
Punk the Capital: Building a Sound Movement
A documentary tracing the birth of punk rock in Washington D.C. (1976-1983)
Featuring Bad Brains, Minor Threat, Void, Rites of Spring, and more, with interviews
from Henry Rollins, Ian MacKaye, H.R., Jello Biafra, Joe Keithley, and many others
Premiering exclusively in Theaters and on Virtual Cinema nationwide beginning May 14th
DVD / Blu-ray to be released for National Record Store Day on June 8th via Passion River
When punk rock erupted in Washington DC, it was a mighty convergence of powerful music, friendships, and clear minds. This film is the first to explore the incredible challenges that this subculture faced when it took root in the Nation’s Capital in the late 1970’s.

Created by James June Schneider (Co-Director, Editor), Paul Bishow (Co-Director), and Sam Lavine (Associate Producer, Co-Editor), Punk the Capital is Punk the Capital has been on the road since its World Premiere weekend in Washington D.C. held simultaneously at the American Film Institute and the Hirshhorn Museum (Sound Scene festival). The filmmakers took the film around the USA and Europe to festivals, cinematheques, cinemas, galleries and community spaces. It has been selected for festivals including In-Edit (Barcelona and Brazil) BAFICI, Leeds International Film Festival, and Sound Unseen.
Each screening has been an event, with at least one of the filmmakers present and for the majority of dates, there has been a special guest (Henry Rollins, Ian MacKaye, Cynthia Connolly, HR of Bad Brains and many others.) The goal of the team was to reach 100 consecutive in-person events. They made it to 50 before the pandemic began.
Schneider states:
“We were touring the film like a band would until the pandemic hit. Now as things open back up, we’re glad to kick off the theatrical release for a variety of reasons. Some of the cinemas where Punk the Capital will be showing, I screened my films back in 1997 when filmmaker Martha Colburn and I hit the road together. I’ve been thinking about them as we piece this together. Before we release the film on DVD/Blu-ray we wanted to undertake a big push with a theatrical release, part virtual, part in person, that I hope will do its part in getting some of these struggling indie cinemas some much-needed support. And we also are looking forward to sharing the film in these times since it’s an optimistic film essentially about building something new and constructive despite the odds.

As we roll the film out, we’ve been blown away by the positive response not just from fans of punk and DC punk who see and hear a lot of unseen material. We’ve also heard from a lot of people even up to 90 years old who don’t really like punk but who nonetheless love the film. We’re glad to see that Punk the Capital works on a lot of levels and are hoping that it will reach a broad audience since the DIY ideas highlighted in the film about the DC punk scene go well beyond the music.”
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