Demolition 23 – ‘Demolition 23’ (Wicked Cool Records)

Demolition 23 – ‘Demolition 23’ (Wicked Cool Records)

1994 was a very good year for music. Everything was a bit edgy back then. Alternative was king, Grunge had killed hair metal and in turn was dying a death. Nu Metal and Industrial sounds were on the rise with Korn and NIN, Green Day and Rancid were spearheading a punk movement for the MTV generation and over in the UK Oasis were making waves, while The Wildhearts and Terrorvison were regularly seen bouncing around on Top Of The Pops.

Bands had to adapt to survive and those that did survive released arguably the best albums of their careers. From Manic Street Preachers and King’s X to Motley Crue and Warrior Soul, all with varying degrees of success but all had one thing in common and that is: those albums stand the test of time nearly 30 years on. And of course, Michael Monroe was in that mix as well with a band called Demolition 23.

Following the ill-fated Jerusalem Slim project with Steve Stevens, Michael Monroe went back to his roots, collaborated with Little Steven and wrote a punk rock album in the spirit of ‘77. Pulling in Hanoi Rocks bassist Sami Yaffa, Star Star guitar slinger Jay Hening and session drummer Jimmy Clarke, what started as a covers band jamming with friends, turned into a serious project.

Recorded in 5 days at Power Station Studios in New York City, produced and largely written by Little Steven along with Monroe and his first wife Jude Wilder, the eponymous 10 track album was a throwback to the Hanoi days and a tribute in spirit to lost friends and heroes such as Stiv Bators, Johnny Thunders and Charlie Harper.

To be honest, the production job back then was pretty spot on and you would have to play the original back-to-back with the remaster to spot the differences. But I’m pleased to say it sounds as crisp, fresh and damn right essential as it did back in 1994.

I always loved Monroe’s thought-provoking lyrics and album opener ‘Nothin’s Alright’ has always been a favourite. From the roaring, 3 chord riffage to the cool lyricism, each verse a love letter to the past 3 decades (at the time), it channeled the much-needed gap between the Sex Pistols raw energy and Hanoi’s penchant for a catchy tune.

The following ‘Hammersmith Palais’ again, is a retrospective look to times and places that are long gone. A theme that has continued through Monroe’s lyrics to this day. A punked up blast with an anthemic “oi-oi” chorus that is an instant earworm. It’s about as British punk as you can get, which is quite a thing considering its Finnish/USA writing heritage! 

A killer one-two as good as any album before it, and a pair of songs that remain constants in Michael Monroe’s live set to this day. Demolition 23 sound energized, fresh and vital in 2022.

As Demolition 23 was initially a covers band, it makes sense that a few of those tunes they jammed would feature. The Dead Boys ‘Ain’t Nothin’ To Do’ and UK Subs ‘Endangered Species’ are suitably raucous and filled with attitude. But its Johnny Thunders ramshackle ‘I Wanna Be Loved’ that blows the cobwebs off, even by today’s standards. Hening’s guitar tone is perfection and the vocal delivery has enough spit and venom to better the original. It’s a glorious blast that the band make their own.

‘Scum Lives On’ was originally on the Jerusalem Slim album. The Demolition 23 version is rawer and more in tune with the punk attitude. Even the dumb ass, tongue in cheek ‘Same Shit, Different Day’ sounds vital.

The emotive ‘You Crucified Me’ showcases the Van Zandt/Monroe ability to pen radio-friendly hit singles, and you probably forgot how good it was until you listen to this remaster. It sounds like it was recorded last week, not a lifetime ago.

The included demos of ‘Hammersmith Palais’, ‘Dysfunctional’ and ‘Scum Lives On’ are curiosos and don’t vary too much from the originals, but surely must be a testament to the fact that these 10 songs were the full recorded legacy of one of the greatest forgotten bands of the 90’s.

Of course, good things never last. Hening was replaced by Nasty Suicide on guitar by the time they started touring, but he left in March 1995 and the band folded soon after. Hening tragically passed away not long after and while Sami continues to play in Michael Monroe’s solo band, as far as I am aware Demolition 23 have only reformed once for Monroe’s 60th birthday bash in Helsinki recently.

With only a limited release in 1994 on CD, this is an album that has been crying out for the vinyl remaster treatment for years. It remains a lost classic and hopefully, this remaster will give it the distribution and worldwide regard that this long-lost classic album truly deserves. An essential purchase folks.

Buy Here

Author: Ben Hughes

‘Demolition 23.’ Self-Titled Album To Be Released on October 14 with 3 Bonus Demo Tracks

‘Demolition 23.’ Self-Titled Album To Be Released on October 14 with 3 Bonus Demo Tracks

“The Demolition 23. album is one of my favorite albums of my career and definitely one of the best.”- Michael Monroe

“Me and Michael were talking about how much we missed the original Punk music of the Ramones and Dead Boys and Sex Pistols and Clash and decided to do an album in that spirit.”- Stevie Van Zandt

Stevie Van Zandt’s Wicked Cool Records has announced plans to reissue the sole album from Demolition 23., digitally for the first time ever, and on CD + ‘Blue Smoke’ vinyl, on October 14. The band, which formed in NYC in 1993, consisted of former Hanoi Rocks frontman Michael Monroe, ex-Star Star guitarist Jay Hening, Monroe’s Hanoi Rocks bandmate Sami Yaffa on bass, and Jimmy Clark on drums.’Demolition 23.’ (which had a limited release in 1994, but has since been out of print for years) was produced by Van Zandt, and features collaborative songwriting efforts between Monroe, Van Zandt, and Jude Wilder, and one track (“Deadtime Stories”) co-written by Monroe/Stiv Bators. The album, a return to the members’ punk roots, also includes covers by Monroe’s influences and friends, including Stiv Bators (“Ain’t Nothin’ To Do”) and Johnny Thunders (“I Wanna Be Loved”). Many of the songs from the record have become staples in Monroe’s live sets, which recently have included festivals and a stint opening for Alice Cooper.The digital and CD release of ‘Demolition 23.’ includes all of the original songs, along with 3 bonus demos. See track listing below. The physical versions of the album include a booklet with photos and liner notes from Monroe, detailing each song — with additional notes written by all of the living band members. The vinyl also includes a download card for the bonus tracks. The band’s logo was designed by Yaffa, who continues to play with Monroe to this day.In advance of the self-titled album’s re-release, a track titled “Hammersmith Palais” has been released to streaming sites, along with a demo version of the song.
Pre-save the album here

Michael Monroe on the single “Hammersmith Palais”:

“Hammersmith Palais was this great club in London where we saw a lot of brilliant, legendary shows by some of the coolest bands ever. I played there once guesting on sax and harp with the Lords of the New Church. Unfortunately in later years, the place was closed down and replaced by a boring office building. The song also refers to some great, fun times in the past that will never return.”

Michael Monroe on the re-issue of ‘Demolition 23.’:

“The Demolition 23. album is one of my favorite albums of my career and definitely one of the best. I had the pleasure and privilege of having my great friend Little Steven as the producer. This was originally going to be a Michael Monroe solo album, but we had put together such a strong group with Sami Yaffa on bass, Jimmy Clark on drums and Jay Hening (RIP) on guitar, that I decided the band should have a name. Sami Yaffa suggested “Demolition 23” from the William Burroughs book “Exterminator” and it immediately hit a nerve.

Little Steven and I had been writing the songs with very much an authentic kind of Punky Rock& Roll attitude and style. We also wanted to pay homage to the late legendary unsung heroes and my friends Stiv Bators and Johnny Thunders by covering one song each– The Dead Boys’“Ain’t Nothin’ To Do” and Johnny Thunders & The Heartbreakers’ “I Wanna Be Loved.”

The album was recorded at the end of 1993 at the Power Station Studios in New York City by the great engineer Ben Fowler. This was one of the easiest and most fun times I’ve ever had recording an album. The comfort of having the production in the good hands of Little Steven allowed me to relax and enjoy doing my thing. Steven brought out the best in everybody and we didn’t waste any time. We laid down the basic tracks, drums, bass and guitars for the 10songs in 3 days and I did my lead vocals in 2 days. It was like 2 vocal takes per song, then Steven would say “Ok that’s good! Next!” After the 5 days of recording, we mixed one song per day, so the whole album took about 2 weeks to make. And it still sounds great today. This record was never officially released in the States, but now Little Steven is FINALLY releasing it on his Wicked Cool label for everyone’s enjoyment.

As bonus tracks, we’re including 3 demos that we recorded at New York’s Baby Moster Studio prior to recording the album. I remember when we finished our session there, the Ramones came in and started setting up for the next session to record their cover of “I Love You” for the Johnny Thunders tribute album “I Only Wrote This Song For You.” I’ll never forget when Johnny Ramone started hitting some chords on his Moarite guitar–it was so loud you could hear it in every room of the studio. Anyway, these 3 demos already indicate what a great chemistry Demolition 23 had as a band. Hope you dig this album as much as we all do!

Stevie Van Zandt on the Demolition 23. reissue:

“The Demolition 23. album is one of my favorite records. Me and Michael were talking about how much we missed the original Punk music of the Ramones and Dead Boys and Sex Pistols and Clash and decided to do an album in that spirit. It was written in two weeks and Produced in two weeks. Love it.”

Michael Monroe /Electric Eeel Shock / Mother Vulture – The Fleece – Bristol 07/11/19

Michael Monroe /Electric Eeel Shock / Mother Vulture – The Fleece – Bristol 07/11/19

Last week we had Ben reviewing one of the early shows on this tour and by all accounts another memorable night in the company of one of music most exceptional performers. Catching the tail end of the tour there were no plans to run a review but when we have bands this good it seems only right we should cover them as much as possible. Damn this band should be playing bloody arenas and be a household name but we know the world doesn’t work like that. for now, the people who get rewarded are the ones who just know, right? right!

Tonight the Fleece is very busy which is always a good sign, the last time this band played here in Bristol was aboard the good ship Thekla and the attendance wasn’t great. Tonight, with a brand new album in tow it was already looking promising as the room was busy for the opening band – Mother Vulture. They took the stage but quickly they weren’t my cup of tea at all, from the soaring vocals to the new wave of classic rock schtick of the band’s repertoire it’s just not what I listen to but there are plenty of satisfied punters digging their thing.

Next up Electric Eel Shock. A three-man ’80s cock rock assault on the senses, sure it’s bordering on the Barron Nights comedy but these guys do have a song in the shape of ‘Bastard’ that is so ’80s it’s wearing its own spandex and coughs up its own hairnet hairspray can.  They throw in enough shapes to make a Whitesnake tribute band blush and Don Dokken’s hair would fall out (again) if he were to follow these guys on stage.  But they have the audience smiling and wearing a Hanoi Rocks t-shirt is always going to go down well. Job Done I guess they have fun paying their dues and the audience goes along with them. 

Now, the reason we’re all here. Michael Monroe band, strap in, its time to Rock Like Fuck! After hearing many reports of how good the band has been on the tour so far and with only three shows left on the tour surely this one was going to be off the scale with the Fleece being such a good venue even with the pillars running through the venue it’s steeped in Rock and Roll. (even if they make their bread and butter off bloody tribute bands but if that means that nights like tonight and bands like The Monroes can tour and play then even I’ll turn a blind eye).

With ‘One Man Gang’ on heavy rotation the albums growing in stature on every play,  it’s a breath of fresh air to hear the band blast off with the opening five songs all taken from the new record! A bold move for any band but one that gets my approval that’s for sure. From the frantic punky title track to the catchy chorus of ‘Last Train To Tokyo’ to the New York cool of ‘Junk Planet’ this is cooking up to be an exceptional performance. With the band locked in and moving like a cat on a hot tin roof its hard to keep up,  with plenty of smiles on stage it looks like they’re having an absolute ball in this band. Of the songs on the new record to hear them run through ‘In the Tall Grass’ is super cool and such a great song to take on so early on in the set is a supremely confident move from such a great band.

Monroe and Conte make themselves comfortable on the barrier for a nice run through ‘Ballad Of The Lower East Side’ before ripping up ‘Old Kings Road’.  the band were flying through a rapid set that had ’78’ up next before cooling things down with a mellow ‘Black Ties And Red Tape’ (Not)  I’ve seen Monroe many many times live and with many line ups and in many venues all over the UK and I have to say with the exception of Hanoi Rocks classic line up in the mid 80s this is by far the best line up he’s had and the entertainment value is off the scale (it does help having such a strong cannon of songs to pick from for sure) but tonight they are on fire.

Step forward Mr Yaffa as we get the first Hanoi song of the evening as he thumps his way through the intro of the classic ‘Motorvatin’. Always wearing some splendid headwear and playing his bass with such style and having a Perma-smile its such a pleasure to be in the company of such talent. We get another new one in the shape of ‘Hollywood Paranoia’  before we head into the home straight as another thumping rendition of ‘This Aint No Love Song’.

I could have stayed all night listening to new songs or solo material played with an energy most bands could only dream of achieving but its also always nice to hear that Saxophone and a couple of Hanoi rocks tunes so things do slow down for a minute or two as ‘Don’t You Ever Leave Me’ makes way for ‘Malibu Beach’ before they hit the cover that the band took ownership of on the ‘Two Steps’ album ‘Up Around the Bend’ sees people lose their shit as the kids say and there are going to be some saw heads come the morning. The main set is wrapped up with a pulsating ‘Dead, Jail Or Rock and Roll’.

Play Vi

I’m still scratching my head as to how fuckin’ good this show was and how the hell this band isn’t playing venue ten times this size. I will console myself in the fact that if the world won’t listen then that’s their loss and you can only lead a horse to water and all that. The night wasn’t quite done yet as we had the pair of tunes from Demolition 23  and ‘Nothing’s Alright’ followed by the high kicks that go with ‘Hammersmith Palais’ which only left a blistering duelling rendition of the Stooges classic ‘I Feel Alright’ and then they were finally done. Until the next time that is and the sooner the better.  If you get the chance to see this band then take it they have a superb new album they’re showing off and its raised the bar for everyone else to follow.
There aren’t many bands who can compete with this one on the kind of form they were on tonight and it’s why going to live shows is still so much fun. Great company, great venue, great band, great songs, great memories and great fun and always a frontman who Rocks Like Fuck! always a pleasure – never a chore.
Author: Dom Daley

Rainy Days And Mondays…Never get us down

Rainy Days And Mondays…Never get us down

How about every Monday morning RPM brings you some of our favourite videos, call it Three of the best. Banish those weekend blues and back to the daily grind as we bring you classics – New videos – exclusives and just ones we love.

 

We won’t waffle on but let the music do the talking. First up this killer Demolition 23 live performance of ‘Hammersmith Palais’

If that didn’t put a smile on your face then get a load of this old classic from Steve Marriott and his beat combo The Small Faces with ‘Tin Soldiers’

Why not wrap this up with a much maligned period of the band but not in my book.  with two of the businesses finest barnets Keif and Ronnie were peerless but Mick was and still is the man.  Star fuckers indeed.  Happy Monday folks!