Punk the Capital: Building a Sound Movement

Punk the Capital: Building a Sound Movement
Punk the Capital: Building a Sound Movement
A documentary about the rise of punk rock in the town that needed it most… Washington D.C. (1976-1983)
Available digitally everywhere on June 29th – Pre-order now on Apple TV and iTunes
Featuring Bad Brains, Minor Threat, Void, Rites of Spring, and more, including a never-before-seen entire Super-8 archive of early DC punk footage and interviews from Henry Rollins,
Ian MacKaye, H.R., Cynthia Connolly, Jello Biafra, Joe Keithley, and many others
Blu-ray and DVD available now includes 50+ minutes of bonus shorts with
Scream, Void, The Cramps, and The Slickee Boys available via Dischord Records

When punk rock erupted in Washington DC, it was a mighty convergence of powerful music, friendships, and clear minds. This film explores the incredible challenges that this subculture faced when it took root in the Nation’s Capital in the late 1970’s.
Punk the Capital situates DC punk within the larger narratives of rock n’ roll, working as a powerful multi-layered story for both fans and non-fans of punk rock. Featuring musicians such as Bad Brains, Henry Rollins, Ian MacKaye, and Jello Biafra, this film dives deep into the ideas and sounds from this transformative music scene that not only redefined a genre but that created a widely employed model for DIY culture and political engagement.
Created by James June Schneider (co-director, editor), Paul Bishow (co-director), and Sam Lavine (associate producer, co-editor), Punk the Capital was theatrically released in over 50 cities, selected for key festivals (BAFICI, In Edit Barcelona, etc) and has garnered enthusiastic reviews from fans and the press alike (Rolling Stone, Film Threat… %100 on Rotten Tomatoes).
Since its premiere at the American Film Institute, most of the 60+ in- person screenings have been special events, with Q&As with the directors and Ian MacKaye, Henry Rollins, curator/publisher Roger Gastman, Bob Boilen, just to name a few.
Punk the Capital will be available on all digital platforms on June 29th, but is now available for pre-order on Apple TV and iTunes.
The film was released on Blu-ray and DVD in the US for Record Store Day on June 12th via Passion River and in the UK for Record Store Day on July 12th via Wienerworld. A portion of all DVDs and Blu Rays sold through Dischord Records will go to the DC based charity We Are Family.
As an added bonus, the discs contain 50+ minutes of short films from the archives of Punk the Capital:
  • Scream Meets The Hangmen: Featuring all of Scream including Dave Grohl
  • Void and Friends: A portrait of the cult hardcore band from the DC suburbs
  • The Seminal WGTB Concert: The legendary first punk concert for so many DC kids, The Cramps and total chaos
  • The Slickee Boys: Extra material on the band who got DC punk off the ground circa ’76

Punk The Capital – A Documentary

Punk The Capital – A Documentary
Punk the Capital: Building a Sound Movement
A documentary tracing the birth of punk rock in Washington D.C. (1976-1983)
Featuring Bad Brains, Minor Threat, Void, Rites of Spring, and more, with interviews
from Henry Rollins, Ian MacKaye, H.R., Jello Biafra, Joe Keithley, and many others
Premiering exclusively in Theaters and on Virtual Cinema nationwide beginning May 14th
DVD / Blu-ray to be released for National Record Store Day on June 8th via Passion River

When punk rock erupted in Washington DC, it was a mighty convergence of powerful music, friendships, and clear minds. This film is the first to explore the incredible challenges that this subculture faced when it took root in the Nation’s Capital in the late 1970’s.
Punk the Capital situates DC punk within the larger narratives of rock n’ roll, working as a powerful multi-layered story for both fans and non-fans of punk rock. Featuring musicians such as Bad Brains, Henry Rollins, Ian MacKaye, and Jello Biafra, this film dives deep into the ideas and sounds from this transformative music scene which continues to be influential culturally and politically around the world.
Created by James June Schneider (Co-Director, Editor), Paul Bishow (Co-Director), and Sam Lavine (Associate Producer, Co-Editor), Punk the Capital is Punk the Capital has been on the road since its World Premiere weekend in Washington D.C. held simultaneously at the American Film Institute and the Hirshhorn Museum (Sound Scene festival). The filmmakers took the film around the USA and Europe to festivals, cinematheques, cinemas, galleries and community spaces. It has been selected for festivals including In-Edit (Barcelona and Brazil) BAFICI, Leeds International Film Festival, and Sound Unseen.
Each screening has been an event, with at least one of the filmmakers present and for the majority of dates, there has been a special guest (Henry Rollins, Ian MacKaye, Cynthia Connolly, HR of Bad Brains and many others.) The goal of the team was to reach 100 consecutive in-person events. They made it to 50 before the pandemic began.
Schneider states:
“We were touring the film like a band would until the pandemic hit. Now as things open back up, we’re glad to kick off the theatrical release for a variety of reasons. Some of the cinemas where Punk the Capital will be showing, I screened my films back in 1997 when filmmaker Martha Colburn and I hit the road together. I’ve been thinking about them as we piece this together. Before we release the film on DVD/Blu-ray we wanted to undertake a big push with a theatrical release, part virtual, part in person, that I hope will do its part in getting some of these struggling indie cinemas some much-needed support. And we also are looking forward to sharing the film in these times since it’s an optimistic film essentially about building something new and constructive despite the odds.
The final version of our film that we’re releasing now is just the intense tip of the iceberg – our first cut was 7 hours long. In the end, we wound up focusing on the untold and improbable story of punk rock’s beginnings in Washington DC, that happened concurrently with cities across the western world. We took a lot of our extra material that otherwise might never have been seen and edited it together to make short films that will be in the bonus section on the DVD (and Blu-ray). One of the shorts focuses on the band Scream and their family connections to DC’s 1960’s legendary garage band scene.
As we roll the film out, we’ve been blown away by the positive response not just from fans of punk and DC punk who see and hear a lot of unseen material. We’ve also heard from a lot of people even up to 90 years old who don’t really like punk but who nonetheless love the film. We’re glad to see that Punk the Capital works on a lot of levels and are hoping that it will reach a broad audience since the DIY ideas highlighted in the film about the DC punk scene go well beyond the music.”

D.O.A.’s “Hardcore 81” Receives 2019 Slaight Family Polaris Heritage Prize Designation

D.O.A.’s “Hardcore 81” Receives 2019 Slaight Family Polaris Heritage Prize Designation
The Polaris Music Prize has announced D.O.A.’s Hardcore 81 and Oscar Peterson Trio’s Night Train albums have received 2019 Slaight Family Polaris Heritage Prize designation.

D.O.A.’s genre-defining hardcore punk album from 1981 was chosen over 11 other nominated albums in the Re:Sound-supported Heritage Prize public voting category, which ran this year from September 17 to October 18. This marks the first time a British Columbia artist has won the Heritage Prize. The Oscar Peterson Trio’s 1963 album by the legendary jazz pianist was selected by a 10- member Polaris Heritage Prize jury made up of music media and historians.

“Congratulations to these two winning artists. You’ve created important memorable recordings that have had a lasting impact on the musical landscape. I have tremendous appreciation for the work that has gone into creating these timeless albums,” said Gary Slaight, President and CEO of Slaight Communications.

The winners appreciated that these albums remain so relevant with the jury and the public decades after their initial releases.

“It’s pretty cool for D.O.A. and our fans to have Hardcore 81 recognized by Polaris. When it was released, we never realized that this album would give birth to the hardcore music genre and make an impact around the world,” said D.O.A.’s Joey ‘Shithead’ Keithley. “So this is an amazing moment for us.”
D.O.A. and the Oscar Peterson Trio now join a list of past Heritage Prize winners which include the likes of Leonard Cohen, Joni Mitchell, Neil Young, Alanis Morissette, Peaches, Glenn Gould, Dream Warriors and Harmonium.
“Re:Sound is proud to sponsor the Polaris Heritage Prize for the third consecutive year,” said Ian MacKay, Re:Sound’s president. “By spanning numerous decades and musical genres and incorporating both the jury and the public’s selections, we see winners who reflect Canada’s diverse and dynamic musical history. The shortlist and winners reinforce why we do the work we do to help build a thriving and sustainable music industry in Canada.”

Like the Polaris Music Prize, winners and nominees for the Heritage Prize are Canadian albums of the artistic distinction, without regard to musical genre or commercial popularity. This is the Polaris version of a hall of fame where we try to determine who would have been nominated or won the Prize before it began in 2006.

The Office of Gilbert Li, who curated the 2019 Polaris Music Prize posters and the posters for the 2018 Heritage Prize winners, will once again select the visual artists who’ll pay tribute to the two winning records in the form of Polaris Posters.

The 2019 Polaris Heritage Prize jury included Stephen Cooke, Del Cowie, Francella Fiallos, Stuart Henderson, Bob Klanac, Valerie Lessard, Trevor Risk, Tabbasum Siddiqui and Andrea Warner. Mary Dickie was the jury foreperson.

About the Polaris Music Prize
The Polaris Music Prize is a not-for-profit organization that annually honors and rewards artists who produce Canadian music albums of distinction. A select panel of music critics judge and award the Prize without regard to musical genre or commercial popularity. www.polarismusicprize.ca
D.O.A. was formed amidst a whirlwind of controversy and upheaval. In 1978, three guys fresh out of high school from the backwaters of Canada’s suburbs heard about the punk rock revolution. In February of that same year, the band formed and started playing shows. They soon realized that there were no record deals coming in any time soon.
Keithley (aka Joey Shithead) who was working towards being a civil rights lawyer before he found punk rock, concluded that the band had to take the “do it yourself” approach long before DIY became a popular concept. He formed a fledging record label called Sudden Death Records and the label released D.O.A.’s first snarling slab of vinyl, the Disco Sucks 7″ EP.
Disco Sucks soon became an underground hit and the band started touring from Vancouver to their newly adopted “home base” of California five to six times a year. In 1980, Keithley coined the term “hardcore” and the band soon released their landmark album Hardcore 81. The album became a hit, the hardcore movement took off, and D.O.A. pushed that expression into common vernacular.
Over the last four decades, D.O.A. have released 17 studio albums, sold over a million albums, and played 4,000 shows on five different continents. The band’s albums, shows, and attitude have won over three generations of fans and influenced the likes of Green Day, Nirvana, Offspring, Henry Rollins, David Grohl and The Red Hot Chilli peppers, to name a few. Keithley has also written two books: I Shithead: A Life in Punk and TALK – ACTION = 0.
From day one, D.O.A. has helped organize and lead hundreds of benefit concerts and protests for good and just causes like environmental issues, women’s rights, food bank benefits, and First Nations’ rights. They have organized protests and stood against war, racism, weapons proliferation, and countless other causes.
Keithley has been called a cultural politician, trying to change the world from outside the system. He’s currently running for Mayor of his home town of Burnaby, under the Green Party banner, attempting to change the system from inside. Keithley and the band were also ardent supporters of the Occupy Movement, realizing this was a step towards equality in our world. He is always looking for a way to push “grassroots democracy” and like his idol Pete Seeger, he and the band won’t give up.
When the band takes their wild, unbridled show live show on the road, it’s a must see, because it’s a chance to see one of the last real punk rock bands that gets out there, kicks ass, and tells it like it is. It’s a perpetual atmosphere of chaos, veering out of control, but somehow, at the last minute, D.O.A. manages to reign all of it back in. And in an indescribable way, you are not quite the same person afterwards.
TIME TO FIGHT BACK AND CHANGE THIS WORLD
TALK – ACTION = 0
Ya Hey! D.O.A. – Forty years and going strong
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