It’s been a long while getting here probably due to Covid and the shortage of raw vinyl but the wait is over. Marc Almond is the subversive pop star better known for fronting synth giants Soft Cell as well as being the tortured torch singer, and as of now, he’s the frontman for Britain’s best garage rock band. Ok, ok so they might be primarily a covers band, but it’s a bloody good one, featuring former Sigue Sigue Sputnik man Neal X on guitar and Iggy Pop’s rhythm section Ben Ellis and Mat Hector.
Almond never shied away from his punk rock and garage rock roots to be fair a lot of new romantics spilled out of the punk era and the Bowie/Pop/Reed fan clubs. X being Almond’s go-to foil for many a live tour and album and X having played with Stiv Bators before he passed away is some serious credit in the rock n roll bank account. After last year’s limited edition CD run featuring covers, it seems the band has spent lockdown honing their skills and crafting another bunch of seriously good covers of classic garage rock n roll.
Splashed onto 10″ of wax this time around they tackle some Alice Cooper with a sleazy ‘Is It My Body’ as well as taking on The Dolls ‘Pills’ and roping in the talent of Glen Matlock to help kick out the jams.
It would have been nice to maybe extend the release to include a vinyl version of that first CD-only album but all good things to those who wait or ask nicely – Pretty Please! The band are seriously rocking on these tunes and I’d love to hear what they could do with some more original stompers not that I’m complaining but one out of eight is a start. OF the covers obviously, Glam Rockers and Garage aficionados will nod their approval for the quality of the interpretations of these tunes and bravo for picking some lesser-known deep cuts rather than trotting out already popular well-known tunes.
‘Wild In The Streets’ is a suitably trashy rocker so they’ve proven they have the chemistry to do a full record of original and having shown their epic array of influences on these first two releases I’d be well up for hearing it. Let’s be fair they own ‘Is It My Body’ and their twist of The Kinks ‘I’m Not Like Everybody Else’ is rather splendid.
It’s a no-brainer kids, The Loveless need some love from our turntables and with these Eight tracks we’ll be ‘Wild In The Streets’ as we wind back the clock and get seriously down with some loud garage Rock and Roll.
Denver’s Fast Eddy releases their sophomore album, and with a- dare I say it, more mature record (in as much as they are wiser in the songwriting department and have the recording and sound they want nailed!)
From the moment the needle drops it’s a smoldering intro, no snotty kids making noise but one that says turn it up mother fucker Fast Eddy’s in the room. ‘Take A Look (The track is a slow burner) The title track grooves out of the speakers with a cooool guitar riff.
Next up ‘Milwaukee’ is a supremely confident track that should be a radio hit for sure. With a cool backbeat, it’s a foot-stomper with a groove and you just want to move with that tambourine it first appears on the group’s “Toofer” 7” EP also released Spaghetty Town, in 2018. Complete with Thin-Lizzy Esque guitar duties shared between Morris and fellow six-stringer Lisandro Gutierrez, the track is the yin and yang of leading a full-tilt rock n’ roll lifestyle.
This being the first physical album Fast Eddy have released, the band have left noting in reserve and dished up a belter with songs like ‘Kill City’ (not to be confused with the Iggy classic) uptempo and rocking out with some cool riffing and good melodies helping rock out with some cool backing vocals straight out of the Hanoi Rock handbook.
The album took three recording sessions to Atlanta from 2018-2021, even in the midst of a global pandemic. Thanks to the assistance of Dan Dixon and Biters Tuk Smith, these 10 tracks are far louder and more contagious than anything found at your familiar super-spreader.
‘Dead Eyes’ is a radio-friendly slice of power pop with some great choppy guitar work. Adding another string to their impressive bow on the laid-back ‘Help Me’ that builds slowly like a bit of 70s glam mixed with some post-punk like Elvis and his attractions. They can still tear it up with the punchy ‘Hurricane Alley’ then they turn it up with a right ripper, ‘Lost’. It’s got some snotty punk rockin attitude mixed with Chuck Berrys rock n roll and a hint of an over-the-top Mott The Hoople for good measure. You can tell the band’s influences reach far and wide and whatever bleeds through is just left to keep on bleeding if the song needs it. An album that keeps on giving and one that with the right level of investment will reward play after play.
‘Game Of Love’ has touches of pomp rock and exaggerated larger-than-life thoughts with some glittery stack heels and huge flowing shirt sleeves but mixed with some tight leather trousers and a smoldering cigarette with a warm glass of single malt. The bridge is huge like Edwardian playhouse knees up or written after daydreaming about Oliver Twist dancing through the streets of sleazy London a few hundred years ago.
Before they sign off that Thin Lizzy dual guitar work is present on the upbeat handclapping ‘Frankie Died’ another tune that could and should be a huge hit. which only leaves the post-punk new wave-like ‘Sunflower’ yet another twist proving that the band won’t be pigeonholed into any particular Genre and just do Fast Eddy a little bit of this and more of that mixed together and poured out onto the turntable making a really impressive album that you really should invest in.
Cyanide Pills – ‘The Kids Can’t Be Trusted With Rock N Roll (Damaged Goods Records) Don’t know bout you but this pandemic seems to have gone on longer than expected and in its wake, it’s delayed the new Cyanide Pills album so for that reason alone it should fuck off pronto along with the Tory Government.
Two new tracks landed in the Singles Club jukebox and are like a breath of fresh air and right up to speed with the expected standard of tunage from these Yorkshire lads with the lead track. Mashing up The Beatles with the guitar break and some on-point cheeky lyrics all tacked down with a Ramones Undertones riff that doesn’t leave your head for days. But wait, ‘Do You Wanna Know’ is just as good as the A-side with an insanely catchy chorus. I love Cyanide Pills and on this evidence, the new album will rule, the only downside is it’s only two songs and not more. Still brilliant Record of the Month? Maybe. Buy Here
Steve E Nix & The Famous Lizards – ‘Motorcade EP’ (Damaged Goods Records) Holy Shit! I thought that Cyanide Pills having a new single out was a nailed on no brainer for record of the week, month, year and then This arrived! Steve E Nix has penned four new tunes (more is good) and they are trefuckinmendous. The lead track ‘Motorcade’ is an epic earworm and as it seeped into my brain I was grinning from ear to ear and punching the air like Rocky. What a stunning tune. It infectious, power pop with a bit of a rockin edge and the hook is to die for.
We all know who Steve E Nix is but the Lizards are bassist Kicks (also from The Briefs), guitarist Emi Pop and drummer Miles Freeborn and they deserve a tip of the hat because this band is awesome. ‘Hallways’ is slightly dreamy and very laid back almost Johnny Thunders meets Hanoi Rocks like in arrangement and delivery and that excites me big time. ‘Nite life’ is a retro thumper with a great riff and some top BV’s. Before this EP cuts and runs, there’s time for a bit of a rock and roller in the shape of ‘Avenue Child’. Cool hook and some punchy guitar licks all wrapped in some cool Chuck Berry twelve-bar not sounding a million miles from Toilet Boys. Nix and the band nail it and off the back of this, I hope there’s a long-player involved? because SEN&TFL are dredging some seriously good ground here.Record of the week/month? You bet! Buy Here
The Courettes – ‘Misfits & Freaks’ (Damaged Goods) What a hattrick this is from Damaged Goods or are they just showing off their roster of acts that are as diverse as this and yet still churn out banger after banger. ‘Misfits & Freaks’ is a brand new version of one of the standout tracks from the third killer album, Back In Mono. It comes backed with an exclusive new song ‘Killer Eyes‘.
‘Misfits & Freaks’ was penned after a bittersweet concert in France in 2020, on the last tour in the pre-pandemic world. They played at 9 pm then lockdown at midnight. What was a pandemic? and what the hell we were getting into, so people that day really partied as if there was no tomorrow. If you missed The Courettes latest album then you were well and truly locked down and in a bunker. It’s Rock and Roll baby and it’s got style and swing and is a fabulous song that really does sum up that bittersweet feeling the duo spoke of. On the B side its,- well more of the same really just a bit less focussed and perhaps a little hazy but a great arrangement and perfect delivery. another top single. Buy Here
Lammping – ‘Everlasting Moor’ (We Are Busy Bodies) purveyors of psych-rock, release the first single from their forthcoming album due out this March on We Are Busy Bodies. The highly anticipated EP Stars We Lost is a collection of 70’s soaked space-rock bangers that’ll surely win the hearts of fans of Black Sabbath, Blue Cheer, Spacemen 3, Stereolab, De La Soul, Kraftwerk, and Eels. It’s an infectious track that burrows into the ear canal and takes hold as it swirls around your head. It’s a headfuck of sounds alright and this track is the lead off of this five-track EP ‘Stars We Lost’ Buy Here
Drug Church – ‘Detective Lieutenant’ (Pure Noise Records) Lifted from the new album ‘Hygiene’ it’s a quirky track that builds into a wall of noise before falling back into a dreamy riff with a pavement-like vocal leading the way. Its an understated lead track off the new album but it does take time and if you invest you’ll be rewarded big time from a band I’ve got a lot of time for. Buy Here
Split System – ‘Hit Me’ (LeglessRecords)Melbourne punks Split System had only one jam together before lockdowns kicked in in Melbourne in 2021. 5 songs were written and with rehearsals and gigs on the back foot once again the only option was to record remotely via email. Everyone recorded their parts at home and Split System’s self-titled EP was recorded, ‘Hit Me’ is the first released and what a banger it is. The band is fronted by Jackson Reid Briggs on Vocals and members of Stiff Richards, Speed Week, No Zu and The Black Heart Death Cult.
Vulture Lord – ‘Hark! The Hymns Of War’(Odium Records) We don’t get to cover some old-school black metal in the singles club very often but today’s our lucky day. Harking back to some Venom like Black MEtal Vulture Lord knock it out the park with this track lifted from their split (we love a split) with Black Altar ‘Deathiah Manifesto’. All Hail Vulture Lord because this is a banger. with four tracks each on the split, it’s VFM all day long. C’moooooooooooooon! As it stands I know fuck all about Vulture Lord but if there’s more like this then bring it on top-notch old-school black metal and the packaging is on point and extreme, brilliant. Hark! is almost as good as the stuff Midnight is knocking out and this is after an 18 year break. Welcome back Vulture Lord how can you not like a band that has a track called ‘Bloodstained Ritualknives’ – Brutal.
The Hollywood Stars -‘The Bottom’ (Golden Robot Records) After more than 40 years apart, they are performing together again and making new music and ‘The Bottom’ is the start of a new chapter as we move into 2022. It’s a rolling heavy distorted lick is akin to the likes of ZZ Top and tenuously Aerosmith (maybe) the band gets their groove on and jam out the tune.
It’s not the strongest track this session of the singles club but there are plenty of meaty notes beign bent out of shape on them there six strings.
Suicide Notes – ‘Trampstamp EP’ (Self Released) Opening this four track EP with the thumping bass line that signals a rollocking tune ‘Rolling With The Punches’ thats as good as anything the LA Guns street sleazy bands write. this Oxfordshire five piece kick up a shit storm on the opener with a really good tune that has all the chops and attitude youd expect. The only thing missing is some honking horns under the chorus but the breakdown is timely and I’d imagine this would go down a storm live. ‘Snake Skin Blues’ is more of the same with a more laid back less intense rhythm than the opener.
Theres time for a decent cover of ‘Dead Flowers’ that has some nice guitar breaks and a suitably sleazy tempo but if I’m being picky I’d rather have an original song than anothe rcover of this Stones classic even if it is very well executed. Wrapping things up with a very sweet acoustic song ‘Black Dog Howlin’, Suicide Notes offer plenty of variety in these four tracks on this here EP and three very varied original songs. the band shows they have talent aplenty and can craft some really good songs as well as being able to go through the gears if they need to. Very impressive EP indeed. I look forward to hearing more more more! Facebook
Feeder – ‘The Healing’ (Big Teeth) Nice to have the Welsh boys back making music this their first new music since 2019s ‘Tallulah’. Before the new album ‘Torpedo’ is released they offer up ‘The Healing’ via this rather cool video. the song is classic Feeder and builds as the three piece dish up an epic sounding slice of alternative rock.
Torpedo is released on March 18th and will be available on digital, CD and vinyl. Pre-order here.
Diplomatic Immunity – ‘The Hunt‘(Golden Robot Records), Hailing from Denmark they play big sounding rock’n’roll – and to be fair its catchy! The band successfully fuse the best elements of both U.S. and British rock to create one big sound. ‘The Hunt’ will be released on February 15th via Golden Robot Records on all digital platforms. Facebook
X-Plicit – The Party Is Hot’ (Sneakout Records) Sounding like Cock Rock was never wiped out by Grunge this rocking four piece are defying time and partying like its 1998. throwing out shaes not seen since skid row toured with white lion and Diamond Dave. oh hang on, the eighties called and they want their party dancers and jack daniels back and yes there is a lot of cowbell happening and it is called ‘The Party Is Hot’. Wow! Cowboy boots on and lets rock! Facebook
Pat Todd & The Rank Outsiders – ‘Tell Us All Story’ (I-94 Recordings) We had to end this sitting of the singles club on a high and what way to do that than with the most excellent PAt Todd & his rank Outsiders with ‘Tell Us All a Story’ an uptempo thigh slapping, harmonica honking slice of good times. It thunders along and leaves you wanting more. The guy simply doesn’t write bad songs so these two are most welcome with the B side ‘Prison Of Love’ being a smouldering rocker originally recorded by 60s band Frut.
Its not reinventing the wheel its just rolling along with plenty of rock to accompany that roll. Sounding as good as ever its in the vein on a cracking maincourse of Dave Edmunds meets Nick Lowe for some Rockpile with a side of Georgia Satellites – whats not to like? Always going to be a winner with those ingredients. pick it up Here
Frontiers Music Srl is pleased to present ‘Perfectly Imperfect’, the new solo album by Chip Z’Nuff, who is best known for being one of the founding members of the popular Chicago-based rock band Enuff Z’Nuff. A first single and video from the record entitled ‘Heaven In A Bottle’ is out today, with the album out on 18th March.
‘Heaven In A Bottle’ is co-written by former Enuff Z’Nuff vocalist Donnie Vie, but all other songs on ‘Perfectly Imperfect’ are written by Chip, with the exception of a cover version of Honaloochie Boogie’ by Mott The Hoople. The album includes guest appearances from Joel Hoekstra (Whitesnake, Trans-Siberian Orchestra), Steven Adler (Adler’s Appetite, ex-Guns ‘N Roses), Daxx Nielsen (Cheap Trick) and Daniel Hill (Enuff Z’Nuff).
“All the songs have been written as I see the world through my rose-coloured glasses. It’s my heroin letter to the new generation,” states Chip.
Chip Z’Nuff is an American singer, songwriter, bassist, producer and radio personality. He founded the popular glam rock band Enuff Z’Nuff in 1984, with their self-titled debut album issued in 1989 and becoming a huge hit. Chip has released more than twenty albums with Enuff Z’Nuff and has toured with the likes of Missing Persons, Steven Adler, Cheap Trick, Poison, The Tragically Hip, Foreigner, Alice Cooper, REO Speedwagon, Ace Frehley and more. The Grammy-nominated artist has also produced dozens of other records and has had his music hailed by renowned US TV host David Letterman and radio personality Howard Stern.
In addition to writing, recording and touring with Enuff Z’Nuff, Chip currently hosts The Monsters of Rock radio show on the Dash Radio Network, playing the finest hits in hard rock and heavy metal to a large and dedicated audience.
Possibly one of the greatest pop-rock bands of all time, Derry’s The Undertones have roots that go back 45 years to the 1977 punk explosion when they were beloved and championed by BBC DJ John Peel. Songs like ‘Teenage Kicks’, ‘Get Over You’ and ‘My Perfect Cousin’ are household staples beloved by millions across three generations of music listeners. The band’s reputation as recording artists and a brilliant live act has carried them through the recent two decades since they reformed in 1999 with new singer Paul McLoone. ‘Dig What You Need’ collects the best of their two reformation albums, 2003’s “Get What You Need” and 2007’s “Dig Yourself Deep”. Both albums have been digitally remastered and both are being released for the first time on vinyl. In addition, all tracks have been remixed by producer Paul Tipler (Stereolab, Elastica, Idlewild, Placebo, Julian Cope, The House Of Love).
Guitarist and founder member Damian O’Neill notes…“So dig this: Thrill Me / Oh Please / I’m Recommending Me / Dig Yourself Deep / Here Comes The Rain – all firm favourites on an Undertones set list these days, songs penned by John O¹Neill and Michael Bradley. So it’s a no brainer really that all these songs (and more) should finally be included on a best-of compilation taken from the two albums we’ve recorded withPaul McLoone. Even better is the fact we got producer/mixing maestro Paul Tipler to remix them with fresh ears and make them sound even better than the originals. Add to that the wonderful packaging and sleeve design courtesy of Bruce and Mary from Arthole and lo and behold we have a sonically cohesive bunch of nuggets waiting to be rediscovered all over again. So dig this compilation my friends – you know you won¹t be disappointed”.Since their reformation, the band has toured several times across the UK, Ireland, Continental Europe, Japan, Turkey and North America, with highlights that include Glastonbury and a pre-game performance at Celtic Park in Glasgow before a UEFA Cup play-off between Celtic and Arsenal. The band is much loved in all quarters of the British and Irish music media, with their debut album being voted into the Q Magazine Top 100 albums of all time. The band will spend March – May on the road with gigs across the UK, Germany and Scandinavia.
The Undertones dates in full:
March10 – Sheffield, UK @ Leadmill *
11 – Northampton, UK @Roadmender
12 – London, UK @ Electric Ballroom
17 – Brighton, UK @ Chalk
18 – Frome, UK @ Cheese & Grain ^
19 – Cardiff, UK @ Cardiff SU Great Hall ^
31 – Newcastle, UK @ Boiler Shop ^
April01 – Manchester, UK @Academy – ^
02 – Liverpool, UK @ O2 Academy ^
09 – Munich, Germany @ Feierwerk
10 – Weinheim, Germany @ Cafe Central
22 – Dublin, Ireland @ Academy
May13 – Bremen, Germany @ Kulturzentrum Lagerhaus
14 – Düsseldorf, Germany @ Zakk
15 – Hamburg, Germany @ Markethalle
17 – Malmo, Sweden @ Plan B
18 – Oslo, Norway @ Vulkan Arena
20 – Göteborg, Sweden @ Pustervik
21 – Stockholm, Sweden @Slaktkykan
22 – Copenhagen, Denmark @ Pumpenhuset
*Special guest Neville Staple Band ^Special guest Hugh Cornwell Electric
Hot on the heels of the Edsel box set ‘Black Francis: 07 – 11’ comes the vinyl debuts of ‘The Golem’ and ‘Nonstoperotik’. Color vinyl, 2LP, Remastered, Gatefold is just about right for this series of Black Francis releases on wax for the first time.
‘The Golem’ is (for those who are unaware) a soundtrack album written and performed by Black Francis for the San Francisco International Film Festival screening of the 1920 silent horror film ‘The Golem: How He Came Into The World’. Of the concept, Francis said “Film fest wants a soundtrack to be performed at a screening… I don’t know how to do that exactly, but the idea that me and some buddies hang out at a studio and make a record I understand. So that’s what we do.” This vinyl reissue features the “rock songs” version of the album across two 140g grey vinyl and very nice it is too. I guess having a decade of distance between the release and the re-release is great as you can really put some love into the detail. I’ve not seen the film and have no inkling to do so but I might after hearing this record. from the first real track ‘Makanujo’ with its jazzy saxophone my brain is bouncing. ‘Bad News’ is like something the Eels produce. eighteen tracks splashed out over two slabs of Vinyl is great and don’t feel intimidated by the “Soundtrack Album” tag because as Francis fans will know all his albums are more like a journey anyway and some of the songs here are excellent and some of his finest to date off any album.
It’s a lot of music to get through but the experience is rewarding and the songs are great even out of context or sequence I raised an eyebrow and chuckled at ‘Little Star Theme’ when I first heard it on CD and still do on record with its dramatic pauses and flute work. I guess as a record Francis was able to throw the kitchen sink at this project and from Flutes to harpsichords and loud distorted crazy horse guitars, its all in here The acoustic strum of ‘Stars’ to the chaotic ‘You’re Gonna Pay’ its a great bunch of tunes and well worth picking up.
‘Nonstoperotik’ – First released in 2010, NonStopErotik is the final Frank Black Francis solo album. It was written in the back of a Cadillac whilst being driven around the “crispy brown hills of Cali”. It was then Recorded in Los Angeles, Brooklyn, and RAK Studios in London. producer and frequent collaborator Eric Drew Feldman was at the controls. Black said of the recordings “I had the title of the record and decided that was the theme, so I guess it’s supposed to be an erotic record. For me, I think it’s more of a weird record.” Here it is on wax for the first time on coloured vinyl.
Two months after The Golem, ‘NonStopErotik‘ was done and dusted. The album was recorded in double quick time much like a lot of Francis’ records with cohort producer Eric Drew Feldman.
A lot of this record feels like it could have been Pixiefied and flows really well. tracks like ‘Corina’ are just rock n rollas plain and simple but with that lose feel. Again a record I perhaps overlooked when it came out and one I’ve not played in a few years but have throughly enjoyed revisiting it here. Sure I go back to the first three solo albums that were Frank Black but maybe these re releases have sprinkled a bit of magic in these here grooves and this one has benefitted from the straight rockin feel. ‘Six Legged Man’ is majestic lofi fuzzed up and to the point which is uncomplicated and spot on. Between two and three minutes long makes for a cool album I’m not sure its erotic but Frank was right calling it a little weird but not too weird except for maybe ‘Wild Son’ and the mental picture of ‘When I Go Down On You’ and the title track is piano heavy epic and dark all without being any of those things if you catch my drift? it never builds into a loud ending but maybe a touch jazzy and smouldering before ‘Cinema Star’ closes off a really good record maybe ut of step clocking in at almost six minutes sounding like a Sonic Youth song especially the first third but then veering off with the querky keys at the end.
Tip of the hat to Mr Francis / Black hes a great songwriter and releaser of records with a hefty and impressive back catalog that has now been rightly released on vinyl. Do yourself a favour and get involved and dive in. Quality!
We love loud guitars and this Beluga Records/Ghost Highway and Spaghetty Town Re-Release certainly ticks all the boxes as far as loud goes. To be fair these cats are the bastard children who will inherit the earth that The Stooges once strode on. ‘Shit You Talk’ can testify to that.
This particular bad boy is the long since deleted debut from the band and not since 2000 have you been able to get hold of a copy for less than a small mortgage off the likes of Discogs but now thanks to the true believers at these labels its available on a platter of wax. ‘Heart Full Of Hate’ has dated really well like a Ramones Leather or original SG it just gets better when it’s a little worn and knackered out.
Songs like the rapid barroom brawler of ‘1234 Motherfucker’ is nasty and up for trouble punch to the beak that’ll make your eyes water for sure. Theres no hanging around as one track collides into the next and just rips. Its riff after mother fucking riff for sure and The Manglers should have been a bigger success much the same as our own shit island heroes The Hip Priests the Mud City Manglers go full tilt and don’t deal in bullshit from the opening salvo to the explosive finale its all hands to the pump and rock the fuck out! it works and it still works to this day as a formula but only if you have the tunes. Boy, do the MCM have the tunes. It’s twelve bangers and thanks to these labels for not giving up on Rock and Roll and producing these long lost diamonds and pulling them out of the rough for our listening pleasure and getting them out to a wider audience for a second time.
Get yourself one more Beer and wrap yourself in any shade of black and don’t forget to keep a knockin’ because ‘Heart Full Of Hate’ is always rockin’ and will be another cool as record in your collection its equal parts Stooges, EF, Motorhead and a whole lot more besides and if you missed them first time out then don’t snooze this time get on this Hot Rod of electric guitars and snarling vocals its a blast!
Echo & The Bunnymen have announced the vinyl reissue of their first Best Of album, ‘Songs To Learn & Sing’, which was originally released in 1985 and features highlights from their first four albums including ‘Rescue’, ‘The Cutter’, ‘The Killing Moon’ and ‘Bring On The Dancing Horses’. The album will be released on 18 February on heavyweight black vinyl and a special edition splatter vinyl which includes an exclusive 7″ of their debut single, ‘Pictures On My Wall’ / ‘Read It In Books’.
The album coincides with the band’s UK and Ireland tour celebrating a remarkable 40 years of magical songs which has witnessed twenty Top 20 singles and nine Top 20 albums and seen the band become a major influence on many of today’s biggest artists.
FEBRUARY 2022Tue 01 Sheffield City HallWed 02 Leeds O2 AcademyFri 04 Bournemouth O2 AcademySat 05 Cardiff St David’s HallMon 07 London RoundhouseWed 09 Dublin Olympia TheatreFri 11 Norwich UEASat 12 Gateshead SageMon 14 Liverpool Philharmonic HallWed 16 Manchester Albert HallThu 17 Nottingham Rock CitySat 19 Cambridge Corn ExchangeSun 20 Bristol O2 AcademyTue 22 London O2 Shepherd’s Bush EmpireWed 23 Northampton DerngateFri 25 Manchester Albert HallSat 26 Birmingham O2 AcademyMon 28 Glasgow Barrowland MARCH 2022Tue 01 Glasgow Barrowland APRIL 2022Wed 16 Bexhill De La Warr Pavilion
Black Sabbath are no doubt one of the most discussed bands in heavy metal history. There’s one era though that, (somewhat unfairly in my opinion) doesn’t seem to get as much love as the much-revered Ozzy Osbourne and Ronnie James Dio incarnations, and that’s the Tony Martin era. Martin replaced Glenn Hughes in 1987 after the album that was effectively a Toni Iommi solo album ‘Seventh Star’, and we first heard him sing on the ‘Eternal Idol’ album. His fantastic vocal range fitted well within the band and he went on to record another four studio albums with Sabbath – the fantastic ‘Headless Cross’, as well as ‘Tyr’, ‘Cross Purposes’ and ‘Forbidden‘. He also featured on a live album: Cross Purposes Live.
Strangely, his contribution to the band seems to have been almost deleted by the Sabbath camp. Have look on Spotify etc and you won’t find any of the Tony Martin stuff apart from the ‘Eternal Idol’. Tony Iommi has hinted at releasing a remastered box set of the material in the future though, let’s hope that comes to fruition. It makes no sense to me to essentially erase a long period of work from Sabbath that gave us some very strong material. I can only assume it’s because this time in Sabbath’s history was their least successful. Who knows? The late, great Cozy Powell, who played on many of the albums with Martin, has gone on record saying that Martin was Sabbath’s best singer. Praise indeed! I loved the ‘Headless Cross’ and ‘Tyr’ albums myself, and vinyl copies sell for big money online these days, they seem to be very collectable.
Martin has released solo material sparsely over the years, the first effort being 1992s Back Where I Belong which was released when Sabbath had reformed the Dio era line up with drummer Vinny Appice and released the successful ‘Dehumanizer’. We had to wait until 2005 for the follow up: ‘Scream’. He has lent his talents to many different collaborations over the years, he has worked with the likes of Blue Murder, Secret Society, Sonic Overlords, The Cage, Giuntini, as well as teaming up with ex Sabbath and ELO drummer Bev Bevan with his band Quill. He has certainly kept himself busy.
With his latest album Thorns, we find Martin in fine voice, that range is most definitely still there, and he sounds as powerful as ever. He has enlisted a fine array of musicians to accompany him here, Danny Needham (Venom), Magnus Rosen (HammerFall), Scott McClellan (who helped co- write the album) and Greg Smith who performed with Alice Cooper, Rainbow etc.
The album is a real heavy slab of metal. Opening track ‘As the World Burns’ is a full throttle, double bass drum heavy assault with some pummelling riffs, and a superb performance from Martin. I had seen the video for this track floating around on social media and was suitably impressed. A fantastic song! ‘Black Widow Angel’ has a sludgy feel with lots of stabbing accents and some fantastic bass playing from Rosen. ‘Book of Shadows‘ has a gothic feel with its haunting chants and operatic vocals. ‘Damned by You’ features some violin along with the crunching guitars and works well! No Shame is a straight-ahead rocker which will get your head nodding along. ‘Passion Killer’ has an awesome chug along riff with some solid drumming from Venom tub thumper Danny Needham. ‘Run Like the Devil’ showcases Martin’s vocal range, he seems to hit those high notes effortlessly. ‘This is your Damnation’ is strange little ditty strummed aimlessly on acoustic guitar, it’s extremely catchy though and sticks in your head instantly. The album closes on a high point with the epic title track which features a guest appearance from the fantastic Pamela Moore. Queensryche fans will know her as Sister Mary from the ‘Operation Mindcrime‘ album.
Overall, this is a very strong traditional heavy metal album that will appeal to metal fans across the board. Virtuoso performances, great songs and good production values make the album a very pleasurable listen. Tony Martin still has a lot to offer his loyal fan base, he should pick up many new fans with Thorns. This album really deserves to be heard! The album is released today and is available on CD digipak with a double vinyl LP to be released further down the line.
For those who don’t know Cranford Nix was the singer-songwriter born January 17, 1969 – Died March 12, 2002, of a drug overdose, yup way too soon. I still can’t believe its been twenty years!
Nix was a heroin addict and an alcoholic and had been sent to rehab four times. He escaped from rehab three of those times but stayed and completed it the fourth time. His time in rehab inspired him to write his most infamous song ‘Cigarettes and Heroin’ which isn’t present here on these recordings but if you’ve never heard it you need to. Nix was the frontman for The Malakas (good luck picking up their CD/LP it costs a fortune if you can track a copy down).
If you’re quick you will be able to pick up this live recording from 1990 warts n all but it has charm and has a peter pan cheeky innocence about it but we know that’s not the case. He was a talented songwriter that’s not up for debate it’s a fact. There are parallels to be drawn with Johnny Thunders performances. It seems sometimes chaotic and teetering on the edge of a big black hole and had it fallen that would also have been fine.
I do think about artists like Cranford and wonder what they could have produced had they won their battle with addiction and come out the other side still making music I think Cranford had so much to give. His cover of the Stones ‘Dead FLowers’ is appropriate and heartwarming. Sadly there are only eleven tracks here and I’d have loved to hear more. There have been loads of recordings on the web over the years of demos and live recordings but this is a really cool set that fans will be all over.
You get Ricky Rat joining in on the closing number, ‘Sympathy For The Devil’ but the rough diamonds are ‘You’re Gonna End Up Dead’ which is a beautiful tune, and if you want to hear raw, spilled heart lyrics then this is it. ‘I Just Need A Pill’ is like a wild horse Cranford is trying to harness and get under control and ride it like he knows what he’s doing. ‘Spiders And Snakes’ is a great melody and there’s a lost soul in its spirit one that makes me sad for the loss but grateful that we’ve got the music Rest In Peace Cranford Nix I94 has got your back and this is a tonic for the fans. Great record and tunes – Buy it!
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