Mutant voodoo blues noise is a great description of your music and a pretty good one at that – sure it’s obvious that the Gun Clubs Jeffrey Lee Pierce looms like a shadow over Saint but there’s more to this artist than that.

It’s been over two years since the debut album on Heavy Medication, and now Warsaw’s Jack Saint is back

 

Its dark,  Tom Waites meets Jim Jones dark as is obvious on “Reap What You Sow” from the outset.  The swampy ‘Worry Blues’ is edgy and experimental as the devil in Saint bellows from the vocals with the needle in the red, their Gun-Club-meets-Beasts-of-Bourbon vibe is darker and heavier than before, as the band mixes it up with new sounds and new textures. but even before that, the record opens with the smooth Jazzy ‘Hair of my True Love is Ice-Blond’ something even Nick Cave has dabbled with.  Sprawling over five minutes long is a brave opener and you realise straight away that you have to go on this journey with Jack Saint or it’s not worth bothering.

 

It’s raw and in your face. the more Cramps like ‘Moving On (Freight Train)’ is a bit of a stomper and the more experimental ‘Music Against Nature’ is a messed up hybrid of styles that does and doesn’t work so much as it staggers like a late night with Olly Reid.  One of the best tracks is the bruising ‘Severence Till You’ again stuttering and staggering with its heavy guitar sounding like an artillery volley before falling back into the groove.

 

The album closes with the Fuzztones like keys and guitar funk attack and a head explosion of an album is done.  I did enjoy it and will dip in and out over time I’m sure of it.  Late-night absynth induced experiences might help make sense of this record more than just playing it on some streaming site it was made to be indulged after dark and I like that and so should you.

Order yours from heavymedication.com. / Bandcamp
Author: Dom Daley

In a week when I hadn’t thought about New Bomb Turks in quite a while not one but two tribute albums drop and all of a sudden I’m transported back in time when a trip to TJ’s in Newport was an exciting time because one of the best-kept secrets in underground punk rock n roll was happening and along with bands like D4 and the Datsuns something was happening it seems like yesterday but it wasn’t and the old adage of time flies is certainly true and when I popped the CD in the player and I turned up the volume and peeled open the booklet and instantly recognised many of the bands taking part and was looking forward to some of the bands I’d never heard before taking on some great tunes and adding maybe a twist here and there.

 

First up is Berlins Hell Nation Army a band we’ve featured on RPM before so no surprise to hear them on this tribute with an impressive opener ‘Point A To Point Blank’.  There are eighteen tracks on offer here and as the booklet points out four are from Poland, not somewhere you instantly associate with dirty punk rock n roll but don’t let that put you off investigating because Poison Heart are right on the money here with a blistering take on ‘Snap Decision’.

 

This is an exceptionally well researched tribute and a great platform for many bands as the booklet tells the story of each tune with detail and a passion that shines through.  One of the best bands I’ve heard knocking out some sleazy punk n roll over the last few years has to be Doojiman & The Exploders who are at it again as they own ‘Automatic Teller’ which is a superb song anyway and done with much gusto here.

 

Warsaws Red Crap blast out the bass rumble as they annihilate ‘If I Only Could’ with no compromising on the attitude and quality another really great version from a band I’m off to investigate further. Randy Savages have a track on both the Turks tributes and why not I say because this version of ‘Leaving Town’ is exceptional it’s sleazy and greasy but with a melody to die for and they nail the harmonies making it one of the albums real highlights.

 

One of the best things about getting two tribute albums to the same band in the same week is there isn’t much overlapping at all (like magic that) and the fact they’ve recruited a couple of Australia’s finest in is another tip of the hat because no stane has been left unturned and no bar has been left untrawled as Howlin’ threads turn up the noise with a Rockin ‘Professional Againster’.

London dirty rockers Flash house are present and correct on the CD only track ‘I’m Weak’ which is set to rumble anything that’s not nailed down in yer house if the volumes right.  Sleazy and dark its another highlight to be fair.

Anyone for some Dog Toffee? ‘I’d Slip In’ is a belter full of attitude and slipping it next to those Satanic Overlords Of Rock And Roll is nice as they blast away ‘Tattooed Apathetic Boys’ like it was some long lost Ramones romp then to unleash the wah on the breakdown before setting the burners to blast off for the finish line.  Top tunes.  This album is bursting with great bands contributing some fantastic interpretations of someone else’s songs.

 

With bands from Texas to Italy there a world of talent out there as Smalltown Tigers throw their hat in the ring with a really impressive take on ‘Girl Can Help It’.  I’m sure they’ll be more widely known especially in the UK when they play support to The Original Damned when they do those shows next year.  you also get Puffball turning up the distortion on ‘Never Will’ even though these Swedes don’t strictly exist anymore they like to keep their hand in so to speak and this compilation is all the better for it.

 

Punk rockers Moron’s Morons turn up with a barroom blitzing ‘wine And Depression’ whilst Jack Saint twists the melon with a delta bluesy take on ‘Grounded Ex Patriot’ it’s like the Gun Club never happened with this tip of the hat take.   As we head into the final furlong the tasty Tongue Action have a sleazy Rockin’ take on ‘Telephone Numbrrrr’ but when you’ve paid your dues playing with Electric Frankenstein, Texas Terri Bomb and Killer Hearts was it ever in doubt that this was going to rule?  Course not.

 

It only leaves two more entries with the band who opened proceedings Hell Nation Army to knock out a brutal ‘I Want My Baby…Dead!’ so its a rough and ready trip to the land of the rising sun and Jet Boys sleazy ‘Killer’s Kiss’ which seems like a fitting full stop to proceedings and another exception tribute to New Bomb Turks who had plenty to say and said it so well and passed on the baton to so many who carry the torch into the unknown and hopefully back into the filthy corners of the world where Rock and Roll still matters.  Rock on kids and check out this tribute and the bands who’ve given their time and considerable talent for the good and the great.  Get it!

 

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Buy ‘Defiled!’  Here

*Includes a CD copy of the record, as well as a two-sided color, insert with information about the contributing bands. Tracks 9, 17 and 18 are CD-only tracks.So nobody misses out!*

Author: Dom Daley

In a week that was overshadowed and pretty much dominated by one thing and that was the sad and sudden passing of the incredible talent that was Pete Shelley.  It seems everyone throughout social media had a picture and/or a nice touching story about meeting or working with Pete who passed away at the age of 63 at home in Estonia of a suspected Heart Attack.

It was warming to see that even the BBC found it fitting to round off the day’s news with the reporting of his passing. It seemed that only when passing many people realise what an impact someone has on pop culture.  Sure Pete was never a style icon but man could he write a bittersweet song he spoke to the lovestruck teen who wasn’t part of the cool club and outsiders everywhere were affected as well as many up and coming musicians who fitted the remit of his songs  bands who later took his influence and turned it into something all together bigger.  BAnds such as Nirvana who took Buzzcocks on tour to audiences they could only dream of pulling which gave them a new lease of life.  Bands such as Green Day wouldn’t, in turn, have made the music they did if it wasn’t for Pete and his tunes – in fact, he wrote dozens of them quite literally he was the undisputed king of punk rock 45’s enjoying numerous forays into the top 40 as well as the soundtrack to many a film and tv advert looking for a catchy, snappy immediate tune Shelly had em by the bucketload.

As recently as this past summer Buzzcocks were easily one of the standout bands from the Rebellion festival weekend where they understood that having seventy minutes to play it was a case of 1-2-3-4 hit after hit which they usually delivered at ear-splitting volumes. Taken way to early Pete’s passing is monumental and a real loss to fans globally and our thoughts go out to his bandmates, crew and family at what must be a very difficult time. Rest In Peace Pete Shelley.

As for happier things over the last seven days, RPM brought you reviews from Poland in the shape of the excellent Jack Saint, Scotlands Heavy Drapes and to round the week off the brand new EP from UK Subs. The big-ticket items on the live front would have to be a bunch of shows we covered by The Damned, The Alarm & Ryan Hamilton, as well as a cracker Ben witnessed by the Virginmarys and we started it all off last weekend when Nashville Pussy played Cardiff.

 

Keep it RPM and stay sick!

 

Considering its size Poland has yet to really lay a glove onto the blueprint of Rock and Roll yet a lot of the bands I speak to that tour there rave about the reception they get and how passionate the fans are for Rock and Roll. so in 2018 it’s strange to think that underground Rock and Roll is still so far underground that everywhere else never gets to hear about it. Well, let RPM change that misconception as we champion this new CD from Poland’s Jack Saint.  Their garage rock n roll has a lot of traditional dark tones and some familiar influences and if you needed to know what side of the track these boys walk there is a cover of the Gun Clubs ‘Stranger In Our Town’ thrown in for good measure and a way of tying their flag to the mast.

Its dark, swamp blues with a very healthy dose of Gallon Drunk meets the Birthday Party meets the Gun Club if you’re looking for a line in the sand and know what I mean?  It’s unmistakably in that ballpark.  If I was to be picky and complain then it would be that a couple of the songs might be a tad overly long when they clock in at almost six minutes but if it needs it then that’s fine but a couple of these don’t but maybe that says more about my concentration span than the bands songwriting.  It’s only a minor gripe to be fair.

Album opener ‘Stop Hanging On Ma Door (Lil’ Bitch)’ sets the tempo with a groovy little number with an overdriven riff its got the DNA of the Stooges and associated bands but it’s not copying or aping their heroes. The first video (included below) has some of the Nick Caves about it which again isn’t a bad thing at all and I love the guitar breaks and the way they work with the hypnotic bass line – nice tune no doubt about it. Including the Gun Clubs ‘The Stranger In Our Town’ is an easy choice and its done very well indeed.

I also like the Swampy stomp of ‘Beer For A Dollar’ with its excellent rhythm. To be fair as the album progresses the Bass sound edges forward and takes a prominent place in the mix and that’s a good thing because some of the bass lines are great and set the tone for the song – ‘One Jump’ is chaotic and rough and a lot of that is to do with a driving bass line.

 

To close the album they take on the Laughing Hyenas ‘New Gospel’ with its sparse arrangement and honking Harp it’s a great way to close off a very impressive debut offering.  Hopefully, Poland is listening to the sound of its underground and it won’t be long before the kids catch on and Jack Saint are at the forefront of a musical avalanche from Central Europe.

Buy Jack Saint Here

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Author : Dom Daley