless scrapes and adventures and it was while bouncing around the back of the van on a cold night up north that we thought of getting our label mates to come and join us on a tour like the old school ones. It’s going to be a blast!”

Also joining the tour are Liverpool’s The Sukis, who are fast making a name for themselves as one of the most exciting alternative rock bands on the scene today. Punky, intelligent and an explosive live act, their songs dive deep into the psyche of what it is to be young.

Lastly, Pistol Daisys are storming the alt-pop scene with a fierce energy that’s quickly earned them a devoted following, blending Glasgow’s vibrant grit with heartfelt authenticity to create music that captivates fans across Scotland all the way to Europe. Their live shows convey a whirlwind of raw emotion and authentic connection, thrilling audiences and filling venues with a sound that blends confessional songwriting with dance-oriented hooks, drawing comparisons to bands like Blondie and mixing pop, rock and electronic elements.

‘The Wheels In Motion Tour’ showcases three unique bands that although different musically, share a common goal to fire up their engines and hit the road, taking their music to hot and sweaty venues, as it was intended to be heard and felt. All three bands will have new music coming this year as they continue to grow and develop, pushing their sounds in new and thrilling directions.

Stories from the road…

The Jacques:

“We were on the home stretch of a long tour through Europe, having been left stranded by our now ex-tour manager in Milan because of our bad behaviour. Our new TM was driving us back to Calais when we noticed a burning smell, one of the tyres had completely melted. We pulled up and called for help. We went looking for food, but the walk was rural and long. As we crossed the French fields, no less than 7 spaniels came running towards us looking unusually vicious. Then we heard gun shots. 7 farmers emerged from the bushes, each shooting a rifle into the air. We had been WARNED… then for some reason our TM turned up in a Lamborghini.”

The Sukis:

“The last night of our tour, back in Liverpool, we had people from everywhere – Ireland, Scotland, France, Romania. They all turned up in ties! Ties! And lots of gifts…the efforts fans make is incredible!”

Pistol Daisys:

“Always the three of us in a car…. claustrophobic, the smell of body odour, banter and camaraderie always prevails, we’ve never had more fun!”

Follow ‘The Wheels In Motion Tour’ at the following dates in September.

2nd Sept Birmingham Hare & Hounds 2

3rd Sept Sheffield Sidney & Matilda

4th Sept Manchester Factory251

5th Sept Huddersfield Amped

6th Sept Leeds Lending Room

9th Sept Glasgow Stereo

10th Sept Newcastle Think Tank

11th Sept Liverpool Arts Club Loft

12th Sept Nottingham Bodega

13th Sept Brighton Komedia 2

18th Sept Southampton Joiners

19th Sept London Dingwalls

20th Sept Norwich Waterfront Studio

24th Sept Tunbridge Wells The Forum

25th Sept Guildford Boileroom

26th Sept Bedford Esquires

27th Sept Hitchin Club 85

Tickets available HERE from 10am Wednesday April 22nd.

Find The Jacques online HERE

Find The Sukis online HERE

Find Pistol Daisys online HERE

Rock’n’roll connoisseurs The Hillbilly Moon Explosion don’t rest on their laurels!  The latest is that Oliver Baroni, stand-up bassist and co-vocalist has a new side-project with a flexible group of musicians, under the moniker The Baroni Blow-Up.  In keeping with the Englishman’s worldwide viewpoint from his base in Switzerland, it’s an international affair.

The band-members are American, though two of them were found in London – guitarist Andy Kandil, a session favourite and veteran of psychobilly legends Mad Sin amongst others, and drummer Tuck Nelson, who also co-engineered recordings in his London studio.  On vocals is Shy But Flyy, the celebrated blues and jazz singer from Long Beach, CA.  The A-side song I Wanna is an obscure punk song original by Berlin band Hot Boogie Chilean; the flip Free is a Shy But Flyy original.  And the single’s artwork originated in Spain.

Hear The Baroni Blow-Up Here 

HME’s Emanuela Hutter has also issued a new side-project together with more American musicians – Goose Bumps, an album produced in Chicago by Hi-Style Records’ Jimmy Sutton (JD McPherson, Pokey LaFarge, The Bellfuries). Sutton assembled an all-star cast of musicians, including Alex Hall (engineer, drums) and Joel Paterson (guitar).  In February she premiered the songs with the band at The Water Rats, Kings Cross, London.

Meanwhile, The Hillbilly Moon Explosion continue together with their unique take on rock’n’roll and worldwide touring.  Upcoming live dates across the UK are as follows: –

14 May 2026 – Derby – The Hairy Dog
15 May 2026 – Newcastle – The Cluny
16 May 2026 – Glasgow – Oran Mor
17 May 2026 – Manchester – Night & Day
18 May 2026 – Bristol – The Exchange
19 May 2026 – Nuneaton – The Queens Hall
20 May 2026 – Norwich – Adrian Flux Waterfront Studio
21 May 2026 – Oxford – The Bullingdon
22 May 2026 – London – 229
23 May 2026 – Southampton – Papillon
24 May 2026 – Brighton – Komedia

Rock’n’roll like you didn’t know existed!!!

The Baroni Blow-Up I Wanna ft. Shy But Flyy – 7” single, JUNG094   

Digital release on May 15.   Initial 7″ singles available on tour and direct mail.


www.jungle-records.com ~ ~ ~ www.facebook.com/JungleRecords

It’s 50 years since Nancy Spungen introduced the new Heartbreakers ‘L.A.M.F.’ line-up – writing a full-page feature in New York Rocker. 

Nancy Spungen will forever be remembered for her fatal connection with Sid Vicious.  But prior to landing in the UK, she was a mover in the similarly burgeoning NYC punk scene.  In 1976 Richard Hell left the Heartbreakers after disputes about the number of songs each of the three leads should sing.  The solution was two-fold – a new pro bassist, Billy Rath, who’d honed his skills in various New Jersey bands, and new songs from Johnny ThundersWalter Lure and Jerry Nolan to replace Hell’s contributions.

The new line-up had a deadline, a gig at Max’s Kansas City on July 23rd.  Nancy’s feature (attached) is based around that event, and the songs she described were the ones later to become the ‘L.A.M.F.’ album.  Shortly after, manager Leee Black Childers received the phone call from Malcolm McLaren inviting them to the UK’s ‘Anarchy Tour’ with a band they knew nothing of – the Sex Pistols.  On the same day they arrive in London, the Pistols did their interview with Bill Grundy … and suddenly the tour was front page news.

Nancy followed the Heartbreakers to London, arriving on March 15th as they were preparing to play the Speakeasy (recorded and released as ‘D.T.K’).  However the band think she’s bad news; when she gets let into the flat they’re staying in they hide from her.  Soon she is ejected, then rejected by Johnny Rotten and ends up with Sid, who quickly contracts hepatitis. (more info: www.sidviciouslives.com)

‘L.A.M.F.’ has had a chequered life.  It was not until 44 years later that a clean master was found in co-producer Daniel Secunda’s attic.  The original release was criticised for sounding muddy; a mastering fault.  After the chaotic Track Records collapsed, manager Leee burgled the offices for the tapes, but he only found multitudes of mixing sessions.  Secunda had left Track, sore at being unpaid and sidelined.  Outtake mixes and remixes made up subsequent reissue versions of the album. 

‘L.A.M.F. – the found masters’ was first issued in 2021 as a pandemic Record Store Day release and the following year elevated to a ‘RSD Essentials’ neon pink pressing.  Now to coincide with the 50th anniversary of the L.A.M.F. lineup coming together in New York City, it’s being reissued in a transparent vinyl version. Notes in the inner bag are by Simon Wright.  It’ll be alongside the two-CD, hard-cover 32-page book version with an extra disc of L.A.M.F. demos, and a yellow vinyl version of ‘D.T.K. – live at the Speakeasy 1977’.

Listen to the ‘found mixes’: https://promo.theorchard.com/zOF7g721cf5hsFONgHih

Here’s a Johnny Thunders timeline:  www.johnnythunders.info

Sid & Nancy timeline: www.sidviciouslives.com

W.A.S.P. Announce Ten European “1984 To Headless” 2026 Shows

W.A.S.P. announces ten European shows  as part of the “1984 To Headless” 2026 Tour paying tribute to their 1st Four Albums… Live! Selected Hits from W.A.S.P.’s 1st Four Albums promise to create a True Rock ‘N Roll Spectacle complete with a Live Stage Show bringing those Albums Alive for the 1st… and Only Time. The Band will take the “1984 To Headless” Tour to Europe and the World in 2027.

Tickets and VIP: www.WASPnation.com

W.A.S.P. cemented their place in the Rock History in those 1st Five Years with their iconic first album in 1984, followed the next year with “The Last Command”, “Inside the Electric Circus” in 1987 and capped with the their Greatest yet, “The Headless Children” in 1989.

“It’s hard to express the genuine excitement I’m feeling in describing the “1984 To Headless” U.S. Tour. Playing those songs from those 1st Four Albums in a combined package like this is something we’ve never attempted before. In addition to the songs, the entire Stage Show will look like the Album Covers from those Records will Come Alive… right right before your eyes!

Complete with all the History and Bombastic Live Presentations that’s made this Band one of the great Live Bands in the Theatrical Rock World. When elements of those Album Covers start to come alive, right on the stage before the people it’s gonna be something they’ll not soon forget!” — Blackie Lawless
 
W.A.S.P. will be again offering fans VIP tickets to all European shows that give fans a chance to meet Blackie Lawless, get a personal photo with Blackie, autographs, and take part in a very personal Q&A with Blackie. VIP tickets can be purchased at https://waspnation.myshopify.com

“W.A.S.P. – 1984 TO HEADLESS” 2026 TOUR

European Dates

06-24 – Basinfire Festival – Czechia

06-27 – Tons of Rock 2026 – Norway

07-24 – Kuopiorock 2026 – Finland

12-04 – Storm Out Festival – Germany

12-05 – Pott Out Festival – Germany

12-07 – Belgrade, Serbia – Hangar

12-08 – Bucharest, Romania – Arenele Romane

12-09 – Sofia, Bulgaria – Inter Expo Hall

12-11 – Rock Out Festival – Germany

12-12 – Knock Out Festival – Germany

U.S. and Canada Dates

09-10 – El Cajon, CA    The Magnolia

09-11 – Los Angeles, CA    The Wiltern

09-12 – Riverside, CA    Fox Performing Arts Center

09-13 – Phoenix, AZ    Celebrity Theater

09-14 – Santa Fe, NM    Buffalo Thunder Resort & Casino 

09-16 – Austin, TX    Emos

09-17 – Tulsa, OK    Tulsa Theater

09-18 – Dallas, TX    House Of Blues

09-19 – San Antonio, TX    Aztec Theater

09-20 – Houston, TX    House Of Blues

09-22 – Clearwater, FL    Ruth Eckard Hall

09-23 – Daytona, FL    Peabody Auditorium

09-24 – Jacksonville, FL    Florida Theater

09-25 – Raleigh, NC    The Ritz

09-26 – Jim Thorpe, PA    Penn’s Peak    

09-27 – Portland, ME    Aura 

09-29 – Boston, MA    House Of Blues

09-30 – Hampton, NH    Hampton Beach Casino

10-01 – Wallington, CT    Toyota Oakdale Theatre

10-02 – New York, NY    The Palladium

10-03 – Carteret, NJ    Carteret Performing Arts Center

10-05 – Montreal, QC    Mtelus

10-06 – Ottawa, ON    Hard Rock Casino

10-07 – Pickering, ON    Pickering Casino Resort

10-09 – Des Plaines, IL    Des Plaines Theater

10-10 – St Charles, IL    Arcada Theater    

10-11 – St Charles, IL    Arcada Theater

10-13 – Glenside, PA    Keswick Theatre

10-14 – Harrisburg, PA    Capitol City Music Hall

10-15 – Cleveland, OH    Agoura Theater    

10-16 – Milwaukee, WI    Pabst Theater

10-17 – Green Bay, WI    EPIC Event Center

10-19 – Winnipeg, MB    Burton Cummings Theatre

10-21 – Edmonton, AB    Midway Music Hall    

10-22 – Calgary, AB    The Palace Theater

10-23 – Coquitlam, BC    Great Canadian Casino Vancouver – SOLD OUT

10-24 – Coquitlam, BC    Great Canadian Casino Vancouver

10-25 – Seattle, WA    Moore Theater

10-27 – San Jose, CA    San Jose Civic

10-29  – Rancho Mirage, CA    The Show @ Agua Caliente

10-30 – Las Vegas, NV    House Of Blues

10-31 – Anaheim, CA    The Grove

Tickets and VIP: www.WASPnation.com

Firstly I’d like to start by saying how good it was to see The Loveless and The Courettes on this bill as well as Hooky because they could have played it safe and gone for The Subs or Ruts DC etc which would have been cool don’t get me wrong but The Damned thinking outside the box for supports, its excellent not just because they are bands I love but two of em I’ve never seen before which is nice.

Right, let’s get down to business. First up is the Danish duo The Courettes, who embrace the Spector wall of sound and knock out psychedelic-tinged rock n roll with a tip of the hat to the originals back in the 50s and ’60s, but also embrace the rough and ready approach of punk rock which makes for a familiar yet modern twist and it helps that they have a raft full of top tunes as well and playing in the enormadome that is Wembley arena didn’t phase them nor did it take aways from their minimalist approach you might forgive them for the delivery on such a vast stage but no, they took to it really well and fulfilled their remit of opening act and getting a very respectful ovation from the Damned audience which was throughly deserved.

Peter Hook & The Light. Having seen them several times over the years and being a fan of Joy Division, New Order and the Light, I was looking forward to the twin Bass assault of this band and what they put into the set. The place had filled up nicely as the band entered the stage to some nifty Kraftwerk tape, it was looking like a Joy Division heavy set as ‘Dead Souls’ led the way. I like the dynamic of Hooks’ playing style, and his vocals suit the songs, and he commands the stage well, clearly more than comfortable on a big stage. By the time they hit ‘She Lost Control’, they were mesmerising with the Wembley sound being rather good to be fair. I’d not been in this place for about 30 years and always remember the sound being awful, regardless of who was playing, just the size of the concrete box possibly being the problem, but tonight so far it was excellent.

The highlight of the set was a stunning ‘Shadowplay’ followed by ‘Transmission’. It was commented that it would have gone to the next level had John Barnes entered the stage and a version of ‘World In Motion’ filled the concrete box, but alas, not tonight, opportunity missed and being in Wembley as well. Of course, the biggest cheer was for the final tune of the night from Peter Hook & The Light, which was ‘Love Will Tear Us Apart’, a song I’ll never tire of hearing. Job done, Peter Hook & The Light were just as good as the last time I saw them play support, absolutely fantastic performance.

Another first for me was the chance to catch The Loveless and hear Marc Almond deliver his alter ego, garage rock frontman ably supported by the talented Neil X. I loved the EPs and the album but not had the chance to catch them live until now so ‘Wild In The Street’ opened the set and whilst you might be forgiven in thinking they’re a glorified tribute covers band (which they are) they also have their own songs which are equally as good. Maybe it’s a chance to perform songs by legends like Alice Cooper Band and Sweet ‘Under MY Wheels’, complete with Ziggy tip of the hat from Almond and ‘Hell Raiser’ respectively. It was also great to hear them do a rocked up version of ‘Love Missile F1-11’ with X handling the vocals and Almond moving to backing singer. I thoroughly enjoyed the set, thought they sounded fantastic, and the added Saxophone was the cherry on top, but the curveball of the night goes to a rock n roll ‘Tainted Love’, not something I’d ever have imagined doing at a Damned show, but hey, why the hell not. A dozen songs done, and we had reached the headliners, ably supported by three most entertaining acts offering value for money and variety, who said play it safe?

Now cards on the table here, I’ve been lucky enough to see The Damned around a hundred times and been at some pretty memorable markers in their career as they ticked off Brockwell Park, a 10th Anniversery tea party in a massive tent, The Royal Albert Hall headline, captain reaching bus pass status show, multiple festival headline sets, supporting the biggest from the states in Hyde Park, headlining Hammersmith Odeon with the original line up as well as several previous OG line up shows, The London Palladium and the third phase of the band returning when Rat rightfully took back the drum stool and in a few months playing a fuckin castle! Right, I’ve also seen them play when Dave didn’t show up in a shambolic set in Cardiff and plenty of fly-by-the-seat-of-your-pants performances, which were always endearing and a part of The Damned that I love, the fact that you never knew what you were going to get or which side of the band would turn up. Hell, I even saw the night there were three Damned bass players on stage at the same time. Simply put there is no other band quite like The Damned (thank God some would say) I love ’em and would happily chew your ear off recounting memories fondly of sleeping on train platforms and trying to find venues in the middle of nowhere feeling like a stranger on the town, but tonigh I knew where Wembley Arena was and was chuffed for the band that they pulled off another caper that many would thing was way beyond their grade. Often overlooked for their place in the history of UK music, and absolutely nobody here or anywhere for that matter would have given these herberts a cat in hell’s chance of reaching 50 fucking years and capping it off with their boldest move yet – punk rock in an Arena.

It’s fair to say the Damned audience has evolved over the years, but they’re a demanding bunch and often hard to please, and Damned of you do Damned if you don’t in many ways, but I was just happy to join them to celebrate a remarkable feat this evening. As the band take to the stage bathed in fog, it’s ‘Phantasmagorias’ ‘Street Of Dreams’ that kicks off proceedings as we weave through a darker opening set, ‘Blackout’ follows before a wonderful intimate performance of ‘Dr Jekyll And Mr Hyde’ is played. ‘Stranger On The Town’ precedes ‘Under The Floor Again’ before we get ‘Eloise’, my least favourite Damned cover yet, a song I think they’ve played at every show since they first covered it. So the set was split in two, with set staples ‘I Just Can’t Be Happy Today’ making way for ‘Life Goes On’ and ending with a rowdy ‘Smash It Up’, then the intermission and a host of commercials from fifty years ago. Shake n vac, is it even a thing anymore? And who else fancied a flake? Anyway, I digress.

Set Two kicks off with the huge screen beaming their performance on The Young Ones as ‘Nasty’ was unleashed, then they got into gear with ‘Love Song’ and ‘ Etiquette’ before the first album got an airing with the awesome ‘Fan Club’. The Damned always put out killer singles and B-sides that never made albums, like the epic ‘Limit Club a song they’ve sadly not dropped into the set I’ve heard for many a moon, but we did get ‘Disco Man’ just before a crowd sing-a-long of ‘Ignite’.

A lot gets said about this band and the fans might be a demanding lot but at their advanced age I think its amazing I still get to see my favourite band regularly and they might not be as edgy and chaotic as they used to be why would they they are still a formidable band and on their day better than anyone and they still play the greates single ever recorded and released ‘Neat Neat Neat’ is thrashed out before we go all proggy as a rather restrained Captain leads the way through a shortened ‘Curtain Call’ before Rat has his five minute behind the kit which paves the way for a loose ‘New Rose’ and were done. Two fuckin hours of The Damned, who once again took us on a journey through some of the best music ever made. Was it their finest hour? I doubt it. Was it faultless? No, lyrics forgotten? Sure – so what, guitar parts fluffed? Of course, intros missed? – for sure. Without that edge, they wouldn’t be The Damned.

Tonight wasn’t about turning in the performance of a lifetime, it was a celebration of 50 years of anarchy, chaos and destruction and the fact that they are still here doing what we love. God bless the Damned and all who sailed with them from Brian, Algy and Bryn, who are no longer here. We salute you, and too many to name, who’ve borrowed a guitar or pair of sticks, we thank you, and to Dave, Captain, Rat, Paul and Monty, many happy returns, gents, that was a blast, and I wouldn’t have missed it for the world.

Author: Dom Daley

Sold-out shows are pretty cool, right? Album launch shows are always pretty cool, but when you have two for the price of one at the same show, it kinda raises the bar. I find myself in London for the weekend after booking to see the Damned almost a year ago so imagine my joy of finding out The Sideshows were launching their debut album the night before and had Marc Valentine as support, what a result that is.

First up tonight was Marc Valentine with his third long player in the bag, ‘Uncommon Side Effects’, and I think it’s fair to say his best as well. Having been lucky enough to have had the album for a few weeks and familiarised myself with the new tunes Marc and his band ripped through the new songs like they were old friends and were well worn into the set that was nothing short of a masterclass in loud power pop with some awesome accompaniments from his band with Richard Davies laying down some fantastic licks on his trusty Les Paul Jr and birthday boy Neil tinkling the ivories.

Marc has perfected the ragged rock n roll love letter to the underground that has a far wider appeal, be it the fantastic ‘You Are The Jet’ or ‘NY UAP’ the support set didn’t do him or his band proper justice they could have headlined and given us twice as long and I’ve no doubt the audience would have stayed with them lapping up every second. The feel-good Friday night was up and running to a wonderful starter choc-full of catchy melodies played with passion and a true belief in what they do. Marc Valnetine laid down the marker for The Sideshows to follow, and the bar was set pretty bloody high.

You can catch the band live all over the place in the coming weeks, and I would highly recommend you do so and get hold of that album, it’s a belter.

With the opening slot lighting the way, The Sideshows have been in rehearsals in Spain for the last week or so and are rightly taking this seriously, with the show being sold out months ago. The self-titled debut album was also released on this day, and if you’re asking, yeah, I think it’s the best work Rags has delivered since the first Role Models album. The thing stinks of great melodies, well-worn stories, and having Sami Yaffa on board shows the level of pedigree you can expect from this record.

The set begins with ‘Brand New’, and for the next hour we are taken on a rock n roll journey through some pretty wicked tunes, and having Gaff joining for added guitar licks and general oomph. The sound is fantastic. We were promised the album in full as well as other gems from the band’s catalogues, so it didn’t take long before Yaffa stepped to the centre of the stage to deliver a thumping ‘Selling Me Shit’ from his solo material, which wasn’t something I was expecting, but a most welcome addition it was too.

Role Models ‘Saturday Night Sailor’ sounded awesome, and it’s hard to believe this is their first live show the sound was exciting and as tight as you’d want for for a first outing the packed room was clearly enjoying it as much as I was and the fact most people in here hadn’t ever heard most of the songs being played but had already bought into it 100%.

After the excellent tribute song to Scott Sorry ‘Not Sorry’ it was a treat to hear Hanoi Rocks ‘Lost In The City’ being bashed out complete with some pretty mean harmonica honking for added coolness. All in all the fifteen song set flew by and with it all being pretty upbeat I couldn’t think of anywhere I’d rather be on a Friday night in ole London Town and to cap it all off with a brief encore they return to lap up the well deserved rapturous applause and a run through the Johnny Tunders classic ‘I Wanna Be Loved’ well, seeing as you’re asking the answer is, The Water Rats Loved ya, lets do this again and if there is any chance of a follow up album down the line I’d be all in to hear what these talented guys can do next but for now lets bask in the glory of a mighty fine record and a memorable rock n roll show just like we used to get.

What a wonderful evening of Rock n Roll from two bands who deserve so much in return. If you can pick up their records and spread the word the world would be a better place and have the perfect Friday night soundtrack. If they hit your town don’t sit on it get out there and let em know the world needs bands like these.

Marc Valentine

The Sideshows

Author: Dom Daley

Natural History is a compilation album by The March Violets, originally released in October 1984, collecting their early singles and BBC Peel Session tracks. Well, thanks to Jungle, it’s once again available on lovely Violet wax (Obvs) for RSD 2026. It also comes with an insert of a one zillion-dollar note.

The band has reformed and is playing dates in 2026, so why not get this out there to help people reacquaint themselves with their post-punk drum machine adjit noise. Sounding like the forerunner to New Order’s Blue Monday on the album’s opener ‘Religious As Hell’, the thick bass lines are certainly of their time as is the punchy drum machine, but that caustic, abrasive guitar tone is majestic, layering the vocals that sound like they were recorded in a big fuckin cave (prob were).

It’s no surprise they were label mates with fellow Leeds noise niks The Sisters Of Mercy and Jungle put out their early singles last year as a very much sought-after set, and there’s no reason to think this won’t have as wide an appeal. Whilst it does sound of its time, the production sounds great sparce yet huge, and that bass thump is excellent ‘Groovin In Green’ is particularly jarring and an epic trip. Imagine the sisters and Bauhaus never happened, March Violets would have been huge. Eleven tracks for your buck so if you want to take a chance then might I suggest getting this in your greasy mitts come RSD.

As a side note if jungle wants to continue this rich vein of form for RSD, can I request some Creaming Jesus for next year please.

Author: Dom Daley

PLUS GLOBAL ALBUM LISTENING EVENTS – WATCH/STREAM THE SINGLE

PLUS, PREORDERS HERE – https://venomslegions.lnk.to/intooblivionPR

BRAND-NEW ALBUM, ‘INTO OBLIVION’

RELEASED ON NOISE/BMG ON 1st MAY 2026

The second single from Venom’s forthcoming new album, Into Oblivion, is the bludgeoning Kicked Outta Hell, which is a ferocious thrasher of a track and while it has hints of classic Venom it also has a modern twist of brutality. Destined to be another crowd pleaser in the live arena, it’s without doubt one of the heaviest tracks Venom have ever penned. Cronos smirks, ‘This one is me just having fun. I’m putting myself above the Devil in the lyric, which I think is an interesting twist. The Devil’s pissed off with us!’. Dante gestures, ‘You’re not staying in hell, get out!’. Rage affirms, ‘It’s one of the heaviest songs on the album, it’s grinding & straight ahead.’

‘Into Oblivion’ is Venom’s sixteenth studio album and features the long-standing line up of Cronos (bass/vocals and founding member), Rage (guitar) and Dante (drums) and marks their first new recordings since 2018’s, ‘Storm The Gates’. Into Oblivion consists of thirteen songs that are signature Venom: heavy, evil and catchy. There’s a combination of their classic 80’s sound adjacent to a more modern, progressive approach but without losing any of their fire and brimstone of old.

To celebrate the release of Into Oblivion, Venom will be hosting several album listening parties around the world on the day before release, Thursday 30th April. There will be freebies and a chance to win a signed set of test presses at every event. Come along and enjoy an evening of Metal Bloody Metal at these venues!

  • HELGI’S BAR, LONDON UK
    • 177 Mare Street, London, E8 3RH
  • HEADBANGERS PUB, MILAN, IT
    • Via Tito Livio 33/A, 20137 Milano
  • DR FEELGOOD: ROCK BEER TEMPLE, PARIS, FR
    • 34 Rue Keller, 75011 Paris
  • DUFF’S, BROOKLYN NEW YORK, USA
    • 168 Marcy Avenue, Brooklyn, NY 11211
  • THE METAL BAR, SAO PAULO, BR
    • R.Artur De Azevedo, 637 – Cerquiera Cesar, Sao Paulo – SP 05404-011
  • BALLROOM KAPERFAHRT, HAMBURG DE
    • Landungsbrücken – Brücke 6, 20359 Hamburg

‘Into Oblivion’ will be released on 1st May 2026 via Noise/BMG and is available for preorder now and is available in these formats.

  • Double, gatefold smoke vinyl
  • Double, gatefold clear, black & red splatter vinyl (Limited Edition)
  • CD digisleeve with 16-page booklet
  • Digital

With spring finally sprung, Radio Days are back with two slices of power pop goodness. Taken from their forthcoming album, due in September. Guitarist/singer Dario is often busy with The Peawees, but this is a welcome return. While both groups have similarities, ‘I Won’t Give Up’ is pure power pop, handclaps and hooks galore, much like the fabulous Speedways. 

‘Bang, Bang!’ is more upfront, almost a glam stomper, but equally addictive. Forget your bikini/ budgie smugglers, this is what you need to be summer-ready. Check both tracks out online now. The single is available on Wild Honey Records now, while the album ‘Off The Record’ will be available for preorder soon. 

Buy Here

Author: Martin Chamarette