Born Robert W. Derminer on December 12, 1944, we know him as Rob Tyner the voice of Motor City powerhouse The MC5 where he originally played bass before putting his talent to use as vocalist.

With moves like James Brown and a wardrobe like Marc Bolan he will forever be remembered for his rally cry of ‘Kick Out The Jams Motherfucker’ The band released three albums from ’69 and the classic ‘Kick out the Jams’ through the ’70s ‘Back In The USA’ to the bands final album ‘High Time’ a year later. The band fell apart due to infighting and drug problems but before it turned sour they really blazed a trail and managed to bug the powers that be – Big time!

Their impact cannot be denied and Tyner was a big part of that from his unique afro and his distinctive voice to their political stance in quite volatile times not just in the USA but around the world.  The MC5 featured on the cover of Rolling Stone Magazine even before they had a record out. The band had strong left-wing political ties and were happy to air their Anti-establishment views through their lyrics.  Along with Iggy And The Stooges they were punk way before punk was even a thing. They were loud, energetic and had style but most of all they had songs! Their back-to-basics rock and roll included now classics like ‘Ramblin’ Rose’ ‘Kick Out The Jams’ which must be one of the most covered songs in history. ‘Rocket Reducer No. 62 (Rama Lama Fa Fa Fa)’ and ‘Looking At You’ (Another that’s been covered by bands such as The Damned and The Mission). They were certainly unique and at the time caused quite a stir to the mainstream who didn’t know what to do with a bunch of young men who were clued up and armed with a voice their spat with Hudsons Department Store being a good example.

Tyner (going by his real name) was first approached by Wayne Kramer via the underground left-wing hipster scene in Detroit and his talent wasn’t on the bass but out front and center via the microphone. It was also Tyner who named the band MC5 which if you didn’t know it’s short for Motor City Five and the legend was born.

They were well known locally as the band to see with their incendiary live shows that were full of energy and it’s well documented that they were already hypnotising audiences in excess of a thousand people with a blistering energy and loud garage rock. It was Danny Fields who signed the band to Elektra at the same time he signed The Stooges but it was the MC5 who was the first hard Rock band signed to the label.

In ’68 the band performed at an anti-Vietnam war rally and allegedly played for eight hours straight!  Hold onto that and it might explain how the band were closely tied with LSD and Marijuana usage. They also use to have firearms as part of their stage show brandishing rifles on stage and then a sniper would shoot Tyner as part of their act to end the set.

Controversy was never far from the band’s door as they were embroiled in an ad campaign when a store (Hudsons) refused to stock their album so they took out an ad that claimed the store should go fuck themselves. in response, the store pulled all Elektra artists which led to the band being fired and subsequent signing to Atlantic for their second album so when McLaren thought he was unique engineering the Pistols labels fiascos it had already been done years earlier by the MC5.  Imagine being in an audience not having a clue who the band was and hearing Tyner announce Kick Out The Jams and then witnessing the kind of performance seen in the video?  It must have been life-changing.

After MC5 split he kept himself busy with a number of acts such as fireworks and then the Rob Tyner Band who played shows with the likes of Cheap Trick and AC/DC but by the end of ’78 the band fizzled out having not released an album.  Tyner then chanced his arm in the UK where he worked briefly with Eddie & the Hot Rods before he headed back to the states to work on Detroit legend Scott Morgan’s benefit project. the Guitar Army, which helped to organise and promote the music of Vietnam veterans. There was a solo record released in 1990 entitled ‘Blood Brothers’, but sadly, the singer died from a heart attack a year later, on this very day in 1991.

Several years after his passing, a live release surfaced courtesy of the Motor City Music label/website, ‘Rock and Roll People’, which documented a pair of Rob Tyner Band concerts from 1977 (at the Kramer Theatre and the Embassy Hotel). His legacy might be limited with regards to his recording output compared to many of his peers but never underestimate the influence of the MC5 – Gone but not forgotten Rob was only 46 at the time he passed away Rest In Peace Rob Tyner.

FOLLOWING THE DEMISE OF PLEDGEMUSIC, PROFESSOR AND THE MADMAN FULFILL ALL EXISTING PRE-ORDERS FOR THE GROUP’S LIVE AT THE 100 CLUB ALBUM

 

PROFESSOR AND THE MADMAN’S LINEUP FOR THIS ‘ONE NIGHT ONLY’ CONCERT FEATURED ALFIE AGNEW (Adolescents, D.I.), SEAN ELLIOTT (D.I., Mind Over Four), RAT SCABIES (The Damned), AND PAUL GRAY (The Damned, Eddie & the Hot Rods, UFO)

Live at the 100 Club is available now on red vinyl, CD, and download

Professor and the Madman announce that they have personally fulfilled all orders for their Live at the 100 Club album. Recorded in August 2018, Live at the 100 Club was initially offered for pre-order exclusively through the crowdfunding website PledgeMusic. However, after months of delays, the campaign was temporarily derailed when PledgeMusic operations shuttered in May.

“Pledge was such a great conduit between the artists and the fans and it should have been bulletproof,” says the band’s Sean Elliott. “I’m sad to see it gone.”

Picking up where PledgeMusic left off, Live at the 100 Club is now available exclusively on red vinyl LP and CD Here. It is also available digitally at all retail platforms.

The album features a dozen tracks which span PATM’s trio of studio albums alongside two new entries to the band’s discography. “Nuclear Boy” is a cover of the 1981 power pop entry by Hollywood-based 20/20, while “Quit This Town” was first released in 1977 by UK rock act Eddie and the Hot Rods. The live version of the latter track features a guest appearance by former Hot Rods songwriter/guitarist Graeme Douglas.

Live at the 100 Club was recorded at the famed London hotspot on August 10, 2018. In existence since 1942, the venue located at 100 Oxford Street began as a jazz and swing music nightclub but is now best known for its role in the evolution of Britain’s punk rock movement. In September 1976, the 100 Club hosted an international punk festival which included performances by the Sex Pistols, The Damned, The Clash, Buzzcocks, The Jam, The Stranglers, and Siouxsie and the Banshees, among others.

With its rich punk history, the 100 Club was the ideal venue for Professor and the Madman’s UK debut. The group’s lineup is comprised of members with deep roots in the scene: singer/guitarist Alfie Agnew (Adolescents, D.I.), singer/guitarist Sean Elliott (D.I., Mind Over Four), Rat Scabies (The Damned), and Paul Gray (The Damned, Eddie & the Hot Rods, UFO).

Billed as a ‘One Night Only’ event, the 100 Club show provided a rare chance to see this version of the band. Due to the distance between Agnew and Elliott in Southern California, and Scabies and Gray in the UK, logistics make it difficult for the quartet to convene for live performances. For the majority of PATM’s live dates in America, Agnew and Elliott are joined by fellow musicians from Orange County, CA.

Professor and the Madman released their third studio album, ‘Disintegrate Me’, in February 2018. Choosing the group as one of its “Bands to Watch in 2018,” Classic Rock Magazine declared “Disintegrate Me is an infectious cocktail of power-pop/rock, ‘60s British Invasion and melodic psychedelia. It’s rich, quality stuff.”

Agnew, Elliott, Scabies, and Gray are currently at work on a new album for release next year.

 

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