One of the few good things to come out of Lockdown is Bandcamp standing by their toiled artists and offering the consumer a day to purchase to their heart’s content knowing that their money is going straight into the artist’s pocket. These events have been highly successful and a much needed financial assistance to musicians whose income has taken a potentially massive dent. There is a lot of content on Bandcamp and this can intimidate all of us, not knowing where to invest our hard-earned cash. Here are a few of my recommendations to consider if you are looking to get involved.. 
‘Exile Parlour’ – the latest release from Merseyside’s Post Punk rising stars Eyesore & The Jinx. Hypnotic basslines, beautifully distorted guitars and targeted concise lyrics giving them the make-up of a coherent Fall. Released on Eggy records. Currently, on Bandcamp, the bands discography is available on digital format for the bargain price of £6.19. What are you waiting for?

 

Neonic Sunrise
‘Lies Paradise’ – Debut LP from Moscow based Neonic Sunrise. Very hard to categorise this group with the sound changing and adapting track to track, with influences coming in the form of Garage Rock, Post Punk and Shoegaze. Stand out tracks for me being Heal and single Taste Your Lips being my favourite single of the year so far.

 

 

 

 

 

Bambara
Stray(Wharf Cat Records) – Finally we have the third outing by the Southern gothic trio Bambara. This LP came out in February and was criminally overlooked but its not too late to get it on your album of the year list. Often compared to Nick Cave, although I feel they are an intimidating mix of both the Bad Seeds and the harsher Birthday Party with excellent Cow Punk chops giving a nod to the Gun Club at the same time.

 

 

 

 

Author: Dan Kasm

 

JSK & The Lockdown Lovers – ‘Lockdown Lover’  A late call up comes in the shape of Johny Skull Knuckles and his Kopek Millionaires who’ve recorded a special track for this special Friday on Bandcamp.  He’s also promised a special video to accompany it as well so get stuck in ya rock and rollers. Of course it’s good. Its got plenty of heart and exactly what you’d expect from Johny, great chorus and all the sleazy Rock and Roll chops you could want. the second track sees Skull Knuckles reach lofty notes he’s not reached in a while I’d guess? but he’s riffin like a good un here and turning up the Rock! go Johny and go good people of RPM Online world and support these artists on this Friday seeing as Bandcamp have done the right thing and given a bit more back to the artists who underpin their success.  (Take note Spotify and other streaming sites) Bandcamp

THE BIRTHDAY MASSACRE
DIAMONDS
UK TOUR 2021

28.07.21  YORK Fulford Arms
29.07.21  NEWCASTLE Cluny
30.07.21  EDINBURGH Opium
31.07.21  GLASGOW Ivory Blacks
03.08.21  MANCHESTER Night People
04.08.21  NOTTINGHAM Rescue Rooms
05.08.21  WOLVERHAMPTON Slade Rooms
06.08.21  BRISTOL Exchange
07.08.21  LONDON Garage
tickets and information
flagpromotions.co.uk / ticketweb.co.uk / fatsoma.com

Due to the ongoing Covid-19 crisis, Canadian post-punk goth act The Birthday Massacre have been forced to postpone a November 2020 UK tour to promote their new album, ‘Diamonds’, which was released in late March. All nine shows have now been rearranged for the summer of 2021, as per the itinerary above.

The tour will be the first opportunity for UK fans to see two recently installed group members, drummer Phil Elliott and bassist Brett Carruthers, perform with the band. Carruthers is also the frontman of fellow Toronto-based act A Primitive Evolution, who released an excellent album of industrial tinged rock entitled ‘Becoming’ on Metropolis Records in 2018 and have remained an ongoing concern.

35th Anniversary 3CD Box Set featuring a remixed version with extra tracks, the live version, the original album plus a 36-page booklet and the reinstated ‘Tie Me Up’

Coming September 11th – FULL TRACKLISTING and PRE-ORDER HERE
The 1985 studio album – ‘Resurrected’ – revamped with two new tracks plus six bonus outtakes, all remixed by The Vibrators’ Pat Collier.
Disc 2 is ‘Que Sera Sera – live in Europe’ – 18 mostly unreleased recordings, 1984-85.
Disc 3 is the original album mix and related single tracks.
Packaged in a clam-shell box with a 36-page booklet featuring new notes by Johnny’s biographer Nina Antonia, plus lyrics and unseen photos

In 1985 Johnny Thunders went into the studio in London, to record his third and final solo album. He gathered friends Mike Monroe, Patti Palladin, John Perry, Wilko Johnson, Henri-Paul Tortosa, Nasty Suicide, JC Carroll, Stiv Bators, Glen Matlock and others, and the resulting album was christened ‘Que Sera, Sera’.

It wasn’t all plain sailing – with Johnny it rarely was. Johnny had spent the previous two years in relative stability. He’d been gigging around the world, and between tours he was filming in France. Life was a series of nice apartments and hotels shared with his constant companions – his girlfriend Susanne and his manager Christopher.

Now circumstances meant he had neither. Without a new release, touring slowed, and his high-maintenance lifestyle led him to seek friend favours for somewhere to live. The major labels that Christopher hoped would provide financial support hadn’t materialised.

In a row with Susanne, she complained that Johnny had never written a song for her. Johnny obliged, and along with new songs from his live set, he recorded I Only Wrote This Song for You. Before the album was finished, as soon as he had a rough monitor mix of the song, he flew to Sweden to attempt a reconciliation.

Those remaining at the studio were left to put the pieces together. Patti Palladin oversaw the mixing with the engineer, and found there wasn’t really enough for an album. Patti added Tie Me Up from the b-side of her Crawfish project, and Blame It On Mom was found from an earlier session. The title-track was actually an afterthought; recorded as a single 16 months later.

The album was well-received, and it got Johnny touring again, but there was always a sense that it could have been better, and that the guitar was restrained – in ’85 many artists were seeking mainstream crossover. Two tracks had been left off – Jerry Nolan’s Countdown Love song was unused as he hadn’t yet recorded it; and Talk About You, a lengthy blues workout that didn’t seem to fit.

With those two tracks in mind as bonus tracks for a reissue, Pat Collier, former Vibrators’ guitarist, was asked to mix them. When the results came through, it became obvious that Pat should remix the whole album using today’s technology and viewpoint.

In the multi-track tapes a few outtakes were discovered, and last year the ‘Resurrected’ version was released as a Record Store Day double-vinyl with 5 bonus live tracks. After interruptions, the CD version was reappraised and expanded to a three-disc box set. The original album is included, reinstating Tie Me Up and the old, familiar mixes. Three live gigs were uncovered, and they became the live version of the album as a bonus CD.

Johnny Thunders’ biographer, Nina Antonia, has written new notes with interviews for the 36-page booklet. It also includes lyrics and unseen photos from the recording sessions, the cover session and from one of the featured live gigs.

Tracks:
DISC 1: Resurrected: Alone In A Crowd, Countdown Love, Blame It On Mom, Talk About You, M.I.A., Little Bit Of Whore, Short Lives, I Only Wrote This Song For You, Cool Operator, Billy Boy, Endless Party, Que Sera Sera. Extras: Copy Cat, Blame It On Mom (outtake),Taking You Up Avenue D, Short Lives (outtake), I Only Wrote This Song For You (outtake), Cool Operator (first version).
DISC 2: Live in Europe: Geneva: Blame It On Mom, M.I.A., Cool Operator, Personality Crisis, Countdown Love, Little Bit of Whore, Amsterdam: Short Lives, So Alone, Sad Vacation, Too Much Junkie Business, Little Bit of Whore, Born To Lose, Chinese Rocks, Lyon: Countdown Love, Just Another Girl, Talk About You, Alone In A Crowd, It’s Alright (Blame It On Mom). (74 mins)
DISC 3: The original album: Short Lives, M.I.A., I Only Wrote This Song For You, Little Bit of Whore, Cool Operator, Blame It On Mom, Tie Me Up, Alone In A Crowd, Billy Boy, Endless Party. Extras: Cool Operator (Black Cat mix), Short Lives (Heavenly ver.), Short Lives (Johnny’s remix), Que Sera Sera

Ahead of his new album the talented Matty James Cassidy releases ‘Said & Done’ ahead of the album release later this month.  This follows on from his lockdown release of  ‘The Isolation Tapes‘. Check out the video below and hit up the pre sales.

NEW SINGLE – SAID & DONE – OUT NOW  – LISTEN ON SPOTIFY / APPLE MUSIC
Taken from the forthcoming album ‘Old Souls’ – Out 28.08.20 – PRE-ORDER NOW

Top of the list of “bands I should have seen live before I moved”, Pussycat And The Dirty Johnsons are back with album number four, ‘Beast’. Check out any live footage of the band, and you’ll see what I mean. Puss was born for the stage, and with the perfectly fuzzed riffs of Dirty Jake and tribal drums of Filfy Antz, they are a three-piece who command your attention.

 

Don’t panic, but some songs are over three minutes long, and one breaks the four-minute barrier. Almost prog length by their standards, but the music remains as feral as ever. As ‘Lying In My Bed’ batters your speakers with the fear of “existential dread”, yet you can still shake your bones to it.

 

There is much, righteous anger and venom across the twelve songs, which shouldn’t surprise anyone familiar with their work. Keeping an essentially live sound works well, ‘Doin It’ is perfect for a sweaty club, encouraging you to follow your dreams, regardless of the doubters. Zero tolerance of idiots and hidden agendas runs through ‘Not Your Baby’, ‘Knee Jerk’ and ‘Shit’, while ‘Stale’ despairs at the small town attitudes of “Basingstoke psychosis” (in itself a good title). ‘Abuser’ is plain talking, while the four plus minutes is devoted to ‘Do Ya Feel Me?’, their unique take on a love song, when you wait to see each other again.

 

‘Hey Honey’ builds from an almost hushed intro, a list of the inevitable judgements of others for carving out your own path. Puss and co. chose their own way long ago. It’s the only way to be happy, and they’re on fine form here.

Buy ‘Beast’ Here

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Author: Martin Chamorette

 

Photo by: @wirelessmindphoto #wirelessmindphoto

Doojiman & The Exploders is the dream team put together by the mighty Doojiman and his right-hand man Woogie Wombach. They flew far and wide through the galaxy to put together a robot army of cool kids under the name ”The Exploders”. On their travels through The Milky Way, they picked up quite a few influences ranging from Ramones, Alice Cooper and The Stooges to The Hives, Turbonegro and Bloodhound Gang. And of course the sounds of animals such as Dingos, Owls and Bunnies. Mixing all of the above into a superweapon to conquer Earth. With a bunch of EP’s, singles and one full-length album (Sweden’s Newest Hit Makers) they’re now here with their sophomore album “Doojiman & The Exploders II: Electric Boogaloo” to put some lotion on your skin and so forth.

Well, that’s what they wanted to say and I hope you can make sense of where these cats are at.  Play either of those records and if you still don’t get it then maybe Rock and Roll just isn’t for you.

OK, so who the fuck are you?
Doojiman & The Exploders consists of Doojiman, his right-hand man Woogie Wombach, Timekeeper Patlanta, Artillery Battery Commander Dan Juan and Tank Commander Kallefornia. (Pata – Vox, Jeppe – Lead Guitar, Patrik – Guitar, Dan – Drums & Kalle – Bass). The band was put together by Pata and Jeppe in 2014 and has since picked up members along the way during drunk and fast travels around the city of Stockholm, Sweden. Think of them as the Inglourious Basterds of Scandinavian Rock’n’roll.
Where on God’s green earth are you from or what planet?
We’re from Stockholm, Sweden.
How did you put the band together?
By screening thousands of possible applicants Doojiman and Woogie Wombach eventually settled on three low life dropouts who do what they are told as long as they got something to drink.
What recordings have you made so far?
2014 – Police W. Rangler (Digital Single) 2014 – Watch Out! Look Out! (Digital EP) 2016 – Sweden’s Newest Hitmakers (Digital Album) 2018 – Rickety Cricket / Shameless (7″ Single + Digital Single) 2019 – Milk / Dogs (Digital Single) 2019 – From Myself (Digital Single) 2020 – Doojiman & The Exploders II: Electric Boogaloo (12″ Yellow/Black Vinyl + Digital Album) 2020 – Watch Out! Look Out (12″ Orange Vinyl (+ Police W. Rangler Single B-side)
Post Pandemic Plans?
Hopefully spread out music faster than fucking covid spread, we’ve heard that stuff spread pretty fast in Italy. We also are in dire need of a new Intelligence Officer (Booking Agency) so if you’re up for the task and love the songs, give us a ring!
Previous album reviews on RPM Online Here & Here Heavy Medication & Beluga Records respectively both offer great services and decent shipping rates from Europe

SO EXCITED to announce a BRAND NEW ALBUM, “Nowhere To Go But Everywhere”!  The album comes out Sept 18th, BUT, our new single, ‘Jesus & John Lennon’, is OUT NOW!

Swiftly following on from their Independent Music Award winning debut album, Ryan Hamilton & The Harlequin Ghosts are delighted to announce its follow-up: ‘Nowhere To Go But Everywhere’. Pre-order here.

Little over a year since the release of his enthusiastically received debut ‘This Is The Sound’, the Texan maestro backed by his trans-atlantic band will release 11 brand new tracks on 18th September 2020 in what will be their sophomore release for the Wicked Cool label.

& Here’s a handy link to listen to the new single, pre-order the album, and/or pre-save it on Spotify, iTunes etc…

CLICK HERE!

Like some of the greatest records in history, the bittersweet and often beautiful songs of ‘Nowhere To Go But Everywhere’ have their basis in break-up. In the wake of a divorce and in urgent need of a new start, Hamilton hit the highway and embarked on a long, soul searching road trip across the US. Losing himself in the heartlands of old America, Hamilton found himself gazing upon the crumbling motels and diners that line fabled arteries like Route 66 and picturing what once might have been; their fading grandeur offering a unique sense of solace and inspiration. As the milometer ticked-on and new experiences began to ease those unshakeable notions of hurt and heartbreak, unexpectedly Hamilton felt himself writing some of the most intimate and personal music he has ever written.

“It’s a group of songs about heartbreak, and finding yourself.” says Hamilton of the new record. “It’s not like anything I’ve ever done. I am certain they’re the best songs I’ve ever written. When this album comes out, it will be like baring my soul… and I’m ok with that.”

Literature fans may be quick to identify the title as a quote from another creative work written “On The Road”, by a certain Jack Kerouac. Though a fan, Hamilton insists its pure serendipity in this case. Or, the influence of a lucky charm perhaps (also seen to feature on the upcoming album artwork)…

“I knew it had to be the title for this album.” he says. “Kerouac is a hero, and because of the way this album was written, his spirit is all over it. I actually own Jack Kerouac’s belt. That he wore in the 60s… It’s a cherished possession.”

With a lifelong adoration for the work of Tom Petty, listeners will no doubt detect the influence of the great man in the warm and radiant arrangements of album opener “Only A Dream” or the gentle Califonian kissed balladry of “Pick Yourself Up”. But it seems a final pit-stop and pilgrimage to the famed Norman’s Rare Guitars in LA, would play its part in determining the resultant sound of ‘Nowhere To Go But Everywhere’ too.

“Norman is the go to guy for a lot of big names out there. Including my hero, Tom Petty.” reflects Hamilton. “I went in the store at the end of that aforementioned road trip from Texas… and had no intentions of leaving with a guitar. But, Norm and I got to talkin’, and we talked about Tom… and before I knew it, I was leaving with a vintage Martin acoustic. That guitar feels like my child. I cherish it.”

Returning home filled with a sense of rejuvenation and alive with new ideas, Hamilton reconnected with The Harlequin Ghosts (aka Mickey Richards and Rob Lane) and a host of talented musicians to help recreate his journey in the songs of what would become: ‘Nowhere To Go But Everywhere’.

Taking a similar approach to the recording process of their debut, ‘This Is The Sound’, the new album was recorded using both Hamilton’s home studio in Texas and that of producer Dave Draper’s in the UK, who also produced, mixed & mastered the final cut. Hamilton laid down the bulk of the record whilst also touring his solo acoustic tour in February 2020, before the declaration of the global pandemic saw Hamilton forced to return home to add the finishing touches.

Not one to sit still for long, Hamilton even found time to write an additional EP’s worth of material, ‘Incommunicado‘. Connecting remotely with producer Draper, plus other fellow musicians in lockdown in the UK and France, the EP recorded and released completely in lockdown. Dropped without prior warning in May 2020 and with all proceeds going to the Music Venue Trust’s ‘Save Our Venues’ campaign, it shot straight up the charts to become Hamilton’s first number 1 album (iTunes Country Chart) and sets the precedent for a magnificent long player to follow this Autumn.

Wise with the experiences of life and glowing with the sense of adventure of his travels, ‘Nowhere To Go But Everywhere’ is an exceptional new chapter in the Ryan Hamilton & The Harlequin Ghosts story. Just make sure to save them a table at the awards ceremonies next year…

RYAN HAMILTON & THE HARLEQUIN GHOSTS – NEW ALBUM:
‘NOWHERE TO GO BUT EVERYWHERE’- OUT 18 SEPTEMBER 2020, VIA WICKED COOL
PRE-ORDER HERE || LISTEN TO JESUS & JOHN LENNON HERE

FOR MORE INFORMATION
Website / Twitter / Facebook

First up is the first single off the excellent Pardon Us. ‘Undertow’ sees the band release their lockdown social distanced video for the first track off their ‘Seamless’ album due out towards the end of August.

Another band we a loving here at HQ is Indonesian Junk who also have a new album ‘A Life Of Crime’ out on Rum bar records

Finally, we bring you Stay Voiceless who also have a new record ‘Lies To Tell Your Children’ and the review of said record will be online this week

If you suddenly have the desire to collect The Hip Priests 7 inchers, just forget it already! That’s tantamount to saying you are gonna start collecting Star Wars figures or Kiss merchandise…there’s just too damn many, they’re too expensive and you won’t find ‘em all! But lucky for you, those fuckin’ boys have saved you the trouble and gathered together the lost gems, the hard to find cuts and the curios for all The Hip Priest fanboys and fangals to salivate over.

Yes, if you are a fully-fledged member of the Spasm Gang or even just a casual fan, (ie you don’t wear black denim every fuckin’ day!) then you probably already own the comprehensive double album ‘A Decade Of Disdain’. An album that brought together the best of The Hip Priests singles released over 2 pretty coloured records. And if you don’t, then give yourself a slap and get it sorted before we have words!

Well, ‘Solid Gold Easy Option’ is The Hip Priests strike back! 17 hard to find tracks from singles and EPs released between 2017-2019. That’s 6 cover versions bastardised by the band, sandwiched between 11 glorious original jams previously unavailable to mere mortals until now.

 

If quality, high octane garage rock is your thing, if you dig sonically seductive sounds delivered with more filth and fury than a Johnny Depp/Amber Heard weekend bender, then ‘Solid Gold Easy Option’ is right up your street. The dirty, the clean and the truly obscene rub sweaty shoulders and bloody knuckles in a defiant “fuck you!” to society, with no hint of socially distancing going on.

The epic ‘No Time (Like Right Now)’ is present and correct. Clocking in at just under 10 minutes, it’s their punk rock masterpiece, channelling the power of the MC5 with the horns and suss of Rocket From The Crypt, while they rant a diatribe about political skulduggery and post Brexit fuckery. It’s a punk rock anthem for right now. The other 3 tracks from that EP are present and correct, but the punk and belligerent ‘All My Rowdy Friends Are Dead’ and album closer ‘I’m Too Good’ seems to pale in comparison to the overly cool ‘She’s A Queen’. It sounds like Ian Astbury jamming with The Hellacopters, with one finger piano stabs, overly fuzzy guitars and vocals delivered straight from the crotch. It could be my favourite Hip Priests song right now.

Covers-wise, the likes of Motorhead’s ‘The Hammer’ and Demons ‘ Hot Running Blood’ are perfect Hip Priests fodder and stay pretty true to the originals. The Stooges ‘Loose’ is suitably ramshackle, sped up and delivered with guts and glory. Saxon’s ‘Play It Loud’ follows the same path and sounds epic.  It’s only Adam & The Ants classic ‘Press Darlings’ that doesn’t really benefit from the Hip Priests rough n’ ready, punk rock treatment for me.

Just because this is a b sides compilation, it doesn’t mean the quality has to suffer. ‘Nihilist Twist’ is a brutal, chanting 2 minute assault on the senses. ‘Dead By Sunday’ literally out ‘copters The Hellacopters and ‘I’m In Exile’ is all killer no filler. Wah-wah infused guitars fight with power chords as newest recruit Gentle Ben fills the right speaker and Austin the left, or is it the other way round? Who knows! But what I do know is the twin guitar attack sounds mighty.

 

27 singles, 3 EPs and 4 albums since their inception in 2007. It’s true to say that ‘Solid Gold Easy Option’ is more than just a stop-gap collection of odds and sods to keep their fanbase happy until album number 5 drops later this year. This is a quality collection of songs from shit island’s best-kept secret, and any self-respecting punk rock junkie should have it in their collection. The only trouble is do you choose green or blue vinyl?

Buy ‘Solid Gold Easy Option’ Here

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Author: Ben Hughes

 

 

A boundless ball of energy and chaos. Live they’ll put a smile on yer face as they cover every inch of the stage (and the rig and audience given half the chance) This Bristolian quartet is anything but conventional.  Their first album is a live one for gawds sake which should tell you that they are comfortable in that environment it’s their turf and they can rock it up on that stage so why not sling out an unpolished set of rockers as your first foray into the big bad world of rock music.
with a sound described as blues-punk, their frantic attack is exciting and bristling with energy.  they’ve recorded at Rockfield and Abbey road so stick that in yer pipe and smoke it.  Georgi Valentine: Vocals, Brodie Maguire: Guitar/Backing Vocals, Chris Simpson: Bass/Backing Vocals, Matt West: Drums make up this exciting band. You can pick up that super limited record Here but be quick they will sell out!
So Who the heck are Mother Vulture?
Mother Vulture are hectic rock n roll with a punk twist. Quiet off stage, lunatics on stage. We want people to come to a show, laugh and say “look at those idiots”.
Where are the band from?
Simply, wherever the van (Rigby) takes us. Although, I think it’s fair to say that Cornwall is our spiritual home.

How did the band come together?
We started writing music, in uni, but only really became a band last year when we finally started playing shows. The final piece of the puzzle was getting Matt on the drums. He bought the van so we have to say that…
What about recordings?
We’ve got 5 tracks on Spotify that we recorded in 2018/19
Post-Pandemic/Lockdown plans?
Our plans post-pandemic are tour tour tour. And then, maybe we’ll record a real album! But for now, we’ll be shoving the live album down everyone’s throats (out July 24th)
Follow Mother Vulture: Facebook / Instagram / Spotify