Pat Todd And The Rank Outsiders – ‘Sons Of The City Ditch’ (Dog Meat Records)

Pat Todd And The Rank Outsiders – ‘Sons Of The City Ditch’ (Dog Meat Records)

PAT TODD and his band THE RANKOUTSIDERS release album number seven and LA’s finest rock’n’roll band comes some 36 years full circle after the label’s first dalliances with Pat., back when he fronted the legendary Lazy Cowgirls of course. The new album shows that Pat has lost none of his spark, that his voice and songwriting have only gotten stronger, and that he’s upgraded the Lazy Girls for Some Rankoutsiders – Yet another killer band to back him.

OK a show of hands please. Has anyone ever not throughly enjoyed a Pat Todd record? No? No, I didn’t think so because whilst you might think it’s a trick question because Pat Todd doesn’t do bad record – Fact. ‘Sons Of The City Ditch’ is just a full force rockin and rollin record.

If this was a Georgia satellite record it would be causing a stir with the likes of ‘Living In A World Of Hurt’ that gets this rowdy do off to a thumping start. But hang on it’s like if Springsteen grew up on a steady diet of the Dolls and the Ramones and had an attitude of swigging beer and barroom brawls he’d be able to sound as vibrant and rockin’ as this.

‘All We Have To Show’ is carrying on the party after hours back at the shared house and the lounge is awash with beer-drinking boys and girls having the best of times and the music is just killer. Turn it up DJ we don’t wanna stop yet.

Oh, yes please ‘State Line’ is like the getaway car theme tune after the perfect heist. Keep on driving and turn that stereo up. Pat Todd and his Rank Outsiders are killing it on this record just playing sweet sweet rock n roll loudly. Fast and Loose its not rocket science it a time honoured tradition and Todd and the gang just get it.

They do kick back and ‘Donna’ made them do it. It’s a love song but soppy it ain’t. ‘Long In The Tooth (Before The Dolls)’ lulls you into a false sense of security before taking off and delivering one of the record’s real highs from the time-honoured riff to the backing vocals and into the dueling guitar solos. Sure it’s unoriginal, and doesn’t deviate from the well-trodden path but it’s all about the songs and delivering just exceptional rock n roll. That’s it, the MO is simple and some people just get it and are able to smash it pretty much every time, that’s Pat Todd that is.

The production lets the music breathe and it works well on the countrified  ‘Back Down In The Basement’ another thing Todd knows how to do as well as the likes of The Supersuckers. ‘Hi, Ho Silver Lining’ is something of a glam stomping interval for me. Sure it’s a well delivered anthem but I’m not sure I’d have included it here but what do I know? ‘Goodbye To The World’ has some rasping harmonica added for good measure.

This album is right up there with that first Dan Baird solo LP for me and PAt todd is much the same but with a more punk rock handle on proceedings mixed with his Rock n Roll and his records are always Full of top tunes, great production, and knockout delivery.

Leaving just the title track to sign off in style and possibly leaving the best til last. The soloing and harmonic duel are killer but what else would you expect. Another day another excellent record added to the Pat Todd & The Rank Outsiders arsenal maybe their finest yet it’s got all the vital ingredients to take that title. Buy it!

Buy Here

Author: Dom Daley

Wonk Unit/The Pleasures/System Reset – Le Pub, Newport – 5th November 2023

Wonk Unit/The Pleasures/System Reset – Le Pub, Newport – 5<sup>th</sup> November 2023

It might be Bonfire night but the only fireworks I’m interested in seeing tonight are those being generated by this stellar three band bill. It’s a line-up that has more than a hint of Slugfest about it too seeing as all the bands have shared the floor/stages at the (now thankfully, once again) annual event. There’s also more than a whiff of the UK’s number one free festival within the crowd tonight too with the X15 bus seemingly standing room only to ensure that Blaenau Gwent is very well represented early doors. And who can blame them for picking up a rover ticket?

Fresh from recent support slots with the likes of Discharge, Raw Brigade and a whole host of other bands, System Reset have certainly come a long way in there still relatively short time together (as a five piece) with their back catalogue of songs maturing with them. Songs like ‘Anxiety’, ‘Fail Safe’ (my fave song by the band) and ‘Big Business’ all sound huge played through Le Pub’s impressive sound system, and there’s an immediate smile on my face when they kick in with the “woah oh” gang backing vocals and an even bigger one when there’s a nod to James Williamson’s time with The Stooges creeping into the riffage at one point too. System Reset’s soon to be released new single ‘Gas Light’ is a cracker, which alongside a handful of additional live shows brings to a close a very impressive 2023 for the melodic punk rockers. A slot at Rebellion 2024 awaits methinks.

The Pleasures are not as you might first expect, being an avid reader of RPM, the German glam rockers of the same name. Nah, this four piece are from the Gwent valleys and are a world away from anything even remotely glamourous. These four lads hail from one of the most deprived areas in south Wales and as you might expect have the anger and attitude by the bucketload that comes with such a dubious claim to fame. There’s also something that I cannot quite put my finger on about this gang, something that I last felt when I witnessed IDLES open a three band bill in Bristol’s Exchange just a few years back and before that when The Guns first broke on the south Wales scene. Not that they necessarily sound anything like either of the bands you understand, it’s just they have that special ingredient some band’s simply don’t have… charisma.

Singer Caethan Tucker is literally all over Le Pub’s stage and dance floor, he’s also shirtless and dripping sweat after just one song, such is the intensity of the band’s performance, and then when it comes to songs, popping up mid-set they have this monster of a tune called ‘Grandfather’s Bones’ complete with a mantra of ‘Don’t bite the hand that feeds’ that literally sounds like it’s ready made for when the boys get their chance to wow a Glastonbury/Reading type of crowd. They have the same kind of breakthrough potential that I witnessed in HotWax when they played just a few yards up the road in McCanns cellar bar and are now touring enormodomes in the US with Royal Blood.

Go give the band’s single ‘Lies’ a listen on YouTube (with coincidently the video being directed by Alex from the aforementioned Guns) and turn the fucker up loud. Oh, and before I forget, any band that can cover the mighty LCD Soundsystem and make the song (‘Daft Punk Is Playing At My House’ in case you are wondering) sound like their own tune, really does deserve your attention.  “Woo!”

Croydon’s Wonk Unit have always had a reputation for having great support bands on the bill with them, it’s almost like their singer Alex welcomes the challenge this poses his band, but when it comes to the current six piece band he has carefully assembled he’s more than capable of batting off any young shavers looking to steal the band’s crown as undisputed champions of the UK DIY punk rock scene.

I’ve seriously never heard Wonk Unit sounding as essential as they do here tonight, be it the classics like ‘Guts’, ‘Go Easy’ or ‘Lewisham’ that first introduced me to the band, or the tunes that immediately followed these like ‘Je M’appelle Alex’, ‘Awful Jeans’ and ‘Day Job Wanker’, tonight’s set has more bangers than the rain-soaked pyrotechnic display just over the river at Rodney Parade.

I also get to hear my first Christmas song of the year tonight, but when it comes all wrapped up in the shape of ‘Christmas In A Crackhouse’ you certainly won’t hear any complaints from myself or anyone else packed in down the front.

As always with a Wonk Unit their show is as much about Alex’s between song chats and tonight he’s on tip top form, sharing the hilarious back stories regarding tunes such as ‘She Cut Her Finger’ and ‘Horses’ whilst also displaying his more sensitive and private side ahead of new tune ‘Overwhelming’ (the first of two played) a song that keyboardist Vezzy insists could even have chart potential.

Of course, Wonk Unit live are anything but sensitive and the chaos that ensures once (Johnny) ‘Rambo’ enters Le Pub for the band’s finale is all you’ll ever need in your camouflage jacket pocket if you ever had to give evidence of this fact in a court of law.

I’ve said it many times before, but I’ll say it again, Wonk Unit really are something special, there’s no one else quite like them out there, and in fact they fast becoming something of a national treasure when it comes to DIY punk rock bands. They are no heritage band though, the new songs really sounded great tonight, and the current, settled, line up of Alex and bassist Pwoison, alongside Vezzy, drummer Max and guitarists AJ and Ryan really look like they are relishing every second of being in a band together.

Don’t forget to honk if you Wonk.

HONK!

Author: Johnny Hayward

Terrorvision/The Bar Stool Preachers – St. George’s Hall, Bradford – 3rd November 2023

Terrorvision/The Bar Stool Preachers – St. George’s Hall, Bradford – 3<sup>rd</sup> November 2023

Hands up who’s seen a bad, or even an average Terrorvision show over the years? No, I thought not. Bradford’s finest export don’t do average. Through the glorious Brit Rock years and their run of chart success in the 90’s, the lost 2000’s and the subsequent reformations, Terrorvision have always delivered high energy rock n’ roll shows and have a greatest hits set that many bands would die for. You may have forgotten that these quirky northern herberts were chart botherers at a time when the charts actually mattered. ‘Tequila’, ‘Celebrity Hit List’ and ‘Bad Actress’ were top 10 singles, and they weren’t even their strongest songs!

Celebrating 30 years as a band, Terrorvision play 3 shows in the run up to bonfire night. Billed as TV30, they play Nottingham Rock City, Camden Electric Ballroom and tonight, sandwiched between the two, a sold-out hometown show at the stunning surroundings of St George’s Hall in Bradford.

It’s pretty full already by the time Brighton noisenicks The Bar Stool Preachers hit the stage. Their high energy, socially aware ska punk anthems might seem a bit of a mismatch for a Terrorvison crowd but they go down surprisingly well. Promoting the well-received ‘Above The Static’ album, the six-piece band are a whirlwind of bouncing energy from the off. Frontman Tom McFaull has the ability to whip the crowd up into a frenzy, and the rest of the guys make the most of the space, bounding around like their lives depend on it.

It’s a short set and they don’t play any of the recent singles, which seems a bit odd. But with the likes of the ska infused ‘Choose My Friends’ and the anthemic ‘Flatlined’, they sure have enough tunes to excite the uninitiated. An extended ‘Bar Stool Preacher’ closes the set with audience participation, and The Bar Stool Preachers leave the stage with the satisfaction that they have certainly gained more than a few new fans tonight.

Terrorvision are dressed in black and pink as they take to the stage to thunderous applause. Whereas L.A. darlings Starcrawler pull off this look with the cool that only L.A. rock stars can, the Bradford rockers have a more casual approach, apart from frontman Tony Wright that is. Wearing a full-on pink suit, black shirt and trainers, he’s more Showaddywaddy than LA chic, and we wouldn’t want it any other way!

They open a 24 song greatest hits set with the sublime ‘Discotheque Wreck’ and the crowd go mental. A high energy performance from the off, the band are all over the stage, led of course by Tony’s animated antics and crowd interaction.

The sound and atmosphere in this venue is top notch and works to the band’s advantage. And of course they have the songs…loads of ‘em. You may have forgotten how many hits Terrorvision have in their repertoire. ‘How To Make Friends And Influence People’ spawned 5 top 30 singles in 1994 and they are all played tonight. ‘Alice What’s The Matter’ sounds amazing, it’s six songs into the set and the singer has the crowd in the palm of his hands.

Terrorvision are a 7-piece band these days. Tony’s sidekick Milly Evans has played keyboards full time for at least 15 years and the addition of Nick Hughes from The Middlenight Men on Trumpet and Liz Mitchell on saxophone makes for a full sound. But it’s Tony, bassist Leigh Marklew and guitarist Mark Yates who are the focal point all night. With leather trousers, and a waistcoat over a pink shirt, a Les Paul dangling from his knees, Mark Yates is still the most rock n’ roll member of Terrorvision, and he peels off those killer licks and riffs effortlessly, while pulling all the cool rock star poses.

The hits continue to flow. ‘Tequila’ may be cheesy, but you can’t deny the power of a catchy chorus and the drinking anthem probably keeps Tony stocked up on Kopperberg these days. The place erupts for the chorus, and it gives the reaction any fine drinking song should.

The highlights are plentiful and memorable. For me it would be a killer ‘My House’, the over-catchy ‘Celebrity Hit List’ and the ever cool ‘Josephine’, the Tarantino-esque guitars and killer chorus a sublime match for me.

Their turn of the century dance anthem ‘D’Ya Wanna Go Faster’ ends a 22-song set in fine style and the sweaty crowd get their money’s worth ten-fold. But the band have a few more aces up their collective sleeves. Following a rip-roaring punky rarity ‘This Drinking Will Kill Me’ there is only one song left to end a killer Terrorvision show…whales and dolphins! ‘Perseverance’ is one of those classic signature Terrorvision singles, and a song that has the ability to transcend and give a massive sense of euphoria, like all good songs should. What a way to end a set.

Tonight was a masterclass in how to perform a rock n’ roll show. With 30 years in the business Terrorvision are masters of entertainment and have the back catalogue to make lesser bands weep. Every time I see them live they deliver, when supporting larger acts, they sometimes come off the better band on the night. It’s just a shame they are not a full-time thing these days, but when they do tour, it’s nice to be reminded just how good they are and what a high energy rock show should all be about. A perfect celebration of one of the UK’s best bands. Same time next year, lads?

Author: Ben Hughes

Wonderful Pics courtesy of:Adrian Hextall

The Mission/Theatre Of Hate – The Roundhouse, London 28/10/23

The Mission/Theatre Of Hate – The Roundhouse, London 28/10/23

I find myself in the exquisite surroundings of one of London’s finest concert halls, The Roundhouse in Camden Town for what is the first time in ages. For I’m about to catch the last night of The Mission’s Deja Vu World Tour. Whilst it seemed like forever ago when I went to the second warm-up show on the tour in Cardiff but that was only Wednesday, April 12th, 2022. Fast forward a year and I then caught a pretty special show in Barcelona, then in the summer it was a support slot with the Cult before rounding off (Boom Boom) in the Roundhouse for the finale. To be fair they were pretty damn good out of the traps on that opening night warm up but hell, the Roundhouse smashed all my expectations.

Sure Barcelona was hot a sweaty fun and the band had already been on the road for twelve months and the new boy Alex was well and truly in the groove but The Roundhouse they were absolutely on fire. Anyway, later. Firstly thanks to the London crosstown traffic and utterly shite weather we managed to miss Ist Ist which was a shame, but, walking into the already full Roundhouse just as Kirk Brandon and the band took to the stage for what was a fantastic no nonsense set of nine Theatre Of Hate songs plus the Spear Of Destiny ‘Grapes Of Wrath’ and this was the first TOH set I’d seen in years having previously caught Spear Of Destiny sets and Brandon Solo, or as part of Dead Men Walking many moons ago. The Saxophone worked well and as part of a post-punk setup up it was different songs like ‘Conquistador’ that went down a treat and Brandon looked and sounded in great shape which was also great to see.

Not much banter from Brandon it was a case of letting the music do the talking and get on with the job at hand so, ‘Incinerator’, ‘Westworld’, and ‘Propaganda’ were fine ways to sign off that evenings warm up. Excellent song delivered well, and a fine way to catch up with a unique talent that is Kirk Brandon now for the headliners.

The Mission, Its no secret and its fair to say I love the band from the first time I heard them burst onto the scene back in the 80s. They’ve been a constant throughout my youth and into adulthood, seeing the band dozens of times from way back in the day at Cardiffs New Ocean Club back before the debut album hit the shelves right up to this point and the final night of a pretty impressive and mammoth world crusade.

Making the most of it or just trying to draw in every last second I hope it’s not their swans song and there is more to come from the band who to be fair have sounded amazing and this night in the big smoke was an absolute triumph. To be fair I know they rehearse so many songs for the tour and then rotate them I’ve seen a pretty varied list of songs played and with the exception of ‘Naked And Savage’ the Roundhouse set was unbelievably good from the opening excitement of The Dam Buster Theme and into the epic ‘Beyond The Pale’ it was all systems go and the band were on fire. tight and road ready the miles had certainly paid off and Alex sounded so comfortable as it was no time for nostalgia or messing about it was pure business as the phenomenal ‘Serpent’s Kiss’ ripped through the PA as fresh as the first time I ever heard it. My mind was racing trying to take it all in and memories came flooding back as the band went through some big hits early doors it was ‘Crystal Ocean then ‘Butterfly On A Wheel’ before one of the newer tunes got a look in and for me, I’ve not been able to get the chorus of ‘Met-amor-Phosis’ out of my head. Sure I love the classics and will never tire of hearing ‘Garden Of Delight’ and ‘Stay With Me’ but equally the newer songs like this and ‘Swan Song ‘ hold similar status in my memories.

Ending the main set with a blustering big mother of a song ‘Deliverance’ delivered. It was time for a drink and then Wayne returned on his own for a quick bit of Sister’s banter and an impeccable ‘Wake’ before the band resumed their positions onstage for an epic one-two of ‘Blood Brothers’ and ‘Wastelands’, I found myself getting a little emotional saying it was moving too fast and can it go on longer but a glance at the watch said time wasn’t our friend and there was only room for one more, but we’d almost been here for two hours It had simply flown by which only left Wayne and Simon on stage for a stumble through ‘You’ll Never Walk Alone’ before leaving the stage briefly before an absolute monster version of ‘Tower Of Strength’ and a heaving mass of people must have all been thinking the same thing as the band took a final bow and left the stage right. Howling triumphant applause saw the band off it was the least they deserved after such a draining set of songs that were the sound of a band right on the top of their game and a band that could go toe to toe with anyone on this form, simply superb.

I do hope this isn’t the end, but merely yet another chapter for one of the best bands for several decades. Go home, take some time off, and recharge the batteries. look back fondly on an amazing tour where the band got better and better because to go out at this point would be a travesty, especially with significant anniversaries on the horizon. Besides, I want to try a German date next time. This was certainly a taste of God’s Own Medicine and one I will never tire of taking, I treasure these moments that’s for sure. Play on Wayne, Craig, Simon, and Alex that was a special end to some special memories. Nice one.

Author: Dom Daley

CJ Wildheart – ‘SPLiT’(Self Release)

CJ Wildheart – ‘SPLiT’(Self Release)

You can’t keep a good man down, and the Duracell bunny of positivity that is CJ Wildheart is back with a new solo album to improve your life. After the fury and anger of 2020s ‘Siege’, this is a collection of killer tunes that, while often ferocious, maintain a link to the melodies he’s known for. And so it begins with ‘Kick Down The Walls’, the opening chord reminiscent of ‘Sitting At Home’ by the mighty Honeycrack, before launching into an anthemic chorus. “We’re ready for the fight…”, and he still has a knack with a tasty middle eight. It’s the little things that can transform a song into something special.

‘Butterfingers’ is just as infectious, whilst reminiscing of old days at the Marquee; “messing with our hair, getting ready for the night”. You can almost taste the Hard Rock Hairspray. “Are you ready, are you one of us?”, wrapped around a simple but insistent melody. Lovely.

‘Victoria’ has a great, upfront bass line, made for pogoing, while ‘All The Dough’ and ‘S.D.E’ riff it up in a similar fashion to RFTC, and a similar high quality. This doesn’t sound like an album made on a small budget, and Dave Draper has done a fantastic job throughout.

‘Bad Decision’ reminds me of the energy and riffs of Chris Catalyst, as I regularly spin his recent album. Another good guy, for sure. Having listened a few times now, it’s ‘Give The Dog A Bone’ that really sticks in my head immediately, the chorus is classic CJ, from The Jellys onwards, and you will be playing it on repeat.

‘Mr Angry’ is two minutes of focussed fury, and ‘All You Rude Boys’ tackles the lecherous idiots in clubs and bars; “you’ll never set that girl alight, cause she knows damn right that you talk too much and you’re full of shite”.

‘Shweinehund’ is almost heavy Goth, set to a nursery rhyme tune, an unexpected turn. I wonder if he’s heard Mr Catalyst’s ‘Robochrist’ stuff? ‘The Grass Is Greener’ ends on a positive note; “hope, it glimmers in the distant light….on my own, it tastes so good alone”. It certainly sounds like CJ is content with where he is right now. He’s delivered a corker of an album. It pays to be a good guy.

Buy Here

Author: Martin Chamarette

Jim Jones All Stars/The Pearl Harts – The Earl Haig Club, Cardiff – 26th/10/23

Jim Jones All Stars/The Pearl Harts – The Earl Haig Club, Cardiff – 26th/10/23

Get in your time machine it’s time to rock! Entering The Earl Haig Club was like stepping back in time, Meat raffle and Sunday Strippers (only joking but that’s the style of this out-of-town workies club do) The place was pretty busy and the support band The Pearl Harts were on stage doing their distorted blues thang a la White Stripes but two females but you get the kinda vibe. They put in a whole hearted set but it didn’t help with the large room and seating around the three sides and the bar at the back but all in all the audience who did watch were suitably warmed up.

By the time Jim Jones All Stars were hitting the stage the place was pretty busy to be fair and for a school night things were looking promising as Jim and his masterful musical ensemble took to the stage with one thing on their mind and that was to cast a spell over this impressive turnout and spent the next ninety minutes well and truly kicking their backsides with a perfect blend of good-time garage rock n fuckin greasy roll.

The volume was suitably impressively loud and the no nonsense aproach from the All Stars is a thing of beauty when they’re in full flight and pumped up and tonight boys and girls they rose to the challenge and gave this up for it audience a seriously really good time.

With a seriously good new record in tow and a back catalogue that goes all the way back to Thee Hypnotics there is an overflowing well of top tunes to turn to should they need to turn the heat up or take it down a notch or two from the unbelievably good ‘Burning Your House Down’ through ‘It’s Your Voodoo Working’ it was horn-honking-tactic as the band hit their groove right from the off and just cruised through the gears with songs like ‘Cement Mixer’ turning into an even bigger snarling beast with the saxophones adding another dimension to the already exhilarating sound. As far as live bands go this is only my second time seeing the All-Stars and my umpteenth time seeing Jim Jones kick out the jams over the decades and hand on heart this is on another level. When he broke up the Revue to pursue other things I was gutted but every shuffle of the pack has been a twist and a shake-down that’s had me on my feet cheering for more. Man, ‘Rock n Roll Psychosis’, and ‘Princess And The Frog’ were immense endings with t eh horns but finishing on ‘Shakedown’ this is how thee Hypnotics were meant to sound and I went home yet again wondering how they could possibly top that.

Of the new songs the band were in their groove and properly gig worn in ‘Troglodyte’ was the cream of the crop whilst their cover of ‘Run Run Run’ was loose baby and was hypnotically casting a spell on the room. If you get the chance I urge you not to pass it up and take full advantage of seeing one of the finest live bands anywhere on the planet. ‘Gimme The Grease’ was an early set warmer upper with a phenominal groove.

Jim Jones All-Stars have the perfect name, to sum up, their evil powers called Rock n Roll. Boundless energy an explosive songs one after another dropping sonic bombs that are equal partsdevastatingg and joyful. Simply superb. Go get yourself shakendown. Amen Brothers and sisters, Afuckinmen! The sermon has been delivered and Cardiff was served. Bosh!

Author: Dom Daley

The X-iDolls – ‘Rain On My Parade’ (Self Release)

The X-iDolls – ‘Rain On My Parade’ (Self Release)

Like London busses Stevie is dorment for ages then several albums rock up in a short space of time. The title track breaks through the silence with its thick throbbing bass line and some overdriven hacking and slashing Rock n Rolling guitars and kicks over the stack before blowing up the speakers.

Its trashy and dripping in sleazy Rock n Roll Back in 2003, Steve had the chance to go back out and play with Faster Pussycat on a UK Tour and managed to pull together a band of musical acquaintances soon to run by the name The X-iDolls. Initially it was planned to do the tour and cut n run. Like a runaway train and musicians enjoying the trip quickly get down to writing and an album’s worth of material soon came together. After a host of other shows supporting Tuuli and The Quireboysit lived and breathed for a while longer than anticipated.

An EP was recorded early on with the album put together in late Summer 2003 but sadly the band was never destined to last and disintegrated before the end of that year, with the album never to see the light of day until now. ‘Some Things Never Fall’ is a Lords bassline borrowed and kicked around the seedy soho backstreets and clothed in some punky attitude its an enjoyable stomp. I like the energy Stevie puts into his music and its clear he believes in what he does and that energy is none more evident than ‘Smashed’ comple with nice gob iron blasts to add texture to the Rock n Roll.

‘For You’ has groove whilst ‘Cherry Bomb’ has a tonne of energy and would be great to hear live as Stevie kicks out his jams. ‘Cry’ is one of those hard soft(er) songs from the picked intro and harmonica wheeze and the shimmering first verse before building through its near six minutes. I like it and it has plenty of charm theres an honesty and lived in feel happening and Stevie does it really well.

This album isn’t polished and has a live energy and authenticity about it thats traceable throughout the seventies and eighties and has that very honest DNA coursing through its songs. The band motors through the latter part of the album from the sing a long of ‘Sixty Six Sick Chicks’ through the party anthem that is ‘Looking At You’ if the party consisted of twenty lucky strikes no filter and a watneys party seven and a bottle of blue and red thunderbird (the true drink of champions) a bevvy of beautiful women and your best mates all having the time of your lives and this pumping on your stereo. ‘Out With A Bang’ is what it says on the tin. A collection of really good tunes from The X-iDolls who do this sleazy punk n roll as good as anyone out there and have better shoes whilst doing it as well #Fact.

Buy Here

Author: Dom Daley

Rainy Days & Mondays

Rainy Days & Mondays

First up this cold and wet UK morning is Autogramm, a synth-driven power-pop band from Seattle, Chicago and Vancouver. They have just announced their latest LP ‘Music That Humans Can Play’ with an advance single and video for the track “Plastic Punx”.

Their first album in over two years will be released on vinyl and digital formats world-wide on November 17th via Stomp Records and Beluga Records EU.

Autogramme – Bandcamp

New York City guitarist, singer-songwriter Steve Conte has released the music video for his latest single “Girl With No Name.”

The clip was shot on the streets of NYC & in studio by Natborn Productions’ Peter Perenyi & son Orion Perenyi, with motion graphics, lyrics & final touches by David Provan at 12 Inch Media.

The song follows the summer release of his single “Fourth Of July” (co-written with Andy Partridge of XTC).

Conte says, “This is a song of regret…about missed opportunity and lack of skills in meeting someone you’re attracted to.

When putting my new album together, I was looking for songs that would fit nicely alongside the songs that Andy Partridge and I had written for it and I kept thinking of this one. I wrote it back in 1984 and never forgot it – which was a good sign.

Because it came to me so long ago I can’t exactly remember my process for writing it, except that since I was young & single at that time I was probably experiencing these kinds of situations & feelings on a daily basis!

Musically, I can hear what was influencing me back then; mid 60s Beatles, mid 80s XTC, and that beloved Motown groove from a certain Diana Ross & The Supremes song…”

A follow-up LP to Conte’s acclaimed 2021 solo album Bronx Cheer, is expected in Spring 2024 via Steven Van Zandt’s Wicked Cool Records.

Philip Seth Campbell – Brudenell Social Club, Leeds – 12th October 2023

Philip Seth Campbell – Brudenell Social Club, Leeds – 12<sup>th</sup> October 2023

Phil Campbell has seemingly come full circle since leaving both The Temperance Movement and The Byson Family, by continuing on the singer/songwriter solo journey he started before joining one of the UK’s new breed of bluesy classic rock artists back in 2011.

While it’s a shame The Temperance Movement never reached the dizzy heights their early material and magical live gigs promised, the singer seems comfortable and content with his current status, and the release of his first solo album under the name Philip Seth Campbell.

Playing more intimate venues than he has been used to for many years, Philip is promoting ‘City Lights’ with a series of low-key dates, just the man and his guitar, with just a bassist and a keyboard player backing him.

Taking to the stage of the smaller community room at The Brudenell Social club, on this the second date of a UK tour, you would be forgiven for thinking the Glaswegian singer had come straight from a do. Wearing an open dress shirt, trousers and trainers Philip Seth Campbell looks like the dishevelled, cool uncle at a family wedding. He and his band then proceed to run through a selection of choice cuts from the new album, older solo material and a couple of tracks each from his former bands.

Opener ‘Magical West’ was the euphoric first single released, and it loses none of its power in this stripped back format. The ever-animated Campbell may be restricted in his movements with a guitar strapped on, but his voice is on point, full of vigour and soul as he rasps his way through each high energy chorus. By the time the trio hit the gospel-tinged third track ‘Revelation’ his voice and the sound mix has certainly hit the sweet spot.

Yet there’s a sense that the singer must work for it tonight, he is certainly not going through the motions. Starting fresh, playing new songs to an audience who may be unfamiliar with the material can be a trial by fire, and while the meagre and polite audience need some well-spirited goading from the singer into breaking the unnerving silence between songs, the whole thing seems to go swimmingly well. He certainly has the stagecraft, the songs and the voice to carry them. But it is nice to see a performer who is nervous and doesn’t know what to expect, deliver in spades.

The anthemic Springsteen vibes of ‘Hasta Luego’ shine strong in a live environment, and the slower soulful moments such as the autobiographical ‘Sober Boy’ sound great. The new songs all fit well with the older material whether that be The Temperance Movement, The Byson Family or older solo stuff such as the sweet ‘Wrecking Ball Nights’, a song he introduces while strumming the opening chords

“Sometimes there’s nothing else for it but to get fucked up!” he declares. He may be a sober and happier boy these days, but he reminds us that things can easily change.

It was a bit of a surprise to hear him break into ‘Chinese Lanterns’. To be fair, I wasn’t really expecting that. It’s always been a favourite TM track since those early shows where Philip would sing it acapella, off-mic to a stunned crowd. Tonight, with an acoustic guitar as accompaniment it is just as special. Another TM classic ‘Lovers & Fighters’ closes a sweet set that satisfies fans both old and new.

I saw The Temperance Movement in this very same venue 10 years ago on their way up, and now it seems quite fitting to see their ex-singer continue his musical journey in fine form. A mesmerising and rewarding set from one of the best singer/songwriters we have to offer and one of the best gigs of the year for me. This could be the start of something special.

Author: Ben Hughes

THE LIBERTINES New album and live shows

THE LIBERTINES New album and live shows

‘All Quiet On The Eastern Esplanade’ (8th March)

NEW SINGLE – Run, Run, Run (Out Now)

Plus intimate shows in Margate (9th/10th December)  

If you want the night to lastThe Libertines are excited to announce the release of their fourth studio album entitled, All Quiet On The Eastern Esplanade out 8th March 2024. The release marks the band’s first new album in nine years and opens with the infectious new single, Run Run Run out today Listen Here.

‘All Quiet On The Eastern Esplanade’ is available to preorder from: https://TheLibertines.lnk.to/AQOTEEPR
Anyone who preorders the album will be offered the chance to purchase tickets for “All Quiet On The Eastern Esplanade’ two days of special acoustic & electric live shows by The Libertines, at the 500 capacity Lido in Margate on Saturday 9th and Sunday 10th December. Also available both nights are VIP after party tickets at the Albion Rooms and Justine’s nightclub, which will include full band DJ sets.


Opening All Quiet On The Eastern Esplanade is the firstsingle Run, Run, Run, a huge singalong punk rock anthem, Carl says, “It’s about being trapped, and trying to escape your dismal life, a bit like the man in Bukowski’s ‘Post Office’. The worst thing for The Libertines would be to get stuck in a ‘Run-run-run’ rut, constantly trying to relive our past.”


On All Quiet On The Eastern Esplanade, the quartet of unlikely lads have gathered from their new-found homes in France, Denmark, Margate and London to solder a strongest-ever internal bond, and scale new creative heights resulting in the best music of their extraordinary career so far.
Featuring eleven new sparkling Libertines songs with songwriting credits shared among the four band members, the album was produced by Grammy-nominated producer Dimitri Tikovoï (The Horrors/Charli XCX/Becky Hill) and recorded at The Albion Rooms in Margate. Recorded in just four weeks earlier this year during February and March and finished over seven days at La Ferme de Gestein Studios in Normandy, with additional production and mixed by Dan Grech-Marguerat (Lana Del Rey/Liam Gallagher/Paul McCartney).


The story of the making of All Quiet On The EasternEsplanade goes like this – in September ’22 Libs glimmer twins Doherty and Barât decamped to Geejam in Port Antonio, Jamaica. Away from any distraction the chemistry between the infamous songwriting partnership began to bubble in earnest.
Fast forward to February ’23 and Peter and Carl regrouped with rock solid knaves to the rhythm, John and Gary, at The Albion Rooms, and, says Doherty, “we really came together as a band. It was a moment of rare peace and unity, with all the members contributing.”For Carl, the whole Libertines journey has been leading to this moment. “Our first record was born out of panic, and disbelief that we were actually allowed to be in a studio; the second was born of total strife and misery; the third was born of complexity; this one feels like we were all actually in the same place, at the same speed, and we really connected.”
Peter proclaims: “We’re over the moon, and the ball is in the back of the net… and I’m chuffed for the lads!” He adds, more seriously, “I feel like we’ve completed a cycle of some kind as a band, and finally now we can add these songs to the set list, because we’ve got some bangers in there. Now we’ve opened the hotel and used the studio ourselves and it’s all worked out – more Libertines records? I should hope so!”
The album – named All Quiet On The Eastern Esplanade as a nod to their hotel’s street address and their enduring love of Erich Maria Remarque’s landmark anti-war novel – is an unequivocal triumph.
All Quiet On The Eastern Esplanade will be available on CD, deluxe CD, 12” vinyl in limited edition coloured variants, deluxe double vinyl cassette and digital download.

Pic courtesy of Ed Cook