The Idolizers – ‘Riot Radio’ (Rum Bar Records) With a burst of energy this new choon released as part of the labels ‘New Believers in Rock n’ Roll’ Rum Bar campaign. The lead track from their album ‘Concretins’ which promises to be a must-have – full of bangers if this is anything to go by.  Just what you want to kickstart the recovery and soak up those rays of summer sunshine. Bright energetic and with a strong hook ‘Riot Radio’ leans on Da Brudas for the energy and the riff but there’s more to it than just tipping the hat to the Ramones.  It should be on the radio as you drive to the beach but you’ll have to do with buying it instead.

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The Hip Priests – ‘No Stranger To Failure/ Sounds A Lot Like War’ (Ghost Highway Records) The purveyors of the beautiful noise are back and as things promise to revert to some sort of normality the universe is reset. A double A side single sees one side belt out ‘No Stranger’ it’s off like the ghost of Lemmy is amped up to eleven and the Gods of thunder give their instruments a right good seeing to. Of course, I love it and can’t wait to hear it live and shake the foundations of whatever venue will welcome them back.  I love Von Cruz vocals on this one. Flip it over for ‘Sounds A Lot Like War’ and the ante has just been raised, what a belter.

Every single released sounds like a battle cry and a reason to give a fuck about Rock and Roll again. My faith in noisy punk rock n roll is reaffirmed and it’s another reason to get excited.  Get hold of a copy as soon as it’s released or you might regret it.  pressed on coloured vinyl it’s the bands 30th single! and the artwork is by none other than Hard-ons very own Ray Ahn.  Facebook

The Manges feat. Giuda – ‘Tootsie Rolls’ (Ltd Col 7″) (Damaged Goods Records) Yeah it’s handclapping one finger piano riffing rock and roll.   The Manges play Ramones-style punk rock and they are still doing to be fair but it’s not all they do so having played with Giuda and hung out with them this seems like a no-brainer. A glam stomping  Hand clapping smiling rock n roll song. Massimo from the Manges had this to say –   “One of our favorite songs for our new album is called ‘Tootsie Rolls’, and it kinda stands aside from the rest of the album, being a more pure rock tune. On this one, our producers could totally work on their favorite arrangements and structure, to the point that we ended up having two versions: one, the album song, and two, a remixed version featuring members of Giuda, called ‘Tootsie Rolls – Part II’. What a treat!”  He’s not wrong!

Alvin Gibbs & The Disobedient Servants – ‘State Of Grace’ (T & M Recordings) A new single from Alvin and more evidence of his superb songwriting abilities as three brand-new songs on gold and blood-red splatter vinyl is released.  In a picture sleeve exclusively designed once again by Gaye Black (The Adverts), a four-page colour lyric insert but is limited to 500 copies only.  Joining Alvin once again is Subs drummer Jamie Oliver and Ruts DCs Leigh Heggarty.  The title track leans on Gibbs previous employment with Iggy and I could also see this nestled as one of the best track if it were a Cheap & Nasty song.  Cool verses and toe-tapping chorus its a top tune.

‘Too Bad She’s In Love’ has got some real grit going on as we steam towards the chorus.  Great chorus and one I want to play over and over a real earworm of a song.  I love the way Heggertys guitar wraps itself around Gibbs vocal as it heads to the chorus.  Closing off this most excellent single is ‘Brother, Sister’ a jarring jabber of a rhythm offering something different to the other two tunes proving once again that there is some fantastic music being created out there – Buy it!  Bandcamp

The Culture Industry – ‘141′ (Riot Records)  Punk as fuck! Coming over like if Nirvana were from Australia and drank too much beer instead of facing their sneakers. ‘DK Stance’ is another slice of fire that’s more spat out than gently poured into the speakers.  Love that bass punch they have going on it really suits the sound. ‘Middle Aged Kids’ now there a phrase I could level at so many people and there’s nothing wrong with that and once this tune gets going the lyrics might be a bit cliched but the music is excellent and its a good tune. Fuck em all indeed.  Swearing might not be big or clever but who cares?  I’m sure The Culture Industry don’t give a flying fig but they can certainly knock out a decent slice of punk that’s a given. Facebook

SMASHED GLADYS – ‘Go To Hell’  (Golden Robot Records) Born from the embers of the vibrant Toronto punk scene, SMASHED GLADYS formed in 1984 and then headed to New York City. The band was headed by vocalist Sally Cato and was snapped up by Elektra Records, becoming part of the legendary glam/hair metal scene.

Cato sadly passed away in 2020 and in memory of her, Golden Robot Records bring you new material which they were recording as demos for their 3^rd album. This the  2^nd single, “Go To Hell” will see the light of day on the 31^st of May, giving fans further insight into the unreleased material.  Following on from the crunchy guitars of that second album this is more of the same and just a great hard rockin tune and Ms. Cato sure did have a great voice that really suited the music perfectly. Find Smashed Gladys – Facebook /Twitter  Pre-order/pre-save “Go To Hell” HERE

Roxy Girls – ‘Roxy Girls Are In The Drink’ (Moshi Moshi Records)   Like a throwback to a time when singles from alternative bands and post-punk bands could dent the charts the complicated-sounding rhythms of ‘Like A Bouy’ come across as something between an abrasive Smiths and XTC. A chaotic mix that punctures the air behind a melodic vocal with harmonies galore and then it’s done rather abruptly.  This Sunderland band know what they want and how to deliver it.  ‘Roxy Girls Are In The Drink’ is out 27th August – Pre-order HERE

Charlie Harper & The Sub Machine – ‘Panic’  (Time & Matter Records)  Double A-sided, yellow vinyl release, adorned with a picture sleeve designed by Charlie himself, the single also boasts a double-sided colour lyric insert, each copy is individually hand-numbered and the release is limited to 300 copies only so you’ll have to be quick on this one. ‘Panic’ begins with a piano intro but don’t let that fool you as the snare hits it takes off. Features Marlon Payne on Guitar & Piano, Victoria Smith on Bass & Marley Perez on Drums.  The tracks ebb and flow is excellent as the heaviness of the verses pounds it does drop with a marching rhythm and Harpers Reverb laden vocal its engaging and intense and rather bloody good. ‘Post War Punks’ is perhaps more Subs like with its solid riff and Harper’s delivery is on point even if it did make me hungry whilst listening to its sandwich order list. Hurry whilst it’s still available – Here

Randy Savages / Razor Kids – ‘Split EP’ (Different Class Records) Randy Savages serve up a stellar pair of tunes opening with ‘Seagulls’ in all its big, loud, triumphant riffing with a tidy hook on the chorus and a melody that makes this something of a power-pop banger to be fair but hold on, their second offering is the sprightly ‘Delinquents & Dropouts’ as it puts on its collective shit kickers and gives this tune a good old rinsing.  Excellent tune from a band I want to hear more from.

Flip it over and Razor Kids do their best to duff up those Savages as they pound out their pogo tastic Ramones like ‘Abusive’. These Portuguese punks make a pretty noise as they chew out the rhythm they soften the riff with some sugary sweet backing vocals that work really well. Their second offering of ‘Perfect HArmony’ much like Randy Savage’s pair is the strongest of their two offerings with its understated lofi number its one-note guitar solo is pure Thunders and I love that.  It wraps up a very impressive EP from two quality bands I need to hear more of.  Get it!  Buy Here

Johny Skull Knuckles – ‘Shang-A-Lang’ (self Release)  Free music anyone?  Hell yeah! get yourself some of this.  Skullknuckles doffs his hat to the sad passing of Les McKeown. Johny has always wanted to do a cover version of this track and now seemed like such a fitting time. Johny said “It has actually turned out a lot more poppy than I had envisaged so at some point I may record a “punkier” version but this will more than do for now. I hope you think I have done the song justice”. Absolutely he’s done it justice.  Get it Here

The Riot Vans – ‘Scary Faces’ (Disobedient Records) Post-punk noisemakers the Riot Van release their first single after the ink dries on their deal with Disobedient Records and its a cold angular stabbing slice of post-punk with its jerking and grinding verses but that makes way for the blast on the chorus that’s like a loud blast of heat.  I’d imagine this would be a great tune to blast out in a packed club with sprung flooring.

Check it out here

Dez Dare – ‘Dum Dum Dum’ (CH!MP RECORDS) Taken from the album ‘Hairline Ego Trip’ out this coming June Dez does Lofi Punk rock with added scuzz and a dash of alternative indieness Native of Victoria Australia Dez has done his years service playing in Warped and has released this frantic buzz saw riff-a-rama under lockdown to add chaos and noise to every avaialble corner.  check out the video below.

It conveys his strong distaste for nationalism. “I want to push against entrenched views, closed borders and minds of large groups of the human race. There are a lot of fights happening at present around the world from climate to right-wing hysteria to unfettered capitalism and we need to work together as an animal of the same kind rather than separated by space, colour and tradition.”

Suzi Moon – ‘Call The Shots’ (Pirates Press Records) Who?, if I were to tell you she’s the ball of energy behind Civet & Turbulent Hearts then it might make sense.  Pirates Press aren’t dummies and releasing this EP they know their stuff and anyone who’s seen her live knows what a performer she is. Kicking off with ‘Special Place In Hell’ its a real firestarter of an introduction but as good a song as this is this EP gets better and better.

The Chelsea Curve –  ‘All in Time’ (Red On Red Records) a new single every month from this sensational band, culminating in a full-length album this coming fall! The Chelsea Curve bring their love of the sound and style of the 70’s mod scene and smash it up with the guitar leanings of their respective pasts. Linda Pardee (Orbit), Tim Gillis (Frigate), and Ron Belanger (The Winter Project) came together when Linda said no to being in Ron’s new band and instead asked him to be in her new band along with Tim. Accurately described as the sparks that fly when The Jam meets Husker Du, the trio blasts out bracing retro mod pop with hooks aplenty.

Follow The Chelsea Curve here: Facebook. Instagram . Bandcamp

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Frank Carter & The Rattlesnakes feat Joe Talbot – ‘My Town’ (Self Release)  New single from Carter is barbed wire wrapped in a velvet glove plenty of aggression yet melody and a decent hook on the chorus.  With the humming synth throughout it’s an intense number that burrows into your ear and will have you craving it over and over – trust me.  Also, a great move getting Talbot on guest vocals as he suits the attitude of the lyrics perfectly – A banging song! Facebook  download it here

The Cocktail Slippers – ‘She Devil (Shout IT Out Loud)’ (Wicked Cool Records)  Norwegian rockers, The Cocktail Slippers, are releasing a brand new single digitally and on limited edition 7″ vinyl.  Both tracks are originals and are a taste of what’s to come. The lead track is a commercial slice of subtle Glam Rock – real glam rock with platform boot firmly planted in the 70s they do elsewhere but here this is their most commercial stab so far.  with killer harmonies – a real earworm of a tune and one we highly recommend. The flip sounds like the Go Gos jamming on some Blondie and has a pop smooth sound.  Not as good as the other side but hey it’s a grower, not a shower.  Pick it up Here

Clowns – ‘Does it Matter?’ (Fat Wreck Chords) “ ‘Does It Matter?’ is about breaking the law, says Clowns vocalist Stevie Williams. the hook-heavy raucous number that demonstrates the prowess of their current lineup. Now completed by drummer and founding member Jake Laderman, vocalist Stevie Williams, bassist/vocalist Hanny J and guitarists Rod Goon and Cam Rust.  On first blast, it’s not as raucous as previous offerings and might take some getting used to but it’s Clowns and they get a free pass because of previous recordings and live shows. I’m hoping it’s a bit of an earworm and the more I hear it the better it gets.  Just bring the album out already and get touring we need bands like Clowns full of menace and with a whole load of piss and vinegar in their performances be it on record or live. 

JIZZY PEARL’S LOVE/HATE – ‘Soul Mama’ (Golden Robot Records)  Lifted from his album that we won’t get until 2022.  Jizzy Pearl’s Love/Hate are up and rocking.  His vocals have always been capable of melting steel and he’s lost none of that power.  ‘Soul Mama’ is a retro trip back to when the metal Gods such as Zepplin roamed the earth with a laid-back beat its groove-laden with a raw and purposeful guitar lick all making way for Pearls commanding vocal.