One of the albums of the year gets a re-press on Blood Red vinyl for those who missed out on the initial press.  RPM  reviewed it Here and we urge you not to sit on your hands a second time as this will sell out as the first run did.  Go Go Go!
Alvin says, “For all you vinyl junkies that missed out on obtaining my solo album ‘Your Disobedient Servant’ on 12 inch vinyl earlier this year due the initial 300 being sold out in short order, Time & Matter Records have manufactured a new batch of 300, this time on blood-red vinyl and minus the accompanying CD and download code. This release will, therefore, be sold at the lesser price of £17 (the first pressing was priced at £22) and can be ordered from this Here”

It features twelve songs written by yours truly and an array of very talented guest musicians that reads like this: Brian James – The Damned / Lords Of The New Church; Leigh Heggarty – Ruts DC; Mick Rossi – Slaughter & The Dogs; James Stevenson – Generation X / Chelsea / The Cult / The Alarm; Barry ‘Barrington’ Francis – The Saints; Timo Kaltio – Johnny Thunders band/Hanoi Rocks / Cheap ‘N’ Nasty; Mel Wesson – Keyboard player & Ambient music designer – TV Smith’s Explorers/The Verve ‘Bittersweet Symphony’ / U.K. Subs ‘Diminished Responsibility’ LP / Films Mission Impossible 2, Batman Begins, Hannibal etc; Steve Crittall – The Godfathers; Jamie Oliver – U.K. Subs.

“I would advise interested parties to get their orders in sharp to avoid what occurred last time, which was a lot of people missing out due to the speed that the original batch sold at. In fact it was due to so many people voicing their disappointment at not being able to get a vinyl copy in time that persuaded T & M Records to go with this colour-altered second run. For those of you that are not so disposed to a bit of vinyl, there is also a CD version of the album available from the same link. Ta! A x”

Remastered/Re-issued/Expanded…

The first wave rightly gets the recognition but hot on the heels by a matter of days, or weeks bands like Generation X and Buzzcocks took things to new levels.  So the Clash had the slogans and Politics, The Pistols the nihilism and snot and The Damned were the first for everything it was bands like Buzzcocks who brought the poetry and teen love and With Idol and James Generation X brought the Legacy and homage to who passed before them from the silver screen and music clubs they openly embraced Elvis, The Beatles and The Who to name a few. It was their thrift store chic and boyish good looks and that swagger that they put to maximum use with Idol and his lip curl these magpies soaked it all up like a sponge punk, pop, rock and a dash of glamour.

This Deluxe Edition house in a solid slipcase is expanded to three LP’s.  LP one is the debut album complete with lyric inner bag and the first thing that grabbed me was how fresh the songs sound. I still love ‘One Hundred Punks’ and the energy from the frantic drumming and the edge on Derwood-Andrews guitar playing. so Idols lyrics were a bit shit at times such as ‘Kleenex’ but it certainly doesn’t detract from his sneer as he spills the lyrics left right and center. But don’t forget these were just a bunch of snotty kids to be fair why shouldn’t their lyrics be a bit juvenile because at the end of the day that’s exactly what they were.

Musically they weren’t some kids picking up their instruments for the first time and a bit wet behind the ears as songs like ‘Listen’ might have been a bit sloppy but they used echo and time changes really well and it all weaved an awesome tapestry. ‘Kiss Me Deadly’ being the platform that Idol broke away and used throughout his career wasn’t the sound of a bunch of kids making a racket with volume and adrenalin it was and still is an exceptional song.

Be honest who doesn’t like shouting the refrain of ‘Youth Youth Youth’? A great way to end a great record fuck the detractors and the purists Generation X made a few exceptional albums and this was the first.  Don’t even get me started on ‘Valley Of The Dolls’ which I trust will also get the same treatment as this?

The second LP features the singles and their B Sides now who doesn’t really think those couple of singles weren’t fantastic?  ‘Ready Steady Go’, ‘Wild Youth’ and the slew of B Sides are a welcome addition to this collection housed as part of a double album.  The Remaster has taken away all my clicks and pops and has me thinking how good would that album have been had these two been included on that as well? “Wild Wild Wild Youth!” Hearing the Dub version was probably the first time this young kid had ever heard any Dub – trailblazers for sure. Not sure how or why the B Side of ‘Fridays Angels’ is included here but I’m not complaining  ‘Trying For Kicks’ is decent.as is ‘This Heat’ it has cowbell for Gawds sake!

Probably the main reason a lot will have picked up this set is the third LP (it certainly swayed it for me) with twelve previously unreleased tracks which include a couple of Phil Wainman recordings such as ‘Ready Steady Go’ and ‘No No No’ and the Us versions cover of Lennon’s ‘Gimme Some Truth’.  the kind of material I’d expect to have on a set like this. The big revelation is still to come with the Alan Winstanley mixes.  Alan Engineered the first album and also mixed these versions and to be honest Maybe its time playing tricks with me but boy these songs really do come to life on these versions.

 

There are seven songs in total and they take on a fresh and even more raw sound which is excellent. If I was to have a complaint about this set its the lack of little extras that aren’t essential but do tend to make this anniversary box sets a bit special.  I wasn’t looking for silver rings or signed art reproductions (although that would have been nice) for £500 but maybe a 12″ book with essay from people who were there and pictures maybe a DVD with live footage who knows it must all exist maybe have gotten the band to do a short piece each because all that’s contained here is one side of the innerbag has an essay from Adrian Thrills which is nice to read but sort of a little lite. That something of a minor gripe because for less than 40 sheets this is a must-own for punk rockers and anyone who ever had a soft spot for these four scamps and their Rock and Roll sound because it really was a boss sound and I loved it then and still love it now.  If anyone from the James, Idol, Chrysalis camp happen to read this I look forward to the ‘Valley Of The Dolls’ set it needs to happen for continuity and because I’d love it. Never mind a hundred punks I know four who ruled. Tony, Billy, Mark and Bob.

Buy Generation X Here

Let us guide you through some of our choice picks from the pile of this years RSD releases and the ones we fancy as well as the ones that might just be a Record shop bun fight. As fans go toe to toe for that collectible 7″ that you hope and pray won’t be on eBay for even larger inflated prices than you pay on the day.  Anyway, we’ve picked through the list alphabetically and where possible we’ll give you online guide prices (some of which will make your eyes water).  This is part one – part two will follow tomorrow.

First up is a no brainer for us as The Alarm celebrate reissuing ‘Strength’ on vinyl and give it the old dark arts of a remaster there is also a RSD double live album of one of their best bootlegs live from Boston Orpheum in 85 on the Strength Tour. Four of the tracks (Where Were You Hiding?, Deeside, Sixty Eight Guns & Knocking On Heaven’ s Door), were used as B-sides and extra tracks with the band’ s ‘ Spirit Of ‘ 76’ UK single release of early 1986 which put the band into the UK Top 30, with ‘ Howling Wind’ being issued in the USA only as part of the ‘ Live For Life’ IRS Records cancer benefit compilation album. The audio was recorded by WBCN Radio Station in Boston, MA on November 9th 1985 and was a pretty hot show to record.  Certainly, one to pick up.

 

Second up is possibly one of this year’s most popular releases that of ‘Bingo Hand Job – Live At The Borderline 91‘ Who you might ask? Well, if you have asked its probably not for you then.  It’s none other than REM and some friends such as Billy Bragg pre-MTV unplugged superstardom taken from a set they played in London under the name BHJ.  Again this is a two-disc LP and has reached mythical status amongst REM fans over the years as to its validity.  Heads down 1-2-3-4 Go! Expect to pay stupid money for a copy of this if you find yourself without a copy on the day.

Next we see Bob Dylans classic ‘Blood On The Tracks‘ being advertised as the original New York Test Pressing and its also to be found on rough Trades website for £26.99 the story goes like thus – Months before Bob Dylan released ‘Blood On The Tracks’ in early 1975, a small number of test pressings were circulated, consisting entirely of material from sessions at A&R Recording Studios in New York City. (Dylan re-recorded five of these tracks in Minneapolis for inclusion on the final album.) Those original records were soon bootlegged, and the alternate history of one of Dylan’s most acclaimed works was born. This LP is an exact duplicate of the test pressing, containing unique mixes from the New York session available for the first time. It doesn’t say if this is limited so I’d imagine this might well be pressed in big numbers thus making it available after the furor of RSD has gone.

Next is Brett Smiley and ‘Sunset Towers‘ an eight-track release. Brett recorded a session at what was to become Cherokee Studios, in the Valley in Los Angeles. Owned by The Robbs, three brothers who had previously been the house band on ‘60s TV music show Where The Action Is (and who backed Brett on the session) and produced by Del Shannon, the session has lain in the vaults till now. This album of previously unreleased recordings is a what could have been for American glam music. expect to pay £21.99 for this album

RSD stalwarts Cheap Trick have something to offer this year that is one of the limited pieces and will be globally sought after ‘The Epic Archive Vol. 3 (1984-1992) (Limited 2-LP “Flame Red” Vinyl Edition)’ After Releasing Two Packages of Cheap Trick Rarities on LP for Record Store Day and BlackFriday to Great Acclaim (and Great Sales), Real Gone Music Is Back with Its Third and FinalCompilation of Hard-to-Find Epic Label Nuggets. coloured vinyl and limited to 2000 pieces this will fly which is why they’ve put an eye-watering price of £44.99 on it for a double album! Ouch!

The first seven-inch single we are really interested in is from Chuck Mosley. Never before released its limited to 750 copies worldwide. Chuck former singer with Faith No More, Bad Brains, Indoria and Primitive Race decided to pursue a solo project with a raw, psychedelic, acoustic direction. Armed with his guitar, a vocal effects processor, and a few friends (Cris Morgan, Randy Pirosko, and Douglas Esper), he embarked on a two-year tour and completed a few recording sessions. During a six-hour block in August of 2017 with producer Joe Haze, Chuck recorded two covers, “Nothing Compares 2 U,” originally written by Prince (and originally made famous by Sinead O’ Connor), and “Take this Bottle” by Faith No More (a FNM cut recorded during Mike Patton’ s reign). The two recordings have never been released until now. This ended up as Chuck’ s last time recording in a studio before his death on November 9th 2017. His guitar solo on Nothing Compares 2 U never got completed as the band had to leave for a show that night in Salt Lake City. Tracks : A Side Nothing Compares To You B Side Take This Bottle.

Bowie always a RSD favourite for the scalpers as they look to take advantage of the limited quantities available this year sees ‘Pin Up’s‘ getting the picture disc treatment and already its advertised on eBay for upwards of $80 a snip I guess if you can’t be bothered to go find a copy and go against everything RSD stands for even if it does look a very nice record. Good luck baggin’ one of these folks.  It doesn’t say how many have been pressed but I’d imagine it’s not enough to satisfy the demand.

 

 

 

The Crow – OST Original motion picture soundtrack to the movie of the same title, to be released on vinyl for the first time since its original 1994 release. The album features covers, including Nine Inch Nails who covered Joy Division’ s “Dead Souls”, Pantera who covered Poison Idea’ s “The Badge”, and Rollins Band who covered Suicide’ s “Ghost Rider”, and Rage Against the Machine re-recorded their 1991 B-side “Darkness of Greed” and renamed it “Darkness” for this soundtrack. It’s a three-sided record with side four being an etching.  It seems like this is the popular thing at the moment to leave side four blank and put an etching on it but hey maybe I’m old fashion I’d rather some more music.  Expect to pay  an eye watering £34.99 for this but it is limited to 1000 pieces

 

 

Dexys Midnight Runners Live At The BBC‘ is also on some RPM lists as this 1982 recording of the band at the peak of their powers and for the first time on vinyl, this legendary Newcastle BBC In Concert was regarded as a turning point in the band’ s career. the concert features a host of the finest Dexys’ tracks as well as introducing the audience to Dexys new “Celtic” sound including ‘Geno’, ‘Let’ s Make This Precious’, ‘Jackie Wilson Said’, ‘The Celtic Soul Brothers’… The concert introduces the Emerald Express string section and the audience are treated to the not heard before ‘Come On Eileen’-listen to the reaction after… The LP set finishes with 4 tracks from a David Jensen session from the same year. This double album pressed on Green Vinyl will look to set you back £27.99 if you’re lucky enough to bag one of the 1400 copies.  Good luck!

The first real big money item has to be ‘The Doors – London Fog’ pressed on 10″ this Individually numbered limited edition (if you can call 18,000 limited – cough cough) will look to set you back £42.99. It’s a Lift-top package designed to look like a vintage storage box.and has Seven songs on both CD and a 10-inch record that’s made to resemble a test pressing, Postcards, Setlist handwritten by John Densmore, Liner notes included from Sunset Strip legend Ronnie Haran-Mellen and Five black and white 8×10 reprints of unpublished photos.  sounds neat but limited?

 

Pink & Blue Double LP (3 sided, the 4th side is etched) live recording from The Oakland Coliseum April 1984 another I know several RPM scribes will be all over this in their shoulder-padded coats jostling to the front of the shop to make sure they get their copy.  Oh didn’t I say its Duran Duran. This one surfaced originally as a bonus to the 2010 reissue of ‘Seven And The Ragged Tiger’ ‘As The Lights Go Down’ has never been officially released on vinyl.  until now that is. only 5,500 pieces available.  One thing I often think about RSD is the packaging often it leaves a lot to be desired and seems rushed considering the mark up they put on the records it could and should be much better.
Whilst the Fall seems to have about as many releases as they had band members in the 90’s its Fallen Angels that really interests us.  Getting the double coloured vinyl treatment it also comes in a gatefold and has a cool booklet with extensive notes and pictures from the recordings.  It features the original album plus bonus Lp of singles and extra tracks. In 1984 Hanoi Rocks were signed to CBS and about to hit the charts they found themselves with a few weeks off. Meanwhile, The Vibrators were also taking a break, and Knox had some great new songs sitting there waiting for fate to intervene. It did, and they got together for this much-lauded and awesome album.  Jungle has done this release proud and you should be able to score a copy for around £21.99 which is money well spent if you ask me.  RPM will be reviewing this release in depth just before RSD.
Frank Black also sees his long out of print albums ‘Teenager OF The Year‘ and self-titled albums get a long overdue re-release on coloured vinyl but these should be available after RSD has passed.
We’ll end this first part of our RSD round up with another 7″ single this time it’s a Red Vinyl contains two previously unreleased mixes of the classic single ‘ Your Generation’ and later b-side ‘ Trying For Kicks’ From the mighty Generation X. Both tracks are previously unreleased and are Exclusive to this release and do not feature on the Deluxe Edition of the band’s album that is being released later on in April through Chrysalis Records.

Running With The Boss Sound –  Today is January 26th and for me, one of my favourite and most cherished albums was released into the world way back in 1979.  I still play it regularly as it had a big influence on an impressionable young lad.  From the attractive lady on the cover to the pills never mind four gangly lads with leather trousers and scruffy died hair. It was everything I wanted it to be and I can still remember twisting my mothers arm to let me go home from Woolworths with my very own copy tucked under my arm and when I got home it might as well have been welded to the house stereo because it only left the turntable to get turned over for what must have been weeks or months even.

‘Valley Of The Dolls by Generation X might not be as revered as ‘Never Mind the Bollocks’ or ‘The Clash’ it doesn’t get talked about as much as The first Joy Division album or the first few classic Buzzcocks records but to me it might only be outclassed from the 70’s releases by ‘Damned Damned Damned’, ‘LAMF’ and ‘Machine Gun Etiquette’.  It was the Dogs danglies as far as I’m concerned and still is and much like the previously mentioned favourites it still gets played quite frequently by myself. 

‘January that year was the first glimpse of these four pirates as ‘King Rocker’ is released as a single and one of those seminal moments in time as Idol sneered his way through their performance on TOTP.  Reaching a very respectable number 11 in the UK charts at the time was quite an achievement although their label wasn’t so happy.  It came out with a picture of each band member on specific colour pressings something that bands have copied since to increase sales – me I only ever got the tony James cover but it was on red vinyl (still got it)

The album came out on this very day forty years ago and took a right panning in the written press , with reviewers slateing it as “overblown and artistically hollow” and only managing to reach number 51 in the UK album charts the next single being the albums title track only managing number 23 in the singles charts things weren’t looking good for the band amidst trouble at their live shows the summer saw the third and final single being released off the record and ‘Fridays Angels only managing number 62 which must have been a killer for the band and their management not even hitting the top 40. the band began to fragment with Andrews leaving before the year was out and Laff following suit soon after via a harsh sacking from James and Idol due to the classic musical differences.

I was also gutted to find out many years later about the internal squabbling involved in the making of this album and when the band got Ian Hunter in to produce he wasn’t impressed with LAff and his drumming and got Clive Bunker from Jethro Tull in to play the drums as hunter didn’t feel Laff was up to the job in the studio.  Now had I been in the band and as much as I love Ian Hunter I think I’d have told him to fark off over there and then fark off a little bit further as being in a band was all about a gang you know four lads who shook the world riding in to the valley of the dolls and all that comrade but it seems not every band is like that and Bunker was indeed drafted in.

There was an interview with Andrews in 2013 where he stated “The style changed in as much as we had a famous ‘rock-star’ producer in Ian Hunter, a bigger budget, more time and a wider gap between the two older guys and me and Laff. It was actually heartbreaking for Mark Laff to be told by Ian, Billy and Tony that he was not going to play on this album and for him to choose a replacement drummer. He chose Clive Bunker from Jethro Tull and whilst teaching him the parts with two kits set up it was decided it sounded great with two drummers. If I took too long tuning up for an overdub I could see Tony James through the studio glass calling Chris Spedding! It wasn’t the same camaraderie as the first album”

that’s a real shame because in my eyes VOTD has stood the test of time and in 2019 it deserves to be championed as a bit of a classic and for all the rock star buzzkill that was happening at the time they did manage to write and record some fantastic songs.  I think its more in line with the style and sound of Hanoi Rocks than they get credit for and maybe this record was a little bit ahead of the game and would have gone down much better had it been released maybe five years later who knows?

 

Buy Valley Of The Dolls Here

As the nights draw in and we speed towards Christmas and the mornings get darker and colder what better way to soundtrack the trip to work than with three of the best from three of our favourite bands.

Up first has to be a topical one from this past week as Generation Sex took the stage to perform some classic tunage it simply wouldn’t be fair to pass up this opportunity to play this classic from 79

 

Another classic from the vaults and topical seeing as a new movie hit the theatres this week the movie in question is Bad Reputation and that can only mean Joan Fuckin’ Jett!

Now settle down boys and girls because to finish off this awesome and uplifting trio of video smashes is Role Models and a song from their last album ‘Manette Street’ which also appears on Ginge Knevils charity album that can be purchased here