SAMI YAFFA, best known for his work with New York DollsMichael Monroe Band and Hanoi Rocks has released “The Last Time”, it’s the first single taken from his first solo album “The Innermost Journey to Your Outermost Mind”, out on September 22nd, 2021 via Livewire/Cargo Records. ‘The Last Time‘ can be streamed on Spotify

The Last Time is one of the first songs I wrote for this album when still living in Brooklyn NY back in 2015. It’s a story about two people whose communication is stuck. How hard it is to change one’s habits, no matter how much one wants it. It’s about the frustration and distress of addiction” – Sami Yaffa

Line Up:

Sami Yaffa – Vocals, Bass Guitar (Hanoi RocksMichael MonroeNew York Dolls)
Rich Jones – Guitars (Michael Monroe Band)
Christian Martucci – Guitars (Stone Sour)
Rane Raitsikka – Guitars (Smack)
Timo Kaltio – Guitars (Izzy StradlinCheap And Nasty)
Janne Haavisto – Drums

Produced by Sam Yaffa. Mixed by Erno Laitinen. Mastered by Pauli Saastamoinen At Finnvox Studios. Recorded by Erno Laitinen / Sam Yaffa / Janne Haavisto / Jose “Puter” Puigserve.

Sami Yaffa has had a unique career as a musician. He joined the punk band Pelle Miljoona Oy at the tender age of 16 and played on the bands now legendary album Moottoritie On Kuuma. Pelle Miljoona Oy was Finland’s number one band at the time, but Yaffa and his future cohorts were aiming higher: as an original member of the band Hanoi Rocks, he spent the first half of the 80’s as an international rock musician with all its ups, downs and trappings. The band influenced many of the acts that would later become huge in the world of Rock n’ Roll – including Guns n` Roses.

After the break-up of Hanoi Rocks, Yaffa was asked to join some of the most notable artists in R’n’R history such as Joan Jett and The Blackhearts 2002-04, as well as one of Hanoi Rocks’ major influences, the New York Dolls 2004-10. In 2009 he started a band with the Hanoi Rocks singer Michael Monroe. This collaboration continues to this day, but now Yaffa is also releasing music under his own name.

The idea for the solo album started to take shape a few years back. Previously I had written music for the New York Dolls and the Michael Monroe Band, but now some of the songs that I was writing and had written, started to sound more and more like my own stuff instead of what I would write for those bands.

What kind of music does Yaffa release under his own name then? Versatile. “I’ve always loved bands like The Clash and Rolling Stones. They could write country, funk, reggae, rock`n`roll or jazz without fear and make it their own. I wanted to have that same kind of versatility and freedom for my own record.

The album has wide influences, but that is hardly surprising to those who have followed Yaffa’s career: in addition to his own musical career, he has been getting to know the musical traditions from different parts of the world as the host and co-creator for the Sami Yaffa: Sound Tracker TV series. “However, my roots are deeply in punk and rock`n`roll. I don’t shy away from that.

Even though it’s a solo record, Sami has always been a member of bands and because of that, a team player. Yaffa mentions a couple of names without whom the record would not have come to completion – at least the way it finally became. The first to mention is a childhood friend, drummer Janne Haavisto with whom Sami made his first forays into the world of music. Sami and Janne created the basic tracks together and invited valued friends and musicians to collaborate on the album. Rich Jones, the guitarist from the Michael Monroe band helped pull together a lot of the songs lyrically, Christian Martucci from the band Stone Sour played guitar on half of the album, the other half was played by another old friend Rane from the cult band Smack and Sami’s old bro from the Hanoi days, Timo Kaltio.

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Frankie + The Studs LIVE stream shows are coming on 2nd & 3rd October, these are free events but with limited numbers. Click  Here for more info or RSVP to the Dice links below.

To celebrate the release of “(Not Your) Victim”, Frankie And The Studs invite you to join them (virtually) at the Gibson Showroom in LA for an exclusive, fully electric live show!! Tickets are FREE but limited, so make sure to RSVP.
Your ticket will also give you exclusive access to a live Q&A. Should you wish to make a donation and/or purchase some of the brand new designs in the merch store after the show, 10% of the proceeds will go to the totally amazing @chicasrockerassela

 

U.S.: Here 8pm PST / 4am BST / 5am CET

Australia: Here 8pm ACT / 1pm BST / 2pm CET

Hollywood rock ‘n’ roll band Frankie and The Studs have recently unleashed their killer new single ‘(Not Your) Victim’, out now via Punktured Media. Frankie and The Studs just penned a deal with Australia’s Punktured Media, with ‘(Not Your) Victim’ the first offering.

Frankie had this to say about their new single: “(Not Your) ‘Victim’ is a song inspired by the inherent strength women possess. Through the challenges of living in a patriarchal society, we can never have  enough reminders of our innate superpowers as women. Women supporting women is a powerful force to be reckoned with and this
song reminds us to do just that
.”

Written by Frankie Clarke and Anthony Stasi and produced by Paul Miner at Buzzbomb Studios CA, ‘(Not Your) Victim’ breaks in an era where women are empowered and independent. Potent lyrics, energetic and extremely catchy, this track makes a strong statement and conveys what can be achieved when women stand up and unite.
Frankie has a prolific family history in the music and fashion industries…it’s flowing through her veins. Influenced by the leather clad rock icons Suzi Quatro and Joan Jett, Frankie has her own designer style with the band, echoing ‘70’s rock.

A savvy businesswoman on one side and on the other.….when she hits the stage with The Studs and dons her guitar, she ignites the verve that is Frankie and The Studs! There’s no middle ground here folks, this quartet uses power-chord shout-outs and spiky lullabies to define their nighttime worlds and busted hearts.

‘(Not Your) Victim’ is available on all your favourite streaming and digital platforms from September 18th.

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Tuk Smith & The Restless Hearts was due to be opening act for Mötley Crüe stadium tour starting this month before it was postponed to 2021, however, despite this, Tuk is thrilled to announce the release of the new EP Covers From The Quarantine on 12th June 2020, via Better Noise Music. The release will be available on streaming platforms and can be accessed here.

Because of the Covid-19 pandemic the music industry is now in flux, live performances are on hold, and the music community, as we know it, has been forced to adapt to these new challenges. Covers From The Quarantine is Tuk’s resilient contribution to the music community, throughout the quarantine period he kept creating new material and performing originals & covers for rock lovers with his bi-weekly live-streams.

Tuk comments: “I decided to record some acoustic cover songs in my attic home studio to keep sane during the covid-19 lockdown. These songs and EP are not a representation of who I am as an artist, I just felt like I should try and contribute with something creative and positive in such uncertain times. Also, with all my tours being cancelled or postponed and my album pushed back I feel like it’s important to stay connected with fans. When picking the track list I chose them based off my moods during the quarantine. I recorded this EP without electric guitars and just used acoustic, keys, and some drum samples to make up my one-man band. It definitely gives the body of songs a vibe of its own.”

LA Weekly, in their endorsement of his streamed performances, says: “The guy has a glorious sound that straddles the line between glitter stomp and punk poet“. This is spirit behind Covers From The Quarantine, a collection of Tuk’s favourite tracks recorded in his attic studio, served stripped down to their very powerful core: David Bowie’s ‘Life On Mars’INXS’s ‘Don’t Change’, Lana Del Rey’s ‘Summertime Sadness’ and more.

Each song on the EP represents a moment, a mood of Tuk’s quarantine. He continues: “David Bowie’s ‘Life on Mars’ was the biggest challenge for me to translate. The chord structure and arrangement are pretty unconventional once you open the hood up. It’s always good to push yourself so I enjoyed it. Bowie has continued to be a staple of inspiration for years so thought I’d take a swing at it. Hope he digs it.

When speaking about INXS’s Don’t Change Tuk says: “I’ve been wanting to cover ‘Don’t Change’ for a few years now live with a band and just never got around to it.”

Another key track on the EP is Lana Del Rey’s Summertime Sadness: “In ‘Summertime Sadness’ I had to change a few words out to be sang from my perspective … listen close and you’ll hear me mention a Rod Stewart hairdo and my Cuban heel boots. This song was way out of my comfort zone and wheelhouse … I still struggle whether or not I should have done it … oh well! Once again, I wanted to challenge myself and see what would happen. At the end of the day a good tune is a good tune. The lyric and feeling of it seem appropriate for the times.”

Tuk Smith bleeds for rock & roll, the kind that stays true to its roots, the kind the classics were built on. After building a career as the frontman for BITERS, Tuk will be launching his solo career with his band The Restless Hearts on his Better Noise debut Looking For Love, Ready For War. Produced by the legendary Rob Cavallo (Green DayPhil CollinsKid Rock), the album unifies multiple musical styles and showcases the versatility of Tuk’s songwriting. Tuk Smith & Restless Hearts were set to join Mötley CrüeDef Leppard and Joan Jett on their epic US stadium tour this summer; however, due to Covid-19 pandemic all touring activity is currently on hold.

Covers From The QuarantineTrack Listing:             
1.  Don’t Change
2.  Life On Mars
3. Hard Luck Woman
4. Summertime Sadness
5. Behind Blue Eyes

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If rock is dead, someone forgot to tell Tuk Smith. He flies the flag for the genre in the same way as today’s rock idols have.  So it is only fitting he open for some of them – Mötley Crüe, Def Leppard and Joan Jett will ‘introduce’ Tuk Smith &The Restless Hearts via their upcoming stadium tour.

After cutting his teeth — among many other things — for nine years as the frontman for the Atlanta rock band Biters, Tuk’s solo debut sees him further expanding the reaches of his musical vision into an album that unifies multiple musical styles. Tuk’s debut album, Lookin’ for Love, Ready for War,showcases the versatility of his songwriting. From instantly infectious anthems to intricately arranged rockers and  Americana-tinged ballads the album favors dedication over debauchery. In many ways it’s a musical homecoming for Smith that shows that though he’s covered with battle scars from perfecting his craft, he’s come out on the other side with an amazing collection of songs.

Produced by the legendary Rob Cavallo (Green Day, Eric Clapton, My Chemical Romance) explains “People that really like honest-to-god Rock and Roll – this is the kind of stuff they’ll love.  If you are a Tom Petty fan or aBruce Springsteen fan, if you like really great old-fashioned American Rock and Roll then I believe you’ll like Tuk’s music because it’s cut from that same cloth. It’s original and it is it’s own thing, I think he’s the real deal!”  “What Kinda Love,” is an instantly infectious anthem that unifies Tuk’s love of rock, punk and glam into a unique amalgam of what’s missing from today’s musical landscape. “What Kinda Love” has Joan-Jett-meets-John Mellencamp grandeur and is part of a collection of songs that are a testament to the fact that you don’t need to follow trends in order to create art that fosters a connection with your audience.

Tuk produced and wrote the video, of which he explains “I think when people first hear the song they might not get its meaning right away. I wanted to create a narrative in the video that helped complement the lyrics. Having full creative vision as an artist is as rewarding as it is daunting. If something doesn’t pan out right there is no one to blame but yourself, but it’s the best feeling when your vision becomes reality. I had so many close friends and family act, be extras, and work on videos with me. I’m so lucky to have such a pool of talent and characters to pull from.”


Mötley Crüe, Def Leppard, Joan Jett  – introducing Tuk Smith & The Restless Hearts tour dates
Sunday, June 21                     SAN ANTONIO, TX      Alamodome
Tuesday, June 23                    KANSAS CITY, MO     Kauffman Stadium
Thursday, June 25                   ST. LOUIS, MO                       Busch Stadium
Saturday, June 27                   MINNEAPOLIS, MN     U.S. Bank Stadium
Monday, June 29                     NASHVILLE, TN          Nissan Stadium
Thursday, July 2                      CINCINNATI, OH          Great American Ballpark*
Friday, July 3                           CLEVELAND, OH         FirstEnergy Stadium
Tuesday, July 7                       MIAMI, FL                    Hard Rock Stadium
Thursday, July 9                      ORLANDO, FL             Camping World Stadium
Saturday, July 11                     CHARLOTTE, NC        Bank of America Stadium
Tuesday, July 14                     ARLINGTON, TX         Globe Life Field
Wednesday, July 15                 HOUSTON, TX                        Minute Maid Park
Sunday, July 19                       SAN FRANCISCO, CA  Oracle Park
Thursday, July 23                    SAN DIEGO, CA          Petco Park
Saturday, July 25                     PHOENIX, AZ              State Farm Stadium
Sunday, August 9                    ATLANTA, GA             SunTrust Park
Tuesday, August 11                 HERSHEY, PA             Hersheypark Stadium
Thursday, August 13                BUFFALO, NY              New Era Field
Saturday, August 15                PHILADELPHIA, PA     Citizens Bank Park
Sunday, August 16                  PITTSBURGH, PA       PNC Park
Tuesday, August 18                 MILWAUKEE, WI         Miller Park
Thursday, August 20                DETROIT, MI               Comerica Park
Saturday, August 22                WASHINGTON DC       Nationals Park
Sunday, August 23                  FLUSHING, NY                        Citi Field
Tuesday, August 25                 BOSTON, MA              Fenway Park
Friday, August 28                     CHICAGO, IL               Wrigley Field
Sunday, August 30                  DENVER, CO               Coors Field
Wednesday, September 2        SEATTLE, WA             T-Mobile Park
Saturday, September 5             LOS ANGELES, CA     SoFi Stadium

*pre-sales begin January 13 and general on-sales begin January 17

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Rock photographer Bill O’Leary has a book Featuring over 175 full color concert images from the ’70s through ’90s of icons like Van Halen, Rush, Judas Priest, Kiss, Ozzy Osbourne, Queen, Pink Floyd, Zappa, and more Available Here
During his career, photographer Bill O’Leary took pictures of some of rock’s biggest names at the peak of their powers – Van Halen, Rush, Judas Priest, Kiss, Ozzy Osbourne, Queen, Pink Floyd, Frank Zappa, etc. And now, he has opened his archives for the first time ever – assembling a collection of not only his best images, but also, offering stories and recollections behind concerts he shot over the years. Indeed, this book is comprised of over 175 full color, live concert images photographed primarily from the late 1970’s through the 1990’s.

Artists include…AC/DC, Albert King, The Allman Brothers Band, Anthrax, Blues Traveler, Bob Seger, Cheap Trick, Def Leppard, Dixie Dregs, Foreigner, Frank Zappa, Grateful Dead, Hot Tuna, Jeff Beck, Jethro Tull, Joan Jett, Judas Priest, Kiss, Marillion, Mercyful Fate, Michael Schenker Group, Molly Hatchet, Mötley Crüe, Motörhead, Outlaws, Overkill, Ozzy Osbourne, Pat Travers, Phish, Pink Floyd (The Wall), The Police, Queen, Rainbow, Reo Speedwagon, The Romantics, Rossington Collins Band, Rush, Scorpions, Slayer, Styx, Ted Nugent, Todd Rundgren’s Utopia, Triumph, UFO, Van Halen, White Zombie, XTC, Yes, Yngwie Malmsteen with Alcatrazz, and ZZ Top.

O’Leary says:
“Hard to believe that I have been shooting concerts for 4 decades now, beginning in the mid 70’s when I went to my first concert at the world famous Madison Square Garden in New York City. I felt at home among the walls of speakers and the towering lighting rigs, I also immediately knew that leaving the show with a ticket stub, program and maybe a t-shirt would not be enough, so I had to capture the memory permanently. Within’ weeks I had traded my Sony home stereo system for a black leather jacket and my first Minolta SLR camera. After a brief learning period experimenting with the constantly changing lighting and vast array of colors, film speeds and the quick movements of the artists, I was told by many people that I was a “natural”. I have always felt that “knowing” the music deeply and being passionate about it as well, really was the “secret” to capturing the “moment”. With that confidence, I was soon shooting many concerts, 46 in 1980 alone. By then I was also being published in many major magazines as well. In the early days, I practiced “gorilla type tactics” to get my equipment into the venue’s. Later, I was forced to play the game of securing credentials in order to shoot shows. All too soon, promoter and band management rules and demands on photographers began to take the excitement out of shooting shows. Then the ” first 3 song” rule became common, NO more pictures after the third song. Pro concert photographers know that the “best” part of a shows production comes later in the event. In the end, I’m glad to have been a part of the glory days of concert photography.”

FOREWARD by Freddie Salem of The Outlaws:
“Bill O’Leary has played an extremely important part in the rock n’ roll world, as the consummate live performance photographer for over 40 years. As a professional musician, rock photographers are a part of the music scene – whether it be shooting promotional shoots, live concerts, or simply capturing life on tour. Bill first photographed us back in 1979 – a couple years after I joined the Outlaws, at Madison Square Garden in New York City. We were touring in support of our latest album, In the Eye of the Storm. Madison Square Garden is a big show for any touring band – as well as me personally, as a musician. A landmark venue. The following year, 1980, Bill again photographed me onstage – twice. Once at a Pat Travers Band show at the Palladium in Lower Manhattan in April, then again later that fall in November, as the Outlaws were touring in support of our latest album, Ghost Riders. This time, we were playing a smaller venue in Passaic, New Jersey, called the Capitol Theatre. Hundreds upon hundreds of marquis performers from all over the world have been captured on film by Bill – with the help of his trusty camera. I am surely anticipating the release of Bill O’Leary’s book, featuring his life’s passion and his iconic photography work. Looking at the thousands of live photos Bill has shot over the years one thing is very clear – he knows when to “pull the trigger.”

Joan Marie Larkin better known as Joan Jett was born on this day in.1958. Parents James and Dorothy had their daughter in Pensylvania at Lankenau Hospital  Joan is the eldest of three children. Joan was fourteen when she got her first guitar then her family relocated to California and soon after moving her parents split when Joan took her mothers maiden name Jett and the legend was born after taking in Rodney Birgenheimers Disco where she was exposed to glam rock and nothing would ever be the same again.

Jett teamed up with drummer Sandy West. Jackie Fox, Lita Ford and Cherie Currie and The Runaways were born. Jett was originally the rhythm guitarist and occasional singer but took on songwriting credits the girl group got support slots with the likes of Cheap Trick, Van Halen and Tom Petty and also toured the UK and Japan where they became massive stars. The band managed to fit in five albums in their four-year reign at the second half of the ’70s.

Jett also got into punk rock in the late ’70s producing the Germs one and only album before singer Darby Crash lost his life.  the band also had one Pat Smear playing guitars who later went on to play with Nirvana and the Foo Fighters. Jett managed to team up with Cook and Jones when the Sex Pistols fell apart and managed to get them in the studio to record some classic tracks when in London with the most famous being the version of The Arrows classic ‘I Love Rock And Roll’ which would go on to become the one song Jett would be known for more than any other. after shooting an iconic video to accompany the tune.

When Jett was a solo artist she also added the band The Blackhearts who managed to recruit some class players in the line up over the years but the original included, Gary Ryan (Bass), Ricky Byrd on Lead Guitar, and Lee Crystal on drums. One Track from the early years that has seen itself pop up over the years in loads of films is ‘Bad Reputation’ which appeared on that debut solo album along with the classic ‘You Don’t Own Me’ that also features the Pistols Cook & Jones. It was a record that showed many sides to Jett and what she was capable of performing. the album missed out on entering the Billboard top 50 by one place but it was indeed a start.

 

hot on the heels was the album ‘I Love Rock And Roll’ whilst it never managed to reach the number one spot on the Billboard Charts it has managed an impressive ten million copies sold in its life. it did however spawn the singles ‘Crimson And Clover’ that hit the top ten and Jett had her first number one with the Arrows track that carried the same title as the album.  Jett is known for being happy to put a cover song on her records but this album was 50/50 original songs. Later Jett would pen and produce a lot of her records.

Jett still makes records and released ‘unvarnished’ in 2013 that was co-produced by Foo Fighter Dave Grohl who also co-wrote.  Also, it’s notable that Jett wrote and co-wrote nine of the ten tracks on the record. this time sneaking in the top 50 as well is no mean feat for a rock record. It was also Jetts first album since 2006s ‘Sinner’ and prior to that was the Japanese only album ‘Naked’ which also featured RPM favourite Sami Yaffa on Bass guitar.  Of the sixteen tracks Jett penned thirteen – one was a cover of the Replacements ‘Androgynous’ from their ‘Let It Be’ album.

Jett’s has her own model guitar which is a white Gibson Melody Maker, which she has played on everything since 1977. In 2008 Gibson released the “Joan Jett Signature Melody Maker”. which is some reward for being such an icon, not something Gibson hands out to just anyone. Jett is also happy to talk about animal welfares and is a big supporter of PETA, as she has been a vegetarian for over twenty years and is a supporter of environmental issues.  Still making music and touring Jett continues to play with a biography and an excellent documentary being released last year (entitled ‘Bad Reputation’), as well as continued interest in The Runaways her legacy, will forever be passed down through time as a real pioneer for women in Rock and judged for her music and not who or what she is Joan Jettalong with Debbie Harry are rightfully regarded as legends and all Joan Jett needs now is one of those flunko statues and my work here is done.  Put another (Joan Jett) record on the jukebox baby and raise a glass as we wish Joan Jett a happy birthday and here’s to another year and who knows maybe another album? That would be good.

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Stream Joan Jett Here

What’s that musty smell? Ah yes, it’s emanating from the veritable feast of vintage collectables housed in the Pop Culture Schlock archive. For your delectation today I take you back to the Christmas of 1979; a seminal decade of music about to come to an end and give way to the dawn of a more brash, more brazen ten year period…

 

If you were a good, music-loving boy or girl in 1979 and had a.) done well in school, and; b.) not scratched your big brother’s vinyl, then there was a good chance that you’d find the Rock On! Annual 1980 nestled under the Christmas tree in your modest living room.

 

“The Rock What Annual?” I hear you exclaim, and you shouldn’t be embarrassed at your lack of knowledge on this subject because, truth be told, Rock On! magazine was a short-lived, oft-forgotten publication… if you’d ever heard of it at all.

 

Rock On! magazine debuted with an issue cover-dated May 1978. Debbie Harry featured on its cover and the mag – costing a whole 25p – promised a healthy mix of punk, new wave, heavy metal, and prog rock. It kept its promise too as, over the course of seven eclectic issues, Rock On! dished out features and photo spreads on a dizzying cadre of top musical combos; from Status Quo to Sham 69, The Clash to KISS, Rush to The Rezillos. Meat Loaf graced a cover, Ozzy, too, until Issue 7, with Jimmy Pursey as its cover star, and cover-dated November 1978, when Rock On! disappeared from newsagent shelves. The editorial in that final issue wrote of the outrage of cutting off such a desirable publication in its prime but, if anything, Rock On! was a victim of its own blurring of genre lines: readers seemingly wanting specialist publications dedicated to singular strands of the rock ‘n’ roll world rather than this ambitious crossover style.

 

That final editorial, though, did offer some hope for the future; stating that it was the last Rock On! “in its present form”. Fast forward to around a year later and, in the Autumn of 1979, the true final piece of the Rock On! jigsaw arrived in shops and catalogues to complete the punk ‘n’ prog rocking picture.

With a scorching hot live photo of Thin Lizzy’s Phil Lynott on the cover, Rock On! Annual 1980 (price – £2.00) may well have been jostling for attention on the shelves alongside big-hitting television and film spin-off annuals, but it certainly looked the most badass. It was, the cover screamed, packed with pictures, facts, and quizzes on your favourite rock bands. It did not disappoint.

 

The heady mix of photo spreads and more in-depth features on select bands really did make Rock On! stand out from its competitors, and this annual amps that angle right up to eleven. The first photo spread was a “Tribute to Vocal Power!!!” (yes, with three exclamation marks) and featured cool live action shots of Joe Strummer, Johnny Rotten, Cherie Currie, Pete Townsend, Willy DeVille, Graham Parker, Joan Jett, and Mick Jagger. A good start, I’m sure you’ll agree.

Next up, a photo diary detailing a “hard band” going “soft” as The Stranglers met their devoted fans, followed by a quartet of stinging live shots of “the band the critics love to hate”, Status Quo. Rock On!’s attitude to those Quo critics could be “summed up in two fingers” readers were informed.

 

With barely a pause for breath, a six-page A-Z of Heavy Metal feature detailed the prime acts in the genre, from AC/DC to, erm, Wishbone Ash. A-W, then. A few curious names in this run-down, too: Prism, Quartz, and Mahogany Rush rubbing shoulders with the expected likes of Whitesnake, Black Sabbath, Judas Priest, and, a firm favourite on the turntable at RPM HQ, Uriah Heep. A “Heads Down Heavy Metal Quiz” followed: a select question being “On Your Feet Or On Your Knees was a double live album for which heavy metal superstars?”

 

A Ten Years of Genesis feature followed, the first in a series of in-depth essays by John Tobler. His similar two-page spread on the history of Queen followed, as did those dedicated to Thin Lizzy, Blue Öyster Cult, Rush, and KISS. The latter, subtitled “Kings of Shock Rock”, wrote of “the forty foot columns of fire that emit from Gene Simmons’ mouth” and, c’mon, if you were eight years old at Xmas 1979 you had every excuse for then falling head over platform heels in love with the idea of the hottest band in the world.

There was a Rock On! reggae report, a fashion guide of sorts where the Quo’s Rick Parfitt spoke of his love of jeans and Hugh Cornwell of The Stranglers of his love of raincoats (!), a Hi-Fi buying guide, a feature on sound engineers, a top DJ article covering John Peel and Anne Nightingale, plus one-page specials on Peter Gabriel and Ken Hensley of the Heep.

 

A photo spread of Ian Dury swimming (just your seven shots) padded out the pages, but not before an impressive photo set of live Black Sabbath shots appeared, a Star Cars article featuring Steve Jones, Meat Loaf, Midge Ure, and, ominously, Cozy Powell, a “Cult Heroes” feature detailing the likes of Iggy Pop, Nils Lofgren, Todd Rundgren, Tom Petty, and Bruce Spingsteen, and a “Sex ‘n’ Girls ‘n’ Rock ‘n’ Roll” spread featuring Debbie Harry, Joan Jett, Siouxsie Sioux, Linda Ronstadt, Annie Golden, Poly Styrene, Stevie Nicks, and Rachel Sweet.

 

A “That Was The Year That Was” feature dedicated to 1978 was an obvious leftover from the previous year’s magazine and makes for entertaining if a little sombre reading amongst the other genuinely funny articles. Rock On! was a cool magazine, with its tongue firmly in its cheek and its love of a broad range of music at the forefront of any thinking. Your Uber Rocks, your RPMs are all subconscious descendants of Rock On! magazine.

No annual is complete, however, without a pull-out poster section (even if no kid ever dared pull a poster out of an annual!), and Rock On! Annual 1980 does not disappoint in that department. There are pin-ups of the aforementioned Pursey, Rezillos, Dury, Harry, Clash, and Lynott, plus Bob Geldof, Paul Weller, Freddie Mercury, David Lee Roth, Jon Anderson, Elvis Costello, Paul Stanley, and the Buzzcocks. Great photos too.

 

The Rock On! Annual 1980 may well be an uncommon piece in the average music memorabilia collection, but it is certainly a worthy one. Copies turn up on the secondary market relatively cheaply and, yeah, you should pick one up if you get the chance. The Rock On! staff were most certainly music journalist mavericks, and we’ve all tried to go there, right? Search for this precious, rockin’ tome… or you might never know how Rick Parfitt’s aunt ironed his double denim.

 

Thanks for reading, and for the feedback on my first column on the debut Alice Cooper comic. I’ll be back next month with something suitably archaic that the rock ‘n’ roll world tried to forget. Search for Pop Culture Schlock 365 on Instagram, Twitter & Facebook

So everyone loves Joan Jett right? Of course they do, what’s not to like? With a reputation that seems to grow on a daily basis, Joan Jett has endured several musical climate changes and still remained cool, respected by her peers and adored by her fans.  It seemed only a matter of time that a film in her honor would be made so ‘Dogwoof’ decided to take it upon themselves to carry that torch and just get it done in a shade over ninety minutes her life is there for all to see on the silver screen or in your living room as is now the case.

So popcorn at the ready dim the lights and let’s turn on and tune out its time for ‘Bad Reputation’…Some big hitting talking heads as we go back to day one with Jett. Back in the ’70s when Jett started The Runaways I guess u blokes won’t have a clue what it would have been like for an all-girl group it must have been twice as hard and must have taken some resolve just to survive let alone thrive but Jett comes across as single-minded and driven and then punk came to town and was a real game-changer for lots of reasons.  I loved seeing the footage of early Blackhearts gigs and hearing the news from the band which was very cool. Even Joan Jett got twenty-two rejection letters from record companies even at that time they didn’t do it for the money they just wanted to get a record out there. It seemed like an industry that was and possibly still is obsessed with sexuality and Jett has had to fight against that all her career.  Some of those interviews and their banal line of questions seem so out of step today and they should have been then as well.  Footage of the early JJ&TBH playing on Sunset Strip is so raw and in your face.

Releasing their own records and selling out through reputation and just being good at what they do is such an inspiration even now it gives you goosebumps.and the iconic video for I Love Rock N Roll and the look was inspirational and it seemed like all of a sudden the stars aligned and the band took off.  Great moments in Rock N Roll history and all of a sudden it seemed the world had forgotten she was the frontwoman and kudos was beginning to be shown. Maybe the UK wasn’t so obsessed with what sex a singer was as much as it seemed to matter in the States and Jett took hold on this island with the likes of Bowie jumping up on stage and being taken seriously by the radio and music fans alike.  I think the movie captures this for sure and having the likes of Billie Joe, Iggy and Dave Grohl all having a say shows the huge respect she has from her peers in the industry.

I also forgot Jett tried her hand at acting I guess ultimately shes as punk as it gets from starting a rock n roll band to starting her own label to acting she did what was true to herself and was honest and comes across as sincere and a loyal ally but ultimately she will be remembered for being a rock and roller, not a bird in a Rock n Roll band or some chic with a guitar.  The movie does tell her story in 90 minutes even if it was a lot to tell shes had some amazing musicians around her her whole career and that’s no accident either it might not be the most incredible or outrageous rock n roll story but it is certainly one worth telling and makes great TV.  The only downside is the lack of extras and I guess these days it would have been easy to tag on a rare live show or one from her own archive or complete videography, bloopers who knows just a little more bang for your buck I guess.  Fans will watch it and just get it and non-fans can kiss my ass Joan Jett is da bomb and one thing I know for sure is ‘I Love Rock And Roll’ just like Joan does.

Author:Dom Daley

Buy Bad Reputation Here

As the nights draw in and we speed towards Christmas and the mornings get darker and colder what better way to soundtrack the trip to work than with three of the best from three of our favourite bands.

Up first has to be a topical one from this past week as Generation Sex took the stage to perform some classic tunage it simply wouldn’t be fair to pass up this opportunity to play this classic from 79

 

Another classic from the vaults and topical seeing as a new movie hit the theatres this week the movie in question is Bad Reputation and that can only mean Joan Fuckin’ Jett!

Now settle down boys and girls because to finish off this awesome and uplifting trio of video smashes is Role Models and a song from their last album ‘Manette Street’ which also appears on Ginge Knevils charity album that can be purchased here