The one and only time I saw GBZ was in a London pub basement a touch over six years ago and they blew the place a part. Then they were pushing their second and possibly finest album Hadeland Hardcore and as fantastic as they were that night, no one in that room would ever have thought that the press release for album number five, Research And Destroy would begin –

“The NEW ALBUM from the Kings of Scandipunk! Fronted by singer Ivar Nikolaisen from KVELERTAK!! “

It’s just bonkers!!!

These Norwegian punk rock terrors’ sound snuggles somewhere in the same ball park as fellow country men Turbonegro (both bands feature ex-members of Norwegian glamsters Silver) but with a far more aggressive and abrasive edge. Perhaps with album number five some of this jagged, raw hate has been polished away to appeal to the Kvelertak fan base, it’s still hard and heavy but maybe not as raw and hungry as the aforementioned  Hadeland Hardcore or even it’s follow up Misanthropical House but it’s still a fine12” slab of plastic that’ll sit deservedly in your top ten of 2022.

First up ‘What’s My Rage Again?’ Spends a good minute building up and up and up in full metal guitar grandeur before launching into a spite-filled bombastic banger. Maybe it gets a bit Maiden-esque in places but it’s a great place to start.


Hot on its heels comes ‘Song For A Prepper’, another great tune with another long intro. Less aggressive than previous stuff and maybe a nod to the expanded Kvelertak audience

Third up, ‘Bridge and Tunnel Guy’ gets its own video and is a fine balance of aggression and hooks.


The PKA Took My Money Away’ is far less metal than its predecessors and is by far my favourite tune so far. This feels like the most GBZ-like song so far.

Nostradumbass’ carries on the mid-album hump for me, a fine mid-paced tune not a million miles from Ivar’s previous band Silver. There’s a video for this bad boy too.


While ‘Diet 1-2-3′, may lean a little to Backyard Babies territory (not a bad thing at all), ‘The Power of Beer’ is the kind of GBZ banger that ‘Research And Destroy’ has been a little light on.


One-Dimensional Man’ is a nasty pop song and boasts one of the strongest choruses on offer. I guess Fysisk Format agrees too because there’s a video for it.


The penultimate track ‘The Original Incel’ is another banger. GBZ to the max, while closer ‘Here Come The Waterworks’ is a far more sedate affair. Decent enough, but like several of the tracks that have gone before it, maybe a bit too much of an offering to their expanding metal audience. But hey, good luck to them.

So there you have it. Ten tracks in just over half an hour, long enough to love but not quite enough to blow you away.

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Author: Fraser Munro

How could we not give this banger some time all on its own? The answer is simple we couldn’t so here it is in its whole gory glory the brand new video from The Good The Bad And The Zugly and the man behiond the (Oxygen) Mask

 

If you want more then how about some Bombpops?  Here they are with a track taken from the brand new album ‘Death In Venice Beach’ and the lead track ‘Notre Dame’

It’s always a good day when The Zuglys drop a new record of any description.  A bunch of Oslo natives kicking out the jams on their terms – dancing only to their own tune GBZ as we like to call them, are a force of nature and you need to let them into your life it must be pretty empty without them, that’s all I can assume? Besides I’m declaring right here right now that this is the finest Deathpunk album since ’98s ‘Apocalypse Dudes’ which is quite some gap.

Album number four (or five if you include the compilation of early releases) it would be fair to say that Zugly are one of the best-kept secrets in all of punk rock land.  How? Fuck knows is often a few words we use to describe the phenomena or just that people generally haven’t got a clue what’s good for them.  Over the next few paragraphs, I’m hoping to either put you off music for life or help persuade you to click the red words below and go investigate this band of maverick noisemakers.

Right, let’s do this. ‘Algorithm & Blues’ contains thirteen songs of varying levels of intensity mostly stressful full-on in your face punk rock Oslo style without compromise or a hint of wanting to conform to reach a wide audience of nodding dogs who wouldn’t know a good tune from a puddle of piss. The opening track is ‘Welcome To The Great Indoors’ which is nice. It begins with some Angus like scales working out up the fretboard before the rhythm section joins in building up to the crunch point then bosch! We’re off as the guitars pin you to the back of your seat and we’re careering downhill at a frantic rate of knots.  Fuck this is how to kick off your album. Ivar Nikolaisen leads the charge with his uncompromising vocals and what a thrilling four minutes that was.

 

Forget Turbonegro and Kvelertak this is how to rock out 2020 style.  this is where the bar gets set, these are the leaders and others will just have to follow, simples. ‘Fake Noose’ is intense and has a really haunting melody through the vocals it’s like audio crack it’s that addictive but then when you tackle the subject of elected dying and going to Switzerland to do it its gotta be a little intense right?.  The quality charge continues as ‘Staying With The Trouble’ is up next with its triumphant guitars and pop-savvy melody on those backing vocals its a lighter side of The Zuglys for sure. Have they finally decided to sell a little of their soul for success and chart acceptance?

 

After the slight interlude of ‘Follow Your Dreams’ were right back at it hammering away on ‘Kings Of Inconvenience’. ‘The Man Behind The (Oxygene) Mask’ is the Zuglys on top of their game it’s bold, it’s grand, it’s epic. It gallops from the off (no great shock there to be fair) but the melodies happening are fantastic and the more you play these songs the more things jump out you didn’t notice on the last play and this song is one of the best examples of that. Remember what you thought when you first heard Turbo knock out ‘Apocolpse Dudes’ well, this is like that.

 

‘Fuck Life…But How To Live It’ is hardcore heaven. Uncompromising and just full of boundless energy like the Beastie Boys tackling early Black Flag. The second single off the album ‘Corporate Rock’ is anything but.  Hounding out fake bands with a huge riff that belted out like a 30lb hammer landing on your temple. I’m standing firm behind these boys they know the score!

 

‘The Kids Are Alt-Right’ is tackling the hot potato of today’s global politics but I hope they’re wrong on this one I hope that Hope Not Hate prevails and the Kids are alright and our children don’t head down a wormhole of Trump and tory hate for anyone and everything except money and not 90% are nihilists.  C’mon Oslo’s finest offer us some hope?  whilst there is a darkness I have to believe the kids are generally all right.

 

Blimey, for some light relief from the last one ‘Fuck The Police’ raises the alarm, Doh! bollocks lets go with them. Use the intro to inhale then prepare to enter the pit as the intensity escalates. “Fuck, Fuck Fuck the Police” if you can’t beat them join them. That my friends is pretty much where we get off this trip except for ‘Requiem’ and its one last hurrah!  Rounding off an absolute belter to kick-off 2020.  The Good The Bad And The Zugly are everything you want them to be they make you think, Smile, Laugh, break things, give yourself over to the noise they make, be grateful you have them in your life and you also have impeccable taste in hardcore punk rock and roll Oslo style.

 

As they said it themselves on this record “Don’t tell me that the sky is the limit when there are footprints on the moon” Go The Zuglys I’m rootin’ for you to break on through.  Let’s make this go overground! Just go Buy it! it’s because you’re worth it!

Buy Algorithm & Blues Here

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Author: Dom Daley

Pre-sales are up for one of our favourite Norweigan bands.  The Good The Bad And The Zugly will release their new album ‘Algorithm & Blues’ in January and pre-sales are already up for grabs. Available in Transparent blue vinyl (limited to 250 copies) Transparent yellow vinyl (limited to 250 copies) Standard black vinyl (limited to 800 copies)
and Digipack CD.

Artwork is done by Flu Hartberg as always and it’ll come out on Fysisk Format and as a taster, the single ‘Staying With The Trouble’ is released.

 

 

Ok, so the title is a lyric from a U2 song about October but thats the closest Dublins favourite son is gonna get to RPM singles club and to be fair he wouldn’t stand a chance with some of this months singles. from multi-platinum recording artists to some of our favourites paying homage to the gods of Metal none the less  its another mixed bag of genres but the standard is the usual high bar we like to set.  So without further waffle lets plug the jukebox in and do us all a favour…

Down N Outz – This Is How We Roll (UMC)  An uptempo rock and rolla from Joe and the boys sees some neat riffola on the verses courtesy of The Quireboys’ Paul Guerin and Guy Griffin. The band are nicely rounded off by Keith Weir (keyboards), Share Ross (Bass, ex Vixen) and Phil Martini (drums, Wayward Sons) Its the first track taken from the album of the same title and it doesn’t really sound too similar to any of the associated bands and is more in tune with Elliott’s love of ’70s glam rock and Mott The Hoople which is never going to be a bad thing. Buy Here

 

 

The Drowns – Hold Fast (Pirates Press) Heres the technical piece –  this 12“ one-sided record will leave just about any vinyl collector speechless. On first inspection, this may seem like it’s a picture disc, but it’s not! As the leaves in the wreath are actually transparent! This one-sided record is actually digitally printed on the non-groove side, with two separate passes through the machine, creating one very cool (and very limited!) brand new style of 12“ – pressed on real vinyl, sounding great, unlike actual picture discs.

The possibilities are endless for creating eye-catching and powerful releases using this new method of digitally printing on records… pairing this brand new format with a band garnering so much praise and generating so much excitement right now is the perfect fit; and best way to spread the word about both things, fast! Right, got that?  Wow it looks cool I’m sure you’ll agree but its no good if its joust going to be a wall hanger but The Drowns Hold Fast is a fuckin’ blinding slice of uplifting punk rock. The video for Hold Fast is below so you can check it out for yourself bu t’Demons’ is gang vocals and air pumping fist raised anthems and if this is a sample of what’s to come then the album is going to be something special.

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Prohibition Dead – ‘Let Me Live Or Die’ (Why A Bassist Production) Clearly influenced by Queens Of The Stone Age this French two-piece make enough noise for a whole traditional four-piece band – its catchy has a solid foundation and will appeal to a lot of Jack White fans as well as the more grungy types.  Its the second track off their soon to be released EP set for November. Its a decent loud slice of Fuzzy alt-rock so if that’s yer bag and you are partial to some Black Keys and QOTSA then fill yer boots this will please ya.   Buy ‘Let Me Live Or Die’ Here

 

 

 

The Hip Priests / Spaceforce – Split (Speedowax) With shit island heading for implosion and the last 45 round-up not having a Hip Priests single included I was beginning to give up hope and was thinking whats the chuffin point then this bad boy turns up.  With the finest sleeve to date, it was down to the boyz makin all the noiz to offer up a reason for continuing and they not only give us one track but two and drag along Spaceforce with one for good measure. ‘My Damnation’ and ‘Play It Loud’ are not so much passable little ditties but the latter is a fuckin’ order Play it loud is like Iggy and Ron joining Biff and the boys and kicking out the jams. ‘Play It Loud’ In your neighborhood! too damn right. as for ‘My Damnation’ its total potty mouth and like a heavyweight boxer punching you on the sly right below the belt love the bridge BVs and the solo rips (of course it does).  It never gets boring saying it but they simply have no peers in the 45s stakes and there isn’t anyone making records as consistently good as these reprobates.

As for Spaceforce it’s a thankless task really but they hammer away like Maiden when DiAnno was da man (and when they had something to say) on ‘Ignition’ and their take on the Venom classic ‘Black Metal’ has my respect, you gentlemen, are all Hellbound. Black metal and little green men?  I fuckin love this shit? Stonker of a single and the artwork is pure fuckin genius. Single of the month and might well be single of the year! How’s that!

 

BATS –  The Call Of Cthulhu (Self Release)   With the forthcoming release of their third studio album ‘ALTER NATURE’, this is the first video off the record.  A dark as fuck take to be fair noisy, yup we like noisy. Messed up – yup again we like messed up.  Twisted, ok you get the picture.  It’s their first piece of new music in seven years.  I’m still trying to work it out = nutters’.

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 The Empty Page –  ‘You’re Tame'(Punk Fox records) Cats! but wait before we get carried away with the fluffy creatures we do need to tell you this single is available digitally everywhere and also on limited edition splatter 7″ vinyl from Rough Trade and other select indie record stores. The band stated it was an unashamed slice of 90s alt rock in the vein of Veruca Salt or Hole and we say theres nothing to be ashamed of there guys it might indeed have that retro outsider feel to it and the video is rather Terry Christian The Word about it but thats cool.  Don’t smother your wild side you Empty Pages just keep being you doing what you do and when it’s as good as this and the previous singles then we’ll keep listening and telling others to follow suit. Do it and aren’t they cuddly?  and those cats! (*No musicians were harmed in the making of this video) it’ll be on limited splatter vinyl and have the previous single on the flip side.  Cool as.

oso oso “Basking In The Glow” (Counter-Intuitive Records) About to embark on his first UK tour here’s our introduction to Oso Oso with a great piece of guitar pop – power pop if you like it’s catchy and full of that raw guitar-driven pop not a million miles from some of the stuff Butch Walker puts out hows that for a none too shabby name check? . Check it out via the medium of video and just in case you’re curious here are the tour dates for this week coming around England –  Oct 16 MARGATE, Elsewhere, Oct 17 BRIGHTON, Green Door Store, Oct 18 MANCHESTER, Deaf Institute, Oct 19 LEEDS, The Key Club, Oct 20 GLASGOW, The Hug & Pint, Oct 22 BIRMINGHAM, Sunflower Lounge, Oct 23 NOTTINGHAM, The Bodega,
Oct 24 LONDON, Boston Music Room, and Oct 25 BRISTOL, Louisiana 
All tickets are on sale now HERE

Oso Oso: Facebook | Twitter Spotify

Mono In Stereo – ‘Different Kind Of Man’ (Rum Bar Records) Taken from their second album ‘Can’t Stop The Bleeding’ this uplifting honest slice of Heartland rock n roll with attitude it’s infectious like a bit of Springsteen if he recorded after a night on the dark fruits and a fistfight.  Great rock n roll is always a good place to be and these cats nail it.

45 Rally – Tweets For My Sweet (Rum Bar Records) Tank tops and ties.  Ok, its a first but we’re a broad church.  45 Rally are swinging their pants for sure it’s like some hip house party house band from the swinging ’60s with authentic tambourine backbeat sloppy backing vocals and awesome keyboards. ‘Bigly’ is up first and don’t take too long settling down or you’ll miss it.  Like the Fuzztones chirpy brother theres nothing dark here it’s bubblegum garage done very well indeed and all the song titles come from Trump tweets! could have covered an album full from that bulb but an EP will do for starters Garage Rock from Switzerland who’d have thought it?

 

The Urban Voodoo Machine – Johnny Foreigner (Gypsy Hotel Records) Taken from the compilation album, ‘The Urban Voodoo Machine’s Friends And Family Album Vol 1’ it’s  the band’s riposte to the xenophobia and rise in the UK of all things English nationalism and a rise by right-wing extremists that’s indeed been stinking up the place since Brexshit.  We love ya Paul-Ronney Angel and of course you can stay, our home is your home, we don’t own this shit island. The Urban Voodoo Machine are as magnificent as ever with their sleazy booze-soaked bop n stroll and yet another must-have track gets added to their repertoire. Facebook 

Dirty Sound Magnet – Skull Drawing Rose (Hummus Records) Swiss Psychedelic Rockers Dirty Sound Magnet the latest single from the Album due this week ‘Transgenic’ it isn’t even the longest single we’ve ever had on the 45rpm round-up that title goes to those pesky Hip Priests but this is the first psychedelic progressive Hard Rock song we’ve had entered our charts.  Go fill yer boots ya pixie loving flute wielding prog rats.

The Crookeds – Sucker For Pain (Golden Robot Records) Some classic rock leanings add yet more textures to this month’s 45 RPM round up.  Australian rockers The Crookeds bring their riff laden rock to the club where they mix up some alt rock with a more classic rock sound.  With loud guitars and a Buckley esk soaring vocal.  check it out rockers! 

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Lazybones – Trash Talk  (Say Something Records) Inspired by the likes of Black Sabbath, Sex Pistols and Chas & Dave, using a fuzzy bass guitar, an amplified organ and drums, Lazybones create a trashy, unapologetic, to-the-point British sound. and ‘Trash Talk’ is a loud and unapologetic romp. All the way to the chorus its a bumpy ride but when you get there it’s like screaming on top of a mountain like PJ Harvey riding a rocket.  You can stream this along with other Lazybones songs on Spotify  the band head out around the UK later this month and early next to bosh gig goers over the head with their fuzzed up alt pop – check em out. Here – Website Facebook Twitter Instagram

 

 

A Bunch OF Jerks – Dirt Nap (Rum Bar Records) The first track off their second album has the neat lead single ‘Dirt Nap’ – A snotty spikey slice of Garage punk.  Where the gang vocals are young, loud and snotty and they mix up some B52s with a raw punk rock old school.  It’s in yer face and will follow you around all night as you find your self shouting “Dirt Nap” at random intervals.  This Boston awesome foursome come armed with a full-length (ooh er Mrs.)  album where ‘Dirt Nap’ is lifted from and if this is anything to go by we’ll be all over some more of that. Check it out ya punks! Besides they had a song called ’70s Euro Minge’ for fuck’s sake what’s not to like.  They obviously have all the right credentials  Facebook

 

The Good The Bad And The Zugly – Staying With the Trouble ( Fysisk Format) What nice guys GBZ are. Offering to hold ones hand whilst we navigate these troubled times.  Always great to hear what these loons are up to and they’ve not made a bad record yet. With this being the first peek at what’s to come on the new album ‘Algorithm & Blues’ it sounds a little restrained if I’m honest (in a good way obviously) Its anthemic and will make for a wonderful experience live I’m sure of that. Norway is delivering some fantastic bands and music at the minute and These bad boys are at the top of the pile now get your ears around this and pre-order the album because they’re touring early next year.  I’m staying with the trouble and they can hold my hand any day. Facebook

 

Territories – Quit This City/Defender (Pirates Press Records) Wow, what a stunner this is to wrap up this singles Club.  Hailing from Calgary and following on from their debut long-player last summer these two songs just blew me away.  Its heartfelt chest-beating punk rock these longtime friends have been cutting their teeth for quite a while around Western Canada and since that debut album they’ve been building up a head of steam to this point and from the quiet intro of electric guitar and voice we then break out and deliver a stunning rousing single in ‘Quit This City’.

As the band gear up for their first jaunt to play Rock The Boat this will more than confirm their qualities and worthy place for being on that ship and kicking ass.  I hope it won’t be a case of man overboard as the audience won’t be able to stay still when this erupts. The B side might be more solid paced with its thumping, driving bass line its so good I couldn’t resist digging into the bands back catalogue. Exciting times ahead.  Go check em out and tell em RPM sent ya! Facebook