The Undertones are proud to release ‘Dig What You Need’, The Best Of The “Reformation Years” 1999 – Present on 11th March, on Dimple Discs.

Bandcamp ‘Dig What You Need’ Pre-Order: https://theundertones.bandcamp.com  

Digital ‘Dig What You Need’ Pre-order: https://orcd.co/undertonesdig


Possibly one of the greatest pop-rock bands of all time, Derry’s The Undertones have roots that go back 45 years to the 1977 punk explosion when they were beloved and championed by BBC DJ John Peel. Songs like ‘Teenage Kicks’, ‘Get Over You’ and ‘My Perfect Cousin’ are household staples beloved by millions across three generations of music listeners. The band’s reputation as recording artists and a brilliant live act has carried them through the recent two decades since they reformed in 1999 with new singer Paul McLoone. ‘Dig What You Need’ collects the best of their two reformation albums, 2003’s “Get What You Need” and 2007’s “Dig Yourself Deep”. Both albums have been digitally remastered and both are being released for the first time on vinyl. In addition, all tracks have been remixed by producer Paul Tipler (Stereolab, Elastica, IdlewildPlaceboJulian CopeThe House Of Love). 


Guitarist and founder member Damian O’Neill notes…“So dig this: Thrill Me / Oh Please / I’m Recommending Me / Dig Yourself Deep / Here Comes The Rain  – all firm favourites on an Undertones set list these days, songs penned by John O¹Neill and Michael Bradley. So it’s a no brainer really that all these songs (and more) should finally be included on a best-of compilation taken from the two albums we’ve recorded withPaul McLoone. Even better is the fact we got producer/mixing maestro Paul Tipler to remix them with fresh ears and make them sound even better than the originals. Add to that the wonderful packaging and sleeve design courtesy of Bruce and Mary from Arthole and lo and behold we have a sonically cohesive bunch of nuggets waiting to be rediscovered all over again. So dig this compilation my friends – you know you won¹t be disappointed”.Since their reformation, the band has toured several times across the UK, Ireland, Continental Europe, Japan, Turkey and North America, with highlights that include Glastonbury and a pre-game performance at Celtic Park in Glasgow before a UEFA Cup play-off between Celtic and Arsenal. The band is much loved in all quarters of the British and Irish music media, with their debut album being voted into the Q Magazine Top 100 albums of all time. The band will spend March – May on the road with gigs across the UK, Germany and Scandinavia.  

The Undertones dates in full:

March10 – Sheffield, UK @ Leadmill *

11 – Northampton, UK @Roadmender

12 – London, UK @ Electric Ballroom

17 – Brighton, UK @ Chalk

18 – Frome, UK @ Cheese & Grain ^

19 – Cardiff, UK @ Cardiff SU Great Hall ^

31 – Newcastle, UK @ Boiler Shop ^

April01 – Manchester, UK @Academy – ^

02 – Liverpool, UK @ O2 Academy ^

09 – Munich, Germany @ Feierwerk

10 – Weinheim, Germany @ Cafe Central

22 – Dublin, Ireland @ Academy

May13 – Bremen, Germany @ Kulturzentrum Lagerhaus

14 – Düsseldorf, Germany @ Zakk

15 – Hamburg, Germany @ Markethalle

17 – Malmo, Sweden @ Plan B

18 – Oslo, Norway @ Vulkan Arena

20 – Göteborg, Sweden @ Pustervik

21 – Stockholm, Sweden @Slaktkykan

22 – Copenhagen, Denmark @ Pumpenhuset

*Special guest Neville Staple Band ^Special guest Hugh Cornwell Electric

Tickets available from https://www.bandsintown.com/a/17292-the-undertones

Social Media Links –

https://www.facebook.com/OfficialTheUndertones

https://twitter.com/TheUndertones_

https://www.instagram.com/theundertones.official/

https://spoti.fi/3KtdgIM

Hot on the heels of the Edsel box set ‘Black Francis: 07 – 11’ comes the vinyl debuts of ‘The Golem’ and ‘Nonstoperotik’. Color vinyl, 2LP, Remastered, Gatefold is just about right for this series of Black Francis releases on wax for the first time.

‘The Golem’ is (for those who are unaware) a soundtrack album written and performed by Black Francis for the San Francisco International Film Festival screening of the 1920 silent horror film ‘The Golem: How He Came Into The World’. Of the concept, Francis said “Film fest wants a soundtrack to be performed at a screening… I don’t know how to do that exactly, but the idea that me and some buddies hang out at a studio and make a record I understand. So that’s what we do.” This vinyl reissue features the “rock songs” version of the album across two 140g grey vinyl and very nice it is too. I guess having a decade of distance between the release and the re-release is great as you can really put some love into the detail. I’ve not seen the film and have no inkling to do so but I might after hearing this record. from the first real track ‘Makanujo’ with its jazzy saxophone my brain is bouncing. ‘Bad News’ is like something the Eels produce. eighteen tracks splashed out over two slabs of Vinyl is great and don’t feel intimidated by the “Soundtrack Album” tag because as Francis fans will know all his albums are more like a journey anyway and some of the songs here are excellent and some of his finest to date off any album.

It’s a lot of music to get through but the experience is rewarding and the songs are great even out of context or sequence I raised an eyebrow and chuckled at ‘Little Star Theme’ when I first heard it on CD and still do on record with its dramatic pauses and flute work. I guess as a record Francis was able to throw the kitchen sink at this project and from Flutes to harpsichords and loud distorted crazy horse guitars, its all in here The acoustic strum of ‘Stars’ to the chaotic ‘You’re Gonna Pay’ its a great bunch of tunes and well worth picking up.

Buy Here

‘Nonstoperotik’ – First released in 2010, NonStopErotik is the final Frank Black Francis solo album. It was written in the back of a Cadillac whilst being driven around the “crispy brown hills of Cali”. It was then Recorded in Los Angeles, Brooklyn, and RAK Studios in London. producer and frequent collaborator Eric Drew Feldman was at the controls. Black said of the recordings “I had the title of the record and decided that was the theme, so I guess it’s supposed to be an erotic record. For me, I think it’s more of a weird record.” Here it is on wax for the first time on coloured vinyl.

Two months after The Golem, ‘NonStopErotik was done and dusted. The album was recorded in double quick time much like a lot of Francis’ records with cohort producer Eric Drew Feldman.

A lot of this record feels like it could have been Pixiefied and flows really well. tracks like ‘Corina’ are just rock n rollas plain and simple but with that lose feel. Again a record I perhaps overlooked when it came out and one I’ve not played in a few years but have throughly enjoyed revisiting it here. Sure I go back to the first three solo albums that were Frank Black but maybe these re releases have sprinkled a bit of magic in these here grooves and this one has benefitted from the straight rockin feel. ‘Six Legged Man’ is majestic lofi fuzzed up and to the point which is uncomplicated and spot on. Between two and three minutes long makes for a cool album I’m not sure its erotic but Frank was right calling it a little weird but not too weird except for maybe ‘Wild Son’ and the mental picture of ‘When I Go Down On You’ and the title track is piano heavy epic and dark all without being any of those things if you catch my drift? it never builds into a loud ending but maybe a touch jazzy and smouldering before ‘Cinema Star’ closes off a really good record maybe ut of step clocking in at almost six minutes sounding like a Sonic Youth song especially the first third but then veering off with the querky keys at the end.

Tip of the hat to Mr Francis / Black hes a great songwriter and releaser of records with a hefty and impressive back catalog that has now been rightly released on vinyl. Do yourself a favour and get involved and dive in. Quality!

Buy Here

Author: Dom Daley

We love loud guitars and this Beluga Records/Ghost Highway and Spaghetty Town Re-Release certainly ticks all the boxes as far as loud goes. To be fair these cats are the bastard children who will inherit the earth that The Stooges once strode on. ‘Shit You Talk’ can testify to that.

This particular bad boy is the long since deleted debut from the band and not since 2000 have you been able to get hold of a copy for less than a small mortgage off the likes of Discogs but now thanks to the true believers at these labels its available on a platter of wax. ‘Heart Full Of Hate’ has dated really well like a Ramones Leather or original SG it just gets better when it’s a little worn and knackered out.

Songs like the rapid barroom brawler of ‘1234 Motherfucker’ is nasty and up for trouble punch to the beak that’ll make your eyes water for sure. Theres no hanging around as one track collides into the next and just rips. Its riff after mother fucking riff for sure and The Manglers should have been a bigger success much the same as our own shit island heroes The Hip Priests the Mud City Manglers go full tilt and don’t deal in bullshit from the opening salvo to the explosive finale its all hands to the pump and rock the fuck out! it works and it still works to this day as a formula but only if you have the tunes. Boy, do the MCM have the tunes. It’s twelve bangers and thanks to these labels for not giving up on Rock and Roll and producing these long lost diamonds and pulling them out of the rough for our listening pleasure and getting them out to a wider audience for a second time.

Get yourself one more Beer and wrap yourself in any shade of black and don’t forget to keep a knockin’ because ‘Heart Full Of Hate’ is always rockin’ and will be another cool as record in your collection its equal parts Stooges, EF, Motorhead and a whole lot more besides and if you missed them first time out then don’t snooze this time get on this Hot Rod of electric guitars and snarling vocals its a blast!

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Author: Dom Daley

I know one thing about Los Pepes and that’s they don’t make bad records. No, to be precise they don’t make bad songs. ‘The Happiness Program’ is front to back top to bottom an absolute triumph in songwriting. Be it loud power pop, harmony dripping punk rock or just plain simple loud rock n roll Los Pepes do it better than most and do it exceptionally well.

It’s been a while since Ben and the boys got to knock out a long-player and this one kinda crept up on me. When it first showed up on my radar I made a mental note to get ready for the pre-order and then boom the single got delayed in the rush to press old Fleetwood mac albums and Adeles new opus then it fled my mind as quickly as one of their 45’s starts, rocks out, then ends.

Los Pepes have mastered the art of writing songs that sound like you’ve heard them before (but you haven’t) making your heart burst with good vibes because their music is so damn good and wanting to hit repeat and play it all again.

Whilst I await the delivery of my slime green vinyl I’ve been living with the MP3 of the album and going on walks to keep fit and trying to keep up with the beat. It’s not easy I can tell you you’ll be almost running or marching and grinning like a Cheshire cat. I don’t so much say hello to people I bark hi! like their my best mate because that’s what these songs do to you. From the roar of ‘Small Time’ with its awesome one-finger stooges piano and the X-Ray Spex horns it’s a blistering start to a record. You might be thinking it’s all rapid crash, bang, wallop! which they do exceedingly well but it’s not, well, ‘Never Get It Right’ is a bit like that but ‘I Want You Back’ is riff-tastic like the Undertones were with added Feelgood harmonica just for good measure. The guitars trade riffs n licks and it’s like a joyful out-of-body experience – seriously, it’s that good!

‘Sick And Bored’ might just be my favourite song on the record with its slick backbeat and retro groove it’s like a burst of nuclear sunshine and the melody is bursting with goodness. ‘Blur The Lines’ is jacked up on Ramones vibes.

You asked for power-pop well, ‘Anecdotes’ is full of power-pop right up to the brim and the gob iron is a nice touch adding something a little left of center but it’s perfect. If it’s rock n roll you fancy next then ‘I Remember You’ has got you covered. Damn have I said I love Los Pepes? get over it kids we need music like this, played to this standard with these melodies, hooks and choruses. The evolution wheel of rock and roll turns again and again but it might not turn to tunes as good as these often. This is an absolute banger of a record and you do need to check it out.

Where do we sign up for this Happiness Program? I’m all in. What a way to kick-off 2022. I love Los Pepes, no I really do!

Buy Here

Author: Dom Daley

Nostalgia is, we all know, a big seller these days. But, usually, a nostalgic album equals a distinct lack of ideas, or rummaging through your back catalogue. Helen Love has managed to not only avoid this pothole, but also to write an album with perhaps more depth than some would give her credit for. Ten new songs, which, while remaining steadfastly pop, eschew the dayglo colours that her work is known for, and which tell her story in a way that is often very moving.

‘My Seaside Town’ sets the scene, acknowledging that your roots might be holding you back. “I think I’m about to choke on the boredom and the fumes…whiplashed by winter rain”. Wishing you were somewhere more exciting, greener grass.

‘Billy Liar’ reminisces about the kid at school who told tall tales, “your dad was a Kung fu black belt master”. ‘Go-Kart’, with its parping keyboards, manages to sound like John Shuttleworth whilst also being quite touching and warm; “we were the queens of our estate”.

‘A Quite Good Time’ remembers that first/early boyfriend, who your sister warned you about. With the wise refrain “why would you listen to anyone when you’re seventeen?”. ‘Let The Sunshine In’ is a celebration towards better times, and is as infectious as you would imagine.

‘Our House’ evokes similar memories to the Madness tune, but in Helen’s inimitable style, and with some pathos; “our history lies in the curtains, the carpets and the walls”. ‘First Day Of June’ echoes the theme of the cloying seaside town; “it can hold you so tight you might never leave”.

And so to ‘Clearing Out Mum’s House’. It’s a first; Helen Love made me cry! If you’ve had to empty your parents’ house, you’ll empathise with the lyrics here. A lifetime of belongings, what to keep, what to throw away. A lifetime of memories.

‘This Is My World’ sees some of Helen’s many achievements; walking with Joey Ramone, but also standing with the miners in the 1980s. That seaside town probably feels like home now, and it helped to create someone special. Helen Love is still here, still spreading joy, but with a broader palette than before. She’s a treasure.

Author: Martin Chamarette

Fast Eddy was born out of the miasma of Denver’s Rock n Roll, and independent music scene in 2014. Formed from members of some notable Denver bands as Dirty Few, and Itchy O, their vision started on a late-night ramble. Somewhat of a side project, without much of a direction, the band named their project after their old drug dealer and took to writing songs about the heartache and challenges that come along with the hedonistic rampage that it can mean to pursue music unabashed.
As the band became more of a genuine article, each member brought their own pieces to the table and started writing more genuine, anthem-esque powerpop rock n roll. Micah Morris on guitar and lead vocals, Devon Francy on bass, Arj Narayan on drums, and Lisandro Gutierrez on guitar, had stepped up their game and worked their way into a bigger more encompassing world of rock n roll.
After selling their personal belongings, and almost dying from van malfunctions in transit to simply make their first Atlanta recordings, it’s been one bold leap after the other. but their sacrifice hasn’t come in vain, and they’ve simply come too far to turn back now.
Look for “Take A Look” at record stores and wherever fine MP3s are sold on January 21st, 2022.
Preorder Now

European peeps get it here

As we reach the end of 2021 many of us reflect on what’s happened over the last twelve months and in these strange times we live in it seems inevitable that we lose more and more of our heroes and heroines. We seem to have lost a few more good ones this past twelve months and here at RPM Online, we’d like to celebrate some of our favourites who passed away. Rather than dwell on the morbid side and how or why they died let’s celebrate with some videos they featured in and look back on some of the fantastic music they left behind.

Sylvain Sylvain February 14, 1951 – January 13, 2021

New York Dolls guitar legend Sylvain Sylvain died aged 69 on 13th January 2021 following a two-and-a-half-year battle with cancer. Apart from being the mainstay in the Dolls, Sylvain released some decent solo albums either under his own name or The Criminals album. It’s usually when they’re gone do we realise how treasured these guys are and when I met him he was warm and engaging. Sylvain was a larger-than-life personality and played with a smile on his face. I loved those reformed Dolls shows from the Festival Hall right up to the bitter end, Sylvain was a legend. Early memories being the incredible Whistle Test performance which would have been one of the earliest glimpses we Brits had of Sylvain in an infamous clip from the glib intro to the incendiary performance the Dolls were the beating heart of real glam rock n roll not mock rock at all. It’s an iconic moment when Rock and Roll stole many a teenage heart.

Like a lot of his generation who have now sadly passed we don’t have many left and when he announced his diagnosis people were already praising him for his originality and style and for lighting a flame in many of his fans who went on to form their own bands. A trailblazer and original rocker Sylvain was and is a genuine legend.

Mark Keds 28 October 1970 – 11 January 2021

Singer and guitarist with Senseless Things, died aged 50 in the early hours of Sunday 10th January 2021. Former bandmate Ben Harding broke the news, writing: “It is with the heaviest of hearts that we have to tell you that, sadly, Mark – our singer, friend and main songwriter – is no longer with us. It’s no secret that he had struggled on and off with drug abuse and a pretty chaotic lifestyle for a long while, and his health suffered substantially over the years due to this. While this had sometimes created friction within the on-off workings of Senseless Things and his other projects, we choose to remember the friend, the brother and the talent we’ve lost today.”

Senseless Things released four studio albums and a Peel Sessions album between 1989 and 1995, had two Top 20 singles and he then went on to hold down a brief stint with The Wildhearts started a new band Jolt before getting a writing credit for ‘Can’t Stand Me Now’ by the Libertines. Keds and Jerome Alexandre formed Deadcuts who did a split with The Hip Priests and released a couple of albums as well but never managed to reach anywhere near the heights of success he had with Senseless Things. Sadly Mark had been suffering from chronic obstructive pulmonary disease (COPD) which is treatable. His talent will be greatly missed as he shuffled off at the young age of 50.

Charlie Watts – 2 June 1941 – 24th August 2021

A man who certainly doesn’t need an introduction is Rolling Stones drummer Charlie Watts who died at the age of 80 on 24th August 2021. He passed away peacefully in a London hospital surrounded by his family. Charlie was the driving force behind The Rolling Stones, one of the greatest drummers of his generation. A unique character who was the backbone of the band often overlooked by the larger-than-life characters who played in front of him but his style and drive were a huge part of what made the band sound as good as they did. Often the center of some quality stories and recollections with some of the best being when he punched Jagger and put him in his place about being the singer in HIS band and his quote about spending twenty-five years hanging around. He had a fantastic calm and dry sense of humor and what seemed like the patience of a saint amidst all the chaos that surrounded him for decades and decades. He was indeed one of a kind and it’s fair to say there will never be another Charlie Watts. A cause of death is yet to be revealed.

Malcolm Dome 1955 – 29 October 2021

Not a musician who influenced any scene but a huge influence on Rock music. Malcolm Dome died on 1st November 2021 aged 66. During his 40+ year career, Dome wrote for various influential publications including Kerrang!, Metal Hammer, Record Mirror and Classic Rock. In a February 1984 article for Kerrang!, Dome is responsible for the term “thrash metal” while describing Anthrax’s ‘Metal Thrashing Mad’.

Stars from many genres paid tribute to Dome following his death including Iron Maiden, Ozzy Osbourne, Tony Iommi, Saxon, Geezer Butler, Lars Ulrich and Doro all artists he championed be it on the pages of Kerrang! or the airwaves of Rock Radio. A font of knowledge and a genuinely lovely guy to all who met him. Dome was one of a handful who filled the pages of magazines with bands that broke big, they happened to be the soundtrack to millions of teenagers, growing up with the music of a certain type it was impossible to avoid his words, and his words filled some iconic books on the subject of Rock, all this prior to this wonderful interweb. Always passionate, always on the money rest in peace mr wordsmith.

Mick Rock – 21 November 1948 – 18 November 2021

Legendary British photographer Mick Rock, who was responsible for some of the most iconic images of David Bowie, Queen, Syd Barrett, T. Rex, Lou Reed and many more, died on 18th November 2021 aged 72. No cause of death has been revealed. A statement read: “Those who had the pleasure of existing in his orbit, know that Mick was always so much more than ‘The Man Who Shot The 70s.’He was a photographic poet – a true force of nature who spent his days doing exactly what he loved, always in his own delightfully outrageous way.” He happened to create seminal sleeves such as, Lou Reed’s ‘Transformer’ and ‘Coney Island Baby’, Iggy Pop and the Stooges’ ‘Raw Power’, Queen’s ‘Queen II’ and ‘Sheer Heart Attack’, The Ramones’ ‘End of the Century’ and Joan Jett’s ‘I Love Rock ‘n’ Roll.’ He was also famously David Bowie’s chief photographer in the 1970s and captured many images of the Ziggy Stardust era. and I’m sure we’ve all stared at his pictures for hours over the years such was his talent for capturing the moment.

Hank Von Hell – 15 June 1972 – 19 November 2021

Former Turbonegro singer Hank Von Helvete (born Hans-Erik Dyvik Husby), passed on 19th November 2021 aged just 49. Turbonegro said in a statement: “It is with immense sadness we received the tragic news that Hans-Erik Dyvik Husby has passed away. We are thankful for the times, the moments and the magic we shared with Hans-Erik in Turbonegro during the years 1993-2009. As a charismatic frontman who equally channeled humor and vulnerability, Hans-Erik was crucial for the band’s appeal. He was a warm and big hearted human, a spiritually and intellectually seeking person who loved having a conversation with anyone. We are proud of what we created together as rock brothers in Turbonegro – the music, the characters, our whole universe.”

Darrell Bath – Dec 24. 1966 – Sept 27. 2021

Sadly passed away in his sleep Darrell was a master of his craft and was often spoken about as being a genius and one of the most naturally gifted guitar pickers of his generation. whether he was playing some punk, glam or acoustic Daz didn’t play the same way twice, he played from the heart and had the touch of a master. He was a pretty decent songwriter as well when he put his mind to it and probably his biggest downfall was he didn’t assemble an album as often as he should have but when he did be it as part of The Crybabys, Vibrators, Subs or Ian Hunters band or as a solo artist it was a joy to hear.

When he stood in the Dogs D’Amour he was the perfect choice to replace the departed Jo Dog who also had incredible touch and style Bath was the perfect choice to fill such stylish shoes and do it with style and panache. His last album ‘Roll Up’ was superb but that was in 2016 way too long ago but it was a bit bloody good.

We were however lucky to have a few 7″ singles drop out of his vagabond case ‘Greedy Green Eyes’ a year after ‘Roll Up’ and then finally Rockin The Streets with Los Tupper that signed off with a brilliant cover of the David Essex classic ‘Hold Me Close’

“Darrell Bath was a fine guitarist and a walking lyric. He will be missed. My condolences to his loved ones.”

– Ian Hunter

Timo Kaltio – 17 August 1960 – Sept 02. 2021

Timo was best known as a guitarist in Cherry Bombz and of course Cheap and Nasty.  Kaltio also wrote the chorus for Guns N ‘Roses ‘, ‘Right Next Door To Hell’. In more recent times the talented artist also played sweet guitar in the Peckham Cowboys and toured the UK with this old school band of rock n rollas and most recently contributed to the Rich Ragany & The Digressions album.

Timo had not long moved back home to his native Finland before passing on which came as a shock to us fans. He will be sadly missed by many fans as well as his loved ones. He had some amazing heartwarming tributes paid to his talent and his lovely soul will be missed by many. His contribution to some fine bands should never be underestimated. Rest In Peace Timo.

Having recently reviewed the magnificent Scaramanga Six, I was sent a link to the new audio-visual project by Shatner main man, Jim Bower. As the Scara’s Paul Morricone has played with Shatner, it seemed a good idea to explore ‘Life Support’. Clearly, this has been a labour of love for Bower; ten tracks, each with an accompanying video, one released each month until December 2021. The loose concept is an environmental journey “from apathy to activism”. So, not Ramones, then? No, but we have room at RPM to embrace a variety of music, as long the quality is high.

Which it is. For fans of the Scaramanga Six, yes, and anyone with an ear for a tune and a story. Shatner often sounded, to these ears, like a relative of Chris Catalyst of Eureka Machines. And if Chris wrote a concept album, it could sound like this. ‘When David Bowie Died’ is a case in point, a subject Chris has written about. Things have, indeed, been unsettlingly weird since then.

‘Sun Will Rise’ seems written from the point of view of a conspiracy theorist; “I’ve got the right to believe what I like”. ‘Wrong’ is the reply to the keyboard warrior; “I’m sure you found a Facebook group who totally agree with you”.

‘All You Need Is Time’ laments the time wasted, while trying to provide for the future. The eternal conundrum of work/play balance? “We’ll skip through fields, sea air we’ll breathe, on statutory days of leave”.

‘Can Of Worms’ sees the protagonist using silence as a shield, rather than confronting the disturbed ideas of other people. ‘Life Support’ pleads with their partner to save them, to make life worthwhile; “You’re my life, so be there, be my health care, hold my hand”.

Lyrically, not easy listening, but it bears fruit if you’re ready for it. The music is lightly psychedelic in parts, which suits the hypnotic nature of the themes. Half-dreamed, half-remembered? For fans of the aforementioned Scaramanga Six, Chris Catalyst, Mansun/Paul Draper. A bold, but ultimately satisfying project.

Buy Here

Author: Martin Chamarette

10. Steve Conte – ‘Bronx Cheer (Wicked Cool Records)

09. David Ryder Prangley – ‘Vampire Deluxe’ (Serena Records)

09. Captain Future – ‘Ghostman’ (Gypsy Hotel Records)

07. Sonny Vincent – ‘Snake Pit Therapy’ (Svart Records)

07. Rich Ragany & The Digressions – ‘Beyond Nostalgia & Heartache’ (Story Highway Records)

05. Jesse Malin – ‘Sad And Beautiful World’ (Wicked Cool Records)

04. Alice Cooper – ‘Detroit Stories’ (earMUSIC)

03. Bronx – ‘Bronx VI’ (Cooking Vinyl Records)

02. The Wildhearts – ’21st Century Love Songs’ (Graphite)

The RPM Online Writers Album Of 2021

01. Sami Yaffa – ‘The Innermost Journey to Your Outermost Mind’ (Livewire)

RPM ONLINE ALBUM OF THE YEAR 2021

Who voted for what.

Gaz Tidey

The Bronx – ‘The Bronx’ (Cooking Vinyl/White Drugs)

Sami Yaffa – ‘The Innermost Journey To Your Outermost Mind’
(Livewire/Cargo Records)

Alice Cooper – ‘Detroit Stories’ (earMUSIC)

The Wildhearts – ‘21st Century Love Songs’ (Graphite Records)

Duran Duran – ‘Future Past’ (BMG)

Royal Blood – ‘Typhoons’ (Warner Records)

Rob Zombie – ‘The Lunar Injection Kool Aid Eclipse Conspiracy’
(Nuclear Blast)

Death By Unga Bunga – ‘Heavy Male Insecurity’ (Jansen Records)

Ricky Warwick – ‘When Life Was Hard And Fast’ (Nuclear Blast)

Weezer – ‘Van Weezer’ (Atlantic)

 

 Gareth ‘Hotshot’ Hooper

The wildhearts – ’21st century love songs’ (Graphite Records)

Crashdiet – ‘Rust’ (Frontiers)

Ricky warwick – ‘when life was hard and fast’

Elvis Presley – ‘Elvis Back In Nashville’

Sixx am – ‘Hits’

Alice Cooper – ‘Detroit Stories’ (earMUSIC)

Cheap Trick – ‘In Another World’

L.A. Guns – ‘Checkered Past’

Motley Crue – ’40 year Anniversary Remasters’

Ginger Wildheart – ‘Love In The Time Of Cholera’

David Ryder Prangly – ‘Vampire Deluxe’ 

 

Martin Chamarette –

David Ryder Prangley – ‘Vampire Deluxe’

Luke Haines ‘Setting The Dogs On The Post-Punk Postman’

Mad Daddy – ‘self titled’

Radio Days – ‘Rave On’

The Speedways – ‘Borrowed And Blue’

Mad Rollers – ‘Get Mad’

Dan Sartain – ‘Arise, Dan Sartain, Arise!’

The Scaramanga Six – ‘Worthless Music’

Sami Yaffa – ‘The Innermost Journey To Your Outermost Mind’

CUIR – ‘L’album’

 

Fraser Deathtraps

Bronx – IV

The Wildhearts – ‘Twenty First Century Love Songs’

The Drippers – ‘Scandinavian Thunder’

Alice Cooper – ‘Detroit Stories’ (earMUSIC)

Bitch Queens – ‘Custom Dystopia’ (Lux Noise Records)

Chuck Norris Experiment – ‘This Will Leave A Mark’

Mike McKinnon – ‘Silent Like A Bomb’

The Boatsmen – ‘Verses The Boatsmen’

Governess – ‘Never Going Home’

Dead Furies – ‘Midnight Ramble’

 

Johnny Hayward –

Sami Yaffa – ‘The Innermost Journey to Your Outermost Mind’

The Bronx – ‘VI’

Rich Ragany & The Digressions – ‘Beyond Nostalgia & Heartache’

Mike McKinnon – ‘Silent Like A Bomb’

Gary Numan – ‘Intruder’

Nestor – ‘Kids In A Ghost Town’

Table Scraps – ‘Coffin Face’

Green Lung – ‘Black Harvest’

Watts – ‘Shady Rock & Rollers’

Chuck Norris Experiment – ‘This Will Leave A Mark’

Also recommended

Razorbats – ‘Mainline Rock N Roll’, Wonk Unit – ‘Uncle Daddy’, Black Spiders – ‘Black Spiders’, The Limit – ‘Caveman Logic’,  Alice Cooper – ‘Detroit Stories’, Death By Unga Bunga – ‘Heavy Male Insecurity’, Bitch Queens – ‘Custom Dystopia’, The Chisel – ‘Retaliation’, Roger Taylor – ‘The Outsider’, Robert Plant & Alison Krauss – ‘Raise The Roof’

Ben Hughes

Vintage Trouble – ‘Juke Joint Gems’

Sami Yaffa – ‘The Innermost Journey To Your Outermost Mind’

Ryan Hamilton – ‘1221’

The Brothers Steve – ‘Dose’

Alabama 3 – ‘Step 13’

Delilah Bon – S/T

Steve Conte – ‘Bronx Cheer’

Jesse Malin – ‘Sad And Beautiful World’

Amyl and The Sniffers – ‘Comfort To Me’

Captain Future – ‘Ghostman’

 

Dom Daley

Sami Yaffa – ‘The Innermost Journey To Your Outermost Mind’ (Livewire)

Jesse Malin – ‘Sad And Beautiful World’ (Wicked Cool Records)

Richard Bacchus & The Luckiest Girls – ‘Viva La Wattage’ (Sioux Records)

Sonny Vincent – ‘Snake Pit Therapy’ (Svart Records)

Killer Hearts – ‘Skintight Electric’ (Spaghetty Town Records)

Rich Ragany & The Digressions – ‘Beyond Nostalgia & Heartache’ (Story Highway Records)

7. Steve Conte – ‘Bronx Cheer (Wicked Cool Records)

8. Trampoline – ‘Love No Less Than A Queen’ (Strap Originals)

9. Civic -Future Forecast (ATO Records)

10. The Yowl – The Yowl’ (Sioux Records)

 

Kenny Kendrick

Green Lung – ‘Black Harvest’ (Svart Records)

Robert Plant & Alison Krauss – ‘Raise the Roof’

3 Black Label Society – ‘Doom Crew Inc.’

4 Flotsam & Jetsam – ‘Blood In The Water’

5 The End Machine – ‘Phase 2’

6 Manimal – ‘Armageddon’

7 Smith/Kotzen – ‘EP’

8 Motorhead – ‘No Sleep till Hammersmith (40th Anniversary Edition)

9 Armored Saint – ‘Symbol of Salvation Live’

10 Steven Wilson – ‘The Future Bites’

 

Dan Kasm

Iron Lizards – ‘Hungry for Action’

Pretty Sick – ‘Come Down’

AFI – ‘Bodies’

Jackson Reid Briggs and the Heaters – ‘Waiting In A Corner’

Sonny Vincent – ‘Snake Pit Therapy’

Dinosaur Jr – ‘Sweep It Into Space’

Zeahorse – ‘Let’s Not (and say we did)’

Governess – ‘Never Coming Home’

The Boatsman – ‘Versus the Boatsman’

The Wildhearts – ’21st Century Love Songs’



Special entry: The Dogmatics – ‘Est 81 Retrospective’

Gerald Stansbury

The Wildhearts “21st Century Love Songs”

The Damn Truth “Now or Never”

Helloween – ‘Helloween’

Jesse Malin – ‘Sad and Beautiful’

Cradle of Filth – ‘Existence is Futile’

Dropkick Murphys – ‘Turn Up the Dial’

The Middlenight Men – ‘Issue 1’

Thunder -‘All the Right Noises’

 

Nev Brooks

Bobby Gillespie/Jenny Beth -‘Dystophian Ashes’

Nick Cave – ‘Idiots Prayer’

Nick Cave/Warren Ellis – ‘Carnage’

Paul Ronnie Angel – ‘London Texas Lockdown’

Sister Cookie – ‘In the Blue Corner’

Wildhearts – ’21st Century Love songs’

Sammi Yaffa- ‘Innermost Journey To Your Outermost Mind’

Ferocious Dog -‘The Hope’

Robert Plant/Alison Krauss – ‘Raise the Roof’

Primal Scream- ‘Live at Levitation’

Lady Blackbird -‘Black Acid Soul’

Jesse Malin- ‘Sad and Beautiful World’

Captain Future – ‘Ghostman’

 

NEW ALBUM ‘4’ OUT FEBRUARY 11, 2022, ON GIBSON RECORDS (HERE)

“THE RIVER IS RISING”

THE FIRST SINGLE OFF NEW ALBUM ‘4’ IS THE FASTEST RISINGCHART DEBUT AT RADIO 

HEADLINING U.S. TOUR KICKS OFF FEBRUARY 8 IN PORTLAND 
ALL TICKETS HERE

Slash featuring Myles Kennedy and the Conspirators

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