RICKY RAT-  “She Feels Like a Good Thing” b/w “Born in Detroit  (I-94 Recordings) Ricky has teamed up with his Rat Pack members Laura Mendoza (bass) and Joe Leone (drums) for 2 new studio tracks.  The “A” side is a brand new original and the “B” side is a cover of the classic “Born in Detroit” (The Rockets). The amazing Jimmie Bones guests on piano on this barnstormer.   A good time slice of Rock and Roll sees Ricky do what he does best just cruising down this Rock and Roll freeway kicking up the dust with some punk rock n roll with a catchy chorus and gang vocals that sound like one of those memorable nights out.

The B side is worth the money for this 45 alone.  Ripping it up with some cool as fuck piano licks to give the feel good kick this bit o boogie woogie needs.  Class!

Preorders are available at I-94Recordings.com (they will ship out August 20th).

 

Delusions Of Grandeur –  EP (Savage Magic Records) is the result of a bunch of mates from two different countries, recording songs remotely, to help kill the boredom of Lockdown 1.0.

It is not a band, there will be no gigs. It is a one off, 4 track 7” of songs that would have otherwise been left to rot on Austin’s hard drive if Mel hadn’t suggested that they should try recording them and see what happened.

Blah blah Hip Priests, blah blah Bitch Queens. It doesn’t sound particularly like either but it’s fast, bangin’ and has loads of guitar solos!  That’s a pretty succinct press release and right on the money to be fair.  Obviously, Mel’s vocals would point to the Bitch Queens comparison but the solos are pure hear n aid bliss wig out for guitarists especially on ‘Drinking My Life Away’.  One for the collectors of these bands involved but that would be doing these tunes a disservice because they are proper bangers and that’s why you should buy this record. Respect the Rock!  

PRE-ORDERS shipping from USA! <—click here
PRE-ORDERS shipping from UK! <—click here

 

Chuck Norris Experiment – ‘This Will Leave A Mark’ (Transubstans Records / Ghost Highway Recordings)  is taken from the upcoming album with the same name, which will be released on September 17.   The single is released on all streaming services and download platforms! Spotify / YouTube

A clean sharp stab of high octane Action Rock from Sweden’s finest most uncompromising rockers giving fans and newcomers a nice little taster of what’s to come from Chuck and the gang.

 

Confused – ‘I Want A Beer’ (Confused Records)  Get the WD 40 ready for those double bass pedals and heads down wait for the starting gun and Go!  Hardcore as fuck Confused go for it.   M.O.D., Agnostic Front, D.R.I.paved the way for this to come crashing the party.  Brutal. RIOT PRE-SAVE URL:  www.tinyurl.com/getriot
Website / Facebook

 

 

Brian McCarty & the Jen-U-Wine Faux Diamond Band “Hamtramck Jukebox” b/w “A Place in the Sun” (I-94 Recordings) Brand new single from Brian McCarty.  The “A’ side pays tribute to Lili Karwowksi and her bar Lili’s 21 which was the hangout/hometown bar for the gang back in the day.

He was the vocalist and founding member of Detroit’s glam punk Trash Brats (1987-2002) and has been consistently putting out solo releases for the last 20+ years. A wonderfully sunny rocker with a tip of the hat to Detroit rockers whilst the flip side is a bright and breezy tip of the hat to Stevie Wonder with a rocking version of the song “A Place in the Sun”.   A blast from start to finish and a real ray of sunshine and hope in difficult times.  check it out! Here

 

 

FRVITS ‘Stupid Era’ (Slovenly Recordings)  A banging six tracks spread over a 7″ EP is VFM if ever I saw it.  This debut EP from Montreal’s first and only Dot Matrix Rock’n’Roll Band FRVITS. It’s thunderous hardcore space punk (or so they say).  It is ferocious to be fair, Fronted by Shit Vicious on a radioactive vox, and featuring Wind of Change (associate of PRIORS & DUCHESS SAYS), Krispy Karl, Alexander Ortiz, and Blag Dahlia/Jesus (DWARVES) with a vocal appearance on the penultimate track “Abortion Hoops.” This one is tough, fun, and as abstract as a frvit salad served in a urinal. Head fucked!

Buy Here

 

 

 

Kris Rodgers and the Dirty Gems – Take Me To The Pilot’  (Wicked Cool Records) Kris Rodgers & The Dirty Gems’ upcoming album, Still Dirty, which was released in July on Wicked Cool Records.

THE Q-TIPS – ‘There Are Those Who Drill Violently!’ EP (Slovenly Records) Prepare your ears and numb your minds, puny humans. The Kids of the Drill Hole, known officially as Munich’s THE Q-TIPS, are here to scrub your auditory canals, getting rid of the grime and re-contaminating ‘em with their 2nd EP “There Are Those Who Drill Violently.” For their Slovenly debut, sequencer Ms. Juliette and programmer Mr. Brotzeit kick four cuts of crunchy and negative synth-punk screamers hysterically down your hear-holes. The sincerity of tracks llike “Full of Hate” and “Shut Your Face” is as real as you are stupid, but the humor never gets lost in translation.

Buy Here

 

 

 

Indonesian Junk – ‘She Stands There’ (Rum Bar Records) Inspired choice of cover for a single. Didn’t see this one coming as the kings of sloppy loud dead boys glam-punk crowd Indonesian Junk do justice to the mighty Degeneration legacy by knocking out a blisteringly good take on this banger.
If you have to ask who Dgen were then their work here is done. Killer band does killer cover who’d have thunk it? Hooray to the Junkos you’ve done good here and we tip our hat to you guys tipping the hat to those guys.  Good times!
Ryan Hamilton – ‘Permanent Holiday’ (Wicked Cool Records)  ‘Permanent Holiday’ is the 8th track from Ryan’s 1221 project, where every 12th of the month, a new track is released, culminating in a full-length album at the end of the year.  This one is like a huge ray of sunshine the feel-good hit of the summer. A song about escapism and this never-ending pandemic or a hopeful future where the new normal rocks.  This might just be the tonic for that time.

KOMBI KILLERS – ‘ScuMo’  (Riot Records) oi oi heads down and lace up those docs. Brisbane’s old-school punk rockers KOMBI KILLERS have released their new single ‘ScuMo’ through Riot Records, and it is available on all digital platforms! blink and it’s done. no compromise and boot boy punk.  Not for the faint-hearted.

Finally, Friends of RPM ONLINE The Hip Priests get added to the bill for 2020 along with some other heavyweight bands we love.  No doubt all roads lead North West for the Spasm Gang along with Bouncing Souls and T.S.O.L these additions have excited us here at RPM HQ that’s for sure.

If you’ve never heard of the Hip Priests then you should have a word with yourself but before you do check out their epic call to arms –

 

Here is the list of today’s announcements to accompany what has already been announced.  2020 is already shaping up to one hell of a Rebellion

BOUNCING SOULS
T.S.O.L.
DYS
D.I.
ADRENALIN O.D.
999
THE MEN THEY COULDN’T HANG
AUTHORITY ZERO
NEWTOWN NEUROTICS
ALTERNATIVE TV
MENACE
GOLDBLADE
SPLOGENESSABOUNDS
LOS FASTIDIOS
CHAOTIC DISCHORD
CRIM
GIMPFIST
HOBO JONES & THE JUNKYARD DOGS
FUNERAL DRESS
CONTROL
RISKEE AND THE RIDICULE
CALL ME MALCOLM
CRASHED OUT
EXTERNAL MENACE
ROUND EYE ( CHINA)
HEADSTICKS
LIINES
CRACKED ACTORS
LA INQUISICION
VIRUS
THE LONG GAME
DANGEROUS DAVE & THE SIDE EFFECTS
ALCOHOL LICKS
TERMINAL RAGE
AMBITION DEMOLITION
WHITE RIBBONS
CHAOS 8
HIP PRIESTS
SLOW FACTION
DESENSITISED
COMPLETE DYSFUNCTION

Tickets

Oh, the joy of pegging it up the M4 on a Saturday evening to catch three bands who are playing on a five-band bill kicking off at 7 pm sharp. South Wales Deathtraps are first up on this autumnal evening and with a healthy audience in they get on with the task of shaking off any cobwebs and rattling a few bones with their take on all things garage punk. I believe bass player Fraser is trying his damnedest to lure punters into buying their brand new launched the day before second album ‘Gotta Get Some’ and as they preview choice cuts from the mentioned CD they sound tight and pretty bloody good if truth be told.  Playing to an audience who generally aren’t aware of their music up until this point they engage in some banter during the breaks and give it some welly when the instruments are hit. When songs like ‘Automatic Thrill’ and the laid back ‘Get Loose’ are aired the audience move and applaud in appreciation for what’s pounding out of the PA These boys know how to write this garage punk and clearly love it.  Benefitting from playing a few gigs the future looks rosy for this three-piece who have more than a decent tune or two in their arsenal and they’ll definitely get better and we need that in the UK right now.

Heading over to the UK for another round with their dysfunctional extended family The Hip Priests Basle based Bitch Queens (try saying that after a few dry ciders) haven’t got time to mess about and just get down to business and as previous encounters testified they really have the chops to pull off this garage hard rock dueling guitars gig to an absolute tee.  Starting with the lead track off their last studio album ‘L.O.V.E’, ‘Anti Social’ is the perfect floor filler as bodies right from the off get flung around the venue. With a set mainly populated with tunes  from their last long player it’s a joy to see and hear a band come to shit island and have their finger right on the pulse as  ‘Anti Social’ is a perfect song for early doors and as the band sound fantastic and right up for the challenge tonight as they prepare to duke it out with tonight’s headliners and show that there are bands out there who get this Rock and Roll lark and duel with the biggest and best No matter what venue or how many people are in attendance and this deadbeat generation has something to offer.

With time at a premium they proceed to smash out a really energetic set that is really well appreciated from ‘R-Rated’  through ‘Naked Or Denim’ singer Mel is crowd surfing with his guitar in tow and without dropping a note makes it back on the stage in time to close with the magnificent ‘Techno Is Dead’ that has the band purring like a finely tuned muscle car and if ever a band had a song that put a huge flag in the sand that said follow that fuckers then that was it.  A really excellent set to hand the baton over to tonight’s headliner.

Amazingly this was to be the first time I’m witnessing the Hip Priests as a five-piece after having witnessed them with several drummers also present when they performed as a three piece and after hearing firsthand accounts of how good this new line up is sounding I was getting excited.

With a new album in the bag and off the back of their finest 12” single and most ambitious release to date these were good time for the Hip Priests and having such an impressive undercard it was time for the band to come out swinging and that they duly obliged with a pulverising ‘Instant Delinquent’ followed by ‘Motherfucker superior’ and not even a broken lead instantly followed by a broken string can derail this juggernaut when its rolling and with the addition of Silent Mike this freight train was kept on the rails as ‘Zero Fuck’ were most defiantly given.  It only seemed to fuel Austin who played harder and flew the middle finger in the face of adversity.

The tunes kept coming in devastating frequency as ‘Jesus Died’ was the prelude to a filthy barking version of ‘Loose’ that I’m sure the brother Ashton would certainly have approved of. Always adhering to the old adage of always leave the punters wanting more and never outstay your welcome so ‘Cheers To Me’ made way to the classic that is ‘Sonic Reproducer’ which only left time for ‘Wired Amped Skulled’ and that ladies and gents was it. Adios Amigos and into the balmy night we trouped having witnessed yet another fantastic evening in the company of some awesome bands who are doing it their way and slowly but surely building quite the formidable repertoire and with the likes of Deathtraps and Bitch Queens offering their own takes on this garage punk business the future looks bright or it should do if there was any justice.Hip Priests Facebook 

Bitch Queens Facebook

Deathtraps Facebook

A unique band with an unrivaled catalogue of singles a clutch of albums that are the top of any garage punk chart and the constant rebirth and pursuit of recognition The Hip Priests are relentless in their pursuit of the next-best song they seem to effortlessly write and release 45’s  play memorable sporadic shows and on the verge of releasing a brand new album.  Maybe the stars have aligned and finally 2019 will see an industry wake up and public catch on to what they’re about.  How could I resist not slinging a few questions at Lee and Austin about what’s coming and whats been happening in the world of The Hip Priests (which usually is quite a lot)…

A new album? What made you decide to get back into the studio to record a full-length album?

OZ– In all honesty, there weren’t really any plans to do one, we were gonna carry on churning out the 7 inches. But I’ve never been totally happy with any of the albums we’ve done, either the Recording or the mixing has always been rushed and I wanted to do one album I’d be properly proud of where everything was right. So I mentioned it to Lee when we were playing in the US last year and twisted his arm until he Agreed haha.

 

Lee- I’d sworn I wouldn’t do one but then, yeah, Oz persuaded me. Part of it, too was that we had yet another person then fuck off (Joe Blow) and, in my/our own odd twisted way, we then think we need to go and show everyone again. I’m forever saying I’ve had enough n part of that is we just hit a point where it was evident, despite our ‘successes’ that we’d hit some bullshit Rocknroll glass ceiling. 

 

Can you reveal the title?

Oz– We could but we’re gonna keep it under wraps for now until we know how it’s gonna be released.

 

Lee– Nah – I’m gonna piss Austin off and tell you (I’m sure that it’s been mentioned online anyway). It’s going to be called ‘Stand for Nothing’. I first heard it as a negative/pessimistic expression but then realised how amazingly it also tied into the Malcolm X Quote ‘A man who stands for nothing will fall for anything’. It then gave it that potential duality of meaning and then I just loved it and resisted changing it. Most people will likely just read it as another ‘Oh the Priests are pretending to be all nihilistic again’ thing anyway.

How many songs will be on it?  Did you get a label yet mate?

Oz– The plan is that there’s gonna be 10 songs on the CD and 11 on the vinyl. As you know mate, we were on the verge of signing with SPV Steamhammer at the end of last year and actually had a draft contract but in true rock n roll cliché style, that all went to shit and we’ve since been looking for another label to release it. Ideally, it will come out on a bigger label that can sort us some PR and better distribution, as that’s what we’ve needed for a few years but we’ll see. If not we’ll do it the usual way I guess…..

 

Lee – As Oz said, we recorded 14 so ones gone towards a single and two have been left aside for the moment. We’re still trying to sort out who’s definitely doing it.

 

How did the writing process go?  how do The Hip Priests work? from inception to recording?

Oz– Slightly different to usual in that Lee actually recorded rough demos of the songs this time and sent them round to the rest of us, which made it a quicker process to learn them. We then knocked them around in rehearsal until they sounded right and went in and recorded them. We also did the album over three-weekend sessions this time rather than one long, painful week of recording which was way better for everyone’s sanity! In typical Priests style though we did end up squeezing in an extra tune a couple of days before the last session just to get another 7” down!

Lee– Yeah, I bought some cheap as little Boss recorder and did rough as fuck demos with me just playing a couple of tracks of guitar and doing a couple of tracks of vocals. I guess it helped with also deciding what we’d work on and what we perhaps wouldn’t.   The album started to give ideas of second guitar parts here and there. I guess the main thing that’s different on this album is the writing itself in that I’ve taken on different subject matters and characters even on this one. I really didn’t want to do another album that primarily about my fabricated ego, getting fucked up and/or fucking. 

 

You’ve gone from a four-piece to five what was the reasoning behind this move?  What have the two new boys brought to the band?  Introduce us and let us know a bit about them?

Oz– We’ve talked about getting another guitarist for a long time just to fill out the sound. In smaller venues we’d get away with it through sheer volume but when we played some bigger festival shows it was noticeable in places that it was lacking an extra guitar. Mike had been pestering us for a while to join and as some of the ideas Lee had for the new album were needing a bigger sound, we decided to give him a shot. Having just auditioned drummers and found Des we couldn’t really be arsed with auditioning again for a guitarist so we just told Mike to come down and if it worked he was in, simple as that. It does sound fuckin huge now too and Mike’s got the rhythm side of things nailed. I guess what they’ve brought to the band, as well as their playing, is some new enthusiasm cos the rest of us are pretty jaded haha.

 

Playing shows sporadically around shit island to a rabid audience of people who actually “get it” must make up for those that don’t get it?  Are people afraid of the Hip Priests?  Songs like the last 12″ (‘No Time’) left the listener in no doubt about how you view what’s going on here in 2018 is the album going to be songs of a similar vein?

Oz– Haha, I’d rather play to a bigger rabid audience, to be honest, but garage/punk ain’t ever been a big hit in the UK really has it? Rather than being scared of us, I think most people are still oblivious to us as, despite everything we’ve done, we’re still kinda under the radar to most people. The album’s a perfect mix I think, there’s some similar stuff on the state of the UK as well as tunes about wasting yr life playing this stuff, surviving as a band for over 10 years, the narcissism of social media……just no songs about fucking.

 

Lee– I still think people here especially don’t get us and we’ve never been welcomed into any of the Island’s nepotistic ‘punk rock’ scenes or it’s middle-aged seaside specials. We still exist totally under the radar – and because we’ve always been committed to the idea that we’d never beg or brown nose anyone it’s been a hindrance. But then again, how many other UK underground punk or whatever fucking bands are on their 24th 7” single, 4th album and get invited onto bills with the Hellacopters, etc. “Hey, boys – you can come to Holland all expenses paid and play with RFTC, The Turks and the Hellacopters or play with The Anti Nowhere League in some bogging seaside town?”. Haha. As regards ‘No Time’ being a prelude to the new album. Yeah – I guess it was in a way. It’s pretty fucking dark in many places. I’ve always been socially and politically aware but it wasn’t something I’d really allowed to come into my writing, bar just expressing anger and admittedly worthless negativity but then I got to the point where I simply couldn’t stop it. I could have rattled off 14 songs about the state of the UK but chose to kinda make it snapshots of other things too, none of them very cheery though! Hahaha. From the sociopathic psychos that you might find in any town (actually written the day after meeting some scary bloke in le Pub early this year) to Mainstream brainwashing media, Zombie Social Media, broken relationships, woeful self-medication, etc I imagine it’s sounding like a laugh a minute!    

You’ve played with some immense bands over the last few years and taken your blitzkrieg to mainland Europe – is there a different take on what you do over in Europe is there less judgment of a band like The Hip Priests?

Oz– They just understand rock n’ roll better in Europe and support live music in a way that the UK doesn’t. Some of the festival lineups we’ve played on have been ridiculous in terms of bands we love (The Hellacopters, Zeke, RFTC, New Bomb Turks and Nashville Pussy all on the same bill!) and that would never happen in the UK. In fact, you’d be lucky to ever get The Hellacopters or the Turks back in the UK.

The album will be out in early 2019 are there any other plans you can reveal that are being incubated?  Tours? Singles?

Oz– A lot depends on who releases it at the moment but there should be another 7” before the end of the year to keep you going and we have a couple of other spare tracks from the album sessions too. We’re working on a run of shows in the UK with Scumbag Millionaire in early 19 too but waiting to see what happens album wise before we confirm it.

Lee – Can I say the word ‘retirement’ again?

The Spasm Gang are a supportive bunch and when the band release a new record they tend to be limited numbers that get hoovered up straight away and when they become available on sites like Discogs they fetch silly money the rabid bunch are around several hundred strong what are the plans to expand that mentalist club and what exclusive goodies have you got in the pipeline for the album.

 

Oz – Yes, they’re a loveable bunch of nutters and obsessive collectors, pretty much like the band members! There’s actually 200 out there, from Australia to Brazil and everywhere in between, which is pretty amazing for a little band like us. Weirdly enough, we’ve never really pushed it so it’s organically just grown through word of mouth. Yeah, we always do an exclusive SG version of every release for members only, there’ll be one for the album but no idea what it will be yet.

 

Lee – You liar – I told you my mental new hair-brained idea for the album giveaway in the van the other day! I’m not saying here though! Yeah, the Spasm Gang fucking rule. The loyalty some of them have and effort they make for our little fucking group is sincerely humbling – even for a massive arsehole like me Haha. When people travel around the world to see you it’s pretty mind-blowing…

 

Lee you write all or most of the material now must be a great time to be Lee Love with such horrible so and so’s in charge of powerful countries and so many people breaking cover with right-wing agendas and racist views it’s like shooting fish in a barrel for you, isn’t it?  Would you like to write with anyone else?  if you had the chance who would you look to for a helping hand not that you need it obviously but as a vanity project?

 Lee- As I said, I could easily have written a whole album on how fucked up, scary, unfair, inequitable and more this nation and the rest of the world is starting to look but tried very hard not to.. I’ve never felt so fucking angry and depressed about it, how much worse it might get and what my son might have to fucking contend with. For this band to have overnight become some kind of agitprop band would have been a step too far.

As regards writing with someone else? I don’t know. Mind you, Oz wrote some lyrics on this one which I then adapted and made fit some tunes and it wasn’t long ago we did the Motherfucking Motherfuckers thing with our Bitch Queen boys but that more turned out that Harry rattled of half the tunes ‘n’ I did the others. Maybe the Priests are my vanity project Haha! It’s what happens somewhere between my ludicrous ego clashing with my crushing self-doubt. Actually, I’ve written a few super Aussieproto punk things recently which I might keep aside for something else for some fun. Perhaps I might sing ‘em too as I did a couple on the MFMFers. I don’t know, many days I just wanna stop and try to be ‘normal’ whatever the fuck that’s meant to mean.

Having played some superb festivals over the last few years and touring with your European boyfriends in Bitch Queens who else is doing it for you musically?

Oz – The Scumbag Millionaire album that’s about to drop is a scorcher for sure and Bitch Queens have a new one on the way too. Grindhouse from Aus are the best garage/punk band I’ve heard in a long, long time and hopefully, they’ll make it over here next year so we can hook up for some shows. I just got the Powerline Sneakers album (ex Bored!) which is fuckin great too.

Lee – I still listen to the same old Scandi/garage/rock ‘n’ roll shit I always did. Grindhouse are my biggest faves in a while – alongside all our mate’s bands like the Queens, Flash House, Rotten Foxes, Deathtraps etc.

 

Is this the best record you’ve ever made?

Oz – Without a doubt. Best songs, best playing, best production.

Lee – Yes. Everything else we’ve done there’s maybe a tune or lyrics that make me cringe a little. The lyrics on these I’d happily publish. It sounds like us still but I/we tried hard to change things a bit and fuck with arrangements, the usual kind of guitar parts, etc. I hope it’s noticeable! Haha

 

Who will be the first Hip Priest to record a solo record

Oz – Hopefully, nobody’s that much of a dickhead

Lee – Cheers! That’ll be me then. Haha

Right, it was time to let these two go about their business and with all that news in mind maybe its time to start getting excited about the new album when its released in early 2019.  Easily one of the most prolific bands to release records anywhere and the UK should be proud to have them.  when they play check em out when they release a record buy it you won’t be disappointed I promise you and if the last single is anything to go by they are getting better and better maybe they’ve gone through puberty and are growing into well-rounded adults… Nah they’re still the filthy – rude – foul mouthed garage punk rock and rollers they ever were its just they know what they’re doing now either that or they do a good job trying.  God bless the Hip Priests!

Bandcamp

Spasm Gang