Klark Kent – ‘Klark Kent’ (BMG)

Klark Kent – ‘Klark Kent’ (BMG)

The complete Klark Kent – eighteen tracks spread out over four sides of vinyl. Stewart Copeland taking over vocal duties on what is effectively a new wave, energetic romp through a whole bunch of tunes dating back to 1980 when these songs were first recorded. It was the first solo album (of sorts) for any of the Police. There is the bonus of some unearthed gems to fill out this collection that was pressed on Wax for RSD a while back but this is bigger and better.

Obviously, there is the punky side to Copeland’s work on a fairly hefty dose of his rhythmic new wave that his then-day job in the Police did to enormous levels. There is an exceptional level of musicianship and often a lot is going on throughout the records. But you do get a sense that Copeland had a lot of input into those Police records and his sense of melody is spot on quite often.

I quite like Copelands vocals and I know they can be a little thin at times but they work for the new wave style and songs like ‘Office Girls’ it suits as it does on the catchy ‘Too Kool For Kalypso’ whilst remembering this record, these songs are 40 years old.

Some of the record sounds dated, ‘Away From Home’ with its reggae roots shuffle but that also brings a particular charm with it that I found appealing. What They haven’t done is tamper with the recordings and given them a modern sheen or recording which would have killed any energy stone dead.

The single ‘Don’t Care’ has that time capsule vibe like classic Buzzcocks with the melodies and that’s what works here. A good song is a good song no matter the time or method of recording and Copeland’s rapid snare runs shine like a star. I also like his attitude that if you don’t like it you can suck his socks, so edgy.

The 18-track expanded album will be complemented by a bonus CD of Copeland’s Kent demos, released here for the very first time. But the one gripe I have with the vinyl isn’t the mission demo but the lack of liner notes, I’d love to know the boring details of who plays what where, and why that would have been nice. Oh, and a side note I’m always happy to admit I’m never keen on instrumentals and shy away from them but here I quite enjoyed checking them out and wasn’t tempted to skip not even once. Maybe I’m getting old or just growing up who knows? But one thing I do know is you should check out this record. Be it as a fan of the Police or a curious old new wave/pink rocker who always had a soft spot for the Police and those early records. This is an excellent accompaniment.

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Author: Dom Daley

Pat Todd And The Rank Outsiders – ‘Sons Of The City Ditch’ (Dog Meat Records)

Pat Todd And The Rank Outsiders – ‘Sons Of The City Ditch’ (Dog Meat Records)

PAT TODD and his band THE RANKOUTSIDERS release album number seven and LA’s finest rock’n’roll band comes some 36 years full circle after the label’s first dalliances with Pat., back when he fronted the legendary Lazy Cowgirls of course. The new album shows that Pat has lost none of his spark, that his voice and songwriting have only gotten stronger, and that he’s upgraded the Lazy Girls for Some Rankoutsiders – Yet another killer band to back him.

OK a show of hands please. Has anyone ever not throughly enjoyed a Pat Todd record? No? No, I didn’t think so because whilst you might think it’s a trick question because Pat Todd doesn’t do bad record – Fact. ‘Sons Of The City Ditch’ is just a full force rockin and rollin record.

If this was a Georgia satellite record it would be causing a stir with the likes of ‘Living In A World Of Hurt’ that gets this rowdy do off to a thumping start. But hang on it’s like if Springsteen grew up on a steady diet of the Dolls and the Ramones and had an attitude of swigging beer and barroom brawls he’d be able to sound as vibrant and rockin’ as this.

‘All We Have To Show’ is carrying on the party after hours back at the shared house and the lounge is awash with beer-drinking boys and girls having the best of times and the music is just killer. Turn it up DJ we don’t wanna stop yet.

Oh, yes please ‘State Line’ is like the getaway car theme tune after the perfect heist. Keep on driving and turn that stereo up. Pat Todd and his Rank Outsiders are killing it on this record just playing sweet sweet rock n roll loudly. Fast and Loose its not rocket science it a time honoured tradition and Todd and the gang just get it.

They do kick back and ‘Donna’ made them do it. It’s a love song but soppy it ain’t. ‘Long In The Tooth (Before The Dolls)’ lulls you into a false sense of security before taking off and delivering one of the record’s real highs from the time-honoured riff to the backing vocals and into the dueling guitar solos. Sure it’s unoriginal, and doesn’t deviate from the well-trodden path but it’s all about the songs and delivering just exceptional rock n roll. That’s it, the MO is simple and some people just get it and are able to smash it pretty much every time, that’s Pat Todd that is.

The production lets the music breathe and it works well on the countrified  ‘Back Down In The Basement’ another thing Todd knows how to do as well as the likes of The Supersuckers. ‘Hi, Ho Silver Lining’ is something of a glam stomping interval for me. Sure it’s a well delivered anthem but I’m not sure I’d have included it here but what do I know? ‘Goodbye To The World’ has some rasping harmonica added for good measure.

This album is right up there with that first Dan Baird solo LP for me and PAt todd is much the same but with a more punk rock handle on proceedings mixed with his Rock n Roll and his records are always Full of top tunes, great production, and knockout delivery.

Leaving just the title track to sign off in style and possibly leaving the best til last. The soloing and harmonic duel are killer but what else would you expect. Another day another excellent record added to the Pat Todd & The Rank Outsiders arsenal maybe their finest yet it’s got all the vital ingredients to take that title. Buy it!

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Author: Dom Daley

Motorhead – ‘Another Perfect Day’ 40th Anniversery Edition (BMG)

Motorhead – ‘Another Perfect Day’ 40th Anniversery Edition (BMG)

The latest Motorhead album to get the deluxe 12″ book treatment along side ‘Iron Fist’ and ‘No Sleep’ albums as opposed to the superb box sets of ‘1977’ and ‘Ace Of Spades’ is 1983s ‘Another Perfect Day’ This brand new half speed master from the original tapes also includes a full live show of a recently unearthed concert recorded at Hull City Hall on June 22nd 1983. As well as the story of ‘Another Perfect Day’ told through previously unpublished and new interviews and never before seen photos and rare memorabilia. I’ll let Kenny explain the diamond in this most impressive set.

Motorhead – Live at Hull City Hall, 22nd June 1983

1983 was a strange year in the Motorhead camp. ‘Fast’ Eddie Clark had left the band after Lemmy’s dabbling’s with Wendy O Williams, (apparently, Eddie was less than pleased with their ill-fated cover of Tammy Wynette’s Stand By Your Man.) The man who replaced Eddie was ex Thin Lizzy axeman Brian ‘Robbo’ Robertson. On paper, a good choice you would think. In hindsight, this era was the most divisive in Motorhead’s long history. Robbo was reported to be a bit ‘difficult’ while being in the band, refusing to play standards such as Ace of Spades live and wearing questionable clothing on stage, shorts and ballet shoes?? (much to Lemmy’s annoyance.)

Drummer Phil ‘Philthy Animal’ Taylor was said to be a bit of a fanboy of Robbo and he couldn’t do any wrong in his eyes. Robbo’s tenure in the band was short lived but he left us a fine album with Another Perfect Day. The Motorheadbangers were unsure at the time, sales of the album reflected this, it only reached number 20 in the UK charts for example. Over time though, the album has gained critical acclaim, I think it’s a great album myself, Robbo brought some much-needed melody to the songs while it was still unquestionably Motorhead.

As part of the 40th anniversary release of the album we get a cracking snapshot of the Robbo era in a live setting with a full set recorded at Hull City Hall in June ’83. The band really are on fire here, tracks like Heart of Stone, Rock It, Dancing On Your Grave, and standardslike Shoot You In The Back & The Chase Is Better Than The Catch sound great. If there was any animosity between the band members at the time you certainly can’t pick that up here.

This is a wonderful addition to the original album that’s been remastered and repackaged beautifully on vinyl and CD formats. Go and give ‘Another Perfect Day’ a listen if you haven’t for a while. You’ll be pleasantly surprised….

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Author: Kenny Kendrick

Jim Jones All Stars/The Pearl Harts – The Earl Haig Club, Cardiff – 26th/10/23

Jim Jones All Stars/The Pearl Harts – The Earl Haig Club, Cardiff – 26th/10/23

Get in your time machine it’s time to rock! Entering The Earl Haig Club was like stepping back in time, Meat raffle and Sunday Strippers (only joking but that’s the style of this out-of-town workies club do) The place was pretty busy and the support band The Pearl Harts were on stage doing their distorted blues thang a la White Stripes but two females but you get the kinda vibe. They put in a whole hearted set but it didn’t help with the large room and seating around the three sides and the bar at the back but all in all the audience who did watch were suitably warmed up.

By the time Jim Jones All Stars were hitting the stage the place was pretty busy to be fair and for a school night things were looking promising as Jim and his masterful musical ensemble took to the stage with one thing on their mind and that was to cast a spell over this impressive turnout and spent the next ninety minutes well and truly kicking their backsides with a perfect blend of good-time garage rock n fuckin greasy roll.

The volume was suitably impressively loud and the no nonsense aproach from the All Stars is a thing of beauty when they’re in full flight and pumped up and tonight boys and girls they rose to the challenge and gave this up for it audience a seriously really good time.

With a seriously good new record in tow and a back catalogue that goes all the way back to Thee Hypnotics there is an overflowing well of top tunes to turn to should they need to turn the heat up or take it down a notch or two from the unbelievably good ‘Burning Your House Down’ through ‘It’s Your Voodoo Working’ it was horn-honking-tactic as the band hit their groove right from the off and just cruised through the gears with songs like ‘Cement Mixer’ turning into an even bigger snarling beast with the saxophones adding another dimension to the already exhilarating sound. As far as live bands go this is only my second time seeing the All-Stars and my umpteenth time seeing Jim Jones kick out the jams over the decades and hand on heart this is on another level. When he broke up the Revue to pursue other things I was gutted but every shuffle of the pack has been a twist and a shake-down that’s had me on my feet cheering for more. Man, ‘Rock n Roll Psychosis’, and ‘Princess And The Frog’ were immense endings with t eh horns but finishing on ‘Shakedown’ this is how thee Hypnotics were meant to sound and I went home yet again wondering how they could possibly top that.

Of the new songs the band were in their groove and properly gig worn in ‘Troglodyte’ was the cream of the crop whilst their cover of ‘Run Run Run’ was loose baby and was hypnotically casting a spell on the room. If you get the chance I urge you not to pass it up and take full advantage of seeing one of the finest live bands anywhere on the planet. ‘Gimme The Grease’ was an early set warmer upper with a phenominal groove.

Jim Jones All-Stars have the perfect name, to sum up, their evil powers called Rock n Roll. Boundless energy an explosive songs one after another dropping sonic bombs that are equal partsdevastatingg and joyful. Simply superb. Go get yourself shakendown. Amen Brothers and sisters, Afuckinmen! The sermon has been delivered and Cardiff was served. Bosh!

Author: Dom Daley

Rainy Days & Mondays

Rainy Days & Mondays

First up this cold and wet UK morning is Autogramm, a synth-driven power-pop band from Seattle, Chicago and Vancouver. They have just announced their latest LP ‘Music That Humans Can Play’ with an advance single and video for the track “Plastic Punx”.

Their first album in over two years will be released on vinyl and digital formats world-wide on November 17th via Stomp Records and Beluga Records EU.

Autogramme – Bandcamp

New York City guitarist, singer-songwriter Steve Conte has released the music video for his latest single “Girl With No Name.”

The clip was shot on the streets of NYC & in studio by Natborn Productions’ Peter Perenyi & son Orion Perenyi, with motion graphics, lyrics & final touches by David Provan at 12 Inch Media.

The song follows the summer release of his single “Fourth Of July” (co-written with Andy Partridge of XTC).

Conte says, “This is a song of regret…about missed opportunity and lack of skills in meeting someone you’re attracted to.

When putting my new album together, I was looking for songs that would fit nicely alongside the songs that Andy Partridge and I had written for it and I kept thinking of this one. I wrote it back in 1984 and never forgot it – which was a good sign.

Because it came to me so long ago I can’t exactly remember my process for writing it, except that since I was young & single at that time I was probably experiencing these kinds of situations & feelings on a daily basis!

Musically, I can hear what was influencing me back then; mid 60s Beatles, mid 80s XTC, and that beloved Motown groove from a certain Diana Ross & The Supremes song…”

A follow-up LP to Conte’s acclaimed 2021 solo album Bronx Cheer, is expected in Spring 2024 via Steven Van Zandt’s Wicked Cool Records.

THE LIBERTINES New album and live shows

THE LIBERTINES New album and live shows

‘All Quiet On The Eastern Esplanade’ (8th March)

NEW SINGLE – Run, Run, Run (Out Now)

Plus intimate shows in Margate (9th/10th December)  

If you want the night to lastThe Libertines are excited to announce the release of their fourth studio album entitled, All Quiet On The Eastern Esplanade out 8th March 2024. The release marks the band’s first new album in nine years and opens with the infectious new single, Run Run Run out today Listen Here.

‘All Quiet On The Eastern Esplanade’ is available to preorder from: https://TheLibertines.lnk.to/AQOTEEPR
Anyone who preorders the album will be offered the chance to purchase tickets for “All Quiet On The Eastern Esplanade’ two days of special acoustic & electric live shows by The Libertines, at the 500 capacity Lido in Margate on Saturday 9th and Sunday 10th December. Also available both nights are VIP after party tickets at the Albion Rooms and Justine’s nightclub, which will include full band DJ sets.


Opening All Quiet On The Eastern Esplanade is the firstsingle Run, Run, Run, a huge singalong punk rock anthem, Carl says, “It’s about being trapped, and trying to escape your dismal life, a bit like the man in Bukowski’s ‘Post Office’. The worst thing for The Libertines would be to get stuck in a ‘Run-run-run’ rut, constantly trying to relive our past.”


On All Quiet On The Eastern Esplanade, the quartet of unlikely lads have gathered from their new-found homes in France, Denmark, Margate and London to solder a strongest-ever internal bond, and scale new creative heights resulting in the best music of their extraordinary career so far.
Featuring eleven new sparkling Libertines songs with songwriting credits shared among the four band members, the album was produced by Grammy-nominated producer Dimitri Tikovoï (The Horrors/Charli XCX/Becky Hill) and recorded at The Albion Rooms in Margate. Recorded in just four weeks earlier this year during February and March and finished over seven days at La Ferme de Gestein Studios in Normandy, with additional production and mixed by Dan Grech-Marguerat (Lana Del Rey/Liam Gallagher/Paul McCartney).


The story of the making of All Quiet On The EasternEsplanade goes like this – in September ’22 Libs glimmer twins Doherty and Barât decamped to Geejam in Port Antonio, Jamaica. Away from any distraction the chemistry between the infamous songwriting partnership began to bubble in earnest.
Fast forward to February ’23 and Peter and Carl regrouped with rock solid knaves to the rhythm, John and Gary, at The Albion Rooms, and, says Doherty, “we really came together as a band. It was a moment of rare peace and unity, with all the members contributing.”For Carl, the whole Libertines journey has been leading to this moment. “Our first record was born out of panic, and disbelief that we were actually allowed to be in a studio; the second was born of total strife and misery; the third was born of complexity; this one feels like we were all actually in the same place, at the same speed, and we really connected.”
Peter proclaims: “We’re over the moon, and the ball is in the back of the net… and I’m chuffed for the lads!” He adds, more seriously, “I feel like we’ve completed a cycle of some kind as a band, and finally now we can add these songs to the set list, because we’ve got some bangers in there. Now we’ve opened the hotel and used the studio ourselves and it’s all worked out – more Libertines records? I should hope so!”
The album – named All Quiet On The Eastern Esplanade as a nod to their hotel’s street address and their enduring love of Erich Maria Remarque’s landmark anti-war novel – is an unequivocal triumph.
All Quiet On The Eastern Esplanade will be available on CD, deluxe CD, 12” vinyl in limited edition coloured variants, deluxe double vinyl cassette and digital download.

Pic courtesy of Ed Cook

BILLY LIAR DEBUTS NEW SONG ‘OBLIVION’ & NEW ALBUM ‘CRISIS ACTOR’

BILLY LIAR DEBUTS NEW SONG ‘OBLIVION’ & NEW ALBUM ‘CRISIS ACTOR’

Listen to ‘Oblivion’ Here

Edinburgh, Scotland – October 06, 2023 – Following up the announcement of BILLY LIAR’s new album “Oblivion,” he has just dropped his first single “Oblivion” on all streaming platforms! CLICK HERE to listen to the song. Additionally, his album “Crisis Actor” is available for pre-order on the Pirates Press Records website.


“Billy Liar is one of my favorite songwriters. Powerful and honest.” – Tim Armstrong (Rancid)

That’s one hell of a statement coming from Armstrong, a guy who knows his way around a tune as one of the most beloved songwriters in punk rock history.

A single listen to Billy Liar’s new album “Crisis Actor” will have any listener agree with Armstrong. With this album, Billy Liar showcases his outstanding talent for storytelling and his ability to capture raw, unfiltered emotions that resonate with listeners on a deeply personal level. These songs are bold, brash, and destined to be played loud in any size venue Billy steps into, from a solo show at a DIY space to a full-band set on a giant festival stage and everywhere in between…all with fans screaming back every word!

From the outset of “Crisis Actor,” Billy Liar commands the listener’s attention. From the opening track “Oblivion,” he pulls no punches when he sings “The only way I win is by not giving in to oblivion.”

Throughout the album, Billy intricately weaves anecdotes, scathing social commentary, and self-realization to craft a record that will please old and new punks alike. Drawing the inevitable comparison to the legendary punk troubadour Billy, Mr. Liar shares Mr. Bragg’s ability to address society, politics, and the world at large through the lens of lived experience and deeply personal, confessional emotion.

And just to put “Crisis Actor” over the top, a friend turns up to lend his familiar voice to one of the record’s highlights: the one and only Frank Turner joins Billy on “Negroni,” adding his trademark powerhouse grit to Liar’s boundless, exuberant energy.

With “Crisis Actor,” Billy Liar is poised to step up as a central voice in a new wave of singer-songwriters ready to tell their tales to listeners across the world. Clocking in at just 28 minutes, this album is a proverbial uppercut to the jaw. It hits you hard and fast, but it is intricate enough to reward close repeat listens. This is fortunate, because you’ll find yourself dropping the needle on this one again and again!

Whether armed only with his guitar or backed by a full band, Billy Liar will be traveling the globe, commanding stages of pubs, clubs, and arenas alike with this new set of tunes ready to catapult him into the hearts – and record collections – of punks worldwide!

For more information on Billy Liar:
https://www.billyliarmusic.com/
https://www.facebook.com/official.billy.liar/
https://www.instagram.com/officialbillyliar/

Slade – ‘Alive! At Reading (Live)’ (BMG)

Slade – ‘Alive! At Reading (Live)’ (BMG)

Right at the top of their powers, Slade were a formidable live Rock n Roll band and one you most certainly wouldn’t want to follow on stage at a festival, like, Reading when it used to be a proper festival mixing styles and nationalities it certainly turned in some iconic performances throughout its original incarnation and one I can certainly remember reading about and hearing was Slades appearance.

Released on splatter vinyl, fans who’ve been paying attention will notice its another beauty and the sleeve is worth the price alone, absolutely outstanding picture that captures a Rock and Roll band in full flight and a dazzling spectacle of the times. Slade were unstoppable throughout the seventies becoming one of Europe’s biggest bands let alone the UK, releasing six smash hit albums, including three UK No-1, a run of 17 consecutive Top 20 singles which is an outstanding achievement that often gets overlooked.

This was first released on CD in the 2022 boxset ‘All the World Is A Stage’, The bands legendary 1980 performance at Reading festival and includes some of those smash hits like the anthemic ‘Cum On Feel The Noise’, ‘Mama Weer All Crazee Now’, ‘Get Down and Get With It’ and ‘Born to Be Wild’ closes an absolute barnstorming performance along with ‘the racaus ‘When I’m Dancing I Ain’t Fighting’.

I love the banter and Noddys Brummie drawl as he introduces songs like ‘Wheels Ain’t Coming Down’. The frenzied medley of ‘Something Else’ and ‘Pistol Packin Mama’ will have the listener daydreaming about the size of that crowd all going fuckin mental and how it was everyone for themselves as the band mesmerized a field of smelly denim and platforms. ‘You’ll Never Walk Alone’ makes me giggle but the singing of ‘Merry Christmas Everybody’ is an absolute hoot.

Remember kids this is pre-internet and mobile phones but their 70s heyday was disappearing in the rearview mirror but this last-minute slot (replacing Ozzy) turned that around and gave the band a second wind. Slade lovers or casual curious music fans would find this live document a firm favourite in any collection. This is a fine example of how to rock a festival audience. Sublime! Full Poke!

Buy Here

Ambrose Slade – ‘Beginnings’ (BMG)

Interesting part of these Slade rereleases is this pre Slade album as the title would suggest the begginings of the band and love it or loath it its deserving of its place as a catalogue of what came before their rise to the top of the Glam Rock table as kingpins of the genre and rightly so. ‘Genesis’ opens with its swirling psycadelic hypnotic bass riff on whats a bizzare instrumental opener.

Most of the songs here are other peoples tunes which I guess was pretty common in the final knockings of the 60s whilst only three are original songs. ‘Everybody’s Next One’ is a Steppenwolf song from their debut record but has Slade sounding more like a Who wannabe band. Other weird covers would have to be the Zappa ‘Ain’t Got No Heart’ even if does have a good energy to the rhythm. Justin Hayward’s ‘Fly Me High’ rolls along with its carefree chorus with a really interesting vocal peeking through. The ballad of Marvin Gaye ‘If This World Was Mine’ sees Holder push his vocal range to its limits is interesting to say the least. To wrap up this fascinating release they obviously take on a rarer Beatles song before the familiar ‘Born To Be Wild’ which is not unknown to even casual Slade fans but having two Stepenwolf songs not on a Stepenwolf album does look a bi tweird even now but hey it is what it is and this is a great take on a classic and that bass line is top drawer as is the thumping rhythm that went on to prove to be an absolute power house of a pairing.

The album closes with a galloping version of ‘Journey To The Centre Of Your Mind’ a song I’ve heard covered twice this excellent take and of course the Ramones version both crackers. Enjoy this one for sure but if you’re on a budget then I’d highly recommend the live one first its all killer for sure.

Buy Ambrose Slade Here

Backstreet Girls – ‘In Lust We Trust’ (Indie Recordings)

Backstreet Girls – ‘In Lust We Trust’ (Indie Recordings)

Ok folks sit up pay attention set your volume control at a respectably loud setting and pour yourself a cold one before slipping this bad boy on the turntable. Backstreet Girls are in the house and they are showing no sign of mellowing out or slowing down. From the get-go the boogie is set on the max and this Norwegian powerhouse is up for the gig.

This is the band’s 16th studio record since their 1984 debut and with the motto of If it ain’t broke don’t fix it, they boogie n Roll the living shit out of these ten songs. ‘Beef Chop Suicide’ gets proceedings underway with that familiar Petter Baarli raw overdriven tone and whisky and no filter cigarette rasp of Bjørn Müllers cool vocals the song ushers in the album by blowing off the doors rather than gently easing the listener in. Hell, the full-fat production from Stamos Koliousis is perfect for the DC meets Stones tones these boys love to knock out. It’s bullshit free baby and they’re up for a good time and not a long time. ‘Waste Side Story’ is bruising but the thunderous shuffle of ‘Boogie Woman’ (of course that’s what it is called) is like being clubbed over the head by a Les Paul and the guitar break at the end kind of stops which is a bit weird I wanted it to continue my tennis racket wasn’t finished yet and I was looking to do a knee slide for a finale. Shit, that is one dirty tone Baarli is chopping up on ‘Too Cool For You’ as the band eases back for one sloppy dorty fucker of a song, and who isn’t going to dig that riff on the chorus before easing back into the verse, quality overload beware anyone feeling a little feeble this might be too tough for you.

Sure theres nothing original going on here nothing at all its just a cadalac of style with the best sounding stereo on the strip ‘Sister Satan’ is a brooding beast of a song cruising round impressing the shit out of any impressionable young man or woman. The quality of whats on offer is right up there and ‘Norma Jean’ is like Lemmy fronting Cheap Trick using AC/DC’s equipment to impress a particularly good-looking lady.

The next few tunes are all about that guitar tone with ‘Rocky Lee’ cooking up a bitches brew that’s made with equal parts gasolene and gunpowder the licks n fills are fantastic at volume and on headphones it’s like being in the room as the band strikes up a chord knowing exactly how damn good at this they are.

Before we’re done ‘Not Sorry At All’ is a blast of fist-pumping before ‘Doomday Hell’ is a purposeful thump on the drums and the gang vocals to close it out are spot on, so put on your shades, buckle up the leather trousers and pour another cold one Backstreet Girls are dishing up a Rockin good time (of course they are) and it’s fantastic to hear a band just rockin out because that’s what they love hearing and nobody is gonna tell them there is anything cooler than this. Top band, Top album, Top class. Buy yourself ‘In Lust We Trust’ and rock the fuck out – you’re worth it.

Buy Here

Author: Dom Daley

Christmas ‘Eff It Up’ in style Video

Christmas ‘Eff It Up’ in style Video

After the start of the pandemic and Brexit, Christmas were perhaps the first punk band back on tour in the UK in 2021. To capture the experiences on video, the band captured the tour in a small clip in 2022. Enjoy ‘Fuck It Up’ from the current album ‘Hot Nights In Saint Vandal’ (released in 2020 on Kidnap Music and TNS Records) you can watch the band from the ferry to Quadrophenia Alley!

Buy Christmas Merch Here